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Silverlens / Searching Sanctuary Curated by Gregory Halili
POPE BACAY, MARIONNE CONTRERAS, JIGGER CRUZ, ROCELIE DELFIN, DINA GADIA, MARK ANDY GARCIA, GREGORY HALILI, PAOLO ICASAS, BREE JONSON, POW MARTINEZ, MAYA MUÑOZ, RAFFY T. NAPAY, WAWI NAVARROZA, ELAINE NAVAS, BERNARDO PACQUING, PATRICIA PEREZ EUSTAQUIO, CHRISTINA QUISUMBING RAMILO, POPO SAN PASCUAL, NICOLE TEE, RYAN VILLAMAEL, LIV VINLUAN Copyright © 2020 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Gregory Halili. 2020 All rights reserved. No part of this essay may be reproduced, modified, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.88160044 F +632.88160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] If the current state of environmental decline continues its destructive path, then inevitably, nature will only exist as a memory. We live in a country blessed by natural abundance. Yet, we seem to believe that our resources are unlimited, depleting its wealth dry. In 1904, The Bureau of Forestry released the “The Forest Manual”, which contained the National Forest Act (No.1148) from the Philippine Commission pertaining to forest services and regulations. At this time, it is estimated that the Philippine forest cover was at 70%. -
The Ateneo De Manila University Sustainability Report for School Year 2012 - 2014 Contents GRI Report Profile
ATENEO DE MANILA UNIVERSITY SUSTAINABILITY REPORT JULY 2014 The Ateneo de Manila University Sustainability Report for School Year 2012 - 2014 Contents GRI Report Profile Strategic Thrust of Ateneo de Manila University 2011-2016 Reporting Period April 2012 – March 2014 Statement from the President Introduction to the Report Date of Most Recent Previous Report - Reporting Cycle Biennial The Ateneo de Manila University 10 Contact Point Ma. Assunta C. Cuyegkeng, Ph.D. History Population Director Vision and Mision Entities Ateneo Institute of Sustainability Ethics and Integrity Centers and Units [email protected] The Ateneo Community Stakeholder Engagement The Campuses Surveys In Accordance Option Core, not externally assured International Linkages University Activities and University Linkages Operations Stakeholders What Matters to Us The Ateneo Sustainability Report 2014 was prepared in accordance with the Global Reporting Initiative (GRI) G4 Guidelines. Economic Impacts 27 Economic Performance Indirect Economic Impacts Credits Environmental Impact Writers Contributors Layout Artist 33 Energy Effluents and Waste Assunta Cuyegkeng Jon Bilog Earl Juanico Aaron Corpuz Biodiversity Materials Abigail Favis Enrico Bunyi Carlie Labaria Social Impact Kendra Gotangco Katrina Cabanos Anna Mendiola 43 Marion Tan Trinket Canlas-Constantino Roi Victor Pascua Employment Local Communities Labor/Management Relations Rachel Consunji Carissa Quintana Andreas Dorner Jervy Robles Index 53 Zachery Feinberg Chuck Tibayan Sustainability Policies About the Ateneo Institue of Hendrick Freitag Aaron Vicencio Acknowledgements Sustainability Additional Photo Credits: Reuben L. Justo, http://reubenjusto.tripod.com (Old Manila Observatory) Manila Observatory Website, http://www.observatory.ph (Father Federico Faura, SJ) Aegis 2014 The heart of sustainability lives ‘‘ in the people, who choose to be ‘‘ responsible for themselves and the greater society, for the present and the future. -
Wawi Navarroza: Self-Portraits & the Tropical Gothic
WAWI NAVARROZA Copyright © 2019 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Wawi Navarroza. 2019 All rights reserved. No part of this essay may be reproduced, modiied, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.8160044 F +632.8160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] Coming from a string of moving places and foreign travels after the fire which destroyed her Taguig studio, Navarroza re-established herself in Manila at the end of 2018, signaling her return to studio practice, providing the venue for the elaborate mise-en-scènes we see in this new exhibition. The artist looks back and forward, coming full circle to a genre that has defined her early art-making and has punctuated an arc of more than a decade: Self-Portraits. Navarroza employs formal composition in tableau vivant large format which is staged for the camera. At the same time, she subverts photography in a way that the final image is rendered almost as a flat collage, deliberately controlled by lighting techniques and careful arrangements in the scenography. -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Download ART ARCHIVE 01
ART ARCHIVE 01 CONTENTS The Japan Foundation, Manila Introduction ART ARCHIVE 01 NEW TRAJECTORIES OF CONTEMPORARY VISUAL AND PERFORMING ARTS IN THE PHILIPPINES by Patricia Tumang Retracing Movement Redefining Contemporary Histories & Performativity Visual Art EXCAVATING SPACES AND HISTORIES: UNDERSTANDING THE CONTEMPORARY FILTERS: The Case of Shop 6 IN PHILIPPINE THEATER A View of Recent by Ringo Bunoan by Sir Anril Pineda Tiatco,PhD Philippine Contemporary Photography by Irwin Cruz VISUAL ARTS AND ACTIVISM IN THE PHILIPPINES: MAPPING OUT CONTEMPORARY DANCE Notes on a New Season of Discontent IN THE PHILIPPINES GLOBAL FILIPINO CONTEMPORARY ARTISTS by Lisa Ito-Tapang by Rina Angela Corpus by Jewel Chuaunsu BRIDGE OVER THE CURRENT: S A _ L A B A S / O U T S I D E R S: CONTEMPORARY VISUAL ART IN CEBU Artist-Run Festivals in the Philippines A Brief History of Why/When/Where We Do by Duffie Hufana Osental by Mayumi Hirano What We Do in Performance by Sipat Lawin Ensemble Contributor Biographies reFLECT & reGENERATE: A Community Conversation About Organizing Ourselves by Marika Constantino Directory of Philippine Art and Cultural Institutions ABOUT ART ARCHIVE 01 The Japan Foundation is the only institution dedicated to carrying out Japan’s comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster friendship, trust, and mutual understanding. With a global network consisting of its Tokyo headquarters, the Kyoto office, two Japanese-language institutes, and 24 overseas offices in 23 countries, the Japan Foundation is active in three areas: Arts and Cultural Exchange, Japanese-Language Education, and Japanese Studies and Intellectual Exchange. -
International Conference on Sport Pedagogy, Health and Wellness
INTERNATIONAL CONFERENCE ON SPORT PEDAGOGY, HEALTH AND WELLNESS 1 PE Plus: Retooling Physical Education for Inclusion, Development and Competition INTERNATIONAL CONFERENCE ON SPORT PEDAGOGY, HEALTH AND WELLNESS International Conference on Sport Pedagogy, Health and Wellness (ICSPHW) Copyright © 2016 by the College of Human Kinetics, University of the Philippines, Diliman. All rights reserved. 2 PE Plus: Retooling Physical Education for Inclusion, Development and Competition INTERNATIONAL CONFERENCE ON SPORT PEDAGOGY, HEALTH AND WELLNESS UNIVERSITY OF THE PHILIPPINES QUEZON CITY OFFICE OF THE PRESIDENT MESSAGE I am privileged to welcome all the guests and participants of the 1st International Conference on Sport Pedagogy, Health and Wellness (ICSPHW). No less than the world's top experts in health, human movement, and pedagogy are gathered here today to discuss important physical education and sports science-related topics over the next three days. While UP's commitment to academic excellence has always been the cornerstone of our success, this has at times been incorrectly conflated with a pursuit of purely intellectual brilliance. This misconception, no doubt fed by the false dichotomy of mind and body, has led to the misconstrued notion attributing UP's contributions to society to purely mental feats. This is of course far from the truth, and does not bespeak of the kind of liberal education that UP has historically espoused. We are lucky and grateful that the UP College of Human Kinetics (UP CHK) has been fully committed to bucking the stereotype and has been showing how well-rounded the Filipino youth can be. Since assuming its name in 1989, the UP CHK has been the base of operations and primary nurturer of UP's student athletes and athletic organizations. -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Synopsis and Write Ups
Synopsis and Write Ups SET A KUDETA! KUDETA! A coma patient and a disgruntled fallen angel join forces in a plot to remove Lucifer from power. It’s good versus evil and all the grays in between. About the playwright Jimmy Flores is a freelance graphic designer who dabbles in filmmaking. He has written scripts for indie productions such as Auraeus Solito’s Tuli and Boy, Lawrence Fajardo’s Raket ni Nanay and X-Deal, and just recently, Supremo and Mariposa Sa Hawla ng Gabi for Richard Somes. Kudeta! Kudeta! is his first foray into stage plays. About the director Ariel’s (ARIEL S.R. YONZON) love for the theatre grew through a chiaroscuro of different arts in the palette of his life – good literature, appreciation of fine music of the masters, excellent grasp of language, among others, that all blended beautifully together in his journey, first at the MET (Manila Metropolitan Theater) in the early 80’s and, later, on to campus theatre at the University of the Philippines, through the U.P. Anak-Tibawan, as actor and stage manager. But, his reverence for the arts was bound to bring him to the country’s Cultural Center of the Philippines, where some of the world’s best artists perform. As one who has had the privilege of climbing up the ranks, first as Theatre Usher (as he was then a working student), then, as Project Coordinator (for the CCP Musical and Dramatic Arts Divisions), and, finally, as Head of the CCP Theatre Operations Department, he brings a unique understanding of theatre production work, grasping fully what every facet of theatre entails and giving both artists and stage personnel all that is necessary to give the audiences stellar productions. -
'Bro' Takes Center Stage in 'Kapamilya' Christmas
Dec ‘09-Jan ‘10 Available online at www.Lopezlink.ph Season’s greetings from OML, MML and EL3…page 5 ‘Bro’ takes center stage in ‘Kapamilya’ Christmas Q3 financial results PASKO na, Kapamilya! ing Marketing’s company-wide Christmas ABS-CBN EBITDA You know it’s Christmas when décor in the tree lighting activity, Licensing’s Parol season’s colors start popping up on major thor- ni Bro, CCM’s tagline and station ID, reaches P5B...p.2 oughfares and the mall muzak is interspersed a Christmas bazaar and the Win sa with carols. And, for kapamilyas all over the world, Bituin viewers’ promo—into one Christmas is definitely around the corner when big campaign. the station ID featuring their favorite The core idea, in the beginning, singers, actors and other media personali- was simply to boost employee ties starts getting airplay on Channel 2. morale in the midst of the global For Christmas 2009, ABS-CBN came economic crisis and unite every- up with “Bro, Ikaw ang Star ng Pasko,” one in a ceremonial Christmas a “back-to-basics” campaign centered tree lighting ceremony. How- on “Bro,” as the child Santino calls Jesus ever, the idea was scrapped when Christ in the network’s sleeper hit “May they realized that there are “so many Bukas Pa.” Christmas tree lighting The campaign kicked off on Nov. events.” 4 with the launch of the Christmas station ID, and the lighting of an 18-foot parol led by ABS-CBN chairman Eugenio “Gabby” Lopez III, presi- dent Charo Santos-Concio and “ S o FPHC grants call other executives, and Kapamilya we said, why not talents, including Santino him- go back to the on half its Meralco self, Zaijian Jaranilla. -
Address Statement by Leovino Ma. Garcia, Dean of School of Humanities
1 Address by Dr. Leovino Ma. Garcia Dean of the School of Humanities at the Opening Ceremonies of the Map Exhibit “Putting the Philippines on the Map:The Belgian Contribution” Antique Maps from the Juana Madriaga Garcia-Natividad Galang Fajardo Collection Rizal Library, Ateneo de Manila University, Quezon City 17 February 2005, 7:00 P.M. Fr. Bienvenido F. Nebres, S.J., President of the Ateneo de Manila University Your Excellency, Ambassador Christiaan Tanghe of the Royal Belgian Embassy in ManilaYour Excellencies and Distinguished Guests from the Diplomatic CommunityAdministrators, Faculty, Staff, and Students of the Ateneo de Manila University, of the Loyola Schools, and last but not least, of the School of Humanities, a warm welcome to you all! Dames en Heren, Gooie Avond. Van harte bid ik u welkom aan de vernissage van de tentoonstelling “Putting the Philippines on the Map: The Belgian Contribution.” Mesdames, Mademoiselles, Messieurs, Bienvenu à tous et à toutes à l’ouverture de l’exposition “Putting the Philippines on the Map: The Belgian Contribution.” I first heard of Belgians when I was fourteen—in a Latin class in second year high school: “Gallia est omnis divisa in partes tres, quarum unam incolunt Belgae.” Translation: “Gaul is divided into three parts, of which one part is inhabited by the Belgians.” It is added: “Fortissimi sunt Belgae”—“The Belgians are the bravest [among these peoples].” Later on, at the age of twenty-two (young and full of hope), I saw a forgettable movie--“If it’s Tuesday, it must be Belgium!”—about a busload of Americans breezing through Europe in a week. -
2019 Self-Portraits & the Tropical Gothic
WAWI NAVARROZA Born in 1979, Manila, Philippines Lives and works in Manila, Philippines EDUCATION 2012 Master Europeo de Fotografía de Autor (European Master of Fine Art Photography), Istituto Europeo di Design-Madrid, Spain, scholarship award 2009 International Center of Photography, New York City, continuing education 2002 BA Communication Arts, with honours, De La Salle University, Manila, Philippines SELECTED SOLO EXHIBTIONS 2019 Self-Portraits & The Tropical Gothic, Silverlens Galleries, Manila 2017 Medusa, Silverlens Galleries, Manila 2014 Tierra Salvaje, Silverlens, Manila 2013 Ultramar pt. 2: Hunt & Gather, Terraria, Silverlens, Manila 2012 Ultramar pt. 1: Falling Into Place Gathered Throng, Silverlens, Manila 2012 On Landscape & Some Dislocations, Galería Patrick Domken, Cadaqués, Spain 2011 DOMINION, Silverlens, Manila 2009 Perhaps it was possibly because, Silverlens, Manila 2008 When All Is Said And Done, Artesan Gallery, Singapore 2007 100 Años Entre Nosotros/100 Years Between Us (Navarroza homage Frida Kahlo centennial), Instituto Cervantes de Manila 2007 Saturnine: A Collection of Portraits, Creatures, Glass & Shadow, Silverlens, Manila / McDermott Gallery, Siem Reap, Cambodia / ArtReflex Gallery, Saint- Petersburg, Russia 2005 Polysaccharide: The Dollhouse Drama, Blacksoup Project Artspace, Manila / Ateneo Art Gallery, Manila / La Trobe University, Bendigo, Australia SELECTED GROUP EXHIBITIONS 2021 (Upcoming) Tonight The Air Is Warm, Kristin Hjellegjerde Gallery, London (Upcoming), SF Camerawork, San Francisco (Upcoming) -
Mutable Truths
MUTABLE TRUTHS Perspectives on Philippine Contemporary Art Contents Contents Foreword Dr. Vincent Alessi 5 Foreword 5 Ma. Victoria T. Herrera & Yael A. Buencamino Vivienne Binns: Art and Life Dr Penny Peckham 7 Message Images 207 Ramon E.S. Lerma List of Works to come 60 9 ‘From little things,…’: The first decade of the AteneoPublishers - La NotesTrobe Art Exchange 62 Dr Vincent Alessi & Dr Trevor Hogan Mutable Truths: Perspectives in Philippine Contemporary Art 12 Ma. Victoria T. Herrera Artists 19 Publishers Notes 58 Foreword The partnership between the La Trobe University (LTU) and the A project of this scale can only be viable with the support of Ateneo de Manila University, now on its 17th year, is fortified by our respective university officials – Prof. John Dewar, Vice multi-faceted programs that are both academic and cultural. Chancellor, La Trobe University, and Fr. Jose Ramon T Villarin, Since 2005 this partnership was given another dimension S.J., President, Ateneo de Manila University -- both cognizant through an artist exchange program where the Visual Arts of the significance of cultural exchange in the context of Centre of La Trobe University has served as host to one of the continued institutional dialogue and cooperation. We are also winners of the Ateneo Art Awards, a Philippine contemporary grateful to Dr. Vincent Alessi and Dr. Trevor Hogan for their art prize given to artists below 36 years old. In 2007, the guidance and to the curatorial team of the La Trobe University engagement between the two university’s museums deepened for making this project possible including former managing with the commitment to host exhibitions curated by the other curator of LUMA, Michael Brennan, who worked with us in the every two years.