Lopez Museum Finds Its Contemporary Voice
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NATIONAL CAPITAL REGION Child & Youth Welfare (Residential) ACCREDITED a HOME for the ANGELS CHILD Mrs
Directory of Social Welfare and Development Agencies (SWDAs) with VALID REGISTRATION, LICENSED TO OPERATE AND ACCREDITATION per AO 16 s. 2012 as of March, 2015 Name of Agency/ Contact Registration # License # Accred. # Programs and Services Service Clientele Area(s) of Address /Tel-Fax Nos. Person Delivery Operation Mode NATIONAL CAPITAL REGION Child & Youth Welfare (Residential) ACCREDITED A HOME FOR THE ANGELS CHILD Mrs. Ma. DSWD-NCR-RL-000086- DSWD-SB-A- adoption and foster care, homelife, Residentia 0-6 months old NCR CARING FOUNDATION, INC. Evelina I. 2011 000784-2012 social and health services l Care surrendered, 2306 Coral cor. Augusto Francisco Sts., Atienza November 21, 2011 to October 3, 2012 abandoned and San Andres Bukid, Manila Executive November 20, 2014 to October 2, foundling children Tel. #: 562-8085 Director 2015 Fax#: 562-8089 e-mail add:[email protected] ASILO DE SAN VICENTE DE PAUL Sr. Enriqueta DSWD-NCR RL-000032- DSWD-SB-A- temporary shelter, homelife Residentia residential care -5- NCR No. 1148 UN Avenue, Manila L. Legaste, 2010 0001035-2014 services, social services, l care and 10 years old (upon Tel. #: 523-3829/523-5264/522- DC December 25, 2013 to June 30, 2014 to psychological services, primary community-admission) 6898/522-1643 Administrator December 24, 2016 June 29, 2018 health care services, educational based neglected, Fax # 522-8696 (Residential services, supplemental feeding, surrendered, e-mail add: [email protected] Care) vocational technology program abandoned, (Level 2) (commercial cooking, food and physically abused, beverage, transient home) streetchildren DSWD-SB-A- emergency relief - vocational 000410-2010 technology progrm September 20, - youth 18 years 2010 to old above September 19, - transient home- 2013 financially hard up, (Community no relative in based) Manila BAHAY TULUYAN, INC. -
Robinsons Land Corporation RLC
The Exchange does not warrant and holds no responsibility for the veracity of the facts and representations contained in all corporate disclosures, including financial reports. All data contained herein are prepared and submitted by the disclosing party to the Exchange, and are disseminated solely for purposes of information. Any questions on the data contained herein should be addressed directly to the Corporate Information Officer of the disclosing party. Robinsons Land Corporation RLC PSE Disclosure Form 17-11 - List of Stockholders Reference: Section 17.11 of the Revised Disclosure Rules Type of Securities Common Preferred - Others - Record Date of Apr 24, 2019 Stockholders' Meeting Date of Stockholders' May 29, 2019 Meeting Type of Stockholders' Meeting Annual (Annual or Special) Other Relevant Information Please find attached the list of stockholders of Robinsons Land Corporation (RLC) as of April 24, 2019, the record date set by the Board of Directors of RLC to determine the stockholders entitled to notice and to vote at the annual meeting of the stockholders of RLC to be held on May 29, 2019. Filed on behalf by: Name Rosalinda Rivera Designation Corporate Secretary Robinsons Land Corporation April 24, 2019 SH # SH NAME SH ADDRESS NATIONALITY TOTAL NO. OF SHARES PERCENTAGE 0000230766 A & A SECURITIES, INC. 1906 PACIFIC BANK BLDG. AYALA AVENUE, MAKATI CITY FILIPINO 4,000.00 0.00007701 0000230768 A. ANGEL S. TANJANGCO 542 ARQUIZA ST.,ERMITA, MANILA FILIPINO 38,500.00 0.00074126 0000230770 ABOITIZ JEBS EN BULK TRANSPORT CORPORATION CEBU CITY, PHILIPPINES FILIPINO 400.00 0.00000770 0000230771 ABRAHAM T. CO C/O PBU, RCBC 333 SEN GIL PUYAT AVE 1200 MAKATI, METRO MANILA FILIPINO 1,000.00 0.00001925 0000230772 ACRIS CORPORATION 5/F BENPRES BUILDING,MERALCO AVENUE, PASIG CITY FILIPINO 8,900.00 0.00017136 0000230774 ADELINA A. -
Silverlens / Searching Sanctuary Curated by Gregory Halili
POPE BACAY, MARIONNE CONTRERAS, JIGGER CRUZ, ROCELIE DELFIN, DINA GADIA, MARK ANDY GARCIA, GREGORY HALILI, PAOLO ICASAS, BREE JONSON, POW MARTINEZ, MAYA MUÑOZ, RAFFY T. NAPAY, WAWI NAVARROZA, ELAINE NAVAS, BERNARDO PACQUING, PATRICIA PEREZ EUSTAQUIO, CHRISTINA QUISUMBING RAMILO, POPO SAN PASCUAL, NICOLE TEE, RYAN VILLAMAEL, LIV VINLUAN Copyright © 2020 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Gregory Halili. 2020 All rights reserved. No part of this essay may be reproduced, modified, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.88160044 F +632.88160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] If the current state of environmental decline continues its destructive path, then inevitably, nature will only exist as a memory. We live in a country blessed by natural abundance. Yet, we seem to believe that our resources are unlimited, depleting its wealth dry. In 1904, The Bureau of Forestry released the “The Forest Manual”, which contained the National Forest Act (No.1148) from the Philippine Commission pertaining to forest services and regulations. At this time, it is estimated that the Philippine forest cover was at 70%. -
First Philippine Holdings Corporation
A lopez Group Company April 4, 2013 SECURITIES AND EXCHANGE COMMISSION SEC Building, EDSA Greenhills Mandaluyong City, Metro Manila The management of First Philippine Holdings Corporation (the Company) is responsible for the preparation and fair presentation of the consolidated financial statements as of December 31, 2012 and 2011, and for each of the three years in the period ended December 31, 2012, in accordance with the Philippine Financial Reporting Standards, including the additional components attached therein. This responsibility includes designing and implementing internal controls relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error, selecting and applying appropriate accounting policies, and making accounting estimates that are reasonable in the circumstances. The Board of Directors reviews and approves the consolidated financial statements and submits the same to the stockholders of the Company. SyCip Gorres Velayo & Co., the independent auditors, appointed by the stockholders, has examined the consolidated financial statements of the Company in accordance with Philippine Standards on Auditing, and in its report to the stockholders, has expressed its opinion on the fairness of presentation upon completion of such examination. Signed under oath by the following: ~~n ~ ~J FEDERICO R. LOPEZ / ELPIDIO L. m~~ FRANCIS GILES B. PUNO Chairman of the Board President & -rw Executive Vice President, Treasurer & Chief Executive Officer Chief Operating Officer & Chief Finance Officer l\PR ':G,~~ SUBSCRlBED AND SWORN to before me this,lth ayof Ap~il, 2013, affiants exhibited to me their Competent Evidence of Identity (CEI) and Community Tax Certificate (CTC) Nos. as follows: Name Details of CEI/CTC Issued On/Issued At Federico R. -
PDF of the Princess Bride
THE PRINCESS BRIDE S. Morgenstern's Classic Tale of True Love and High Adventure The 'good parts' version abridged by WILLIAM GOLDMAN one two three four five six seven eight map For Hiram Haydn THE PRINCESS BRIDE This is my favorite book in all the world, though I have never read it. How is such a thing possible? I'll do my best to explain. As a child, I had simply no interest in books. I hated reading, I was very bad at it, and besides, how could you take the time to read when there were games that shrieked for playing? Basketball, baseball, marbles—I could never get enough. I wasn't even good at them, but give me a football and an empty playground and I could invent last-second triumphs that would bring tears to your eyes. School was torture. Miss Roginski, who was my teacher for the third through fifth grades, would have meeting after meeting with my mother. "I don't feel Billy is perhaps extending himself quite as much as he might." Or, "When we test him, Billy does really exceptionally well, considering his class standing." Or, most often, "I don't know, Mrs. Goldman; what are we going to do about Billy?" What are we going to do about Billy? That was the phrase that haunted me those first ten years. I pretended not to care, but secretly I was petrified. Everyone and everything was passing me by. I had no real friends, no single person who shared an equal interest in all games. -
Santiago Bose Striking Affinities Catalogue.Pdf
The exhibition explores the geographic coordinates of Santiago Bose’s practice: Baguio, Manila, New York, Adelaide, Bali, and Spratly Islands. These places are homelands, contact zones, passage ways, hot spots, exhibition sites -- shaping the work of Bose in the same way that the artist in a reciprocal gesture shaped them. They are mapped out in the exhibition to remember the movements of Bose as well as to understand how he likewise speculated on possible worlds beyond the existing cartography within which he circulated with interest, if not with alacrity. Part of the three-part Bose project, this second iteration follows through Bare Necessities, which laid out the groundwork of artistic impulse and the fundamentals of risk. - words by Patrick Flores Hills Hoist 1994 mixed media 49.75h x 33.20w in 126.36h x 84.33w cm inquire book an appointment Bandit 1999 mixed media on plywood 27.5h x 38.25w in 69.85h x 91.16w cm inquire book an appointment “Lola Dianang’s Garden” 1973 51.57h x 20.08w in 131h x 51w cm inquire book an appointment BALI Balinese Diary (Cover) 2000 mixed media 30.50h x 22w in 77.47h x 55.88w cm book an appointment *from the collection of Kim and Felicia Atienza Pages from Bose’s Balinese Diary Pages from Bose’s Balinese Diary Pages from Bose’s Balinese Diary BAGUIO Untitled (Burned with Magnifying Glass) 1995 watercolor on handmade paper 25.25h x 33.25w in 64.14h x 84.45w cm inquire book an appointment Faith Healer (Solar Art Series) 1995 intermedia on handmade paper 35.25h x 28w in 89.53h x 71.12w cm book an appointment -
Wawi Navarroza: Self-Portraits & the Tropical Gothic
WAWI NAVARROZA Copyright © 2019 Silverlens Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic or otherwise, without the prior written consent of the above mentioned copyright holders, with the exception of brief excerpts and quotations used in articles, critical essays or research. Text © Wawi Navarroza. 2019 All rights reserved. No part of this essay may be reproduced, modiied, or stored in a retrieval system or retransmission, in any form or by any means, for reasons other than personal use, without written permission from the author. 2263 Don Chino Roces Avenue Extension Makati City, Philippines 1231 T +632.8160044 F +632.8160044 M +63917.5874011 Tue-Fri 10am-7pm, Sat 10am-6pm www.silverlensgalleries.com [email protected] Coming from a string of moving places and foreign travels after the fire which destroyed her Taguig studio, Navarroza re-established herself in Manila at the end of 2018, signaling her return to studio practice, providing the venue for the elaborate mise-en-scènes we see in this new exhibition. The artist looks back and forward, coming full circle to a genre that has defined her early art-making and has punctuated an arc of more than a decade: Self-Portraits. Navarroza employs formal composition in tableau vivant large format which is staged for the camera. At the same time, she subverts photography in a way that the final image is rendered almost as a flat collage, deliberately controlled by lighting techniques and careful arrangements in the scenography. -
Si Judy Ann Santos at Ang Wika Ng Teleserye 344
Sanchez / Si Judy Ann Santos at ang Wika ng Teleserye 344 SI JUDY ANN SANTOS AT ANG WIKA NG TELESERYE Louie Jon A. Sánchez Ateneo de Manila University [email protected] Abstract The actress Judy Ann Santos boasts of an illustrious and sterling career in Philippine show business, and is widely considered the “queen” of the teleserye, the Filipino soap opera. In the manner of Barthes, this paper explores this queenship, so-called, by way of traversing through Santos’ acting history, which may be read as having founded the language, the grammar of the said televisual dramatic genre. The paper will focus, primarily, on her oeuvre of soap operas, and would consequently delve into her other interventions in film, illustrating not only how her career was shaped by the dramatic genre, pre- and post- EDSA Revolution, but also how she actually interrogated and negotiated with what may be deemed demarcations of her own formulation of the genre. In the end, the paper seeks to carry out the task of generically explicating the teleserye by way of Santos’s oeuvre, establishing a sort of authorship through intermedium perpetration, as well as responding on her own so-called “anxiety of influence” with the esteemed actress Nora Aunor. Keywords aura; iconology; ordinariness; rules of assemblage; teleseries About the Author Louie Jon A. Sánchez is the author of two poetry collections in Filipino, At Sa Tahanan ng Alabok (Manila: U of Santo Tomas Publishing House, 2010), a finalist in the Madrigal Gonzales Prize for Best First Book, and Kung Saan sa Katawan (Manila: U of Santo To- mas Publishing House, 2013), a finalist in the National Book Awards Best Poetry Book in Filipino category; and a book of creative nonfiction, Pagkahaba-haba Man ng Prusisyon: Mga Pagtatapat at Pahayag ng Pananampalataya (Quezon City: U of the Philippines P, forthcoming). -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Papal Visit Philippines 2014 and 2015 2014
This event is dedicated to the Filipino People on the occasion of the five- day pastoral and state visit of Pope Francis here in the Philippines on October 23 to 27, 2014 part of 22- day Asian and Oceanian tour from October 22 to November 13, 2014. Papal Visit Philippines 2014 and 2015 ―Mercy and Compassion‖ a Papal Visit Philippines 2014 and 2015 2014 Contents About the project ............................................................................................... 2 About the Theme of the Apostolic Visit: ‗Mercy and Compassion‘.................................. 4 History of Jesus is Lord Church Worldwide.............................................................................. 6 Executive Branch of the Philippines ....................................................................... 15 Presidents of the Republic of the Philippines ....................................................................... 15 Vice Presidents of the Republic of the Philippines .............................................................. 16 Speaker of the House of Representatives of the Philippines ............................................ 16 Presidents of the Senate of the Philippines .......................................................................... 17 Chief Justice of the Supreme Court of the Philippines ...................................................... 17 Leaders of the Roman Catholic Church ................................................................ 18 Pope (Roman Catholic Bishop of Rome and Worldwide Leader of Roman -
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/The Philippines Louie Jon A
Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino/the Philippines Louie Jon A. Sanchez In a previous paper, the author had begun discoursing on the process of acculturating Korean/Hallyu soap opera aesthetics in television productions such as Only You (Quintos, 2009), Lovers in Paris (Reyes, 2009), and Kahit Isang Saglit (Perez & Sineneng, 2008). This paper attempts to expand the discussions of his “critico-personal” essay by situating the discussions in what he described as the “diasporization” of the Filipino, and the Philippines, as constructed in recent soap operas namely Princess and I (Lumibao, Pasion, 2012) A Beautiful Affair (Flores, Pobocan, 2012), and Kailangan Ko’y Ikaw (Bernal & Villarin, 2013). In following the three teleserye texts, the author observes three hallyu aesthetic influences now operating in the local sphere—first, what he called the “spectacularization” of the first world imaginary in foreign dramatic/fictional spaces as new “spectre of comparisons” alluding to Benedict Anderson; the crafting of the Filipino character as postcolonially/neocolonially dispossessed; and the continued perpetration of the imagination of Filipino location as archipelagically—and consequently, nationally—incoherent. The influences result in the aforementioned “diasporization”, an important trope of simulated and dramaturgically crafted placelessness in the process of imagining Filipino “communities” and their sense of “historical” reality, while covering issues relating to the plight and conditions of the diasporic Filipino. Keywords: Koreanovelas, Korean turn, teleserye, translation, imagined communities, diaspora, hallyu After a decade of its constant presence in the Philippine market, the extent of change brought about by the “Koreanovela” in the landscape of Philippine television is clearly noticeable and merits revaluation. -
Penthouse I, One Corporate Center, Meralco Ave Cor. Julia Vargas Avenue, Ortigas Center, Ortigas
Penthouse I, One Corporate Center, Meralco Ave cor. Julia Vargas Avenue, Ortigas Center, Ortigas View this office online at: https://www.newofficeasia.com/details/serviced-offices-penthouse-i-one-corpo rate-center-meralco-ave-cor-julia-var Boasting an innovative architectural design, this well established provider promises a serviced office solution that exemplifies what most modern companies are looking for. The building is endowed with all the services and amenities a firm could wish for in order to succeed. The building is supplied with a meeting space, equipped with all that's needed to facilitate a collaborative and productive discussion with your clients and staff. Work alongside others in one of the relaxed co-working spaces which boast an assortment of chairs, bean bags and stadium-type seats, in addition to private serviced offices that are available on the 8th and 29th floors of the building. Residents at this serviced office centre receive the use of a professional admin support staff, who are always available to help guarantee these offices function at an optimal level, and that residents can focus on the job at hand. These executive suites are offered at very attractive rates, with flexible service contracts to accommodate the requirements of firms both large and small. Transport links Nearest road: Nearest airport: Key features 24 hour access 24-hour security Administrative support Air conditioned Air conditioning AV equipment Banking services Board room Car parking spaces Carpets Cash machine / ATM Catering services available CCTV monitoring