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Made 2 Measure Options Overview Es / Electric

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Made 2 Measure Options Overview Es / Electric ES /ELECTRICSPANISH [FOR INTERNALUSEONLY] OPTIONS OVERVIEW MADE 2MEASURE M2M ELECTRONICSHARDWARE HARDWARE NECK NECK BODY BODY BASE MODELBASE MODEL MODEL TEMPLATES DEXTERITY OVERVIEW RIGHT HANDED LEFT HANDED BASE MODEL ES-330 ES-335 ES-345 ES-355 1964 ES-345 “LATE SIXTIES” ES-335 The new 2018 Gibson ES-330 is The 2018 Gibson ES-335 DOT is The ES-345 was originally introduced The 2018 ES-355 is a stunning The 1964 ES-34 is a historically ac- By the late 1960s, Gibson’s flagship designed with historic hollow-body designed with the working musician as a ‘next step’ from the ES-335 with instrument featuring modern design curate re-creation of this much loved semi-solidbody featured a slimmer, features at heart. in mind and pairs innovative thinking additional appointments - the 2018 enhancements for premium reliability semi. Split parallelogram fingerboard narrower neck offering fast action and with time-honored tradition version is no different and playability. inlays and period-correct plastics, hot easy playabilty, and came with durable, hide glue neck and body construction, tarnish resistant chrome hardware matched potentiometer sets, rolled BODY fingerboard binding and a great set of MHS humbuckers for true PAF tone. ES-275 1958 ES-335 1959 ES-330 1959 ES-335 The 2018 Gibson ES-275 Custom in Gibson Memphis captures that original The introduction year version of this The ES-335 evolved quickly in its first Sunset Burst finish is a reinvented “dot neck” version to a “T” in the 1958 fully hollow classic few years and the 1959 ES-335 rep- BODY SHAPE classic archtop designed with the mod- ES-335 VOS. Historically correct details in- resents the second stage of this seminal ern player in mind. Honoring the long clude the correct “Mickey Mouse ears” body guitar. A bound joins other historically tradition of Gibson’s great jazz guitars shape and the lack of fingerboard binding correct details such as the correct in looks, tone and feel, as on the very first ES-335s produced. “Mickey Mouse ears” body shape 1961 ES-330 1961 ES-335 1963 ES-330 1963 ES-335 CORE 1950’S (MOUSE EAR) 1960’S The “dot neck” ES-330 of the early ‘60s Transition year with regards to the neck The premiere thinline hollowbody of all Although the ES-335 kicked off with The modern evolution of the classic ES body shape Historically accurate 50s body shape complete with Historically accurate body shape and style from the is the most coveted thinline hollowbody profile, a perfect balance of 50s and time, this Historic-spec ES-330 is cap- the “dot neck” in 1958, many players ‘mouse ears’ 1960’s electric guitar of all time, and Gibson Mem- 60s styles tured in an iconic year when countless have always preferred the “block neck” phis re-creates it in the 1961 ES-330TD jazz, rock and blues players were using version of the early ‘60s. The beautiful- Figured VOS. Historic Specs throughout Gibsons for the tones that made them ly re-created 1963 ES-335TD includes such as hide glue, rolled neck binding, famous the correct body shape with narrower period-correct plastics, the iconic “Mickey horns and rolled fingerboard binding Mouse ears” body shape, ‘50s-style MHS for a soft playing feel. P-90 pickups, upgraded wiring and tone pots deliver the closest thing to owning an extremely rare figured 1961 ES-330. BODY VENEER CENTERBLOCK PLAIN FIGURED MAPLE Historical accurate centre block with no weight relief to replicate those classic ES tones. MAPLE WEIGHT-RELIEVED weight relieved Maple centre block giving a balanced blend of resonance and tone. MAPLE THERMALLY ENGINEERED ultimate tone and resonance through a thermally engineered maple centre block. PLAIN GRADE 1 AAA GRADE 2 AAAAA MAPLE THERMALLY ENGINEERED WEIGHT-RELIEVED Thermally engineered weight-relieved Maple centre BODY block giving historical tones and resonance. NONE Totally Hollow ES guitar - certain pick ups may need a centre block for installation. BINDING BRACING SPRUCE Donec volutpat sodales erat a cursus. Quisque eleifend lobortis dui, sed eleifend libero ultricies eget. Fusce hendrerit. ADIRONDACK SPRUCE Ut eget libero sit amet felis viverra laoreet. Vestib- ulum pretium porttitor pellentesque. Nullam et velit enim. 1 PLY 3-PLY (W-B-W) 7-PLY (W-B-W-B-W-B-W) OTHER (CUSTOM ORDER) THERMALLY ENGINEERED ADIRONDACK SPRUCE Donec volutpat sodales erat a cursus. Quisque BINDING COLORS eleifend lobortis dui, sed eleifend libero ultricies eget. Fusce hendrerit. BLACK TAN WHITE CREAM NECK SHAPE PHF INLAY ROUNDED “C” 1959 1961 1963 GIBSON MOTHER OF PEARL WITH GIBSON MOTHER OF PEARL NO GIBSON CUSTOM OTHER CUSTOM ORDER Thickness at Fret 1: 21.59 mm / .850” Thickness at Fret 1: 22.86 mm / .900” Thickness at Fret 1: 20.574 mm / .810” Thickness at Fret 1: 20.82 mm / .820” CROWN CROWN Thickness at Fret 12: 24.13 mm / .950” Thickness at Fret 12: 25.40 mm / 1.000 Thickness at Fret 12: 24.638 mm / .970” Thickness at Fret 12: 24.38 mm / .960” LATE 60’S Thickness at Fret 1 : 20.447 mm / .805” Thickness at Fret 12 : 22.987 mm / .905” NUT MATERIAL GIBSON MOTHER OF PEARL SCRIPT LOGO NO CROWN FINGERBOARD INLAY NECK BONE NYLON BLACK CORIAN WHITE CORIAN Tone, volume and sustain are all quali- The nut found on coveted 1950s ES a great balance of Tone and Volume a great balance of Tone and Volume ties resulting from a Bone nut. guitars - hard wearing and privides a can be achieved with a Corian nut can be achieved with a Corian nut full, resonant tone which also provides great stability which also provides great stability FINGERBOARD MATERIAL DOT SMALL BLOCK FULL BLOCK SPLIT BLOCK ROSEWOOD DARK ROSEWOOD RICHLITE The original fret board tone wood to the same high quality tone wood with a Stable, reliable, resonant and black in SPLIT PARALLELOGRAM SPLIT DIAMOND TRAPEZOID feature on the ES-335 darker, richer appearance appearance. An amazing fretboard for your dream machine COLOR OVERVIEW CHERRY SIXTIES CHERRY FADED CHERRY WINE RED NATURAL AQUAMARINE BLUE STAIN BLUES BURST OTHER - CUSTOM COLOR Original Cherry finish Historic accurate cherry finish Deeper shade of cherry used on Deep, lucious red with that When you have a stunning top Create an impressive visual A deep blue finish for those Created to celebrate the home Please provide as much from the 60s pre-2014 reissues classic vintage feel why not show it off individuality. deep blue tones of Memphis Blues, Beale Street information and examples as possible BODY VINTAGE NATURAL WALNUT EBONY ALPINE WHITE CLASSIC WHITE Based on the coveted 1958 Get those classic 70’s vibes Simple and sophisticated Clean, Crisp and classy A subtle white finish FINISH ES-335 with a Walnut finish es model PELHAM BLUE EMERALD GREEN OLIVE DRAB WOOD ROSE GOLDTOP GLOSS VOS (Vintage Original Spec) ANTIQUE SATIN Original 60’s Firebird finish This green will truly be the jew- A new classic from Gibson - A fetching shade in the same Classic Gold Finish originally Full gloss version of your dream guitar. A VOS finish is applied to your guitar to An antique guitar maintains a shine A satin, non gloss finish. el in the crown of any collection first introduced on the Chris vein as the classic firebird presented on 50’s Les Pauls give it that well loved yet vintage feel. while also allowing you to get those Cornell ES-335 colors of the 60s vintage vibes from your dream guitar. GOLD SUNSET BURST VINTAGE BURST HISTORIC BURST FADED LIGHT BURST A brighter golden finish for A modern take on the classic As close to the original bursts THE traditional ES sunburst The original light burst but those times when you just need sunburst as you will get - truly stunning with a faded overtone to shine! NECK PICKUP BRIDGE PICKUP MHS HUMBUCKER 57 CLASSIC 490R BURSTBUCKER 1 BURSTBUCKER 2 MHS HUMBUCKER 57 CLASSIC 57 CLASSIC PLUS BURSTBUCKER 2 BURSTBUCKER 3 “RHYTHM” HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER “LEAD” HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER The first historically based The 57 Classic Pickup is man- The 490R (rhythm/neck pickup) The Burstbucker 1 is the most The Burstbucker 1 is the most The first historically based The 57 Classic Pickup is man- The 57 Classic Plus is similar The Burstbucker 1 is the most The Burstbucker 3 has the “Patent Applied For” pickup ufactured to the same specs and 490T (treble/bridge) authentic reproduction possi- authentic reproduction possi- “Patent Applied For” pickup ufactured to the same specs of to the 57 Classic, but more authentic reproduction possi- highest output level of the designed specifically to enhance of the original PAF pickups, pickups are modern classics ble of the original PAF pickup. ble of the original PAF pickup. designed specifically to enhance the original PAF pickups, includ- coil windings give a “hotter,” ble of the original PAF pickup. three, along with exceptional the acoustic qualities of our including Alnico II magnets that resurrect the tonal char- Using Alnico II magnets for Using Alnico II magnets for the acoustic qualities of our ing Alnico II magnets for that brighter output in the bridge Using Alnico II magnets for high-frequency definition, thinline, semi-solid body design. for that “vintage” sweetness, acteristics of the legendary truly vintage tone, the Type 1 truly vintage tone, the Type 1 thinline, semi-solid body design. “vintage” sweetness, but the position. truly vintage tone, the Type 1 making it a solid choice for the Classic Gibson ES tones are but the coils are wound evenly PAF pickups. They include the features a lower output, mak- features a lower output, mak- Classic Gibson ES tones are coils are wound evenly to provide features a lower output, mak- bridge position.
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