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Helmut Zerlett - Discographie RICHARD SCHNEIDER Dreamlike Land (LP) 1977 with Richard Schneider Helmut Zerlett Jaki Liebezeit Wolfgang Maus recorded at EMI Studios, Cologne produced by Richard Schneider Fata Morgana (LP) 1980 Richard Schneider Helmut Zerlett Jaki Liebezeit Axel Heilhecker Dominik von Senger Stefan Krachten Brigitte Witt Karen Schweitzer Faust recorded at EMI Studios, Cologne produced by Richard Schneider —————————————————————————————————————————— —————— FOOD BAND Food Band (LP) 1979 with Wolf Maahn Axel Heilhecker Mathias Keul Helmut Zerlett Jan Dix recorded at Roundhouse Recording Studios, London produced by Peter Ker and Wolfgang Neumann Last Years Album (LP) 1980 with Wolf Maahn Axel Heilhecker Mathias Keul Helmut Zerlett Jan Dix recorded at Roundhouse Recording Studios, London produced by Peter Ker and Wolfgang Neumann —————————————————————————————————————————— —————— PHANTOM BAND Phantom Band(LP) 1980 with Jaki Liebezeit Rosko Gee Dominik von Senger Olek Gelba Helmut Zerlett Holger Czukay recorded at Inner Space Studio, Weilerswist Freedom of Speech (LP) 1981 with Jaki Liebezeit Dominik von Senger Sheldon Ancel Helmut Zerlett recorded at Inner Space Studio, Weilerswist NowHere (LP) 1984 with Jaki Liebezeit Dominik von Senger Sheldon Ancel Helmut Zerlett recorded at Inner Space Studio, Weilerswist —————————————————————————————————————————— —————— DUNKELZIFFER Stil der neuen Zeit (Maxi) 1982 with Josefa Mertens Helmut Zerlett Matthias Keul Wolfgang Schubert Stefan Krachten Reiner Linke Olek Gelba recorded at Bobby’s Studio, Cologne produced by Dunkelziffer Colours and Soul (LP) 1983 with Reebok Kwaku Baah Coco Helmut Zerlett Matthias Keul Wolfgang Schubert Stefan Krachten Reiner Linke Olek Gelba recorded at Bobby’s Studio Cologne produced by Dunkelziffer In the Night (LP) 1984 with Damo Suzuki Helmut Zerlett Matthias Keul Wolfgang Schubert Stefan Krachten Reiner Linke Olek Gelba Rike Gratt recorded at Bobby’s Studio, Cologne produced by Dunkelziffer —————————————————————————————————————————— —————— DOMINIK VON SENGER The First (LP) 1983 with Dominik von Senger Stefan Krachten Rosko Gee Helmut Zerlett Reiner Linke Olek Gelba Mathias Keul Kelly Angel Willy Wollstein Wolfgang Klangenberg Stefan Thelen recorded at Matrix Studio, London and Project X Studio, Cologne produced by Rosko Gee The Second (LP) 1995 Daniel Basanta Olek Gelba Mandjau Fati Frank Köllges Stefan Krachten Jaki Liebezeit Reiner Linke Irene Lorenz Rico McLaren Alfred Schmeltzer Dominik von Senger Helmut Zerlett recorded at Inner Space Studio, Moving Plug Studio, Nightwater Studio, Schwalbennest Sandesneben and Live at YaYA Club D.Dierks Recording Mobile produced by Dominik von Senger, Helmut Zerlett and Alfred Schmeltzer —————————————————————————————————————————— —————— JOACHIM WITT Märchenblau (LP) 1983 with Joachim Witt Jaki Liebezeit Helmut Zerlett Rosko Gee Ralf Engelbrecht Gerd Dudek Mathias Keul Joachim Fink recorded at Can Studio, Weilerswist produced by Joachim Witt and René Tinner^^ —————————————————————————————————————————— —————— THE UNKNOWN CASES Masimbabele (Maxi) 1983 with Reebop Kwaku Baah Stefan Krachten Helmut Zerlett Dominik von Senger Raoul Walton Rainer Winterschladen Achim Fink Wolfgang Schubert Olek Gelba Reiner Linke Coco Winfried Beck recorded at Bobby’s Studio, Cologne by Robert Hartmann 1982, mixed at Can Studio by René Tinner produced by Zerlett/Krachten If you want me to stay (Maxi) 1984 with Helmut Zerlett Stefan Krachten Sabiha Kara Rosko Gee Daniel van Beek Andre Rademacher Godfrey McLean recorded at Matrix Studios, London produced by Rosko Gee, Helmut Zerlett and Stefan Krachten Bogota Boogie (Maxi) 1985 with Daniel van Beek Helmut Zerlett Stefan Krachten Jan Dix recorded at The Unknown Cases Studio, Cologne and Can Studio, Weilerswist produced by Helmut Zerlett and Stefan Krachten Stollwerck Sampler „Memowalk“ (SMP) 1985 with Reiner Winterschladen Helmut Zerlett Stefan Krachten recorded at Bobby’s Studio, Cologne produced by Zerlett/Krachten Masimbabele `89 Adrian Sherwood Remixes (Maxi) 1989 with Reebop Kwaku Baah Stefan Krachten Helmut Zerlett Dominik von Senger Raoul Walton Rainer Winterschladen Achim Fink Wolfgang Schubert Olek Gelba Reiner Linke Coco Winfried Beck mixed by Adrian Sherwood Tom O`Leary René Tinner recorded at Bobby’s Studio, Cologne by Robert Hartmann 1982 produced by Zerlett/Krachten Sun City (Maxi) 1990 with Rosko Gee Helmut Zerlett Stefan Krachten Reebok Kwaku Baah recorded at Can Studio, Weilerswist produced by Rosko Gee, Helmut Zerlett and Stefan Krachten Cuba (LP) 1995 with Reebop Kwaku Baah Helmut Zerlett Stefan Krachten Daniel Bontjes van Beek Reiner Winterschladen XL Singleton Sabiha Kara Rosko Gee recorded at Bobby’s Studio, Cologne produced by Zerlett/Krachten Masimbabele Remix with Reebop Kwaku Baah Stefan Krachten Dominik von Senger Helmut Zerlett Rainer Winterschladen Achim Fink Wolfgang Schubert `96 (Maxi) 1996 recorded at Bobby’s Studio, Cologne produced by Zerlett/Krachten My Style (Maxi) 1998 with Hans Nieswandt Karma Helmut Zerlett Stefan Krachten DJ Heli XL Singleton recorded at Nightwater Studio, Cologne produced by Zerlett/Krachten The Unknown Cases & Phew (Maxi) 2001 with Phew Moritari Balaknak Stefan Krachten Helmut Zerlett recorded Nightwater Studio and Sound Legère, Cologne produced by Zerlett/Krachten Maschinenhalle "Masimbabele Acid 2000“(SMP) 2001 with Reebop Kwaku Baah Stefan Krachten Dominik von Senger Helmut Zerlett Rainer Winterschladen Achim Fink Wolfgang Schubert Masimbabele Jubilee 25 Edition (Maxi) 2008 with Reebop Kwaku Baah Stefan Krachten Helmut Zerlett Dominik von Senger Raoul Walton Rainer Winterschladen Achim Fink Wolfgang Schubert Olek Gelba Reiner Linke Coco Winfried Beck recorded at Bobby’s Studio, Cologne by Robert Hartmann 1982, mixed at Can Studio by René Tinner produced by Zerlett/Krachten —————————————————————————————————————————— —————— UDO KIER 1985 Der Adler with Udo Kier Asli Tanriverdi Tom Dokoupil Detlev Kühne Helmut Zerlett recorded at On Line Studios Cologne produced by Tom Dokoupil, Detlev Kühne and Helmut Zerlett —————————————————————————————————————————— —————— AL CORLEY Riot Of Color (LP) 1986 with Al Corley Helmut Zerlett Louis Lepore Richard Bailey Sabiha Kara Honey Hilton Julian Dawson Rosko Gee Godfrey McLean John McKenzie André Rademacher Graham Broad recorded at Mayfair Studios, london and mixed at Sigma Sound and Power Station, New York produced by Helmut Zerlett and Al Corley —————————————————————————————————————————— —————— RAMS Romantic Challenge (LP) 1987 with Rams Pete Borel Kathy Linn Romy Sing Detlef Kessler Helmut Zerlett recorded at Can Studio, Weilerswist produced by René Tinner and Helmut Zerlett —————————————————————————————————————————— —————— JULIAN DAWSON AND THE FLOOD As Real As Disneyland (LP) 1987 with Linda Hayes Jaki Liebezeit Rosko Gee Helmut Zerlett Jay Stapley and Richard Thompson Wilder E.Kryme Raoul Walton Alex Wiska Spinello recorded at Can Studio produced by René Tinner, Julian Dawson and Helmut Zerlett Luckiest Man in the Western World (LP) 1988 with Linda Hayes Colin Rose P.P.Arnold Stevie Lange Danny Dawson Jaki Liebezeit Rosko Gee Helmut Zerlett Jay Stapley Toots Thielemans recorded at Can Studio, Cologne and Abbey Road Studios, London produced byHelmut Zerlett and René Tinner —————————————————————————————————————————— —————— FRED BANANA COMBO Fred Banana (LP) 1988 with Nicolle Meyer Gottfried Tollmann Stefan Krachten Hans Bäär Helmut Zerlett recorded at Conny’s Studio, Wolperath produced by Conny Plank —————————————————————————————————————————— —————— ARNO Charlatan (LP) 1988 with Jean Marie Aerts Jean Pierre Onraedt Alain Goutier Holger Czukay Helmut Zerlett recorded at Outer Space Studio, Nice produced by Michael Karoli and Holger Czukay —————————————————————————————————————————— —————— THE JEWELLERS The Jewellers (LP) 1989 with Walter Dahn Ralf Schneider P.P.Arnold Linda Hayes Stevie Lange Helmut Zerlett recorded at Livingstone Studios London and Can Studio, Weilerswist produced by Helmut Zerlett and René Tinner —————————————————————————————————————————— —————— METALLIC TRAFFIC Metallic Traffic (LP) 1989 with G.G.Roll Candy Gun F My Europa Electron produced by Joachim Witt and Helmut Zerlett K.K. (Maxi) 1989 with G.G.Roll Candy Gun F My Europa Electron produced by Joachim Witt and Helmut Zerlett —————————————————————————————————————————— —————— WESTERNHAGEN Halleluja (LP) 1989 with M.M.Westernhagen Jay Stapley Charlie T. Raoul Walton Christian Schneider Dave Plews Dave Bishop Vince Sullivan Helmut Zerlett Recorded at Can Studio, Weilerswist Produced by M.M.Westernhagen und René Tinner Westernhagen „Live“ 1990 with M.M.Westernhagen Jay Stapley Charlie T. Raoul Walton Christian Schneider Dave Plews Dave Bishop Vince Sullivan Helmut Zerlett Recorded December 1989 at Westfalenhalle Dortmund Produced by M.M.Westernhagen und René Tinner Jaja (LP) 1992 with M.M.Westernhagen Jay Stapley Charlie T. Raoul Walton Simon Clarke Tim Sanders Paul Spong Helmut Zerlett recorded and mixed at Metropolis Studios, London produced by M.M.Westernhagen Affentheater (LP) 1994 with M.M. Westernhagen Jay Stapley Pete Wingfield Helmut Zerlett Julian Crampton Andy Newmark Martin Ditcham Madeleine Lang Billy King Rolf Köhler Neil Hubbard Roddy Lorimer Simon Clarke Tim Sanders Mel Collins Geraint Watkins Romney Müller Westernhagen Keine Zeit (OST) 1996 with M.M. Westernhagen Jay Stapley Pete Wingfield Helmut Zerlett Julian Crampton Andy Newmark Martin Ditcham Madeleine Lang Billy King Rolf Köhler Roddy Lorimer Simon
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    Holger Czukay, Köln Juni 2004

    Interview mit Holger Czukay, Köln Juni 2004 ?: Herr Czukay, sie haben schon Ende der 60er Jahre mit Tonband-Loops gearbeitet. Sind Loops für Sie ein relevantes, musikalisches Thema? Holger Czukay: Ja, ganz klar. Wie auch zum Beispiel die Remixe sind die Loops eine Kunstform, die an die Zeit und an die technische Entwicklung gebunden ist. Mit Can haben wir das recht früh angefangen. Weil die Digitaltechnik nicht entwickelt worden war, haben wir Loops mit Analogtechnik, also mit dem Tonband, gemacht. Wir mussten das machen, weil wir als Instrumentalisten nicht gut genug waren. Wir mussten massive Korrekturen anbringen, und mit den Korrekturen fängt eigentlich alles an. Die Aufnahme war eigentlich kein Problem, aber da waren so und soviel Fehler drin, weil wir alles andere als perfekt waren. Wir hätten eine Talentprobe gar nicht bestanden. Was uns groß gemacht hat, war unsere Vision: erstens mit kleinsten Einheiten, also Loops, die Grundlage für unsere Musik zu schaffen. Und zweitens, dass selbst unsere allerersten Aufnahmen, die wir eingespielt haben, alles beinhalten sollte, ohne etwas auszusagen. Das ist ein ganz wichtiges Argument, denn wenn Sie alles beeinhalten und nichts aussagen, dann sind sie cool. Die Musik, die sich daraus entwickelte, muss in dem, was wir das Grundband genannt haben, enthalten sein. ?: Warum soll man als Musiker nichts aussagen? Czukay: Wenn Sie etwas aussagen, dann nehmen Sie sich ja alles weg. Dann fangen sie an, zu interpretieren, und Interpretation ist das letzte, was wir wollen... ?: Das erinnert an bestimmte Aussagen von Künstlern der Minimal Art, zum Beispiel Donald Judd, der in Zusammenhang mit seiner Kunst von „specific objects“ gesprochen hat: Reihen von Objekten, die nur für sich selbst stehen..
  • Freier Download BA 85 Als

    Freier Download BA 85 Als

    BAD 85 ALCHEMY ORWELLHUXLEYWELT SOFT POWER KRIKELKRAKEL L' IMPARFAIT MULTIPLE DE DIEU ANTHROPOZÄN THE SCIENCE OF SNOW DIE UNSICHTBAREN STÄDTE OLDMANESOX OPOSSUM PRAVDA IF, BWANA LEN!IN DADA PORTRAITS OF MELANCHOLICS SIMULAKREN DRITTER ORDNUNG ROGER CAILLOIS THE HORROR AS WE MOVE LIKE RAZOR BLADES IN THE DARK Urteile sind nur wertvoll, wenn sie bejahen. Wirklich wahr sind wir nur, wo wir anerkennen. Das Feststellen von ‚Fehlern’, und klinge es noch so fein und geistig, ist nicht Urteil, sondern Klatsch. Hermann Hesse There are worse crimes than burning books. One of them is not reading them. Ray Bradbury O Wort, du Wort, das mir fehlt: Henri Alain-Fournier - Der große Meaulnes Jaume Cabré - Das Schweigen des Sammlers Otto Flake - Fortunat; Ein Mann von Welt Marcel Proust - Sodom und Gomorra Sergio Toppi - The Collector 2 Artcore Action Heroes oder "Schlockmasters of the Universe" Für mich als 1,55 m kleinen Muck war es am 21. Februar 2015 höchste Zeit, dem Plastischen Theater Hobbit in Würzburg einen Besuch abzustatten. Aber was wird hier eigentlich gespielt oder anders gefragt: Wer spielt was? Drei Männer und eine Frau mit Gliederpuppen-Actionfiguren auf einer apokalyptischen Spielwiese. Das ist „Artcore Action Heroes“, dem kreativen Kopf des unterfränkischen Künstlers Felix „Schlock- master“ Weber entsprungen, der mit diesem eigenwilligen Theaterstück seine eigenen Comics adaptiert. Superhelden nicht wie ge- wöhnlich auf der großen Leinwand, sondern auf einer kleinen Kellerbühne. „Heidi ist die ALLERschönste! Heidi ist TOTAL toll!“ Heidi, die stärkste Frau der Welt, liebt die Elitesoldatin Jane. Jane ist aber mit dem Ex- Polizisten John verbandelt, der wiederum Heidi liebt.