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Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me. -
20 Questions Returns {Page 4)
PRAIRIE REGION SCHEDULE TIMES January 4-10,1953 Issued EachmWeek by the Canadian Broadcasting Corporation VOLUME VI—No. 2 ISSUED AT WINNIPEG, DECEMBER 2B $l.OO PER YEAR This Week: Sask, University Talks (Page 2) The Winnipeg Drama (Pages 3 and 6) 20 Questions Returns {Page 4) Prairie Farm Forums {Page 4) PHILLIPS, cover subject this week, is BETTYthe charming vocalist heard in the Leicester Square to Broadway program from Vancouver on Tuesdays (W-9;30 p.m.; K-X-8:30 p.m.). Here she poses in a costume suggesting the Gay Nineties era from which most of the Leicester Square to Broadway music is drawn. The program is one of the oldest on CBC networks. Miss Phillips is also heard this week with a vocal and instrumental ensemble on CBC Wednesday Night. Terence Gibbs was a time when anyone who spent THEBEmost of his waking hours thinking about classical music was looked on as something of a stuffed shirt, who would cringe visibly at the men- Broadway Belle: Betty Phillips hill-billy tion of a tune or a “whodunit,” and per- series on Sunday nights. But when he isn’t buried British Army. Later he became an officer in haps the make a fetish of untidiness and long hair. deep in an operatic score or plans for a big con- Eighth-Eleventh Sikh Regiment, serving in Burma Nowadays he’s just as likely to look like Terence cert, when he’s really relaxed with his feet up, as and India until 1945. In his spare time he gave Gibbs of the CBC’s Toronto studios who, with his likely as not he is tuned in to something as un- informal lectures on music appreciation to the bow tie, short hair and boyish appearance, could classioal as Rawhide or Prairie Schooner. -
CBC Times 510527.PDF
PRAIRIE RE SCHEDUL May 27· June 2, Issued Each Week by the Canadian Broadcasting Corporation VOLUME IV No. 22 ISSUED AT WINNIPEG. MAY 18 Sl.OO North America's..-.{y / '/ .?' -$~ -$' Newest j -e,. ~a. and Busiest Radio Centre * HE RADIO CANADA BUILDINC was opened T officially on the evening of :May 18. Listeners to the Trans-Canada network last Friday heard a series of actuality broadcasts from the new radio centTe, and brief addresses, during the opening ccrcmonies, from the Honourable ]., J. MeCwill. M.D. Minister of National Revenue; A. Davidson Dunton, Chairman of the cnc Board of Gov ernors; and Dr. Augustin Frigon. General Manager of the Corporation. Listeners across Canada hear many programs from the Radio Canada building, for tlle cnc's Montreal studios originate morc hours of network broadcasting in a year (nearly 6,000) than any other cnc production centre. At right is shown the renovated exterior of the building. The Rawo Canada Building, above the studio :md control room level, looks much the same as The Rat/io Canada Building, Montreal. any other office building except for the variety of work being carried on. In the Transmission Gnd Development Laboratories, CBC engineers do divided into the English Language Service, French Central Records where eight bags of mail arrive research, tllst equipment, and plan technical proj Language Service, Latin American Service, .every day, and from which messengers equipped ects. In the Plant Maintenance Department, they Northern European Service, Central European with market-type basket carriers set out every 45 attend to the repair of equipment. In the Archi Service, and Eastern European Service, represent minutes to dio:tribute and pick up files, mail and tectural Deparbnent, draftsmen work at plans and ing a total of 14 languages. -
A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture. -
A Study of Canada's Centennial Celebration Helen Davies a Thesis
The Politics of Participation: A Study of Canada's Centennial Celebration BY Helen Davies A Thesis Subrnitted to the Facuity of Graduate Studies in Partial Fultiiment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Department of Histop University of Manitoba Winnipeg, Manitoba G Copyright September 1999 National Library Bibliothèque nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Weilington Street 395. rue Wellington Ottawa ON KIA ON4 Cntawa ON Kf A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of ths thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be p~tedor otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STUDIES ***** COPYRIGHT PERMISSION PAGE The Poiitics of Participation: A Study of Camdi's Centennid Celebntion by Helen Davies A Thesis/Practicum submitted to the Facalty of Gnduate Studics of The University of Manitoba in partial fiilfillment of the requirements of the degree of Doctor of Pbüosophy Helen Davies O 1999 Permission bas been gnnted to the Librrry of The University of Manitoba to lend or seIl copies of this thesis/practicum, to the National Librrry of Canada to microfilm this thesis/practicum and to lend or seil copies of the film, and to Dissertations Abstracts International to publish an abstrrct of this thesidpracticum. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
The Unknown. Ferenc Fricsay in Live - Recordings and Discoveries
Broadcasts of Kulturradio / rbb 04.08. - 09.08.2014 18:05 In his six series of broadcasts Kai Luehrs -Kaiser portrays detailed the Hungarian conductor. Who was Ferenc Fricsay? From 1946 a steep success bestowed him in Salzburg, Berlin and Munich. Composers as Dvorák, Bartók and Kodály, hardly anyone ever conducted better than he did. With his aim of audio emphasis and transparency he has influenced probably the aesthetics of all radio sym- phony orchestras of Germany. What is the merit of Fricsay in our days? Commemorating the 100th birthday of Ferenc Fricsay Broadcast no. 6 (August 9th 2014): The unknown. Ferenc Fricsay in live - recordings and discoveries. Musikbeispiel: DG LC 00173 00289 479 3106 Georg Friedrich Händel Harfenkonzert B-Dur op. 4, Nr. 6 HWV 294 Nicanor Zabaleta, Harfe / RIAS-Symphonie-Orchester Berlin / Ltg. Ferenc Fricsay 1957 The soloist of the recording is the very famous Nicanor Zabaleta in its time. The studio re- cording with the RIAS-Symphony-Orchestra Berlin originated in 1957. No doubt, this oeuvre is to rank among the treasures and specialties of Fricsay. For this reason - and to finish our Fricsay week - we rummage in this sixth and final episode in the treasures that were either decades unpublished (as example the abovementioned Händel) or probably never ever have reached the am audience . Fricsay has produced an extraordinary amount for the disk recording industry; but of course felt strongly obliged to document constantly pieces just as well to the RIAS-Symphony- Orchestra as to the Berlin Broadcast. Considering finally the legacy of this great conductor, we have to distinguish first, the com- mercial recordings especially for the German Gramophone, - and secondly, the radio produc- tions and –their recordings. -
Jack Benny to Howard Stern
An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 2 September 2000 – July 2001 ................................................................................................................................................................................ 23 September 2001 – July 2002 ................................................................................................................................................................................ 45 September 2002 – July 2003 ................................................................................................................................................................................ 73 September 2003 – July 2004 ................................................................................................................................................................................ 97 September 2004 – July 2005 ............................................................................................................................................................................. -
Finding Aid (English)
https://collections.ushmm.org Contact [email protected] for further information about this collection PETER VERES FAMILY PAPERS, approximately 1848-2010 2010.81.1 United States Holocaust Memorial Museum Archives 100 Raoul Wallenberg Place SW Washington, DC 20024-2126 Tel. (202) 479-9717 e-mail: [email protected] Descriptive summary Title: Peter Veres family papers Dates: approximately 1848-2010 Accession number: 2010.81.1 Creator: Veres, Peter, 1938- Extent: 7.5 linear feet (7 boxes, 7 oversize boxes, 8 oversize folders, 1 DVD) Repository: United States Holocaust Memorial Museum Archives, 100 Raoul Wallenberg Place SW, Washington, DC 20024-2126 Abstract: The Peter Veres papers consist of family records, photographs, genealogical materials, immigration documents, and reparations records documenting the history of a Jewish family in Budapest, their experiences with labor camps, hiding, and deportations during World War II and the Holocaust, and their immigration to New York in 1949. Languages: Hungarian, English, Italian, Hebrew, German, Russian, Spanish Administrative Information Access: Collection is open for use, but is stored offsite. Please contact the Reference Desk more than seven days prior to visit in order to request access. Physical access: The dental x-ray associated with oversize folder 8 is kept in cold storage for preservation reasons and would require additional time for acclimatization before it could be served to researchers. Technical access: Files stored on the “Fejer and Danos buildings 1906-1931” DVD should be digitally available within the digitized collection. The DVD itself might not be available due to physical deterioration or lack of required software or hardware. https://collections.ushmm.org https://collections.ushmm.org Contact [email protected] for further information about this collection Reproduction and use: Collection is available for use. -
Curriculum Vitæ Andrewfarkas
CURRICULUM VITÆ A N D R E W F A R K A S [email protected] EDUCATION 1962 — Master of Library Science. University of California, Berkeley. 1959 — Bachelor of Arts (French Language and Literature). Occidental College, Los Angeles. 1954 — Baccalaureate. Madách Imre Gymnasium, Budapest, Hungary. ADDITIONAL COURSE WORK 1976-77 University of Florida, Gainesville. (Doctoral program. Administration and Supervision in Higher Education.) 1963-65 University of California, Davis. (Italian) 1954-56 Eötvös Lóránd University of Law (ELTE), Budapest, Hungary. (Doctor of Jurisprudence program) PROFESSIONAL EXPERIENCE 2003- Library Director Emeritus. University of North Florida, Jacksonville, Florida. 1970—2003 Director of Libraries & Professor of Library Science. University of North Florida, Jacksonville, Florida. 1967-70 Assistant Manager. Walter J. Johnson, Inc., New York City 1962-67 University of California, Davis, California (1) Assistant Bibliographer, (2) Gift & Exchange Librarian, (3) Chief Bibliographer, (4) Assistant Head, Acquisitions Department. 1959-61 Stock Control Specialist, Grade: E-4. U.S. Army. Tour of duty: West Germany. 1957-59 Stacks Supervisor. Mary Norton Clapp Library, Occidental College, Los Angeles. LANGUAGES (on academic transcripts) Hungarian — native tongue French — B.A. degree (Occidental College) German — 1 semester (Occidental College) Italian — 4 semesters (U.C. Davis) Russian — 5 years (Gymnasium), 4 semesters (University of Law) Latin — 2 semesters (University of Law) TEACHING Professor of Library Science — planned, implemented, coordinated and supervised Media Specialist Certificate program, University of North Florida, 1972/73—1991/92. — taught one or more Library Science course every academic year 1972/73—1991/92. Courses taught: LIS 3600 — Introduction to Bibliography/Reference Theory. 4 SCH. LIS 3422 — Library Administration.