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BIBLIOGRAPHY

PRIMARY SOURCES Pinter, Harold. 1966. Interview by Lawrence M. Bensky. ‘, The Art of Theater No.3.’ Interview by Lawrence M. Bensky. The parisreview.org. Accessed September 5, 2015. http://www.theparisreview.org/interviews/ 4351/the-art-of-theater-no-3-harold-pinter. N.P. Pinter, Harold, Dir. 1981. The of the Day of the Imprisoned Writer. Performances by , , , , Simon Callow, , , , , , , Penelo\pe Wilton et al. Duke of York’s Theatre, Oct. 4. Pinter, Harold. 1985. ‘A Play and Its Politics: A Conversation between Harold Pinter and Nicholas Hern.’ In One for the Road. New York: Grove. 5–23. Pinter, Harold. 1988. ‘Radical Departures.’ Interview with Anna Ford. Listener 120 (October 27): 4–6. Pinter, Harold. 1991a. ‘Introduction: Writing for Myself.’ In Harold Pinter: Plays 2. 2nd ed. : . vii–xi. Pinter, Harold. 1991b. ‘.’ In Harold Pinter: Plays 2. 2nd ed. London: Faber and Faber. 1–76. Pinter, Harold. 1991c. ‘.’ In Harold Pinter: Plays 2. 2nd ed. London: Faber and Faber. 147–184. Pinter, Harold. 1996a. ‘Introduction: Writing for the Theatre.’ In Harold Pinter: Plays 1. 2nd ed. London: Faber and Faber. vii–xiv. Pinter, Harold. 1996b. ‘The Birthday Party’.InHarold Pinter: Plays 1. 2nd ed. London: Faber and Faber. 1–84.

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Pinter, Harold. 2009j. ‘Eroding the Language of Freedom.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 208–209. Pinter, Harold. 2009k. ‘God Bless America.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 276. Pinter, Harold. 2009l. ‘Harold Pinter and Michael Billington in Conversation at the National Film Theatre, 26 October 1996.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 74–83. Pinter, Harold. 2009m. ‘Iraq Debate.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 265–266. Pinter, Harold. 2009n. ‘It Never Happened.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 234–237. Pinter, Harold. 2009o. ‘Meeting.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 274. Pinter, Harold. 2009p. ‘Oh, Superman.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 210–220. Pinter, Harold. 2009q. ‘On Being Awarded the German in Hamburg.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 48–52. Pinter, Harold. 2009r. ‘Order.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 189. Pinter, Harold. 2009s. ‘.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 67–68. Pinter, Harold. 2009t. ‘The Bombs.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 277. Pinter, Harold. 2009u. ‘The Old Days.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 190–191. Pinter, Harold. 2009v. ‘The US and El Salvador.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 226–228. Pinter, Harold. 2009w. ‘The US Elephant Must Be Stopped.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 205. Pinter, Harold. 2009x. ‘University of Florence Speech.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 258–260. Pinter, Harold. 2009y. ‘University of Speech.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 261–263. Pinter, Harold. 2009z. ‘Weather Forecast.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 279. Pinter, Harold. 2009za. ‘ Award for Poetry: Acceptance Speech, 18 March 2005.’ In Various Voices: Sixty Years of Prose, Poetry, Politics 1948–2008. 3rd ed. London: Faber and Faber. 267–268. BIBLIOGRAPHY 223

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A , 197 Affect Bensky, Lawrence, 24–25, 149, 156 and aesthetics, 10–17 Bergson, Henri, 20 and becoming, 16, 20, 95, 143, 159 Berlusconi, Silvio, 158 and bodies, 10–14, 17 Big One, The, 34 and Deleuze, 11 Billington, Michael, 186, 188, 197 and emotion, 8, 11, 13–14, 22 Blair, Tony, 108, 157–160, 167, and images, 19–23 179–180, 195–199, 208 and language, 17–19 Bosnia, 170 and Spinoza, 10–17 Bragg, Melvyn, 129 Aftonbladet, 124 Brecht, Bertolt, 7 , 100 Brenton, Howard, 7 American Ambassador to , 151 British Library, 7, 15, 124, 155 Arden, John, 7 Bryant, Michael, 153 Arendt, Hannah, 59, 173 Burke, Edmund, 17 Ariel, Harry, 89 Bush, George H.W., 131, 135, Aristide, Jean-Bertrand, 177 157–158, 163, 172, 176, 197 Aristotle, 11, 41 Bush, George W., 108, 159, 167, 180, Atkins, Eileen, 15 198–199, 208

B C Baldwin, Victoria Marie, 7, 152–153, Campaign for Nuclear 217 Disarmament, 34 Barker, Howard, 33–34 Campton, David, 3 Baudrillard, Jean, 130–132, 135, , 155 178–179, 196, 206–207 Clinton, Bill, 108, 157, 163 Beckett, Samuel, 3, 61, 147, 216 CNN, 136

© The Author(s) 2017 239 B. Chiasson, The Late Harold Pinter, DOI 10.1057/978-1-137-50816-4 240 INDEX

Cohn, Ruby, 133, 135 Grimes, Charles, 85, 170, 215 Cold War, 25, 119, 127, 155, 196 Guantanamo Bay, 63, 190, 192, 194 Colebrook, Claire, 5, 9 Guardian, the, 32, 109, 121, Colleran, Jeanne, 96 124–125, 169, 177 Common Sense/Good Sense, 34, 42, Guernica, 140 60, 64, 90, 96, 105, 150, Gulf War, 122, 127–128, 132–133, 164–170, 181, 195–196, 208, 135–137, 141, 178, 206–207 215–216 Gussow, Mel, 117, 156, 192 Croatia, 170 Curo Päische ideen, 125 H Hamilton-Emery, Christopher, 117 D Hardy, Thomas, 106 Daily Mirror, the, 125 Hare, David, 18 Day in October, A, 88 Harrison, Tony, 129 DeBord, Guy, 142 Hern, Nicholas, 39–41, 133, 145, 176 Deleuze, Gilles, 9, 11, 20, 72, 191 Hitler, Adolph, 198 DeMan, Paul, 141 Holocaust, 87–90, 94, 97, 99–100, Deontology, 160 105 Derbyshire, Harry, 182 Horace (Quintus Horatius Dostoevsky, Fyodor, 153 Flaccus), 140 Duke of York’s Theatre, 153 House of the Dead, 153 Hussein, Saddam, 171

E Edelman, Murray, 135 I Engdal, Horace, 140 Ibsen, Henrik, 196 Enlightenment, the, 171 “I’m Explaining A Few Things”, 141, Esslin, Martin, 17, 31 200, 203 International Criminal Tribunal for the former , 169 G International Monetary Fund Gate, the, 198 (IMF), 177 Germanou, Maria, 168 Johnson, Lyndon B., 157 Gluhovic, Milija, 90 Jones, Gari, 108 Godard, Jean-Luc, 191 Joyce, James, 106, 147 Goldstein, Mick, 35, 114 Government Communications Headquarters (GCHQ), 157 K Goya, Francisco de, 5 Kafka, Franz, 147, 153 Greece, 157, 173 Karwowski, Michael, 32 INDEX 241

King, Francis, 153 O’Toole, Fintan, 32, 144 Kissinger, Henry, 132 Owen, Wilfred, 60, 118–120, 158, 167 Klee, Paul, 12–13 Knowles, Owen, 119–120 Kosovo, 170 P Pakula, Alan, 88 Paris Review, the, 24, 156 L Paterson, Don, 139–140 Laden, Bin, 198 PEN International, 149 Lahr, John, 139 Phenomenology, 8 Larkin, Philip, 147 Picasso, Pablo, 140 Festival, 198 Pinter Archive, 15, 18, 165, 197, 217 London International Festival of Pinter Celebration (commemorative Theatre, 57 event), 129 Lord Chamberlain’sOffice, 134 Pinter, Harold Losey, Joseph, 9, 191 absence, 35–36, 42, 48, 59, Lunatic View, The, 3 62–63, 78, 96, 124, Lyric Theatre, 6, 39 135, 146 abstraction; in language, 18;in thought, 13, 34 M aestheticizing politics, 1–29, – Madsen, Kenneth, 88 149 183 Massey, Dan, 153 alienation, 7, 37, 142, 167, 181 Medcalf, John Lewis, 192–194 ambiguity, 31, 68, 103, 187, 209 Miller, Arthur, 149, 175, 196 anti-Americanism, 128 Milošević, Slobodan, 169 apodictic statements, 171 More, Thomas, 215 appeals to emotion, 8, 182 Moyers, Bill, 136 art-house cinema, 68 audiences, 3–8 blackouts, 45–46, 48 N boredom, 5 bureaucrats, 42, 170 NATO, 61, 122, 170, 174–176 causes, 156, 195–196 Neruda, Pablo, 140–141, 199–201 character; association, 7, 39, 89; Nightingale, Benedict, 31 development, 77, 109 Nueveo Amanecer, 125 children, 45 Christianity, 126 comedy of manners, 102 O comedy of menace, 3, 60, 110 Observer, the, 133, 139, 153, 164 consequentialism, 160, 182, 217 Opinion, 165–166 consultants, 101 Orwell, George, 110–111 , 188, 192–194 242 INDEX

Pinter, Harold (cont.) 42, 49–50, 54–56, 59, 66–67, correspondence, to Pinter, 23, 125, 85–86, 106, 124, 132, 139, 205, 209 189–190, 199–200, 206; New criticism, of Pinter, 32, 64–65, World Order, The, 26, 56–57, 139–140, 147, 159, 164 61, 63–66, 68, 71–72, 86, 106, dialogue, 17–18, 23, 26, 33–37, 108–109, 112, 130, 163, 42–43, 54–59, 61–62, 71–115 199–200; No Man’s Land, 4, death, 14, 25, 34, 36–38, 40–42, 19, 98, 113, 207; Old Times, 4, 44, 50, 62, 66–67, 76, 81–83, 19, 98, 113; One for the 85, 87, 109, 117, 121–122, Road, 6, 25, 31–32, 39–42, 49, 125–128, 130–132, 141–142, 55, 58–59, 67, 72, 84, 86, 91, 147, 150, 153, 161, 166–167, 106, 109, 130, 132–133, 146, 176–179, 189–190, 196, 176, 190, 198, 200, 206; Party 199–203, 207, 217 Time, 109, 112, 121, 163; dehumanization, 68, 108, 110–111, Precisely, 6, 25, 34, 38–39, 42, 143, 179, 202, 214 57, 65, 67, 86, 101, 106, 108, democracy, 137–138 112, 199, 206; Press desire, 100, 103, 143, 162, 217 Conference, 26, 71, 108, dialectic, 62, 66, 163, 192 111–112, 114, 130, 163, 199; dignity, 55, 178, 209–212 Room, The, 48, 100, 106, 117, discourse analysis, 25, 164, 181, 196 144, 206; Silence, 98 dissent, 6, 26, 110–111 early verse, 120 drama; Ashes to Ashes, 26, 71, ego, 15, 127 86–100, 105, 108, 112–113, embodied spectatorship, 37 145, 189, 206, 214; emotion, 3, 5–8, 14, 16, 20, 22, 65 Betrayal, 4, 19, 98, 113; enactment, 33, 51, 54, 72, 83, Birthday Party, The, 3, 35, 41, 109–110, 114, 129, 162, 48, 91, 114, 188, 196, 207; 163, 199 Caretaker, The, 5, 9, 19, 35, euphemisms, 36, 135, 137 114; Celebration, 100–108, facts, 32, 39–40, 42, 66–68, 146, 112–114, 129–130, 132, 163, 149–150, 152, 155, 168–169, 199, 207; Dumb Waiter, 171–175, 177, 181–182, 189, The, 35, 38, 41, 60; Family 193–194, 203–205, 212 Voices, 31, 207; Homecoming, fascism, 49, 60, 77, 94, 110, The, 17, 48, 196, 203–207; 113–114, 213 Hothouse, The, 49; Kind of form, 3, 18–19, 22, 24–26, 33, Alaska, A, 31, 100; 41–43, 55, 66–67, 140, 143, Landscape, 98, 107, 133–134, 147, 151, 155, 160, 166, 170, 207; Lover, The, 5, 9; 181, 197, 205, 211 Monologue, 207; Moonlight, 84, freedom, 162, 165–168 100, 117, 135; Mountain French scene, 191 Language, 15, 21, 23, 25, 31, god, 198 INDEX 243 guilt, 16, 90 past, the, 1, 46, 87–91, 93, 94–100, Haiti, 177 106, 113, 175, 177–178, hope, 215–216 180–181, 187, 189, 200, humanism, 209 207, 210 human rights, 29, 198, 212 pauses, 62, 87, 103 humour, 67, 110 other, the, 96, 135 ideology, 61, 64, 76, 143, 166, 181, periodization, 24, 68 191, 215 plot, 4, 54, 56, 68 images, 19–23 poetic decorum, 138 individualism, 101 poetry, 27–28, 99, 117–119, 129, instrumental reason, 154 138–143, 145–147, 150, 156, intellectual determination, 203, 186, 199–203, 212–215; 209–213 “American Football”, 120, intellectual exclusivity, 65 122, 128–137, 139–140, 145, interruption, 14 199; “Bombs, The”, 124, 144, interviews, 24, 39–40, 117, 156, 202; “Cancer Cells”, 121; 168–169 “Death”, 122, 200–203; justice, 159 “Democracy”, 138, 145; “God language, 17–19 Bless America”, 79, 125, 128, law, 159, 203 202; “Laughter”, 125; mainstream media, 28, 109, 118, “Meeting”, 121–122, 144; 138–143 “‘Special Relationship’, mediatization, 99, 136, 142, 147, The”, 157; “The Old 151, 178, 185, 195, 199 Days”, 129, 199; memento mori, 145 “Order”, 122, 129, 202; memory, 14, 87, 113, 159–160, 177 War, 118, 129, 143, 147; metaphor, 41, 68, 163, 209, 216 “Weather Forecast”, 123–124, mise en scène, 22, 26, 45, 62, 72, 144 79, 83, 91 political realism, 101, 109, 115 modernism, 104–106, 214 postmodernism, 214 morality, 82, 151, 153–155, power, 18 158, 160 practical activity, 23, 26, 39, 42, 61, mothers, 48, 59–60, 81 64, 66, 71, 73, 75, 81, 83, 100, narrative, 142, 146, 152–153, 170, 115, 126–127, 145, 150, 156, 179–180, 204, 208 161–163, 167, 170, 173, 176, Nicaragua, 157, 160, 165, 181, 185, 189, 194, 203, 212 176–178, 188, 192 problems, 5–6 Night of the Day of the Imprisoned profanity, 52, 133 Writer, The, 153 pronoun usage, 127, 210 observation, 33, 118, 152, 154, protocol, 66, 82, 110 158, 168, 171, 179–181, psychoanalytic interpretation, of 206, 208 Pinter’s work, 8 244 INDEX

Pinter, Harold (cont.) Speech, 18 March 2005”, 60, public intellectual, Pinter as, 89, 158, 167 171, 182 State, the, 42, 110, 163, 212 rape, 31–32 story/storytelling, 4, 68, 90, 96, realism, 42, 87, 91, 174 104, 113 resilience, perceived in Pinter’s subjectivity, 4–5, 11, 25, 29, 33, work, 16, 85 49, 55–56, 63–64, 91, 93, Sandinistas, 160–161, 178–179, 210 96–101, 118, 128, 131, 141, , 102 144, 148, 180, 186, 201, 205, screenplays; Accident, 113; 208, 213 Go-Between, The, 113; The suffering, 32–33, 37, 41–42, 45, 57, Proust Screenplay, 113; Servant, 146–147, 149–151, 174, 176, The, 91, 191 181, 185, 189–190, 194, 210 sex, 43–44, 47, 131–132, 134, 138, technocrats, 25, 34–38, 101 145, 193 time/temporality, 99 shame, 158–159, 213 torture, 6, 31–32, 40–42, 49, 58–62, silence, 6, 45, 51, 62, 68, 85, 87, 67, 73, 76, 84–87, 109, 133, 103, 206, 215 135, 142, 167, 175–176, social atomization, 72, 101, 106, 165 189–192, 206 speeches/essays; Art, Truth and tragedy, 33, 41, 43, 47, 64, 74, Politics, 214; “Arthur Miller’s 169, 177 Socks”, 149; “Blowing Up the trauma, 43, 47–48, 84, 88, 90, 92, Media”, 133, 135; “Caribbean 97, 179, 196, 199, 207 Cold War”, 127; “Eroding the truth, 25, 67, 100, 111, 133, 135, Language of Freedom”, 157, 150–151, 168, 170–174, 173, 204; “Introduction: 180–182, 204, 217 Writing for Myself”, 122; Turkey, 42, 49, 149–151, 175–176 “Introduction: Writing for the utopianism, 211–218 Theatre”, 3, 5, 8, 11, 14, 39, victims/victimizers, 7, 16, 36–38, 57, 185, 197; “Iraq 45–46, 49, 53–54, 71, 84, 86, Debate”, 159, 167, 180; “It 90, 94, 112, 122, 130–131, Never Happened”, 155–156, 134–135, 145, 175–176, 189, 163–164, 177, 179, 206; “On 192, 206 Being Awarded the German violence, 5–6, 15, 25–27, 32–34, Shakespeare Prize in 36, 38–41, 57–59, 63, 86–87, Hamburg”, 205; “Open Letter 102, 119, 131, 138, 141, 144, to the Prime Minister”, 157; 146, 168, 174–176, 195–197 “The US and El voiceover, 53, 85 Salvador”, 157, 164; “The US war, 118–119 Elephant Must Be witnessing, 47–48, 59, 65, 84, Stopped”, 180; “Wilfred Owen 171, 180, 189, 205–206, Award for Poetry: Acceptance 208, 211 INDEX 245

wives, 17–18, 43–44, 51, 59–60, Sophocles, 47–48 77, 81, 101 Spanish Civil War, 200 Pinter Review, The, 8 Speak the Unspeakable, 89 Pirandello, Luigi, 39 Spectacle, 102, 126, 135–137, 142, Poets against the Bomb, 152–153 145, 152, 168, 178, 215–216 Preface, to The Poems of Wilfred Spielberg, Steven, 88 Owen, 120 Spinoza, Benedict de Prentice, Eve-Ann, 132, 174 aesthetics, 10–17 Psychology, of characters, 35 affect, 10–17 Purcell Room, 89 bodies, 9–14, 17, 19–20 dualism, 10 images, 11 Q representation, 10–11, 14 Quigley, Austin E., 17, 31 South Bank Show, 25, 129 Stalin, Joseph, 198 R Stokes, John, 4 Strausz-Hupé, Robert, 149–150 Rayner, Alice, 4, 19 Strunk, Volker, 32 Reagan, Ronald, 157, 163, 165, 177, 188, 193, 208 Rickson, Ian, 129 T Rosen, Ruth, 17–18, 196, 206–207 Taylor-Batty, Mark, 216 , 56–57, 129 Tempest, Matthew, 169 , 108 Thatcher, Margaret, 73, 157 Russian Formalists, 20 Trial, The, 153 Truppi, Mike, 197 S Sade, Marquis de, 135 U Saïd, Edward, 131, 171 University of Florence, 158, 174 Sakellaridou, Elizabeth, 8 University of Leeds, 129, 197 Sandino, Augusto Nicolás, 165 University of Turin, 158, 177 Sartre, Jean Paul, 4 Sassoon, Siegfried, 119 V Schindler’s List, 88 Vietnam War, 25 , 169–170, 174–175 Seitz, Raymond G.H., 192, 194 Shaviro, Steven, 55 W Six Characters in Search of an Wesker, Arnold, 7 Author, 39 Wilfred Owen Association, 118–119 Smith, Terry, 214 Wilfred Owen Award for Poetry, 60, Sontag, Susan, 5, 15, 56 158, 167 Sophie’s Choice, 88 World Bank, 177