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Born May 18 1943 Melbourne Victoria Australia 2011 Artsource Lifetime

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Born May 18 1943 Melbourne Victoria Australia 2011 Artsource Lifetime PIPPIN DRYSDALE 22 Tuckfield Street, Fremantle, Western Australia 6160 Phone: +61 8 9336 2475; Mobile: +61 419 162 475 Email: [email protected] www.pippindrysdale.com Education and Honorific’s Born May 18th 1943 Melbourne Victoria Australia 2011 Artsource Lifetime Achievement Award – WA Art Gallery 2007 Master of Australian Craft – Awarded by Craft Australia, ACT 1997-date Adjunct Research Fellow, School of Art, Curtin University of Technology, Western Australia 1986 Bachelor of Arts (Fine Art), Curtain University - Western Australia 1983 Study and work tour: Perugia Italy, Anderson Ranch Colorado USA and San Diego USA 1979-81 Advanced Diploma in Ceramics, Perth Technical College Western Australia Solo Exhibitions (Over 40 Solo exhibitions 1986-2007) 2014 “Hear and Now” University of Western Australia Perth 2007 Michael Reid of Elizabeth Bay 2014 Sabbia Gallery Sydney NSW 2007 PULS Gallery, Brussels 2006 Carlin Gallery, Paris 2012/13 Maastricht Art Fair Holland – Adrian Sassoon dealer 2005 The Gaffer Studio Glass Gallery, Hong Kong 2012/2013 Masterpiece London – Adrian Sassoon dealer 2005 Anant Gallery, Delhi India 2011 Moss Green Gallery, Melbourne, VIC 2005 Draper Boutwell Gallery, Sydney 2010/11 Mobilia Gallery, Boston USA 2005 V&A, London, COLLECT Art Fair 2010 Houston Centre for Contemporary Craft Museum USA 2004 V&A, London, COLLECT Art Fair 2010 Australian Embassy, Washington DC, USA 2003 Galerie Marianne Heller, Heidelberg, Germany, 2009 Booker Lowe Gallery, Houston, USA 2003 MAK Museum, Frankfurt, Germany 2008 Anant Art Gallery, Delhi, India 2000 Quadrivium, Sydney 2008 V&A, London, COLLECT Art Fair (represented by 1991 Tomsk Museum, Russia Marianne Heller, Galerie Heller) 1991 Novosirbirsk Museum, Russia 2007 Marianne Heller Gallery, Heidelberg, Germany, 30th Anniversary (Nov 2007) 2007 Yamaki Gallery, Osaka, Japan 2007 John Curtin Gallery, ‘Lines of Site’ Group Exhibitions (Over 300 Group and Invitational exhibitions 1981-2005) 2013/14 The Vessel The Object – Switzerland 2013 Grassi Museum for applied Arts Leipzig Germany 2013 Moss Green Gallery Melbourne October – Memorial - JANET Mansfield 2003 Cheongiu International Biennale, Korea, 2013 Art Basel – Miami USA - Mobilia Boston USA Recovery for Use 2013 Grassi Museum for Applied Arts, Leipzig Germany - 2003 Kanazawa Invitational Exhibition, Japan Vessel/Sculpture November 2013 2003 Museum of Modern Art, Gifu, Japan 2013 SOFA Chicago – Joanna Bird London 2002 The NGA, Material Culture 2002 Toowoomba Art Gallery Biennial Acquisition 2013 Parcours Ceramique Carougeols Biennial Geneve 2001 NGA Centenary of Federation 1901 – 2001 2012/12/13 COLLECT LONDON - Joanna Bird dealer 2000 Galerie Marianne Heller, Germany, Australian 2011 Mark Making, Sabbia Gallery, Sydney Contemporary Ceramics 2007 Meitetsu, Osaka, Japan 1999 Palazzo dei Consoli, Italy, Vitalità Perenne del Lustr’o, 2006 Melbourne Art Fair, represented by Boutwell Draper 1999 Powerhouse Museum, Australian Craft on tour in Japan 2005 Form, Florence Art Expo, Italy 1996 Fletcher Challenge Ceramics Award, Auckland, NZ 2005 Galerie Marianne Heller, Heidelberg Germany 1995 Museo Internazionale Ceramiche, Faenza, 2005 The Australian National Gallery, ACT, Transformations Delinquent Angel 2005 The Scottish Gallery, Edinburgh Scotland 2005 World Ceramic Biennale, Korea, Ceramic as Expression 2004/05 Kunstforum Kirchberg Galerie, Switzerland, Vessel 2004/1998 SOFA Chicago and New York, USA 2004 St. Joseph Galerie, Holland, Coloured Porcelain 2004 Munich,Germany, Masters of the Modern Grants 2007 VACB, Major Fellowship Grant (two years) 1998 ArtsWA Creative Development Fellowship 2006 ArtsWA New Works Grant 1997/8 VACB, Project Grant 2003 ArtsWA Freight & Travel Grant 1994 VACB, Creative Development Grant 2002/1997/92/91 ArtsWA Travel Grants 1990 VACB, Creative Development Grant 2001 VACB, New work to tour Germany 1987 VACB, Special Development Grant Collections International (most recent) Berkshire – Boston USA Bain Capital Acquisition – Boston USA Fidelity Melbourne – Acquisition - Installation Sackler Collection London – Acquisition - Installation V&A Acquisition, London – Acquisition – Installation –“ Kings Museo del Ceramica, Faenza, Italy Canyon” Palazza del Colsole – Gubbio Italy Duke & Duchess of Devonshire, Chatsworth Collection, UK The Grain Pool, Seoul, Korea Private Australian Collection, Mrs R Packer AO, Sydney Tomsk State Gallery & Museum, Siberia, Russia National Museum of Scotland Novosirbirsk State Gallery,Siberia, Russia Major private installation, 19 works, Boston, USA Auckland Art Gallery, New Zealand Marco Polo Corporation, Singapore American Foundations, USA MAK Musuem, Frankfurt, Germany The Gifu Prefectural Museum, Tokyo, Japan Museum of Modern Art, Gifu, Japan Public and private collections Germany, USA, Japan, Cheongiu Museum and Art Gallery Korea Korea, Russia and Asia 21st Century Museum, Kanazawa, Japan Collections Australia (most recent) National Gallery of Victoria (NGV) - VIC Curtain Univ National Gallery of Australia, ACT Edith Cowan Museum and Art Gallery, NT University of National Library Canberra, Australia Toowoomba Artbank collection University, Art Gallery of WESTERN Australia Qld Tasmanian Museum and Art Gallery Manly Art G Launceston Art Gallery Campbelltow Queensland Art Gallery Art Gallery, Newcastle Art Gallery, NSW NSW The Powerhouse Museum, NSW Australian C Bank of New ANZ Bank, V Telstra Murd NSW Private & Co throughout t Books, Catalogues & Reviews Monograph, Snell, Ted, ‘Lines of Site’, Fremantle Press, 2007 Catalogue, ‘Pippin Drysdale: Lines of Site – Towards the Kimberly Series’, John Curtin Art Gallery, 2007 The Face, Weekend Australian Review 26/5/2007, Victoria Laurie meets Pippin Drysdale, pp3, National circulation:299150 V&A, London, ‘CO[ ]ECT’, 2003 and 2004 The Museum of Modern Ceramic Art, Gifu: ‘The Legacy of Modern Ceramic Art, Part II - Modern Ceramic Art from an International Perspective’; International Invitation Exhibition 2003: ‘Recovery of Use’, Korea Kanazawa Museum Invitational Exhibition Japan; National Gallery of Australia (NGA) Federation ‘Material Culture’ Faenza Museum Italy, ‘Vitalita Perenne del Lustro’; The Powerhouse Museum, ‘Contemporary Australian Craft’, touring Japan Published in 20 national and international books Numerous national and international articles and reviews relating to conceptual and technical aspects REPRESENDED BY: Joanna Bird London Dealer – Adrian Sassoon – London Dealer Moss Green Gallery Melbourne Sabbia Gallery – Sydney NSW Mobilia Gallery – Boston USA Marianne Heller Gallery Heidelberg Germany Kvnstforvm Solothvrn – Hanspeter Dahler Galerie Terraviva France 2 of 1 .
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  • Artist Résumé| Pippin Drysdale
    Artist Résumé| Pippin Drysdale www.pippindrysdale.com Education 1985 Bachelor of Art (Fine Art), Curtin University of Technology, Perth, WA 1982 Study and work tour: Perugia, Italy; Anderson Ranch, Colorado, USA; San Diego, USA 1982 Diploma in Advanced Ceramics, Western Australian School of Art and Design Grants 2007 The Australia Council for the Arts (VACB), Major Fellowship 2006 Arts WA Project Grant, John Curtin Gallery Survey/Installation, WA 2005 Arts WA Freight & Travel, Carlin Gallery, Paris 2003 Arts WA Freight and Travel, V & A London “COL LECT” 2002 ArtsWA Catalogue, Freight & Travel, Germany 2001 The Australia Council for the Arts (VACF), Germany tour 1998 ArtsWA Creative Development Fellowship 1997/8 The Australia Council Visual Art and Crafts Fund, Project Grant 1997 ArtsWA Travel Grant 1994 The Australia Council Visual Art and Crafts Board, Creative Development 1992 ArtsWA Travel Grant 1991 ArtsWA Travel Grant 1990 The Australia Council Visual Art and Crafts Board, Creative Development 1987 The Australia Council Visual Art and Crafts Board, Special Development Awards 2020 Curtin University – Honorary Award - Honorary Doctor of Arts 2015 Living Treasure Award, Western Australian Government 2011 Artsource Lifetime Achievement Award, Art Gallery of Western Australia, Perth, Australia 2007 Master of Australian Craft, Craft Australia, NSW 2003 Gold Coast International Award, Queensland, Australia 1995 City of Perth Craft Award; Newcastle Ceramic Purchase Award, Newcastle Regional Art Gallery, NSW; Docks Art Award, Fremantle,
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    Artist Résumé Pippin Drysdale www.pippindrysdale.com Education 1985 Bachelor of Art (Fine Art), Western Australian Institute of Technology (WAIT), now Curtin University, Perth, Western Australia 1982 Study and work tour: Perugia, Italy; Anderson Ranch, Colorado, USA; San Diego, USA 1982 Diploma in Advanced Ceramics, Western Australian School of Art and Design Grants 2007 Australia Council for the Arts, Visual Arts and Craft Board, Major Fellowship 2006 ArtsWA Project Grant, John Curtin Gallery, Curtin University, Survey/Installation Western Australia 2005 ArtsWA Freight & Travel, Carlin Gallery, Paris 2003 ArtsWA Freight and Travel, Victoria and Albert Museum, London COLLECT 2002 ArtsWA Catalogue, Freight & Travel, Germany 2001 Australia Council for the Arts Visual Arts and Craft Fund, Germany tour 1998 ArtsWA Creative Development Fellowship 1997/8 Australia Council for the Arts Visual Arts and Craft Fund, Project Grant 1997 ArtsWA Travel Grant 1994 Australia Council for the Arts Visual Arts and Craft Board, Creative Development 1992 ArtsWA Travel Grant 1991 ArtsWA Travel Grant 1990 Australia Council for the Arts Visual Art and Craft Board, Creative Development 1987 Australia Council for the Arts Visual Art and Craft Board, Special Development 1 Awards 2020 Honorary Doctorate of the Arts, Curtin University, Perth, Western Australia 2015 WA State Living Treasure Award, Western Australian Government 2011 Artsource Lifetime Achievement Award, Perth, Western Australia 2007 Master of Australian Craft, Craft Australia, New South Wales, Australia
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  • Latest Pip Drysdale CV 2021
    Curriculum Vitae Pippin Drysdale BIOGRAPHY 1943 Born in Victoria to Patti and John Carew-Reid. 1946 Arrived in Western Australia. 1948-60 Educated at St Hilda’s School and Methodist Ladies College. Private art classes with Rhoda and Wim Boissevain. 1981 Perth Technical College – Diploma in Advanced Ceramics course. 1982 Study and work tour – Perugia, Italy; Anderson Ranch, Colorado, USA; San Diego, USA. Study with influential artist potters in the USA – Daniel Rhodes and Toshiko Takaesu. 1983-1985 Enrolled at WAIT (now Curtin University) in Bachelor of Arts in Ceramics. 1986-date Working in own studio producing ceramics towards exhibitions. 1987 Received an Australia Council for the Arts Visual Art and Craft Board, Special Development Grant. 1988 Guest lecturer, School of Art, University of Tasmania, Hobart. 1990 Received an Australia Council for the Arts Visual Art and Craft Board, Creative Development Grant. 1991 Received an ArtsWA Travel Grant for activities listed below. Artist-in-Residence, Swansea Art College, Swansea, Wales, UK. Artist-in-Residence, Deruta Grazia Maioliche (Pottery), Perugia, Italy. Cultural Exchange, Artists' Union of Russia, Tomsk University, Siberia, Russia. Guest Lecturer, Princeton University, Skidmore College, Boise State University and Washington State University, USA. 1992 Received an ArtsWA Travel Grant to travel to Central Australia. 1993 Artist-in-Residence and Visiting Lecturer, Canberra School of Art, Canberra ACT, Australia. 1994 Received an Australia Council for the Arts Visual Arts and Craft Board, Creative Development Grant. Artist-in-Residence, Banff Centre for the Arts, Calgary, Canada. Guest Lecturer, Washington State University, Seattle, USA. Awarded Fellow of FORM (formerly CRAFTWEST), Perth, Western Australia.
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  • CONFLUENCE Catalogue
    CONFLUENCE Pippin Drysdale | Warrick Palmateer John Curtin Gallery, 28 Sept – 2 Dec 2018 INTRODUCTION Confluence brings together the ceramic artworks of Pippin Drysdale and Warrick Palmateer, exploring their unique collaboration, common strengths but also celebrating their differences. Both artists have created major new works especially for this exhibition, contrasting their own distinctive aesthetic language and passion for different aspects of Australia’s natural environment. One profoundly important quality that both artists share and which radiates with hypnotic authority from their finished work, is their obsessive pursuit of excellence. Palmateer and Drysdale have each refined their skills relentlessly and their extraordinary capacity to collaborate in a seamless and respectful, almost symbiotic way, to produce Drysdale’s work with such consistently inventive and striking forms over more than twenty five years, is almost miraculous. By bringing these two dedicated and exceptionally skilled artists together in Confluence, I wish to honour and explore the compelling collaborative processes through which together – and in Palmateer’s own work, alone – these two artists continue to push themselves and each other, to conjure some of the most breathtaking ceramic forms ever made in Australia. THE ART OF PIPPIN DRYSDALE In a chance encounter in the early 1990s, Pippin Drysdale was struck by the extraordinary throwing skills of a young potter by the name of Warrick Palmateer. Drysdale readily acknowledges how privileged she is that Palmateer has been so loyally committed to their collaborative enterprise over such a sustained period. The fact that Palmateer has thrown all of Drysdale’s vessels over the last twenty six years, is testament to just how quickly their deep bond was forged, and how vitally the convergence of their energies seeking perfection continues to inspire them both and fuel their continuing collaboration.
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  • ANNUAL GENERAL MEETING 2020 PRESIDENT's REPORT by DR. CATHY FRANZI, 8 OCTOBER 2020 I Would Like to Acknowledge the Traditional
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  • Jeffery Mincham AM Master of Australian Craft and 2009 Living
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  • THROWN TOGETHER Pippin Drysdale and Warrick Palmateer’S Confluence Is the Result of a Unique Pairing, Writes Victoria Laurie
    13 Oct 2018 Weekend Australian, Australia Author: Victoria Laurie • Section: Review • Article Type: News Item • Audience : 219,242 Page: 12 • Printed size: 696.00cm² • Region: National • Market: Australia ASR: AUD 22,729 • words: 1141 • Item ID: 1021050570 Licensed by Copyright Agency. You may only copy or communicate this work with a licence. Page 1 of 3 THROWN TOGETHER Pippin Drysdale and Warrick Palmateer’s Confluence is the result of a unique pairing, writes Victoria Laurie f any art show was ever likely to capture the The elegant shapes, the luminous glazes, essence of both Australia’s inland and its even the musical note emitted by gently tapping jagged coastline, Confluence is it. Ceramic the eggshell-thin rim of her vessels — all have Iartist Pippin Drysdale, now into her fifth earned Drysdale a reputation as one of Aust- decade of creating exquisite clay vessels, ralia’s foremost ceramic artists and, in 2015, the says she has always looked for inspiration in title of West Australian State Living Treasure. deserts such as the Great Sandy and Tanami in “I’ve never wanted to be just a mugs, jugs Western Australia’s remote heart. and casserole person; I’ve always wanted to Her co-exhibitor in a John Curtin Gallery make my mark,” she told Review in 2007 when show is Warrick Palmateer, a tall, musclebound her retrospective show was held at the John surfer cum potter who finds inspiration as he Curtin Gallery. paddles beyond the ocean reef at Yanchep most Then, as now, her appetite for adventure mornings before a day spent sitting at a potter’s exposed her to landscapes she found inspiring, wheel in Drysdale’s Fremantle studio.
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  • The Australian 26 May 2007 Victoria Laurie
    Weekend Australian 26/05/2007 Page: 3 Page 1 of 2 Review Region: National Circulation: 299150 Type: National Size: 609.10 sq.cms VICTORIA LAURIE meets PIPPIN DRYSDALE Ceramic artist THEpast,present and future of Drysdale was recently honoured by the Craft ceramic artist Pippin Drysdale are Council of Australia as one of 10 Masters of represented on the kitchen bench Australian Craft. Now in her mid-60s, she has between us, three exquisite vessels little left to prove, although a healthy dose of self- from different phases of her life. doubt keeps her striving for perfection. There is a tall, slender bowl whose riotously- Her work, from tiny goblets to audacious Ali hued surface inazure,cadmium yellow and deep Baba-style giant pots, is in the National Gallery green glows like an oriental rug. in Canberra and dozens of public and private "I visited Pakistan in 2000 and loved the rugs collections across the country. and weavings somuch,I wanted to bring a whole The Victoria and Albert Museum in London planeloadback,"she says, launching into vivid will exhibit her pots and bowls next January and tales of a past in which she befriended a Pashtun two big solo shows are scheduled this year in doctor and travelled on the Karakoram highway Germany and Japan. to the Hindu Kush. "The Germans are so thorough: they come "I created a whole series of bowls about and ponder over the vessels, the form, the Pakistan called God is Great because I thought it decoration, the surface, the colour. They are so got such a bad press and didn't deserve it.
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    609 Elizabeth Street REDFERN NSW 2016 AUSTRALIA . PO Box 1126 STRAWBERRY HILLS NSW 2012 www.sabbiagallery.com [email protected] DR PIPPIN DRYSDALE Education 2020 Honorary Doctorate, Curtin University of Technology, Perth, WA 1985 Bachelor of Art (Fine Art), Curtin University of Technology, Perth, WA 1982 Study and work tour: Perugia, Italy; Anderson Ranch, Colorado, USA; San Diego, USA 1982 Diploma in Advanced Ceramics, Western Australian School of Art and Design Selected Solo Exhibitions 2018 Convergence, John Curtin Gallery – Seventeen installations from the Devil’s Marbles collection (2017/18) 2017 Sabbia Gallery, Sydney – “Wild Alchemy” PULS Galerie, Brussels 2016 Mossgreen Gallery Melbourne – The Devil’s Marbles 2015 Mossgreen Gallery-Brans, Perth, Western Australia Mossgreen Gallery, Melbourne, Victoria, Australia Galerie Marianne Heller, Heidelberg, Germany 2014 Tanami Mapping III: Sabbia Gallery, Sydney, NSW, Australia Mossgreen Gallery, Melbourne, Victoria, Australia PULS Ceramics, Brussels, Belgium 2011 Mobilia Gallery, Boston, MA, USA 2010/11 Mobilia Gallery, Boston, MA, USA 2010 Mobilia Gallery, Boston, MA, USA Houston Centre for Contemporary Craft Museum, Houston, TX, USA Australian Embassy, Washington D.C., USA PULS Gallery, Brussels, Belgium 2009 Booker Lowe Gallery, Houston, USA 2008 Anant Art Gallery, Delhi, India PULS Gallery, Brussels, Belgium 2008 V&A, COLLECT Art Fair, London, UK 2007 Marianne Heller Gallery, Heidelberg, Germany Yamaki Gallery, Osaka, Japan John Curtin Gallery, ‘Lines of Site, Perth, Australia
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