DOCSLIB.ORG

The Mammoth Book of Cthulhu: New Lovecraftian Fiction Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Mammoth Book of Cthulhu: New Lovecraftian Fiction Free FREE THE MAMMOTH BOOK OF CTHULHU: NEW LOVECRAFTIAN FICTION PDF Paula Guran | 496 pages | 14 Apr 2016 | Little, Brown Book Group | 9781472120038 | English | London, United Kingdom Publication: The Mammoth Book of Cthulhu: New Lovecraftian Fiction Desire— the feeling that accompanies an unsatisfied state. What happens when human desire twists…bends…warps…mutates? What happens when that desire is fed…or even starved? From unrequited love and repressed lust to consuming grief and the unquenchable thirst of addiction… from unfathomable sexual undergrounds to unspeakable perversions creeping into everyday suburbia, these abominations of desire will leave you gasping for breath and your taste for terror satiated. The results are sometimes enigmatic, sometimes witty, sometimes desperately grim; just like the songs they often appear to belong outside — either before or after — recorded time, in some malleable epoch of blood-drenched mythology. The Mammoth Book of Cthulhu: New Lovecraftian Fiction shadowy back alleys, crumbling brownstones, and gleaming skyscrapers, cities harbor unique forms of terror. Here lie malicious ghosts, cursed buildings, malignant deities, and personal demons of every kind. Far worse than mythical creatures such as vampires and werewolves, these are horrors that lurk in the places you go every day—where you would never expect to find them. The mummy lives. As a figure of the supernatural the mummy has attained iconic status in the popular imagination. Some delve into the past, others explore alternative The Mammoth Book of Cthulhu: New Lovecraftian Fiction, and some bring mummies into our own world. Within these covers lie stories of revenge, romance, monsters, and mayhem, ranging freely across time periods, genres, and styles sure to please both mummy-lovers and those less wrapped up in mummy lore! From writer, artist and philanthropist, Gloria Vanderbilt, who sponsors one of the largest literary prizes in Canada, and who supports this unique Canadians-only short fiction publication. He was a promising editor, writer, and, from the time he was a small child, a voracious reader. Carter came from a family of storytellers, and stories were a guide which helped him discover the world. What resides beneath the blankets of snow, under the ripples The Mammoth Book of Cthulhu: New Lovecraftian Fiction water, within the whispers of the wind, and between the husks of trees all across Canada? Eighteen emerging and award-winning authors explore the way we think about and interact with the unnatural — showing how much the stories we create can teach us about what it means to be human. An outstanding anthology of original stories inspired by H. Fresh new fiction that explores our modern fears and nightmares. Gresh, Lisa L. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. No matter your expectations, the dark is full of the unknown: grim futures, distorted pasts, invasions of the uncanny, paranormal fancies, weird dreams, unnerving nightmares, baffling enigmas, revelatory excursions, desperate adventures, spectral journeys, mundane terrors, and supernatural visions. You may stumble into obsession—or find redemption. Lovecraft created eight decades ago. A few years ago, New Cthulhu : The Recent Weird presented some of the best of The Mammoth Book of Cthulhu: New Lovecraftian Fiction new Lovecraftian fiction from the first decade of the twenty-first century. The first in an annual anthology series, inspired by the Pan and Fontana books of yesteryear! Imaginarium 3: The Best Canadian Speculative Writing is a reprint anthology collecting speculative short fiction and poetry science fiction, fantasy, horror, magic realism, etc. You may stumble into obsession — or find redemption. The darkness creeps upon us and we shudder, or it suddenly startles and we scream. There need be no monsters for us to be terrified in the dark, but if there are, they are just as often human and supernatural. Featuring thirty-five tales from masterful authors The Mammoth Book of Cthulhu: New Lovecraftian Fiction talented new writers sure to make you reconsider walking in the shadows alone…. Imaginarium The Best Canadian Speculative Writing is a reprint anthology collecting speculative short fiction and poetry science fiction, fantasy, horror, magic realism, etc. Canadian speculative fiction has been increasingly recognized internationally for the calibre of its authors and their insight into the nature of social and religious identities, the implications of new technologies, and the relationship between humankind and its environments. At their best, these stories disrupt habits, overcome barriers of cultural perception to make the familiar strange through the use of speculative elements such as magic and technology. They provide glimpses of alternate realities and possible futures and pasts that provoke an ethical, social, political, environmental, and biological inquiry into what it means to be human. Tales that will leave a frisson of fear and raise a quiver of gooseflesh. A chill is in the air. Wiersema, and Rio Youers, with an introduction by Michael Kelly. The critically acclaimed editor of Magic, The End of The Line and House of Fear has brought together the contemporary masters and mistresses of the weird from around the globe in an anthology of travel tales like no other. Strap on your seatbelt, shoulder your backpack, or wait for that next ride… into darkness. Here are stories of misfits, spectral hitch-hikers, nightmare travel tales and the rogues, freaks and monsters to be found on the road. Strap on your seatbelt, or shoulder your backpack, and wait for that next ride… into darkness. An incredible anthology of orginal short stories from an exciting list of writers including the best-selling Philip Reeve, the World Fantasy Award-winning Lavie Tidhar and the incredible talents of S. Email: info helen-marshall. It is sumptuously The Mammoth Book of Cthulhu: New Lovecraftian Fiction with reclaimed images from these glorious sources. Helen Marshall. Award-winning author, editor, and bibliophile. Latest Tweets. The Mammoth Book of Cthulhu! | Lisa L. Hannett Description Imported from USA. Full description not available. If you love stories of the Cthulhu mythos don't read this book. The stories are utter dross and have little or nothing Lovecraftian about them. Read more Good product, great service. Most of these stories had nothing to do with Lovecraft's writings. The Mammoth Book of Cthulhu: New Lovecraftian Fiction, a couple of them were entertaining. I read it once but probably won't return to it for a second reading. A mixed bag, but the final essay is a must read. It made muddling through the rest of the middling efforts here well worth it. There's a lot of great, or at the very least interesting stories in this collection. Coupled with the introductions of each story and their author, there's a great deal of context to why everything is chosen for this The Mammoth Book of Cthulhu: New Lovecraftian Fiction. And it gets even more interesting with the authors from demographics that Lovecraft regularly looked down on. A must-have modern Lovecraftian collection with some of the best names in the field. Buy it. Getting through this, been on my TBR pile! Will add more reviews. Great book. Must Buy. This is a great starter collection for modern weird Lovecraftian fiction and would make a great gift! It mixes a legendary rock music club, 80's nostalgia, and a truly weird but non-gory twist. It brought to mind to me in a great way of some of the work of Ramsey Campbell, and evoked to me some of the cool ideas of T. Klein's "Nadelman's God. Fun book and well written stories. I thoroughly enjoyed. Some of the standardized review questions such as "How is the authors' writing? Some of The Mammoth Book of Cthulhu: New Lovecraftian Fiction are top-notch and others are only good. So there you are. The whole Cthulu thing is based on scant material from Lovecraft. These stories take that ball and run with it They're all good, though. Lovecraft, and specifically the Cthulu myth, is not either really sci-fi or fantasy or horror, but a kind of stew of all of them, plus a certain something extra unique to Lovecraft - a sense of tension and foreboding. Only a couple of these stories capture that Lovecraft essence. But they're all pretty god. I mean good. This has a mix of wonderful stories and some horrible ones. The last story is one to ponder a lot. Similar Products. Tales of the Lovecraft Mythos. Shadows Over Main Street, Volume 2. Anthologies - Helen Marshall Laird Samuel Barron born is an American author and poet, much of whose work falls within the horrornoirand dark fantasy genres. He has also been the Managing Editor of the online literary magazine Melic Review. He lives in Upstate New York. Barron spent his early years in Alaska. In Alaska, Barron raced the Iditarod three times during the early s, [2] and worked as a fisherman on the Bering Sea. He retired from racing and moved to Washington in He became active on the The Mammoth Book of Cthulhu: New Lovecraftian Fiction scene, [1] publishing with a number of online journals and eventually serving as the managing editor of The Mammoth Book of Cthulhu: New Lovecraftian Fiction Melic Review. He has stated his affection for pulp fiction, westernsand noirand his work typically combines one or more of these elements with a horrific or weird supernatural intrusion. Barron has referred to the Bible and the Necronomicon as "the greatest horror stories ever told. It has also been reprinted in numerous year's best anthologies and nominated for multiple awards. Putnam's Sons. From Wikipedia, the free encyclopedia. American author and poet. Year's Best Fantasy 6.
Load more

Recommended publications
  • Myth Y La Magia: Magical Realism and the Modernism of Latin America
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2015 Myth y la magia: Magical Realism and the Modernism of Latin America Hannah R. Widdifield University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Latin American Languages and Societies Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Widdifield, Hannah R., "Myth y la magia: Magical Realism and the Modernism of Latin America. " Master's Thesis, University of Tennessee, 2015. https://trace.tennessee.edu/utk_gradthes/3421 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Hannah R. Widdifield entitled "Myth y la magia: Magical Realism and the Modernism of Latin America." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Lisi M. Schoenbach, Major Professor We have read this thesis and recommend its acceptance: Allen R. Dunn, Urmila S. Seshagiri Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Myth y la magia: Magical Realism and the Modernism of Latin America A Thesis Presented for the Master of Arts Degree The University of Tennessee, Knoxville Hannah R.
    [Show full text]
  • I PRACTICAL MAGIC: MAGICAL REALISM and the POSSIBILITIES
    i PRACTICAL MAGIC: MAGICAL REALISM AND THE POSSIBILITIES OF REPRESENTATION IN TWENTY-FIRST CENTURY FICTION AND FILM by RACHAEL MARIBOHO DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2016 Arlington, Texas Supervising Committee: Wendy B. Faris, Supervising Professor Neill Matheson Kenneth Roemer Johanna Smith ii ABSTRACT: Practical Magic: Magical Realism And The Possibilities of Representation In Twenty-First Century Fiction And Film Rachael Mariboho, Ph.D. The University of Texas at Arlington, 2016 Supervising Professor: Wendy B. Faris Reflecting the paradoxical nature of its title, magical realism is a complicated term to define and to apply to works of art. Some writers and critics argue that classifying texts as magical realism essentializes and exoticizes works by marginalized authors from the latter part of the twentieth-century, particularly Latin American and postcolonial writers, while others consider magical realism to be nothing more than a marketing label used by publishers. These criticisms along with conflicting definitions of the term have made classifying contemporary works that employ techniques of magical realism a challenge. My dissertation counters these criticisms by elucidating the value of magical realism as a narrative mode in the twenty-first century and underlining how magical realism has become an appealing means for representing contemporary anxieties in popular culture. To this end, I analyze how the characteristics of magical realism are used in a select group of novels and films in order to demonstrate the continued significance of the genre in modern art. I compare works from Tea Obreht and Haruki Murakami, examine the depiction of adolescent females in young adult literature, and discuss the environmental and apocalyptic anxieties portrayed in the films Beasts of the Southern Wild, Take iii Shelter, and Melancholia.
    [Show full text]
  • Discovering by Analysis: Harry Potter and Youth Fantasy
    DOCUMENT RESUME ED 459 865 IR 058 417 AUTHOR Center, Emily R. TITLE Discovering by Analysis: Harry Potter and Youth Fantasy. PUB DATE 2001-08-00 NOTE 38p.; Master of Library and Information Science Research Paper, Kent State University. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Adolescent Literature; *Childrens Literature; *Fantasy; Fiction; Literary Criticism; *Reading Material Selection; Tables (Data) IDENTIFIERS *Harry Potter; *Reading Lists ABSTRACT There has been a recent surge in the popularity of youth fantasy books; this can be partially attributed to the popularity of J.K. Rowling's Harry Potter series. Librarians and others who recommend books to youth are having a difficult time suggesting other fantasy books to those who have read the Harry Potter series and want to read other similar fantasy books, because they are not as familiar with the youth fantasy genre as with other genres. This study analyzed a list of youth fantasy books and compared them to the books in the Harry Potter series, through a breakdown of their fantasy elements (i.e., fantasy subgenres, main characters, secondary characters, plot elements, and miscellaneous elements) .Books chosen for the study were selected from lists of youth fantasy books recommended to fantasy readers and others that are currently in print. The study provides a resource for fantasy readers by quantifying the elements of the youth fantasy books, as well as creating a guide for those interested in the Harry Potter books. It also helps fill a gap in the research of youth fantasy. Appendices include a youth fantasy reading list, the coding sheet, data tables, and final annotated book list.(Contains 10 references and 9 tables.)(Author/MES) Reproductions supplied by EDRS are the best that can be made from the original document.
    [Show full text]
  • Magic Realism As Rewriting Postcolonial Identity: a Study of Rushdie’S Midnight’S Children
    Magic Realism as Rewriting Postcolonial Identity 74 SCHOLARS: Journal of Arts & Humanities Volume 3, No. 1, February 2021, pp. 74-82 Central Department of English Tribhuvan University [Peer-Reviewed, Open Access, Indexed in NepJOL] Kirtipur, Kathmandu, Nepal Print ISSN: 2773-7829; e-ISSN: 2773-7837 www.cdetu.edu.np/ejournal/ DOI: https://doi.org/10.3126/sjah.v3i1.35376 ____________________________________________Theoretical/Critical Essay Article Magic Realism as Rewriting Postcolonial Identity: A Study of Rushdie’s Midnight’s Children Khum Prasad Sharma Department of English Padma Kanya Multiple Campus, TU, Kathmandu, Nepal Corresponding Author: Khum Prasad Sharma, Email: [email protected] Copyright 2021 © Author/s and the Publisher Abstract Magic realism as a literary narrative mode has been used by different critics and writers in their fictional works. The majority of the magic realist narrative is set in a postcolonial context and written from the perspective of the politically oppressed group. Magic realism, by giving the marginalized and the oppressed a voice, allows them to tell their own story, to reinterpret the established version of history written from the dominant perspective and to create their own version of history. This innovative narrative mode in its opposition of the notion of absolute history emphasizes the possibility of simultaneous existence of many truths at the same time. In this paper, the researcher, in efforts to unfold conditions culturally marginalized, explores the relevance of alternative sense of reality to reinterpret the official version of colonial history in Salman Rushdie’s Midnight’s Children from the perspective of magic realism. As a methodological approach to respond to the fiction text, magic realism endows reinterpretation and reconsideration of the official colonial history in reaffirmation of identity of the culturally marginalized people with diverse voices.
    [Show full text]
  • Magical Realism and Latin America Maria Eugenia B
    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2003 Magical Realism and Latin America Maria Eugenia B. Rave Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Latin American Literature Commons Recommended Citation Rave, Maria Eugenia B., "Magical Realism and Latin America" (2003). Electronic Theses and Dissertations. 481. http://digitalcommons.library.umaine.edu/etd/481 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. MAGICAL REALISM AND LATIN AMERICA BY Maria Eugenia B. Rave A.S. University of Maine, 1991 B.A. University of Maine, 1995 B.S. University of Maine, 1995 A MASTER PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) The Graduate School The University of Maine May, 2003 Advisory Committee: Kathleen March, Professor of Spanish, Advisor Michael H. Lewis, Professor of Art James Troiano, Professor of Spanish Owen F. Smith, Associate Professor of Art Copyright 2003 Maria Eugenia Rave MAGICAL REALISM AND LATIN AMERICA By Maria Eugenia Rave Master Project Advisor: Professor Kathleen March An Abstract of the Master Project Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) May, 2003 This work is an attempt to present a brief and simple view, both written and illustrated, concerning the controversial concept of Magical Realism for non-specialists. This study analyzes Magical Realism as a form of literary expression and artistic style by some Latin American authors and two artists.
    [Show full text]
  • A New Definition of Magic Realism: an Analysis of Three Novels As
    Olivet Nazarene University Digital Commons @ Olivet Honors Program Projects Honors Program 2016 A New Definition of Magic Realism: An Analysis of Three Novels as Examples of Magic Realism in a Postcolonial Diaspora Sarah Anderson Olivet Nazarene University, [email protected] Follow this and additional works at: https://digitalcommons.olivet.edu/honr_proj Part of the American Literature Commons, Latin American Literature Commons, Literature in English, Anglophone outside British Isles and North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Modern Literature Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Reading and Language Commons Recommended Citation Anderson, Sarah, "A New Definition of Magic Realism: An Analysis of Three Novels as Examples of Magic Realism in a Postcolonial Diaspora" (2016). Honors Program Projects. 82. https://digitalcommons.olivet.edu/honr_proj/82 This Article is brought to you for free and open access by the Honors Program at Digital Commons @ Olivet. It has been accepted for inclusion in Honors Program Projects by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. i © Sarah Anderson 2016 ii To my twin sister, who chose math as her major so she wouldn’t have to deal with papers like this. Sorry. iii ACKNOWLEDGMENTS Firstly, thank you to the honors program, which allowed me to devote so much of my time to researching something I was passionate about. Thank you to Olivet Nazarene University, whose generous grants and donations allowed me to attend a school I would not have been able to otherwise, and thank you to the ASC council, who approved the funding to allow me to present a portion of this project at the Sigma Tau Delta Annual Conference.
    [Show full text]
  • Magic Realism in Gabriel Garcia Marquez's One Hundred Years Of
    Magic Realism in Gabriel Garcia Marquez’s One Hundred Years of Solitude B.J Geetha Periyar University, India Abstract In his One Hundred Years of Solitude Gabriel Garcia Marquez through the arsenal of magic realism, deals with war, suffering, and death in the mid-1960 of Colombia which had witnessed two hundred thousand politically motivated deaths. The purpose behind portraying the politics of the region is to comment on how the nature of Latin American politics is towards absurdity, denial, and never-ending repetitions of tragedy. His magical flair is to merge fantastic with reality by introducing to the reader his Colombia, where myths, portents, and legends exist side by side with technology and modernity. These myths, along with other elements and events in the novel recount a large portion of Colombian history. [Keywords: Colombia , Magic Realism; Marquez.] Gabriel Garcia Marquez is rendered with a forte for blending the everyday with the miraculous, the historical with the fabulous, and psychological realism with surreal flights of fancy. He has proved himself as one among the pioneers of magic realism. His One Hundred Years of Solitude is a revolutionary novel that provides a looking glass into the thoughts and beliefs of its author, who chose to give a literary voice to Latin America. Magic realism is a literary form in which odd, eerie, and dreamlike tales are related as if the events were commonplace. Magic realism is the opposite of the "once-upon-a-time" style of story-telling in which the author emphasizes the fantastic quality of imaginary events. In the world of magic realism, the narrator speaks of the surreal so naturally it becomes real.
    [Show full text]
  • 1 Introduction: Re-Thinking Magical Realism
    Notes 1 Introduction: Re-thinking Magical Realism 1. In May 2002, a banner headline in Newsweek International offered the world the question, “Is Magical Realism Dead?” (Margolis 52). The story was taken up in Britain less than a week later by Robert McCrum in The Observer under the headline, “Has Magic Realism Run Its Course?” By contrast with these last rites, a company called Mag-Well recently adver- tised a new kind of fluid conditioning technology with the label ‘magic realism’ (see Mag-Well). 2. I am glossing over critical debates about the differences between magic realism and magical realism because, unlike, Maggie Ann Bowers in her book, Magic(al) Realism, I don’t think much is at stake in this regard. I prefer the latter term because I emphasise the fact that magical realism is a kind of modified, expanded or subverted realism. For an alternative position see Hegerfeldt (1). 3. This phrase is derived from Irlemar Chiampi, who in 1980 described processes involving the “denaturalisation of the real” and a “naturalisation of the marvellous” (see 27–32). In her 1985 book, Amaryll Chanady, drawing on Chiampi, claims magical realism “naturalizes the supernatural” (151). This chapter argues that this formulation encapsulates the key feature of magical realist narrative. 4. For more detail see my essay “The Hermeneutics of Vagueness: Magical Realism in Current Literary Discourse.” 5. See Radcliffe-Brown’s distinctions between the “expressive” and the “technical” (143); Evans-Pritchard’s between “patterns of thought that attribute to phenomena supra-sensible qualities” and those that depend on empirical patterns of thought (12); Lévy-Bruhl’s between “mystical men- tality” and the “conceptual” and “intellectual” (38, 382); Douglas’s between differentiated and undifferentiated “fields of symbolic action” (85); and Geertz’s “common-sense” and religious “orientations to reality” (122).
    [Show full text]
  • SFRA Newsletter
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 2-1-1997 SFRA ewN sletter 227 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 227 " (1997). Digital Collection - Science Fiction & Fantasy Publications. Paper 166. http://scholarcommons.usf.edu/scifistud_pub/166 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Issue #227, January/February 1997 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: Election Results ...................................................................... 5 President's Farewell Message (Sanders) .............................. 5 Letters (Westfahl, Samuelson, Gannon) .............................. 7 Editorial (Sisson) ................................................................. 11 SFRA ANNUAL CONFERENCE UPDATE .................... 12 NEWS AND INFORMATION .......................................... 15 FEATURES Special Feature: An Interview with George R.R. Martin (Levy) ................................................................. 19 REVIEWS: Nonfiction: Angulo,
    [Show full text]
  • WD Jan-Feb 2019
    WAG Digest Volume 10, Issue 1 J a n u a r y — February 2019 Writers Alliance Speakers Series Writing to Heal February 10, 2:30 PM - 4:00 PM erans. She also writes darker lished the memoir A Certain romantic suspense under the Loneliness (University of Nebras- pen name of Jessica Dale. ka Press). For WAG, Lambert And for March 2019 – will explain the nuts and bolts of join us MARCH 3 qualifying and applying for a NEA grant and share how the award WAG – Program was part of her memoir eventu- Presenter – March 3, ally becoming published. In A Certain Loneliness, San- 2019 dra Gail Lambert probes the Note: WAG will meet the intersection of disability, queer- first Sunday of March be- ness, and desire in this frank and cause of Early Voting. funny memoir of her lifelong Sandra Gail Lambert Kassandra Lamb will discuss struggle with Inside this - http:// the therapeutic aspects of writing isolation and i s s u e : sandragaillambert.com/ in all its forms, from journaling to independence poetry to fiction, and why and Program Title: Na- WAG Brags 2 after con- how writing can be a healing pro- tional Endowment for the tracting polio cess in one’s life. Arts Grant as a child. 7 Day Plan t 5 Lamb, a psychology profes- Sandra Gail Lambert is a sor for sixteen years, practiced Frustrations, slapstick moments, psychotherapy for two decades, Classes and and grand triumphs are all 7 specializing in trauma recovery. Conferences couched in the long history of Her other passion, besides humanity’s relationship to the Calls for 9 psychology, is creative writing.
    [Show full text]
  • Magical Realism in Transnational Cinema
    MAGICAL REALISM IN TRANSNATIONAL CINEMA CODY LANG A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN CINEMA AND MEDIA STUDIES YORK UNIVERSITY TORONTO, ONTARIO August 2020 © Cody Lang, 2020 ii Abstract This project is an analysis of the magical realist genre in cinema, specifically its multiple forms found in transnational cinema. The status of magical realism in film as a genre will be questioned and this project argues that the concept is best understand as a transgeneric critical category rather than a genre in the conventional understanding of the term. Magical realism as academic concept has been discussed in-depth in literary theory and this project extends those discussions into the field of cinema. The history of criticism of magical realism is summarized as it applies to studying film with special attention given towards the semiotic differences between literature and cinema. Furthermore, this project explicates the distinct ways that magical realism operates in cinema in contrast to literature while also noting the shared aesthetic strategies between each media. Each section covers a thematic topic observed in transnational magical realist cinema: metafiction in overt and covert forms; the representation of historicity; and the representation of marginalized subjectivities, specifically looking at how magical realist cinema presents issues of class, gender, race, and sexual identity. The final thematic discussion discusses the possibility of utopian discourses in magical realist cinema, the attempts to envision a less exploitative social collective according to a variety of cultural and national contexts in late-capitalism.
    [Show full text]
  • The Strange Play of Traumatic Reality: Enchantment in Jewish American Literature
    THE STRANGE PLAY OF TRAUMATIC REALITY: ENCHANTMENT IN JEWISH AMERICAN LITERATURE Sarah R. Workman A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Erin Carlston Tyler Curtain María DeGuzmán Dean Franco Heidi Kim © 2016 Sarah R. Workman ALL RIGHTS RESERVED ii ABSTRACT Sarah R. Workman: THE STRANGE PLAY OF TRAUMATIC REALITY: ENCHANTMENT IN JEWISH AMERICAN LITERATURE (Under the Direction of Erin G. Carlston and Heidi Kim) This project analyzes the play of narrative worlds in the work of Bernard Malamud (The Magic Barrel), Michael Chabon (The Yiddish Policemen’s Union), Nicole Krauss (Great House), Jonathan Safran Foer (Everything Is Illuminated), Nathan Englander (“The Tumblers”), and the Coen brothers (A Serious Man). These texts self-consciously dramatize the question: How do we know what we think we know about Holocaust history? The serious play of fantasy registers a historical shift in Jewish American literature towards metafictional approaches to mediating Holocaust history, exposing the unconsidered intersections between speculative fiction and historiography. This work flouts interpretive conventions of narrative ontologies to problematize meaning-making in Holocaust studies, subverting assumptions that this history is either knowable or not knowable. In addition to showing the limited ability of historical realism to incorporate Holocaust representation in an American literary context, the project highlights the ways in which fantasy genres—long discarded to the bottom of the critical dustbin—mediate history, absence, and loss. To conceptualize this contemporary turn to genre-mixing, I develop a critical schemata entitled enchantment.
    [Show full text]