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Critical Climate Change
Telemorphosis Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of sys- tems beyond 20th century anthropomorphic models and has stood, until recently, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that impact on biomass and energy, erased borders and microbial invention, geological and nanographic time, and extinction events. The possibil- ity of extinction has always been a latent figure in textual production and archives; but the current sense of deple- tion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distribution. As the pressures and re- alignments of this re-arrangement occur, so must the critical languages and conceptual templates, political premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomor- phic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo- political mutations that correspond to the temporalities of terrestrial mutation. Telemorphosis Theory in the Era of Climate Change Volume 1 Edited by Tom Cohen OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor 2012 First edition published by Open Humanities Press 2012 Freely available online at http://hdl.handle.net/2027/spo.10539563.0001.001 Copyright © 2012 Ton Cohen and the respective authors This is an open access book, licensed under Creative Commons By Attribution Share Alike license. -
Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
Protecting an Artist's Legacy Through Estate Planning
PROTECTING AN ARTIST’S LEGACY THROUGH ESTATE PLANNING, PROBATE AND POST-DEATH ADMINISTRATION OF AN ARTIST’S RIGHTS Presented by: KENNETH W. PAJAK, Austin The Bannerot Law Firm, P.C. TAMERA H. BENNETT, ESQ. 132 W. Main Street Lewisville, Texas 75057 Written by: TAMERA H. BENNETT, ESQ. 132 W. Main Street Lewisville, Texas 75057 State Bar of Texas 20TH ANNUAL ENTERTAINMENT LAW INSTITUTE October 7-8, 2010 Austin CHAPTER 8.2 Protecting an Artist’s Legacy Through Estate Planning, Probate and Post-Death Administration of an Artist’s Rights Chapter 8.2 TABLE OF CONTENTS I. 2009-2010 ESTATE CASES OF INTEREST ........................................................................................................ 1 II. PLANNING THAT FAILS ..................................................................................................................................... 1 a. Estate of James Brown .................................................................................................................................... 1 b. Estate of Jack Kerouac .................................................................................................................................... 1 c. Estate of Darrell "Wayne" Perry ..................................................................................................................... 1 III. FAILURE TO PLAN .............................................................................................................................................. 2 a. Estate of Bobby Fischer ................................................................................................................................. -
Press Quotes
PRESS QUOTES ASSOCIATED PRESS: Wise words pour forth from Chris Smither – observations and aphorisms, similes and internal rhymes, run-on sentences and concise quips, all in a conversational flow. The careful construction of Smither’s lyrics is a thing of beauty and the bedrock of his bluesy folk music. Smither is an excellent acoustic guitarist and first-rate foot-stomper. NATIONAL PUBLIC RADIO: [Smither] taps his foot to keep the rhythm, much like the late blues legend John Lee Hooker. His finger-picked guitar lines are sleek, unhurried and insistent. And then there's the voice – equal parts gravel and molasses. (I edited a little out) ROLLING STONE: Bathed in the flickering glow of passing headlights and neon bar signs, Smither's roots are as blue as they come. There is plenty of misty Louisiana and Lightnin' Hopkins in Smither's weathered singing and unhurried picking. So fine. MOJO (5 STARS): Hundred Dollar Valentine is a thing of profound beauty; deep, sad, wise songs, allied to perfectly crafted arrangements, from a a man who’s live long enough in darkness to address the big, heavy questions with a lightness of touch. OXFORD AMERICAN It was that rhythmic push-and-pull, that New Orleans sensibility that made Smither stand out NEW YORK TIMES: With a weary, well-traveled voice and a serenely intricate finger-picking style, Mr. Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate. MAVERICK: Cast your mind back to the first time you heard Hank Williams, Big Bill Broonzy or JJ Cale and remember how good it felt. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Garrett Stack's American Jukebox®Originating on WMNR Fine Arts
Originating on WMNR Fine Arts Radio [email protected] Playlist Program archived 24-48 hours after broadcast. Can be heard free of charge. Garrett Stack’s American Jukebox® Public Radio Exchange > exchange.prx.org > American Jukebox Show #: 292PRX Broadcast Date: August 17, 2019 Time:16:00 - 18:00 # Selections: 27 Since 2006 – Celebrating Classic Pop, Rock & Soul from the ‘50s, ‘60s and ‘70s American Jukebox® Theme Song Credit: “What Did You Do With Your Old 45’s,” Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989. By Pam A. Hanna & George Pickard. Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 5:08 Louis Gossett, Jr/Richie Havens Handsome Johnny - LIVE Richie Havens Woodstock Artists iTunes/Amazon 1969 These are artists who sang at Woodstock and sang many of these songs. But, these are not RKV Woodstock 0:37 1 2019 8/17/19 the live recordings from the 1969 Woodstock Festival. 02 2:44 Tim Hardin If I Were A Carpenter Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:14 08 2002 8/17/19 Collection 03 2:00 Tim Hardin Reason To Believe Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:06 03 2002 8/17/19 Collection 04 4:25 Bob Dylan Mr. -
Leer 8.Pages
Richie Havens 1. Minstrel From Gault 2. High Flyin’ Bird 3. I Can’t Make It Anymore 4. With A Little Help 5. Strawberry Fields For Ever 6. Hey Jude 7. I Had A Woman 8. Handsome Johnny 9. Freedom Sweetwater 1. Motherless Child 2. Look Out 3. For Pete’s Sake 4. Day Song 5. What’s Wrong 6. Crystal Spider 7. Two Worlds 8. Why Oh Why Bert Sommer 1. Jennifer 2. The Road To Travel 3. I wondered where you’d be 4. She’s Gone 5. Things Are Going My Way 6. And When It’s Over 7. Jeanette 8. America (first standing ovation at Woodstock) 9. A Note That Read 10. Smile Tim Hardin 1. Misty Roses 2. If I Were A Carpenter Ravi Shankar 1. Raga Puriya-Dhanashri / Gat In Sawarital 2. Tabla Solo In Jhaptal 3. Raga Manj Kmahaj / Alap Jor / Dhun In Kaharwa Tal / Medium & Fast Gat In Teental Melanie 1. Beautiful People 2. Birthday Of The Sun Arlo Guthrie 1. Coming Into Los Angeles 2. Walking Down The Line 3. Amazing Grace Joan Baez 1. Joe Hill 2. Sweet Sir Galahad 3. Drug Store Truck Driving Man 4. Swing Low Sweet Chariot 5. We Shall Overcome Day Two: Saturday, August 16 1969 Quill 1. They Live the Life 2. That’s How I Eat 3. Driftin’ 4. Waitin’ For You Country Joe McDonald 1. I Find Myself Missing You 2. Rockin’ All Around The World 3. Flyin’ High All Over The World 4. Seen A Rocket 5. Fish Cheer / I-Feel-Like-I’m-Fixing-To-Die-Rag John B. -
Roger Miller Music Inc
RECOMMENDED FOR FULL-TEXT PUBLICATION Pursuant to Sixth Circuit Rule 206 File Name: 12a0049p.06 UNITED STATES COURT OF APPEALS FOR THE SIXTH CIRCUIT _________________ ROGER MILLER MUSIC, INC.; MARY A. X MILLER, - - Plaintiffs-Appellees, - No. 10-5363 - > v. , - SONY/ATV PUBLISHING, LLC, - Defendant-Appellant. - - N Appeal from the United States District Court for the Middle District of Tennessee at Nashville. No. 04-01132—William J. Haynes, Jr., District Judge. Argued: October 12, 2011 Decided and Filed: February 22, 2012 Before: MOORE and ROGERS, Circuit Judges; HOOD, District Judge.* _________________ COUNSEL ARGUED: Barry I. Slotnick, LOEB & LOEB LLP, New York, New York, for Appellant. John J. Griffin, Jr., KAY GRIFFIN ENKEMA & COLBERT, PLLC, Nashville, Tennessee, for Appellees. ON BRIEF: Barry I. Slotnick, Jonathan N. Strauss, Shelly Elimelekh, LOEB & LOEB LLP, New York, New York, Robert L. Sullivan, LOEB & LOEB LLP, Nashville, Tennessee, for Appellant. John J. Griffin, Jr., KAY GRIFFIN ENKEMA & COLBERT, PLLC, Nashville, Tennessee, for Appellees. * The Honorable Joseph Hood, United States District Judge for the Eastern District of Kentucky, sitting by designation. 1 No. 10-5363 Roger Miller Music, Inc. et al. v. Page 2 Sony/ATV Publishing LLC _________________ OPINION _________________ KAREN NELSON MOORE, Circuit Judge. Defendant-Appellant Sony/ATV Publishing, LLC (“Sony”) appeals the district court’s judgment in favor of Plaintiffs- Appellees Mary Miller and Roger Miller Music, Inc. (collectively, “RMMI”) on their copyright infringement claim and the award of $903,349.17 in damages. Because the Copyright Act makes clear that the renewal copyright vested with Roger Miller, and thus with Sony as his assignee, we REVERSE the district court’s judgment and REMAND with instructions to enter judgment in favor of Sony. -
The Ithacan, 1968-02-16
Ithaca College Digital Commons @ IC The thI acan, 1967-68 The thI acan: 1960/61 to 1969/70 2-16-1968 The thI acan, 1968-02-16 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1967-68 Recommended Citation Ithaca College, "The thI acan, 1968-02-16" (1968). The Ithacan, 1967-68. 16. http://digitalcommons.ithaca.edu/ithacan_1967-68/16 This Newspaper is brought to you for free and open access by the The thI acan: 1960/61 to 1969/70 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1967-68 by an authorized administrator of Digital Commons @ IC. AWeekly Newspaper, Published by and for the Students of Ithaca College. Vol. 40-No. 17 Ithaca, New York Friday, February, 16, 1968 Gollege Receives Students To Trustees Approve Science Grants Elect Leaders For Faculty Faculty Promotion§ $12,000 for Chemistry Discussion The National Science Founda- at a much earlier date than Next Monday and Tuesday, ion has just announced the 1 might otherwise be possible. February 19, and 20, each student Sprague and Eldridge Named Professors warding of three grants totaling Ithaca College has emphasized re- will be able to choose a professor Based upon recommendations Dr. Robert Sprague, the Direc-1 organ (with Herman Schlicker, vcr $12,000 to the Chemistry search in chemistry, and has en- to represent his school (Arts and made by the faculty, thirteen pro- tor of the Division of Physical president of the Schlicker Organ epartment of Ithaca College. couraged students to stay f~r the Sciences, Physical Education, or motions were approved by the Therapy and Mr. -
CNHI Woodstock 20190814
A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago. -
DECEMBER 4, 2006 ARTIST ROGER MILLER TITLE a Man Like Me The
SHIPPING DATE: OCTOBER 30, 2006 (estimated) STREET DATE: DECEMBER 4, 2006 ARTIST ROGER MILLER TITLE A Man Like Me The Early Years Of Roger Miller LABEL Bear Family Records CATALOG # BCD 16760 PRICE-CODE AH EAN-CODE 4000127 167606 ISBN-CODE 3-89916-235-8 FORMAT CD with 36-page booklet GENRE Country TRACKS 17 PLAYING TIME 38:12 KEY SELLING POINTS • The very first…and very rarest…recordings of one of the all-time greatest stars in American music! • Cross-label licensed, as only Bear Family can do! • Fabulous hillbilly and honky tonk recordings…plus rare 'soundalike' recordings from the time Miller was flat broke! SALES NOTES Everybody knows Roger Miller's Mercury Records hits of the 1960s, like King Of The Road, Dang Me, Chug-A-Lug , etc. Some even know about his pre-Mercury recordings for RCA (especially those who bought Bear Family's 'King Of The Road' CD), but before now, there hasn't been a comprehensive collection of his very first recordings. In fact, no one was even sure who he'd recorded for and when…until Bear Family began researching! Bear Family once again steps up to the plate, providing a complete picture of the early years of Miller's career, from his 1957 first recordings for Starday, through his two Decca singles in 1959, to his 'sound-alike' recordings he did for Starday in 1960, this is essential listening for fans of real honky-tonk country music. Miller was a country songwriter of the highest caliber, and these sides may reveal a side of him that you didn't know before. -
Disk Catalog by Category
COUNTRY: 50's 60's - KaraokeStar.com 800-386-5743 or 602-569-7827 COUNTRY: 50's & 60's COUNTRY: 50's & 60's COUNTRY: 50's & 60's COUNTRY: 50's & 60's You Are My Sunshine Autry, Gene Then And Only Then Smith, Connie Vocal Guides: Yes Vocal Guides: No CB20499 Lyric Sheet: No Wagon Wheels Arnold, Eddy CB60294 Lyric Sheet: No I'll Hold You In My Heart Arnold, Eddy Faster Horses Hall, Tom T You Two Timed Me One Time T Ritter, Tex Chartbuster 6+6 Country KaraokeStar.com Chartbuster Pro Country KaraokeStar.com Snakes Crawl At Night, The Pride, Charley Am I That Easy To Forget David, Skeeter Hits Of Eddy Arnold Vol 1 $12.99 Chartbuster Country Vol 294 $19.99 Big Boss Man Rich, Charlie Don't Fence Me In Autry, Gene Make The World Go Away Arnold, Eddy My Shoes Keep Walking Back To Price, Ray Don't Cry Joni Twitty, Conway Don't Rob Another Man's Castle Arnold, Eddy You Don't Know Me Arnold, Eddy Filipino Baby Tubb, Ernest You're The Best Thing That Ever Price, Ray Take Me To Your World Wynette, Tammy Anytime Arnold, Eddy Blue Side Of Lonesome Reeves, Jim It's So Easy Ronstadt, Linda Bouquet Of Roses Arnold, Eddy Crystal Chandeliers Pride, Charley Vocal Guides: No Mom And Dad's Waltz Frizzell, Lefty CB60333 Lyric Sheet: No Cattle Call Arnold, Eddy I've Done Enough Dyin' TodayGatlin, Larry & The KaraokeStar.com What's He Doing In My World Arnold, Eddy Vocal Guides: No It's All Wrong But It's All Right Parton, Dolly Chartbuster Classic Country CB60282 Lyric Sheet: No Classic Country Vol 333 Pop A Top Brown, Jim Ed $19.99 KaraokeStar.com Vocal Guides: