DOCSLIB.ORG

Lessons & Carols

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lessons & Carols Virtual Worship Service of Lessons & Carols December 27, 2020 Order of Worship Organ Prelude: In dulci jubilo, BuxWV 197 – Dietrich Buxtehude Toccata in F, BuxWV 156 – Dietrich Buxtehude Entrance Hymn: Once in royal David’s city (UMH 250) st. 1 – soloist, st. 2 – choir, st. 3 & 4 – sung by all Bidding Prayer Lord’s Prayer Invitatory Carol: I saw three ships – Mack Wilberg First Lesson: Genesis 3: 8-19 Anthem: Jesus Christ the apple tree – Elizabeth Poston Second Lesson: Genesis 22: 15-18 Hymn: Angels from the realms of glory (UMH 220) Third Lesson: Isaiah 9:2, 6-7 Anthem: For unto us a child is born – George Frideric Handel Fourth Lesson: Isaiah 11:1-3a, 4a, 6-9 Hymn: Lo, how a rose e’re blooming (UMH 216) Fifth Lesson: Luke 1:26-35, 38 Hymn: The angel Gabriel Sixth Lesson: Luke 2: 1, 3-7 Hymn: Away in a manger (UMH 217) Seventh Lesson: Luke 2: 8-16 Anthem: God rest ye merry Evanston – arr. David Willcocks Eighth Lesson: Matthew 2: 1-11 Hymn: What child is this (UMH 219) Ninth Lesson: John 1: 1-14 Anthem: The glory of the Father – Egil Hovland Collect and Blessing Sending Hymn: Hark! the herald angels sing (UMH 240) Postlude: In dulci jubilo, BWV 729 - Johann Sebastian Bach All music used with permission: license #A-726329 One License.net. www.faithatfirst.com www.facebook.com/faithatfirst/ Worship Leadership for Dec. 27 Clergy: Rev. Grace Imathiu, Rev. Jane Cheema, and Rev. Bonny Roth Readers: Colin McDonald, Jim Hagedorn, Sharon and Blaine Rader, Jessica Radcliffe, Robert Harris, Kristi Hubbard and Matt Rader, Anna Ter Molen and Alexander Duggan. Minister of Music & Organist: Brian Schoettler Music Assistant: Cody Michael Bradley Guest Organist: Käthe Wright Kaufman Piano Duet: Libby G. & Cody Michael Bradley Virtual Choir Soloist: KD Daly String Quartet: Rachel Peters, Cheryl Haack, Ye Jin Goo, Caroline Paulsen Music Note First held 140 years ago at Truro Cathedral, the service of Lessons and Carols has been popularized by King’s College, Cambridge. The format of the service was devised by E. W. Benson and revised for King’s by Eric Milner-White. While the nine lessons remain fixed, the carols sung by congregation and choir are flexible and represent an ever-growing body of church music. This year we welcome organist Käthe Wright Kaufman to the bench. She recently served as Organ Scholar at Peterborough Cathedral and was also Organ Scholar at Truro Cathedral where this service was born. As a prelude to the service, she plays two pieces by Dietrich Buxtehude (1637-1707), a forerunner of Johann Sebastian Bach with whom Bach went to study in the winter of 1705. The first piece is a setting of the hymn In dulci jubilo (With quiet joy) with the ornamented tune in the top part played on a combination of five ranks of organ pipes called a Cornet. It is followed by Buxtehude’s Toccata in F which consists of several sections. Organist Hans Davidsson suggests that they seem to follow a narrative that fits nicely with the Christmas story: “After the peaceful introduction with the shepherd’s pipe in solo and joyful ensemble, the playful pastoral scenes in consort style and canzona figuration followed, suddenly interrupted by the trembling of nature and a sudden storm of thunder and lighting. However, the thunderstorm soon disappeared, the birds started singing again, and the shepherds approached the manger, in which Mary tenderly sang lullabies for her child, showing him to the visitors, who in return and under the open evening sky with the Bethlehem star responded with rejoicing and joyful music.” The service concludes with another setting of In dulci jubilo by Johann Sebastian Bach in which phrases of the hymn in full chords are separated by interludes called Zwischenspielen. The Christmas star can be heard in the final section as the organ’s zimbelstern (“cymbal star”) plays a series of small bells. The entrance and sending hymns of our Lessons and Carols have become almost as standardized as the scripture readings. The tunes of Once in royal David’s city and Hark! the herald angels sing are by Henry Gauntlett and Felix Mendelssohn – two significant players in the Bach revival of the mid-nineteenth century. Both tunes feature final verses in arrangements by David Willcocks, Director of Music at King’s 1956-1974. The first choral work is an arrangement by Mack Wilberg who has been conductor of the Mormon Tabernacle Choir since 2008. The carol I saw three ships tells of the Magi and is first heard simply and then proceeds through a series of dramatic key changes. The carols that follow make a direct connection with the scripture that precedes them. Elizabeth Poston composed her setting of Jesus Christ the apple tree in 1967 which begins and ends simply in unison. The angel Gabriel is Basque carol from outside our United Methodist hymnal that beautifully sets the Annunciation. Our string quartet joins for several carols this Christmas season including my new setting of Away in a manger. With a modified first line, we sing God rest ye merry Evanston – even though the tune was most popular in London. Hymnologist Erik Routley considers this a “ballad-carol” due to the extended length of each verse. Finally, a new piece for our choir this year is a setting of John 1 by Norwegian composer Egil Hovland (1924-2013) which prepares us for a new year “full of grace and truth.” Brian Schoettler, DMA Minister of Music & Organist Away in a manger AWAY IN A MANGER α 2 œ œ− œ œ œ % 3 Ι œ œ œ œ œ 1. A - way in a man - ger, no crib for a b˙ed, tœhe 2. The cat - tle are low - ing, the ba - by a - wakes, but 3. Be near me, Lord Je - sus, I ask thee to stay close α ι œ % œ œ œ ˙ œli−t - œtle Lœord œJe - sus laid doœwn hœis sweet head. The lit - tle Lord Je - sus, no cry - ing he makes; I by me for - ev - er, and love me, I pray; bless α œ− œ % œ œ œ œ œ œ stars Ιin the sky looked down where œhe ˙lay, tœhe love thee, Lord Je - sus, look down from the sky and all the dear chil - dren in thy ten - der care, and ι α œ− % œ œ œ œ œ œ œ ˙ lit - tle Lord Je - sus, a - sleep œon the hay. stay by my cra - dle till morn - ing is nigh. fit us for heav - en to live with thee there. .
Load more

Recommended publications
  • DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
    DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16.
    [Show full text]
  • Preces and Responses
    6 ?# Evensong ˙ œ œ paraclete press PPM01512 Give peaceinour time,OLord. $1.70 mf ° # ™ œ œ œ œ œ œ & œ œ™ œ œ œ œ œ œ œ œ œ nœ œ Be - cause there is none oth - er thatfight - eth for us, but ™ œ œ œ œ œ œœ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ œ œ œ mf f ° Preces and # œ œ œ œ œ™ ˙ & nœ œ œ œ œ œ ˙ Œ on - ly thou, O God. Responses œ œ œ œ ˙ ¢?# œ œ Œ f ?# ˙ œ œ OGod,make clean ourhearts with- in us. Slower p pp David Halls ° # œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œœ œ œ And take not thy Ho - ly Spir - it from us. œ œ œ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ p pp DO SATBNOT a cappella COPY Collects Very slow 1. p 2. p 3. pp ° # ° # ° # U & ˙ ˙ & ˙ ˙ & œ œ œb œ œ œ w b˙ ˙ ˙ ˙ ˙ ˙ nw A - men. A - men. A --men. b˙ n˙ #˙ ˙ U ?# œ b ˙ ˙ ?# ˙ ˙ ?# n˙ ˙˙w ¢ ¢ ¢ b ˙ w p p pp PPM01512 5 ?# ˙n œ œ OLord, save the Queen. mf ° # œ œ œ œ bœ œ œ Œ & œ œ œ œ œ œ œ œ œ œ nœ œn œœ #˙ And merc- i - ful - ly hear us when we call up - on thee. ?# œ #œ œ œ œ œ bœ #œ œb œ œ #œ œ ˙ David Halls ¢ œ œ œ œ œ œ œ bœ œ œ ˙ Œ mf Born in 1963, David Halls was taught the piano from the age of four.
    [Show full text]
  • Information on Organ and Choral Scholarships in the Colleges at Oxford University Applications for Entry in 2021/2
    INFORMATION ON ORGAN AND CHORAL SCHOLARSHIPS IN THE COLLEGES AT OXFORD UNIVERSITY APPLICATIONS FOR ENTRY IN 2021/2 Please note that the information here is provided by the individual colleges, and is subject to change. BALLIOL COLLEGE (ORGAN SCHOLARSHIP ONLY) BRASENOSE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) CORPUS CHRISTI COLLEGE (ORGAN SCHOLARSHIP ONLY) CHRIST CHURCH (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) EXETER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) HERTFORD COLLEGE (ORGAN SCHOLARSHIP ONLY) JESUS COLLEGE (ORGAN SCHOLARSHIP ONLY) KEBLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LINCOLN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LADY MARGARET HALL (ORGAN SCHOLARSHIP ONLY) MAGDALEN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) MERTON COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) NEW COLLEGE (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) ORIEL COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) PEMBROKE COLLEGE (ORGAN SCHOLARSHIP ONLY) QUEEN’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST EDMUND HALL (ORGAN AND CHORAL SCHOLARSHIPS) SOMERVILLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST PETER’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) UNIVERSITY COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) WORCESTER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS BALLIOL COLLEGE Balliol Choir has a warm and lively atmosphere. It is a wonderfully exciting place to be as an Organ Scholar. Balliol Chapel houses a three-manual electric action Harrison organ, complete with pistons and several channels. This is one of the larger college organs in OxFord and is among Oxford’s most versatile for both accompaniment and solo playing. Balliol also has a second organ in the Hall, a splendid Willis instrument previously played at the beginning of celebratory meals and other events. Plans are being made for the Willis to be restored to its full glory.
    [Show full text]
  • Download Album Booklet
    CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr.
    [Show full text]
  • A Cathedral Training with All the Advantages of a Leading Co-Educational Independent School
    NEW: 32ft Double Ophicleide installed in 2017 Application closing dates: Monday 4 November 2019 (Round 1) Saturday 8 February 2020 (Round 2) Sixth Form Open Afternoon Wednesday 9 October 2019 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2020 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord, the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), C.S. Lang, and Sir David Willcocks himself. More recent alumni organists include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life.
    [Show full text]
  • Organ Scholarship 2021-2022
    Organ Scholarship 2021-2022 The Dean and Chapter of St Davids Cathedral wishes to appoint an Organ Scholar for the academic year beginning in September 2021. The scholarship is an outstanding opportunity for a gap-year or post-graduate organist to gain valuable training and experience as a church musician and play a full part in the musical life of a busy cathedral. The period of the appointment is usually for one year with the possibility to extend for a further year if appropriate. Please note: all the details shown here are subject to change depending on developing government guidance, rules and laws surrounding COVID-19. The Organ Scholarship was set up in 2016. Previous holders of the position have gone on to hold organist-posts at Tewkesbury Abbey; Ely Cathedral; Magdalen College, Oxford and St George’s Chapel, Windsor. The current post-holder, Michael D’Avanzo, has been appointed Organ Scholar of Southwell Minster. The scholarship is generously supported by the Friends of Cathedral Music (FCM), and by an anonymous donor who wishes to support and encourage the performance of Tudor church music at the cathedral. The successful candidate will have an interest in, and be willing to spend an appropriate portion of their time studying, performing and promoting Tudor music. St Davids St Davids is situated in the beautiful Pembrokeshire Coast National Park, West Wales. It is surrounded by some of the finest coastline in Europe and offers an unrivalled range of outdoor activities including walking, rock climbing, surfing, swimming and hiking. St Davids is an extremely popular tourist destination and hosts around half a million visitors every year.
    [Show full text]
  • Organ Scholar 2021-2022
    Organ Scholar 2021-2022 Remuneration: £2,500 Reporting to: Director of Music Work base: Coventry Cathedral and its offices and occasionally other locations as required. Length of Scholarship: Ten months from 1st October 2021 Application Deadline: 2 November 2020 at 11:59pm Audition/Interview: 18 November 2020 or on a mutually agreeable date Date of Issue: 1 October 2020 __________________________________________________________________________ The Organ Coventry Cathedral’s organ is well-known as an excellent instrument both for recitals and for accompanying services. With four manuals, nearly five thousand pipes and an eclectic stop-list, it is a very versatile instrument, accommodating most schools of music with integrity. Its vibrant sound (and the Cathedral’s cavernous acoustic) makes it particularly appropriate for 19th and 20th century works. Built by Harrison and Harrison of Durham, it was fully cleaned in 2001 and there is an on-going programme of restoration. The Choirs There are three choirs associated with the Cathedral: The Cathedral Choir (three sections: Boy Choristers, Girl Choristers, Clerks & Scholars) The Chamber Choir (adult mixed voices) Coventry Cathedral Chorus (formerly Saint Michaels’ Singers) In term time, the Cathedral Choir sings on Sundays at the 10.30 a.m. Cathedral Eucharist and 4.00 p.m. Choral Evensong. Wednesday 5.15pm Evensong is sung by the Boy Choristers, and Thursdays by the Girl Choristers. Out of term time visiting choirs frequently sing on the weekends and occasionally Choral Evensong on Saturdays is sung by a visiting choir. As well as before each sung service the boys rehearse twice a week, the girls, Clerks and Scholars once.
    [Show full text]
  • Organ Scholar 2020-21
    Organ Scholar 2020-21 Our Vision, Ambition and Values Vision Our vision for Truro Cathedral is to create Sacred Space in which the holiness of God is encountered in an open and inclusive way and Common Ground where issues shared by the whole of humanity can be explored. We want to do this because people are at the heart of the Cathedral. We care for them, want to share our faith and values with them, want to listen and learn from them to enable mutual understanding and enrichment. Ambition Inspired by the Gospel of Jesus Christ, we work to build a welcoming, inclusive and engaging environment that, through the delivery of a diverse and inspiring programme of worship, events, educational activities and community outreach, fulfils and spiritually enriches all who experience Truro Cathedral. Values Love & Unity We care for one another with compassion and kindness and our work is embedded in a spirit of love and cooperation as we come together to succeed in our mission for the Cathedral. Dignity & Respect We respect others and value diversity, embracing our similarities and differences with gentleness, self-control and a willingness to learn. We welcome expressions of spirituality, respecting and valuing those with different faiths or no faith. Accountability & Integrity We act with honesty, openness and integrity in everything we do. We use the resources entrusted to us wisely and effectively with transparency and accountability. We demand high standards of professionalism from ourselves every day, always striving to deliver excellence in our work. Stewardship & Preservation We are guardians of the Cathedral and cherish its heritage and traditions.
    [Show full text]
  • Highlighting Repertoire by Women Composers Carolina Course 3 at the 2019 RSCM Summer Courses St
    | Volume 15, Issue 1 | Summer 2019 | In this issue: Highlighting Repertoire by Women Composers Carolina Course 3 at the 2019 RSCM Summer Courses St. Louis Course 3 by Susan Jane Matthews, composer-in-residence post. of them might aspire. A sur- Gulf Coast Course 4 DMA While I had been disheart- vey of these sixteen choral Kings College Course 5 Each Spring, I eagerly seek ened in the Winter to find in works by women composers out the posting of the reper- the 2019 summer course bro- follows, from Chiara Coz- Massachusetts Boy Choir 6 chure that no women had zolani and Raphaella Aleotti Course toire lists for the RSCM Sum- mer Training Courses. This been included as guest direc- composing in 17th-century Pacific Northwest Course 7 will be repertoire that our tors, only one women organ- Italian convents to 20th- and Rhode Island at Newport 8 choristers study intensely, ist, and merely two women 21st-century composers in Course and through their enthusi- chaplains, it was a delight to America and England. asm often becomes a part of discover in the Spring that Washington D.C. Course 9 * * * the repertoire of our choir at seven of the nine 2019 RSCM Charlotte Course 9 St. Paul’s Burlingame. Two Summer Training Courses Gulf Coast Course for teens returning from the included at least one choral Girls and Adults work by a women composer. 2018 Rhode Island Newport www.rscmgulfcoast.org Choristers in attendance course with Patricia Van Director: Walden Moore could see role models of Ness’s Cor meum est tem- Course Managers: Anna women as composers of sa- plum sacrum (My heart is a Teagarden and Chris Betts holy place) even led from a cred choral music, a vocation close collaboration with the open to both men and wom- This year's Gulf Coast Course en, a vocation to which each composer to the creation of a continued on page 2 Bless O Lord, us thy servants who minister in thy temple.
    [Show full text]
  • SPECIAL ORGAN RECITALS 2016 350Th Anniversary Celebration Series
    SPECIAL ORGAN RECITALS 2016 350th Anniversary Celebration Series Wednesdays at 7:30pm The Organ of Gloucester Cathedral Thomas Harris 1666; Henry Willis 1847; Harrison & Harrison 1920 Hill, Norman & Beard 1971; Nicholson & Co. 1999, 2010 CHOIR SWELL PEDAL Stopped Diapason 8 Céleste 8 Flute 16 Principal 4 Salicional 8 Principal 16 Chimney Flute 4 Chimney Flute 8 Sub Bass 16 Fifteenth 2 Principal 4 Quint 102/3 Nazard 11/3 Open Flute 4 Octave 8 Sesquialtera II Nazard 22/3 Stopped Flute 8 Mixture III Gemshorn 2 Tierce 62/5 Cremona 8 Tierce 13/5 Septième 44/7 Trompette Harmonique 8 Mixture IV Choral Bass 4 Great Reeds on Choir Cimbel III Open Flute 2 Tremulant Fagotto 16 Mixture IV Trumpet 8 Bombarde 32 GREAT (* speaking west) Hautboy 8 Bombarde 16 Gedecktpommer 16 Vox Humana 8 Trumpet 8 Open Diapason 8 Sub-Octave coupler Shawm 4 Open Diapason* 8 Tremulant Bourdon 8 COUPLERS Spitz Flute* 8 WEST POSITIVE (Manual IV) Swell to Great** Octave 4 Gedecktpommer 8 Choir to Great* Prestant* 4 Spitz Flute 4 West Positive to Great* Stopped Flute 4 Nazard 22/3 Swell to Choir Flageolet 2 Doublette 2 West Positive to Choir Quartane* II Tierce 13/5 Great to Pedal** Mixture IV-VI Septième 11/7 Swell to Pedal* Cornet IV Cimbel III Choir to Pedal* Posaune* 16 Trompette Harmonique ` 8 Manual IV to Pedal* Trumpet* 8 Tremulant Combination Couplers: Clarion* 4 West Great Flues on IV Great and Pedal combined West Great Flues Sub-Octave Great Reeds on IV Generals on Swell toe pistons COMPASS ACCESSORIES Manuals C-A = 58 notes Reversible thumb pistons to stops Six thumb pistons to Choir Pedals CC-G = 32 notes marked* Eight toe pistons to Pedal Reversible thumb and toe pistons to Eight toe pistons to Swell Two mechanical swell pedals to East stops marked** Eight General thumb pistons and West Swell shutters Four stepper pistons (2+ and 2-) General Cancel Four thumb pistons to W.
    [Show full text]
  • St Mary's Church, Ewell
    St Mary’s Church, Ewell The Parish Choir Chorister Prospectus Welcome! St Mary’s has an amazingly talented Music Department, led by our Director of Music Jonathan Holmes. We are fortunate to have inherited a fine choral tradiBon, which we are very keen to share. Being a chorister at St Mary’s is fun, life-enriching, and teaches knowledge and skills which remain for a lifeBme. This booklet will let you know more about the opportuniBes on offer at St Mary’s. Please don’t hesitate to be in touch if you have any quesBons. The Revd Russell Dewhurst Vicar of Ewell 1948 1958 1978 Why St Mary’s? Our Church has a long and disBnguished musical tradiBon. There has probably been a choir at the church for around two hundred years, directed by the top musicians of the day. We can boast of the famed composer and organist William Tansur in the late 18th Century and William H. Harris who leS us to take up the organist post at St. Georges Chapel Windsor, no less! TradiBonally, St. Mary’s choristers have always picked up top prizes and awards at the RSCM’s award days at Guildford Cathedral. A very large proporBon of our singers and organists have gone on to study at Oxbridge with an organ or choral scholarship. We shall strive to give your child a free, top-notch musical educaon in a top-notch environment. 1988 1998 2008 What will this ‘musical educaon’ consist of? Every week, before the main rehearsal, choristers do 45mins worth musical training.
    [Show full text]
  • Willcocks Organ Scholarship
    NEW: 32ft Double Ophicleide installed in 2017 Application closing dates Monday 2 November 2020 General Open Morning Saturday 10 October 2020 6th-Form Open Afternoon/Evening Wednesday 14 October 2020 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2021 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord (Director of Music at King’s College, Cambridge, 1929-57), the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), Dr C.S. Lang, and Sir David Willcocks himself. More recent alumni include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life.
    [Show full text]