DOCSLIB.ORG

The King of Instruments: a Voice Reborn

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The King of Instruments: a Voice Reborn The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 THE KING OF INSTRUMENTS A VOICE REBORN STEPHEN CLEOBURY TRACK LIST TRACK THE KING OF INSTRUMENTS A VOICE REBORN 1 Alleluyas Simon Preston 05:19 Preludes from Das Clavierübung III Johann Sebastian Bach 2 Wir glauben all' an einen Gott (BWV 680) 03:33 3 Christ, unser Herr, zum Jordan kam (BWV 684) 04:35 4 Kyrie, Gott, heiliger Geist (BWV 671) 04:16 Organ Sonata, Op. 65, No. 1 in F minor Felix Mendelssohn 5 I. Allegro moderato e serioso 05:28 6 II. Adagio 03:01 7 III. Andante recitativo 02:50 8 IV. Allegro assai 03:46 9 Resurgam Harvey Grace 08:22 10 Pièce héroïque (M 37) César Franck 08:53 Preludes from Das Orgelbüchlein Johann Sebastian Bach 11 In dir ist Freude (BWV 615) 02:42 12 O Mensch, bewein', dein' Sünde groß (BWV 622) 05:14 13 Heut' triumphiret Gottes Sohn (BWV 630) 01:26 14 Procession Royale George Baker [World Premiere Recording] 04:12 Total Time 63:37 2 1 2 3 FOREWORD features of David’s music-making, I like FOREWORD to think that he would have approved of BY STEPHEN CLEOBURY what has been achieved by Harrison and Harrison in this connection. As I know from reading the correspondence I first played the King’s organ in the late which passed in the 1930s between Arthur 1960s when I was Organ Student at St John’s Harrison and Boris Ord, Ord was especially College. David Willcocks had asked me to concerned with the organ as a vehicle for accompany a festal evensong for the Royal accompanying the College Choir, and, in School of Church Music which he was many ways, the organ’s great strength is directing. My preparation for this included found in this role. It is, perhaps, unsurpassed a short meeting with David at the organ in the range of subtle colour it can offer in console in which he told me that the first helping singers to paint the words of the two stops I should draw should be the choir psalms, a subtle art which is still very much to great coupler, since the choir organ spoke alive in the hands of our current organ clearly and could be heard well from the scholars. But the size and versatility of the console, and the 8-foot pedal flute, which instrument also enable it successfully to was located behind the player on the wall encompass a wide range of repertoire, half way up the organ loft stairs. This, he including the baroque. I have chosen six said, would enable me to hear what note I Bach chorale preludes for this disc, which was playing on the pedals! Little did I know not only show something of the extraordinary then that, some fifty years later, I would be range of treatment the composer brings able to have the pedal flute placed inside to this genre, but, in the context of this, the main case, and, indeed, by reorganising the first recording on the restored organ, the interior of the case, that it would be demonstrate six different registrations, possible to hear the pedal notes with real presenting a number of ‘organ pleno’ clarity without the assistance of a sound combinations and, in two cases, making source on the stairs. As a result of the recent use of the choir mutation stops which are, restoration all the ranks on the organ speak for me, a special beauty of this organ. with greater clarity and rhythmic precision, and, as these two things were such important The three substantial works in the centre of the programme deploy the organ in 4 romantic repertoire. The sound world of the 8-foot pedal principal. This has created, Mendelssohn is inevitably Bach-influenced: for the first time here, a complete principal the slow movement, however, features a chorus in the pedal division. number of the flute registers, including the new 4-foot on the great, and the following The recording begins and ends with music ‘recitativo’ contrasts the swell oboe with the by personal friends and colleagues. In his solo cor anglais - a contrast not indicated in exhilarating Alleluyas Simon Preston displays the score, but which seems effective. Harvey a virtuosity as a composer to equal his skill Grace’s dramatic work, a recent discovery as a player. I am sure he would not deny for me, allows the player to use the full range the influence of Messiaen. It is interesting of dynamics and colour available, the solo to reflect that his first recordings of Messiaen tuba making one of three brief appearances were made when he was organ scholar at in this disc. (I feel that the effectiveness King’s. George Baker, who lives and works of this stop is in inverse proportion to the in Dallas, Texas, is a francophile when it frequency of its use!) Franck’s work is comes to the organ. His knowledge of the well served by the variety of reeds, as well composers and players, the instruments and as by the newly constructed lower notes the repertoire of the French is not matched of the great 16-foot principal. Although by anyone else I know. I was honoured not a major feature of the piece, the pedal that he wrote this piece for me to play, and ostinato in the central section is given this is its first recording. character by the second of the new ranks, Organ images - pages 3, 7, 10 & 11 1 The refurbished console. 2 Fifteen metres from ground level with the angel on the north west corner of the main case after cleaning. 3 The Chapel organ seen from the altar with the sun setting behind it. 4 Looking up at the Chapel ceiling from inside the empty main organ case. 5 Old soundboards in the main case are dismantled, early January 2016. 6 A lorry parked by the Chapel with parts of the restored organ ready to be installed. 7 Inside the main case, looking north-east (after restoration). 8 A voicer uses a remote console to refine the sound of each of the 4,300 pipes following their reinstallation. 9 Inside the main case, looking north-east (before restoration). 10 Pipes returning to the Chapel from the workshop. 11 The organ case stands empty in the Chapel after the pipes are removed to be cleaned and repaired. 5 THE ORGANS is believed that around 25 years later this THE ORGANS organ was moved from the East End of the OF KING’S Chapel and mounted on top of the screen. Although the Long Parliament ordered the COLLEGE CHAPEL removal of the pipes half a century later, the wooden case was left intact, mounted A SHORT HISTORY on what is one of the finest Renaissance screens in the country. Successive re-buildings were undertaken The early organs by Lancelot Pease (1661), Thomas Thamar (1673-7), Renatus Harris (1686-8), John Avery It is thought that there were two organs in (1802-4), and the firm of William Hill (1834, King’s College Chapel as early as the 1530s. 1859, 1889 and 1911). Records show that two small organs were moved from a temporary Chapel used Twentieth century during the construction of today’s Chapel. At least one of these organs was then removed In 1934 the organ was enlarged and rebuilt in 1570 at the orders of the Commissioners in its present form by Harrison & Harrison, of Queen Elizabeth and the pipes were sold with some of the Hill pipework retained by Roger Goad (Provost, 1570-1610). and re-voiced. The specification, drawn up in consultation with Boris Ord (Organist On 22 June 1605, the renowned organ builder 1929-57), included separate mutations on the Thomas Dallam began work on a new organ Choir Organ, unusual in England at that time. in the Chapel. The accounts for his work have survived, showing in detail the materials Minor changes were made in 1950, when and hospitality provided by the College the Pedal Fifteenth and Mixture were added. while the work was done. The order for this In 1968 the organ was overhauled and several new organ, totalling £370, was considered new stops were provided (11, 12, 22, 48 and so important that Dallam closed his London 50), four old ranks being displaced. Further factory and took his men to Cambridge, restoration work was carried out in 1992, where they worked for fourteen months. It when the console was renovated and the 6 electrical system modernised. Further The front pipes were originally coloured essential repairs took place in 2003 and and patterned; the plain gilding dates from 2009, during which it became clear that a the eighteenth century. In 1859 the main case major restoration would be needed. was increased in depth to accommodate the enlarged organ, the console being moved The organ case from between the main and Choir cases to its present position on the north side. There is some uncertainty about the history of the wooden case, which is one of the oldest Today, the Great and Swell Organs and the in England. While it has traditionally been Tuba occupy the main case, facing east; the thought that the main case survives from the Choir Organ is at the lower level behind original Dallam organ of 1605-6, it is more the Choir case; the Solo Organ and most likely that only some decorative components of the Pedal stops are placed within the may originate from that time.
Load more

Recommended publications
  • DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
    DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16.
    [Show full text]
  • Preces and Responses
    6 ?# Evensong ˙ œ œ paraclete press PPM01512 Give peaceinour time,OLord. $1.70 mf ° # ™ œ œ œ œ œ œ & œ œ™ œ œ œ œ œ œ œ œ œ nœ œ Be - cause there is none oth - er thatfight - eth for us, but ™ œ œ œ œ œ œœ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ œ œ œ mf f ° Preces and # œ œ œ œ œ™ ˙ & nœ œ œ œ œ œ ˙ Œ on - ly thou, O God. Responses œ œ œ œ ˙ ¢?# œ œ Œ f ?# ˙ œ œ OGod,make clean ourhearts with- in us. Slower p pp David Halls ° # œ œ œ œ œ œ & œ œ œ œ œ œ œ œ œœ œ œ And take not thy Ho - ly Spir - it from us. œ œ œ œœ œ œ œ œ œ œ ¢?# œ œ œ œ œ p pp DO SATBNOT a cappella COPY Collects Very slow 1. p 2. p 3. pp ° # ° # ° # U & ˙ ˙ & ˙ ˙ & œ œ œb œ œ œ w b˙ ˙ ˙ ˙ ˙ ˙ nw A - men. A - men. A --men. b˙ n˙ #˙ ˙ U ?# œ b ˙ ˙ ?# ˙ ˙ ?# n˙ ˙˙w ¢ ¢ ¢ b ˙ w p p pp PPM01512 5 ?# ˙n œ œ OLord, save the Queen. mf ° # œ œ œ œ bœ œ œ Œ & œ œ œ œ œ œ œ œ œ œ nœ œn œœ #˙ And merc- i - ful - ly hear us when we call up - on thee. ?# œ #œ œ œ œ œ bœ #œ œb œ œ #œ œ ˙ David Halls ¢ œ œ œ œ œ œ œ bœ œ œ ˙ Œ mf Born in 1963, David Halls was taught the piano from the age of four.
    [Show full text]
  • Information on Organ and Choral Scholarships in the Colleges at Oxford University Applications for Entry in 2021/2
    INFORMATION ON ORGAN AND CHORAL SCHOLARSHIPS IN THE COLLEGES AT OXFORD UNIVERSITY APPLICATIONS FOR ENTRY IN 2021/2 Please note that the information here is provided by the individual colleges, and is subject to change. BALLIOL COLLEGE (ORGAN SCHOLARSHIP ONLY) BRASENOSE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) CORPUS CHRISTI COLLEGE (ORGAN SCHOLARSHIP ONLY) CHRIST CHURCH (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) EXETER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) HERTFORD COLLEGE (ORGAN SCHOLARSHIP ONLY) JESUS COLLEGE (ORGAN SCHOLARSHIP ONLY) KEBLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LINCOLN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) LADY MARGARET HALL (ORGAN SCHOLARSHIP ONLY) MAGDALEN COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) MERTON COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) NEW COLLEGE (ORGAN SCHOLARSHIP AND ACADEMICAL CLERKSHIPS) ORIEL COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) PEMBROKE COLLEGE (ORGAN SCHOLARSHIP ONLY) QUEEN’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST EDMUND HALL (ORGAN AND CHORAL SCHOLARSHIPS) SOMERVILLE COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) ST PETER’S COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) UNIVERSITY COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS) WORCESTER COLLEGE (ORGAN AND CHORAL SCHOLARSHIPS BALLIOL COLLEGE Balliol Choir has a warm and lively atmosphere. It is a wonderfully exciting place to be as an Organ Scholar. Balliol Chapel houses a three-manual electric action Harrison organ, complete with pistons and several channels. This is one of the larger college organs in OxFord and is among Oxford’s most versatile for both accompaniment and solo playing. Balliol also has a second organ in the Hall, a splendid Willis instrument previously played at the beginning of celebratory meals and other events. Plans are being made for the Willis to be restored to its full glory.
    [Show full text]
  • Download Album Booklet
    CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr.
    [Show full text]
  • A Cathedral Training with All the Advantages of a Leading Co-Educational Independent School
    NEW: 32ft Double Ophicleide installed in 2017 Application closing dates: Monday 4 November 2019 (Round 1) Saturday 8 February 2020 (Round 2) Sixth Form Open Afternoon Wednesday 9 October 2019 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2020 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord, the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), C.S. Lang, and Sir David Willcocks himself. More recent alumni organists include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life.
    [Show full text]
  • Organ Scholarship 2021-2022
    Organ Scholarship 2021-2022 The Dean and Chapter of St Davids Cathedral wishes to appoint an Organ Scholar for the academic year beginning in September 2021. The scholarship is an outstanding opportunity for a gap-year or post-graduate organist to gain valuable training and experience as a church musician and play a full part in the musical life of a busy cathedral. The period of the appointment is usually for one year with the possibility to extend for a further year if appropriate. Please note: all the details shown here are subject to change depending on developing government guidance, rules and laws surrounding COVID-19. The Organ Scholarship was set up in 2016. Previous holders of the position have gone on to hold organist-posts at Tewkesbury Abbey; Ely Cathedral; Magdalen College, Oxford and St George’s Chapel, Windsor. The current post-holder, Michael D’Avanzo, has been appointed Organ Scholar of Southwell Minster. The scholarship is generously supported by the Friends of Cathedral Music (FCM), and by an anonymous donor who wishes to support and encourage the performance of Tudor church music at the cathedral. The successful candidate will have an interest in, and be willing to spend an appropriate portion of their time studying, performing and promoting Tudor music. St Davids St Davids is situated in the beautiful Pembrokeshire Coast National Park, West Wales. It is surrounded by some of the finest coastline in Europe and offers an unrivalled range of outdoor activities including walking, rock climbing, surfing, swimming and hiking. St Davids is an extremely popular tourist destination and hosts around half a million visitors every year.
    [Show full text]
  • Organ Scholar 2021-2022
    Organ Scholar 2021-2022 Remuneration: £2,500 Reporting to: Director of Music Work base: Coventry Cathedral and its offices and occasionally other locations as required. Length of Scholarship: Ten months from 1st October 2021 Application Deadline: 2 November 2020 at 11:59pm Audition/Interview: 18 November 2020 or on a mutually agreeable date Date of Issue: 1 October 2020 __________________________________________________________________________ The Organ Coventry Cathedral’s organ is well-known as an excellent instrument both for recitals and for accompanying services. With four manuals, nearly five thousand pipes and an eclectic stop-list, it is a very versatile instrument, accommodating most schools of music with integrity. Its vibrant sound (and the Cathedral’s cavernous acoustic) makes it particularly appropriate for 19th and 20th century works. Built by Harrison and Harrison of Durham, it was fully cleaned in 2001 and there is an on-going programme of restoration. The Choirs There are three choirs associated with the Cathedral: The Cathedral Choir (three sections: Boy Choristers, Girl Choristers, Clerks & Scholars) The Chamber Choir (adult mixed voices) Coventry Cathedral Chorus (formerly Saint Michaels’ Singers) In term time, the Cathedral Choir sings on Sundays at the 10.30 a.m. Cathedral Eucharist and 4.00 p.m. Choral Evensong. Wednesday 5.15pm Evensong is sung by the Boy Choristers, and Thursdays by the Girl Choristers. Out of term time visiting choirs frequently sing on the weekends and occasionally Choral Evensong on Saturdays is sung by a visiting choir. As well as before each sung service the boys rehearse twice a week, the girls, Clerks and Scholars once.
    [Show full text]
  • Organ Scholar 2020-21
    Organ Scholar 2020-21 Our Vision, Ambition and Values Vision Our vision for Truro Cathedral is to create Sacred Space in which the holiness of God is encountered in an open and inclusive way and Common Ground where issues shared by the whole of humanity can be explored. We want to do this because people are at the heart of the Cathedral. We care for them, want to share our faith and values with them, want to listen and learn from them to enable mutual understanding and enrichment. Ambition Inspired by the Gospel of Jesus Christ, we work to build a welcoming, inclusive and engaging environment that, through the delivery of a diverse and inspiring programme of worship, events, educational activities and community outreach, fulfils and spiritually enriches all who experience Truro Cathedral. Values Love & Unity We care for one another with compassion and kindness and our work is embedded in a spirit of love and cooperation as we come together to succeed in our mission for the Cathedral. Dignity & Respect We respect others and value diversity, embracing our similarities and differences with gentleness, self-control and a willingness to learn. We welcome expressions of spirituality, respecting and valuing those with different faiths or no faith. Accountability & Integrity We act with honesty, openness and integrity in everything we do. We use the resources entrusted to us wisely and effectively with transparency and accountability. We demand high standards of professionalism from ourselves every day, always striving to deliver excellence in our work. Stewardship & Preservation We are guardians of the Cathedral and cherish its heritage and traditions.
    [Show full text]
  • Highlighting Repertoire by Women Composers Carolina Course 3 at the 2019 RSCM Summer Courses St
    | Volume 15, Issue 1 | Summer 2019 | In this issue: Highlighting Repertoire by Women Composers Carolina Course 3 at the 2019 RSCM Summer Courses St. Louis Course 3 by Susan Jane Matthews, composer-in-residence post. of them might aspire. A sur- Gulf Coast Course 4 DMA While I had been disheart- vey of these sixteen choral Kings College Course 5 Each Spring, I eagerly seek ened in the Winter to find in works by women composers out the posting of the reper- the 2019 summer course bro- follows, from Chiara Coz- Massachusetts Boy Choir 6 chure that no women had zolani and Raphaella Aleotti Course toire lists for the RSCM Sum- mer Training Courses. This been included as guest direc- composing in 17th-century Pacific Northwest Course 7 will be repertoire that our tors, only one women organ- Italian convents to 20th- and Rhode Island at Newport 8 choristers study intensely, ist, and merely two women 21st-century composers in Course and through their enthusi- chaplains, it was a delight to America and England. asm often becomes a part of discover in the Spring that Washington D.C. Course 9 * * * the repertoire of our choir at seven of the nine 2019 RSCM Charlotte Course 9 St. Paul’s Burlingame. Two Summer Training Courses Gulf Coast Course for teens returning from the included at least one choral Girls and Adults work by a women composer. 2018 Rhode Island Newport www.rscmgulfcoast.org Choristers in attendance course with Patricia Van Director: Walden Moore could see role models of Ness’s Cor meum est tem- Course Managers: Anna women as composers of sa- plum sacrum (My heart is a Teagarden and Chris Betts holy place) even led from a cred choral music, a vocation close collaboration with the open to both men and wom- This year's Gulf Coast Course en, a vocation to which each composer to the creation of a continued on page 2 Bless O Lord, us thy servants who minister in thy temple.
    [Show full text]
  • SPECIAL ORGAN RECITALS 2016 350Th Anniversary Celebration Series
    SPECIAL ORGAN RECITALS 2016 350th Anniversary Celebration Series Wednesdays at 7:30pm The Organ of Gloucester Cathedral Thomas Harris 1666; Henry Willis 1847; Harrison & Harrison 1920 Hill, Norman & Beard 1971; Nicholson & Co. 1999, 2010 CHOIR SWELL PEDAL Stopped Diapason 8 Céleste 8 Flute 16 Principal 4 Salicional 8 Principal 16 Chimney Flute 4 Chimney Flute 8 Sub Bass 16 Fifteenth 2 Principal 4 Quint 102/3 Nazard 11/3 Open Flute 4 Octave 8 Sesquialtera II Nazard 22/3 Stopped Flute 8 Mixture III Gemshorn 2 Tierce 62/5 Cremona 8 Tierce 13/5 Septième 44/7 Trompette Harmonique 8 Mixture IV Choral Bass 4 Great Reeds on Choir Cimbel III Open Flute 2 Tremulant Fagotto 16 Mixture IV Trumpet 8 Bombarde 32 GREAT (* speaking west) Hautboy 8 Bombarde 16 Gedecktpommer 16 Vox Humana 8 Trumpet 8 Open Diapason 8 Sub-Octave coupler Shawm 4 Open Diapason* 8 Tremulant Bourdon 8 COUPLERS Spitz Flute* 8 WEST POSITIVE (Manual IV) Swell to Great** Octave 4 Gedecktpommer 8 Choir to Great* Prestant* 4 Spitz Flute 4 West Positive to Great* Stopped Flute 4 Nazard 22/3 Swell to Choir Flageolet 2 Doublette 2 West Positive to Choir Quartane* II Tierce 13/5 Great to Pedal** Mixture IV-VI Septième 11/7 Swell to Pedal* Cornet IV Cimbel III Choir to Pedal* Posaune* 16 Trompette Harmonique ` 8 Manual IV to Pedal* Trumpet* 8 Tremulant Combination Couplers: Clarion* 4 West Great Flues on IV Great and Pedal combined West Great Flues Sub-Octave Great Reeds on IV Generals on Swell toe pistons COMPASS ACCESSORIES Manuals C-A = 58 notes Reversible thumb pistons to stops Six thumb pistons to Choir Pedals CC-G = 32 notes marked* Eight toe pistons to Pedal Reversible thumb and toe pistons to Eight toe pistons to Swell Two mechanical swell pedals to East stops marked** Eight General thumb pistons and West Swell shutters Four stepper pistons (2+ and 2-) General Cancel Four thumb pistons to W.
    [Show full text]
  • St Mary's Church, Ewell
    St Mary’s Church, Ewell The Parish Choir Chorister Prospectus Welcome! St Mary’s has an amazingly talented Music Department, led by our Director of Music Jonathan Holmes. We are fortunate to have inherited a fine choral tradiBon, which we are very keen to share. Being a chorister at St Mary’s is fun, life-enriching, and teaches knowledge and skills which remain for a lifeBme. This booklet will let you know more about the opportuniBes on offer at St Mary’s. Please don’t hesitate to be in touch if you have any quesBons. The Revd Russell Dewhurst Vicar of Ewell 1948 1958 1978 Why St Mary’s? Our Church has a long and disBnguished musical tradiBon. There has probably been a choir at the church for around two hundred years, directed by the top musicians of the day. We can boast of the famed composer and organist William Tansur in the late 18th Century and William H. Harris who leS us to take up the organist post at St. Georges Chapel Windsor, no less! TradiBonally, St. Mary’s choristers have always picked up top prizes and awards at the RSCM’s award days at Guildford Cathedral. A very large proporBon of our singers and organists have gone on to study at Oxbridge with an organ or choral scholarship. We shall strive to give your child a free, top-notch musical educaon in a top-notch environment. 1988 1998 2008 What will this ‘musical educaon’ consist of? Every week, before the main rehearsal, choristers do 45mins worth musical training.
    [Show full text]
  • Willcocks Organ Scholarship
    NEW: 32ft Double Ophicleide installed in 2017 Application closing dates Monday 2 November 2020 General Open Morning Saturday 10 October 2020 6th-Form Open Afternoon/Evening Wednesday 14 October 2020 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2021 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord (Director of Music at King’s College, Cambridge, 1929-57), the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), Dr C.S. Lang, and Sir David Willcocks himself. More recent alumni include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life.
    [Show full text]