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Quick Clips and Cds Praise Quick Clips and CDs The career of composer, virtuoso pianist and acclaimed performer, Eric Genuis, began in Krakow, Poland in 1997. This premier performance was attended by 15,000 people. Since then, word of mouth has continued to drive Genuis’ career and led him to perform worldwide, upwards of 100 concerts each year. Eric has received praise from music industry greats such as Joel Sill (Music Supervisor for films Munich and Forest Gump) who said "I remain a fan and look forward to him being more broadly discovered and to watching as his audience expands and appreciates his fine talents" and John Debney (Film Composer for The Passion of the Christ and Spy Kids), who proclaimed "From a musicians perspective, Eric Genuis' music is brilliant‐ superbly crafted, unique in style and expertly performed." Having recently recorded with the famed Maestro Allan Wilson of London, England and the Slovak National Symphony Orchestra, Genuis currently touring the United States with an ensemble of world class musicians. His musical education includes achieving First Class A.R.C.T. Honours in Piano Performance from the Royal Conservatory of Music in Toronto. In addition, Eric has completed course work in film scoring from the Berklee College of Music. In addition to performing for millions of people, Genuis has composed and recorded 6 CDs and written music for film, documentaries, television and Internet media. The Winds Have Legacy by Eric Genuis, Changed by Eric Allan Wilson and The Genuis, Ann Marie Slovak National Boskovich and Slovak Symphony Orchestra National Symphony (Audio CD ‐ 2006) Eternity by Eric Genuis Fantasias for Violin (Audio CD ‐ 1997) A and Piano [RARE] by collection of full Eric Genuis and symphonic works . William Merimee “inspiring, uplifting, and (Audio CD ‐ 2003) encouraging” Timeless by Eric Genuis Go to www.ericgenuis.com classical compositions recorded with the Slovak to hear samples of Eric Genuis CDs National Symphony Orchestra and excerpts of (Audio CD – 2009) live concerts. .
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