DOCSLIB.ORG

Donald Martiny Epistrophy Epistrophy October 13 - November 10, 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Donald Martiny Epistrophy Epistrophy October 13 - November 10, 2018 Donald Martiny Epistrophy Epistrophy October 13 - November 10, 2018 Galleri Urbane welcomes back Donald Martiny for his third solo Specifically, I wanted viewer and work to coexist, for the work exhibition with the gallery. Part of our roster since 2013, his to offer a direct and visceral experience without illusion or career has steadily grown to secure an international presence separation.” through museum, gallery, and art fair presentations around the world. Known for his distinctive approach to freeing the act of The work in Epistrophy is in some ways the accumulation of painting from the confines of a rectilinear canvas, Martiny has these developments and concerns, providing viewers with the continuously developed new approaches to his signature large- latest developments from the artist’s North Carolina studio; scale brushstrokes that obscure the boundaries between painting however, named after a modern jazz standard of the same and sculpture. name by Thelonius Monk, the exhibition is a reflection of the improvisational approach Martiny enjoyed while making this body Many of these developments have risen out of the demand for of work. Disengaging reason, calculation, and a priori influences, large scale commissions. Two works created for the lobby of New he set out to produce new paintings that provided a clear, York’s One World Trade Center and a recent outdoor installation authentic expression from within. The works utilize a complex for a German private collection each required equal parts color scale, alternating between warm and cool, high and low key, artistry and engineering. Other developments over the years and surfaces that incorporate both matte and gloss paint which, have brought new experimentations with color. Earlier works altogether, lend a fresh outlook on the artist’s prolific practice. utilized monochromatic color schemes that offered clarity and directness, while many recent paintings contain multiple colors that emphasize the work’s architectural complexities. Yet, what has remained constant is Martiny’s desire to create paintings that provide viewers with a physical experience that transcends the typical passive observation associated with looking through the “portal” of a rectangular canvas. Discussing his commission in New York, Martiny is quoted: “I wanted these works at 1WTC to live in the same space and time as the viewer. Paintings Nevel, 2018 Polymer and pigment mounted on aluminum 89 x 80 in. $30,500 Giga, 2018 Polymer and pigment mounted on aluminum 60 x 40 in. $18,000 Eschequier, 2018 Polymer and pigment mounted on aluminum 56 x 54 in. $20,000 Chrotta, 2018 Polymer and pigment mounted on aluminum 48 x 67 in. $21,000 Suka, 2018 (two orientations) Polymer and pigment mounted on aluminum 50 x 90 in. $25,000 Crwth, 2018 Polymer and pigment mounted on aluminum 50 x 32 in. $15,000 Gue, 2018 Polymer and pigment mounted on aluminum 63 x 44 in. $18,000 Kantele, 2018 Polymer and pigment mounted on aluminum 55 x 29 in. $15,000 Asor, 2018 Polymer and pigment mounted on aluminum 53 x 28 in. $15,000 Bol, 2018 Polymer and pigment mounted on aluminum 84 x 7 in. $25,000 Pog, 2018 Polymer and pigment mounted on aluminum 43 x 20 in. $11,000 About the Artist Donald Martiny was born in Schenectady, NY in 1953 and currently lives and works in Chapel Hill, North Carolina. He studied at the School of Visual Arts, The Art Students League in New York, New York University and the Pennsylvania Academy of Fine Arts. Museum exhibitions include the Fort Wayne Museum of Art, Courtauld Institute of Art, Alden B. Dow Museum of Art, Falmouth Museum, and the Cameron Art Museum. In 2015, Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City and also received the Sam & Adele Golden Foundation for the Arts Residency Grant. His work has been featured in Huffington Post, NPR, Philadelphia Inquirer, VOGUE LIVING | Australia, New American Paintings | South, Decor Magazine, Hong Kong Tatler and Woven Tale Press. Martiny’s work is represented by galleries in Europe, the US and Australia and his work is collected internationally. 2277 Monitor St. Dallas, TX 75069 325-226-8015 galleriurbane.com.
Load more

Recommended publications
  • About Andy Evansen
    01 NIGHT OWL: PAINTING THE NOCTURNE Carl Bretzke 11 FACES OF THE SHOAH David Jon Kassan 23 AN ORCHESTRATED COMPULSION Alyssa Monks 32 GOOD, BETTER, BEST. Jay Moore 41 A QUEST FOR DYNAMIC PHOTO REFERENCE Rachel Moseley 52 COMPOSING A PAINTING Huihan Liu 60 PAINTING OUR TRUTH Noah Buchanan 75 USING VALUE STUDIES TO SIMPLIFY WATERCOLOR Andy Evansen 84 AN ARTIST’S PERSPECTIVE Kay Griffith Publication Schedule Issue 27 - January 2018 Issue 28 - March 2018 Issue 29 - May 2018 Issue 30 - July 2018 Issue 31 - September 2018 Issue 32 - November 2018 CARL BRETZKE NIGHT OWL Painting the Nocturne A “nocturne” was described by James McNeill Whistler as a painting of night, twilight or absence of direct light. A Google search will demonstrate nocturne paintings by many other well-known painters throughout history. More recently, with the improvement in plein air gear and portable lights, nocturne painting has become extremely popular. James Abbott McNeill Whistler (1834-1903), Nocturne in Black and Gold, the Falling Rocket, 1875, oil on panel, 23-3/4 x 18-3/8 inches, Detroit Institute of Fine Arts, Gift of Dexter M. Ferry, Jr. 02 I became excited about night paintings after visiting a gallery in Carmel several years ago. The gallery featured historic California artists and was showing a nocturne by Rollo Peters (1862-1928). The painting was leaning against the wall in a dark corner of the gallery, and at first glance it looked almost totally black. To my delight, when placed under the light, a mysterious and surprisingly colorful image emerged. Interestingly, Peters was known as the “poet of the night.” I still study his work for clues about color saturation in the dark.
    [Show full text]
  • Vol. 24, No. 3 March 2020 You Can’T Buy It
    ABSOLUTELY FREE Vol. 24, No. 3 March 2020 You Can’t Buy It The NC Museum of Art in Raleigh, NC, will present Front Burner: Highlights in Contemporary North Carolina Painting, curated by Ashlynn Browning, on view in the Museum’s East Building, Level B, Joyce W. Pope Gallery, from March 7 through July 26, 2020. Work shown by Lien Truong © 2017 is I, “Buffalo”, and is acrylic, silk, fabric paint, antique gold-leaf obi thread, black salt and smoke on linen, 96 x 72 inches. I “Buffalo” was purchased by the North Carolina Museum of Art with funds from the William R. Roberson Jr. and Frances M. Roberson Endowed Fund for North Carolina Art. Photography is by Peter Paul Geoffrion. See article on Page 34. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. DONALD Weber Page 1 - Cover - NC Museum of Art - Lien Truong Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 4 - Linda Fantuzzo / City Gallery at Waterfront Park Page 4 - Editorial Commentary & Charleston Artist Guild Page 5 - Wells Gallery & Halsey McCallum Studio Page 5 - Ella Walton Richardson Fine Art & Robert Lange Studios “Italian Sojourn” Page 6 - Kathryn Whitaker Page 6 - Meyer Vogl Gallery & City of North Charleston Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 8 - Art League of Hilton Head Reception March 6th 5-8 pm | Painting Demonstration March 7th 2-5 pm Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Page 10 - Coastal Discovery Museum, Society of Bluffton Artists & Clemson University / Sikes Hall The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Exhibition through April 1st, 2020 Page 12 - Clemson University / Sikes Hall cont.
    [Show full text]
  • The Latest Research in Optical Engineering and Applications, Nanotechnology, Sustainable Energy, Organic Photonics, and Astronomical Instrumentation
    OPTICS + PHOTONICS• The latest research in optical engineering and applications, nanotechnology, sustainable energy, organic photonics, and astronomical instrumentation ADVANCE THIS PROGRAM IS CURRENT AS OF TECHNICAL APRIL 2015. SEE UPDATES ONLINE: PROGRAM WWW.SPIE.ORG/OP15PROGRAM Conferences & Courses San Diego Convention Center 9–13 August 2015 San Diego, California, USA Exhibition 11–13 August 2015 CoNFERENCES EXHIBITION AND CoURSES: 11–13 AUGust 2015 9–13 AUGust 2015 San Diego Convention Center San Diego, California, USA Hear the latest research on optical engineering and applications, sustainable energy, nanotechnology, organic photonics, and astronomical instrumentation. ATTEND 4,500 Attendees Network with the leading minds SPIE OPTICS + in your discipline. PHOTONICS The largest international, multidisciplinary optical science 3,350 Papers and technology meeting in North Hear presentations America. on the latest research. 38 Courses & Workshops You can’t afford to stop learning. 180-Company Exhibition See optical devices, components, materials, and technologies. Contents Metamaterials, plasmonics, CNTs, Events Schedule . 2 graphene, thin films, spintronics, nanoengineering, optical trapping, SOCIAL, TECHNICAL, AND nanophotonic materials, nanomedicine, NETWORKING EVENTS Low-D and 2D materials - Technical ............................. 3-4 - Industry................................ 5 - Social Networking....................... 6 - Student .............................. 6-7 - Professional Development ............... 7 Thin films, concentrators,
    [Show full text]
  • The Beauty of Nature Sometimes Brings Deadly Outcomes. Stay Safe! Publisher’S Note: Due to the Covid-19 Outbreak Many of These Art Spaces Are Currently Closed
    ABSOLUTELY FREE Vol. 24, No. 4 April 2020 You Can’t Buy It The beauty of nature sometimes brings deadly outcomes. Stay Safe! Publisher’s Note: Due to the Covid-19 outbreak many of these art spaces are currently closed. We’re including the info we received, but strongly suggest that you call any venue you are thinking of visiting - some are trying to stay open, some have closed their doors, but are still working with customers, some open by appointment only. And, some are operating on the Internet. Don’t forget about these people, there are many ways you can support them during these troubling times. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. The Arts in North Carolina and COVID-19 Page 1 - Cover - COVID-19 Stay Safe Page 3 - Art Support: NC Arts Council, SC Arts Council, CERF & Even though participation in the arts has been greatly Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site National Endowment for the Arts disrupted by the coronavirus pandemic, and artists and Page 4 - Editorial Commentary arts organizations severely impacted, our network across Page 4 - Halsey McCallum Studio North Carolina is responding in a myriad of creative ways Page 5 - City of Charleston / City Gallery at Waterfront Park Page 5 - Whimsy Joy by Roz, Deane V. Bowers & Wells Gallery that demonstrate the power of the arts to connect, Page 6 - Charleston Artist Guild & Carnes Crossroads Artist Cooperative cope, and heal.
    [Show full text]
  • Martiny-Frost-Tower-Fort-Worth.Pdf
    Frost Tower Fort Worth Welcomes a New Site-Specific Artwork Frost Tower Fort Worth is pleased to announce the commissioning of Chapel Hill-based artist Donald Martiny to create a unique work of art for the building’s ground floor lobby. Martiny’s work is internationally known for its unique approach to painting in which standard rectilinear canvases are forgone in favor of a form that is defined by large-scale brushstrokes. Swaths of paint many feet in length construe works that obscure the line between painting and sculpture, inviting viewers for closer inspection and a more dynamic interaction with a work of art. At 14 by 17 feet, the commissioned work must be created on-site, requiring the artist to set up a temporary studio in the lobby at 640 Taylor Street where he will create the piece over the course of a week beginning on November 18th. Donald Martiny at Galleri Urbane Dallas “My paintings are actual authentic gestures. These brushstrokes are very much me and I want to be present in the works as honestly and authentically as I can be. They are a record of my physicality at a specific point in time” Dispersing ground pigments within a specially-designed polymer, Martiny uses custom brushes and his own arms and hands to create each piece in a form of Action Painting. A unique quality to all of Martiny’s work, the commissioned painting will become a record of the artist’s time in Fort Worth. He has said: “My paintings are actual authentic gestures. These brushstrokes are very much me and I want to be present in the works as honestly and authentically as I can be.
    [Show full text]
  • 620Carolinaarts-Pg38
    (www.ncartmuseum.org). Some contemporary pieces will be available for purchase. Purchased pieces must remain North Carolina Museum of History, 5 East in the show until it ends. Ongoing - Featuring NC Institutional Galleries Edenton Street, (between Salisbury and permanent and changing exhibits on the history Wilmington Streets), Raleigh. Through Jan. 3, of North Carolina pottery, "The North Carolina continued from Page 37 2021 - "You Have to Start a Thing." The year Pottery Tradition" and "Seagrove Area Pottery". Melinda Fine, Onay Gutierrez, Ben Hamgurger, Contemporary Frescoes/Faith and Community". 2020 marks the 100th anniversary of the 19th The Center also offers information on activi- Nora Hartlaub, Elizabeth Haskin, Stephen Hayes, This exhibition features monumental draw- Amendment to the United States Constitution ties, maps and information about the potteries Harrison Haynes, Clarence Heyward, Max Heller, ings, intimate portraits, and studies by Asheville and a century of voting rights for women. The located in the Seagrove area and across the Amy Herman, George Jenne, Kelly Johnston, artist Christopher Holt for the Haywood Street exhibition explores how Tar Heel women and state. A display of representative works from Shannon Johnstone, Joyce Watkins King, Beatitudes fresco completed in September 2019. men fought for—and against—woman suffrage more than 90 area potteries is also offered. Stacey Kirby, Deborah Kruger, Raymond La The fresco is the result of a two-year community in the decades leading up to 1920. It also Hours: Tue.-Sat., 10am-4pm. Contact 336/873- Mantia, Laura Little, Jennifer Markowitz, Jackson project led by Holt with the Rev. Brian Combs, chronicles the ongoing struggle to ensure vot- 8430 or at (www.ncpotterycenter.org).
    [Show full text]
  • North Carolina Artists Exhibition 2 0 2 0
    NORTH CAROLINA ARTISTS EXHIBITION 2 0 2 0 NORTH CAROLINA ARTISTS EXHIBITION 2 0 2 0 March 8 - June 14, 2020 juried by a renowned art professional. This year marks the Artists Exhibition’s 41st anniversary of our statewide juried show. Our exhibit will be displayed at CAM Raleigh for three months, providing many members of our community the opportunity to enjoy the talents and accomplishments of North Carolina artists. The Literary Contest is conducted annually for short story writers from all high schools in Wake The mission of Raleigh Fine Arts Society is to cultivate, promote, and engage in the arts. Our County. The Literary Contest employs writers vision is for a flourishing arts community. and college professors to read and critique each manuscript. After the selection of writers We Believe the Arts: is announced, the winners attend a writers’ Offer a unique form of creative expression workshop and awards ceremony and are hon- Unite people from different cultures and ored with a lecture by a reputable writer. With perspectives monetary awards presented to the winners, this Foster a sense of pride in the community experience is very exciting and encouraging for Have a measurable impact on our econo- aspiring writers. my, our well-being and our quality of life The Elementary Choral Celebration is a joyous Beginning in 1964 with a small group of occasion for Wake County elementary school volunteers, Raleigh Fine Arts Society staged its choral groups in grades 4 and 5. Each choral first artists exhibition at the Olivia Raney Library group performs on the beautiful Meymandi in downtown Raleigh.
    [Show full text]
  • 216Carolinaarts-Pg39
    of the Longleaf Pine award, conferred same scintillating effect in his oils, mak- by the governor to NC citizens for their ing him truly a master of both mediums. UNC Chapel Hill - Hofmann proven record of service to the state. Wright’s work has been shown in galler- William C. Wright has been a profes- ies throughout the United States, as well as continued from Page 38 sional painter for almost thirty years. An many national competitions, and his work accomplished watercolorist, his paint- has appeared in numerous books and feature two from the private collections of UNC- ings are internationally known for their magazine articles. He is also the author of Chapel Hill alumnae. brilliant color, unique perspective, and his own watercolor book, “Make Your Wa- Walls of Color is presented at the Ack- exceptional use of light. Working in the tercolors Shine”, and is a signature member land with support from the Renate, Hans traditional watercolor method of layering of the American Watercolor Society, NY, and Maria Hofmann Trust, John and Mar- transparent washes on paper, and pro- the Baltimore Watercolor Society, Balti- ree Townsend, the Fenwick Foundation, gressing from light to dark, he infuses his more, MD, and the Mid-Atlantic Plein Air and gifts made in honor of the Ackland paintings with a radiant glow that illumi- Painters Association, Annapolis, MD. Docent Program. nates his scenes with an almost shimmer- For further information check our NC A scholarly catalogue for the exhibi- ing quality. By working on gessoed panels Commercial Gallery listings, call the tion - including a foreword from the and utilizing a glazing technique with gallery at 919/828-3165 or visit (www.
    [Show full text]
  • Journal 2015–2020
    JOURNAL 2015–2020 02 Dr. David C. Driskell 40 Off Campus Programs Remembering David C. Driskell Hard Work Katie Sonnenborn, Sarah Workneh Mine are true love stories Shaun Leonardo (A '04) Alliance Video Committee: DIVISIONS; Mayday! Mayday! Desmond Lewis (A '18) Mayday!; Infinity Mary Lovelace O’Neal (A '63) Two-Channel Video Festival Sylvia Snowden (A '64) .WATCH SkowheganPerforms SkowheganWalks Personals 10 Summer 2015–2019 The Skowhegan Tarot Common House Five Years in Pictures 56 Support 32 Campus Master Plan 2018–2023 Planning Principles Master Plan Projects 65 Community In Memoriam Boards & Staff Skowhegan Alliance 38 The Skowhegan Book Skowhegan Council THIS SKOWHEGAN JOURNAL IS DEDICATED TO Dr. David C. Driskell (1931–2020) Alumnus: 1953 Faculty: 1976, 1978, 1991, 2004 Board of Governors: 1975–1989 Board of Trustees: 1989–2002 From left to right: Al Blaustein (A '46, '53, F '69-'70, '81), Jacob Lawrence (F '54, '68-'72, Advisory Committee: 2003–2020 '89, '96), David C. Driskell, and Willard Cummings (F '46-'52, '54-'56, '58-'59, '61) at Skowhegan, 1968. Lifetime Legacy Award Recipient, 2016 2 3 Remembering Dr. David C. Driskell “The achievements of David C. Driskell are as grand as held the title of Distinguished University Professor of practices—and in doing so, he has opened a public Mount Everest,” wrote Keith Morrison in the foreword Art, Emeritus. It was also where The David C. Driskell dialogue that has allowed other artists the freedom to to Julie McGee’s David C. Driskell: Artist and Scholar. Center for the Study of Visual Arts and Culture of do the same.
    [Show full text]
  • Booth Preview Catalogue
    GALLERI URBANE at AN EXCLUSIVE PREVIEW INCLUDING WORK BY DONALD MARTINY STEPHEN D’ONOFRIO JESSICA DRENK LORING TAOKA MELINDA LASZCZYNSKI DONALD MARTINY “Donald Martiny’s work forces us to question the established definitions which form the backbone of our under- standing of painting as both a pursuit and a product, and of paint as a medium. In challenging the viewer in these ways, it is not only visually exciting but intellectually invigorating.” - Professor Deborah Swallow, Märit Rausing Direc- tor, The Courtauld Institute of Art Donald Martiny was born in Schenectady, NY in 1953 and currently lives and works in Chapel Hill, North Carolina. He studied at the School of the Visual Arts, The Art Students League in New York, New York University and the Pennsylvania Academy of Fine Arts. Museum exhibitions include the FWMoA, Courtauld Institute of Art, Alden B Dow Museum of Art, Falmouth Museum, and the Cameron Art Museum. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. In 2015 Martiny received the Sam & Adele Golden Foundation for the Arts Residency Grant and his work has been featured in the Huffington Post, NPR, Philadelphia Inquirer, VOGUE LIVING | Australia, New American Paintings | South and Woven Tale Press. Martiny’s work is represented by galleries in Europe, the US and Australia and is collected internationally. Abipón, 2017 Polymer and dispersed pigment 93 x 48 in. $28,000 Abipón, detail Untitled (Yellow), 2017, polymer and dispersed pigment, 48 x 72 in, $22,000 Tutelo, 2017 Polymer and dispersed pigment 52 x 42 in $16,500 Tutelo, installed Tutelo, detail LORING TAOKA My work is an extension or contemplation on the act of perception--lines of demarcation are only contextual.
    [Show full text]
  • 420Carolinaarts-Pg38
    Workshop; Bartholomäus Traubeck; Nicole Italian artist Giuseppe Penone, a playful pair of Wermers; Jólan van der Wiel; and Ryan Mario benches designed by Hank Willis Thomas, and Yasin. Randy and Susan Woodson Gallery, a 10-day installation of 23-foot-tall illuminated NC Institutional Galleries Through May 17 - "All That Glitters–Spark and rabbits by Australian artist Amanda Parer. The Dazzle from the Permanent Collection." The sculptures will be featured at the NCMA’s Park continued from Page 37 fascination with shiny objects is nearly as old as Celebration on Nov. 6, when the public is invited additional artists at any given time. Our members There is also an interactive, outdoor installa- the human race. Jewelry made of naturally glossy to experience the newly expanded Park with a are engaged in creating jewelry, photography, tion by Jeff Goodman titled, “The Kindness for shells has been dated to nearly 135,000 years variety of outdoor activities. Ongoing - Featuring weaving, found object art, sculpture, ceramics, Imaginary Things.. Hours: Tue.-Sat., 10am-5pm ago, while crystals of transparent quartz have 10 additional sculptures by the celebrated French digital art, watercolor, oil, baskets, stained glass, & Sun. noon-5pm. Contact: 828/765-6211 or at been found in prehistoric burials, suggesting the artist Rodin on loan from Iris Cantor’s private and acrylic paintings. Hours: Tue., Thur., Fri., & (http://penland.org/gallery/). allure they once held for their original owners. collection. Ongoing - "John James Audubon's Sat., 10am-4pm. Contact: 252/571-8566 or visit But the question is, why? Ongoing - Following The Birds of America".
    [Show full text]
  • Vol. 24, No. 10 October 2020 You Can’T Buy It
    ABSOLUTELY FREE Vol. 24, No. 10 October 2020 You Can’t Buy It Paul Yanko, 2018-2019 Growth Regrowth Stratified Acrylic and Collage on Arches Watercolor 30 x 22 inches Lander University in Greenwood, SC, will present Perfectly Familiar / Unrecognizably Strange, featuring works by Enid Williams and Paul Yanko, on view in the Lander University Fine Art Gallery, from Oct. 13 through Nov. 11, 2020. See article on Page 16. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Lander University - Paul Yanko Page 3 - Art Support: NC Arts Council, SC Arts Council, CERF & Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site National Endowment for the Arts The Arts in North Carolina and COVID-19 Page 4 - Editorial Commentary & Gibbes Museum of Art Page 4 - Deane V. Bowers Even though participation in the arts has been greatly Page 6 - Gibbes Museum of Art cont. & Charleston Artist Guild Page 5 - Anglin Smith Fine Art / Celebrating 20 Years disrupted by the coronavirus pandemic, and artists and Page 8 - College of Charleston / Halsey Institute of Contemporary Art arts organizations severely impacted, our network across Page 9 - Meyer Vogl Gallery, Robert Lange Studios & Lowcountry Artists Gallery Page 6 - Kathryn Whitaker North Carolina is responding in a myriad of creative ways Page 10 - Lowcountry Artists Gallery cont., USC-Beaufort, Art League of Hilton Head & Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, that demonstrate the power of the arts to connect, Society of Bluffton Artists Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, cope, and heal.
    [Show full text]