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MARY HELLER – CURRICULUM VITAE C
Heller 1 MARY HELLER – CURRICULUM VITAE c. (208) 310-9913 e. [email protected] w. marychoreographer.com RECENT TEACHING (PAST TEACHING end of CV)________ July – Aug. Urban Bush Women’s Summer Leadership Institute – dancer, researcher and co-creator in 2014 “Soul Deep”, a culminating production of the 100+ participants of the institute. Tulane University, New Orleans, LA Jan. 2014 – Heller Barre Practice®, Adult Tap Workshop, Creative Movement for 3-5 yr. olds, & Present Change Health, Gain Wealth® retreats for teens and adults Locations on marychoreographer.com with Hellet Barre Practice® offered via skype Prescott, Prescott Valley, Chino Valley, & Scottsdale AZ Oct. 2013- Invited Guest Teacher of Contemporary/Modern Technique, and Mentor for Independent Present Study courses. Prescott College, Prescott, AZ Sept. 2013- BeMoved® Artistry 2 Certified Instructor & Breadth of BeMoved® for people sitting – Present Weekly classes for the athlete to assisted living homes. Featured on AZTV, AZKNAU radio, Senior Connection, and Healthhubnetwork.com. Please see CHOREOGRAPHY/CREATIVE WORK for current research being done at this time. Locations on marychoreographer.com & BeMoved-Dance.com, Prescott, Prescott Valley, Chino Valley, & Scottsdale AZ July 2012 - Please see CHOREOGRAPHY/CREATIVE WORK for current research being done at this time. Feb. 2013 BeMoved® substitute in Chicago, IL - see BeMoved-Dance.com Chicago, IL 1994-present Choreographing U.S.A.G Women’s level 7-Elite Gymnastic Floor Routines - Please see seasonal CHOREOGRAPHY/CREATIVE WORK for current research being done at this time as well. Buffalo Grove Dance & Gymnastics Center, Buffalo Grove, IL Aug. 2011 to BeMoved® Certified Instructor, and Floor Barre Fit Instructor – Weekly classes & July 2012 Featured at Family Fun Nights in Moscow, ID in 2011 –Please see CHOREOGRAPHY/ CREATIVE WORK for current research being done at this time as well. -
Ate9 Dance Company (With Glenn
Featuring Ate9 Dance Company, Deeply Rooted Dance Theater, View in browser and Visceral Dance Chicago 50 E Congress Pkwy (50 E Ida B. Wells Dr) Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 10, 2018 ATE9 DANCE COMPANY (WITH GLENN KOTCHE OF WILCO), DEEPLY ROOTED DANCE THEATER, AND VISCERAL DANCE CHICAGO PERFORM AT THE AUDITORIUM THEATRE AS PART OF THE “MADE IN CHICAGO” 312 DANCE SERIES ON NOVEMBER 16 AN EVENING OF INNOVATIVE CONTEMPORARY DANCE Ate9 Dance Company/Deeply Rooted Dance Theater/Visceral Dance Chicago on November 16, 2018 (CHICAGO, IL) – On Friday, November 16, three groundbreaking contemporary dance companies perform on the Auditorium Theatre’s landmark stage in the “Made in Chicago” 312 Dance Series. The evening features Ate9 Dance Company, performing the work calling glenn with live music from Chicago-based percussionist Glenn Kotche (Wilco); Deeply Rooted Dance Theater, performing Kevin Iega Jeff’s Church of Nations, Kevin Iega Jeff and Gary Abbott’s Heaven, and Nicole Clarke-Springer’s Until Lambs Become Lions; and Visceral Dance Chicago, performing company founder Nick Pupillo’s Soft Spoken. “We are thrilled to feature these three innovative companies as we open our 2018-19 ‘Made in Chicago’ 312 Dance Series,” says Rachel Freund, Interim Chief Executive Officer of the Auditorium Theatre. “This evening will highlight the creativity of these distinct companies and showcase the breadth of contemporary dance styles that we present on our historic stage.” The Los Angeles-based Ate9 Dance Company makes its Auditorium Theatre debut with calling glenn (2017), created by company founder and artistic director Danielle Agami in collaboration with Chicagoan Glenn Kotche. -
David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, -
Focus on Dance Education
FOCUS ON DANCE EDUCATION: Engaging in the Artistic Processes: Creating, Performing, Responding, Connecting In Partnership with the International Guild of Musicians in Dance (IGMID) 17th Annual Conference October 7-11, 2015 Phoenix, Arizona CONFERENCE PROCEEDINGS National Dance Education Organization Kirsten Harvey, MFA Editor Focus on Dance Education: Engaging in the Artistic Processes: Creating Performing, Responding, Connecting Editorial Introduction In October 2015, the National Dance Education Organization met for their annual conference in Phoenix, Arizona to celebrate and honor the legacy, and individuality of the NDEO dance community. The warm spirit of Phoenix resonated with each educator and artist that came together at the beautiful Pointe Hilton Tapatio Cliffs Resort. Over 150 workshops, papers presentations, panels, master classes, social events, and performances were offered including full day pre-conference intensives that preceded the official start of the conference. The range of offerings for dance educators included a variety of experiences to foster inspiration, education, response, dialogue and connection to one another. Contributions to Focus on Dance Education: Engaging in the Artistic Processes: Creating Performing, Responding, Connecting Conference Proceedings include paper presentations, panel discussions, workshops, and movement sessions presented from October 7-11, 2015. The proceedings include 4 abstracts, 9 full papers, 6 movement session summaries, 6 summary of workshop presentations, 2 panel discussion summaries, and 1 special interest group summary. One of the broadest ranges of submissions since I have been editing the proceedings. The NDEO top paper selection committee selected Caroline Clark’s paper titled “We Learned to Perform by Performing: Oral Histories of Ballet Dancers in a Beer Hall” for the Top Paper Citation. -
Why Stonewall Still Matters…
PrideLife Magazine 2019 / pridelifemagazine 2019 @pridelife YOUR ESSENTIAL th 2020 ELECTION 50 PRIMER stonewall P.68 anniversaryspecial issue STEP INSIDE THE NIGHT OF WHY THE RIOTS STONEWALL P.50 STILL MATTERS… THE FIERCE WITH EXCLUSIVE AND TRIBUTES FROM FABULOUS Asia Kate Dillon Jesse Tyler Ferguson Madonna Christian Siriano Kamala Harris Indigo Girls Gus Kenworthy Bethany Meyers George Takei BILLY Margaret Cho Rufus Wainwright Carson Kressley Adore Delano Daya And more... PORTERP.46 PLUS! INTRODUCING THE INTERPRIDELIFE SEAL OF APPROVAL P.14 B:17.375” T:15.75” S:14.75” Important Facts About DOVATO Tell your healthcare provider about all of your medical conditions, This is only a brief summary of important information about including if you: (cont’d) This is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider • are breastfeeding or plan to breastfeed. Do not breastfeed if you SO MUCH GOES about your condition and treatment. take DOVATO. You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should ° You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should HIV-1 to your baby. Know about DOVATO? INTO WHO I AM If you have both human immunodeficiency virus-1 (HIV-1) and ° One of the medicines in DOVATO (lamivudine) passes into your breastmilk. hepatitis B virus (HBV) infection, DOVATO can cause serious side ° Talk with your healthcare provider about the best way to feed your baby. -
Mary Heller – Curriculum Vitae Recent Teaching (Past
Heller 1 MARY HELLER – CURRICULUM VITAE p. (208) 310-9913 cell e. [email protected] w. marychoreographer.com RECENT TEACHING (PAST TEACHING second to last at end of CV) August 2018 – Adjunct Professor of Dance, Yavapai Community College – Ballet 1, Ballet 11, Tap, Modern Present BeMoved®, Jazz, Choreography, Privates in Dance, Somatics, Heller Barre Practice®, Theory, Pedagogy Instruction and Wellness Advising coursework for credit in the Performing Arts Associates Degree. Yavapai Community College, Prescott, AZ Jan. - April By request of local community – Keep Dancing - Modern 40+ June – July Sept. – Dec. 2018 Elks Theatre Performing Arts Center, and SWITCH Perf. Arts Prescott area, AZ Feb. – March Invited Teaching Dance Artist for HeART On Wheels – Meals On Wheels – Creative Aging Sept. – Dec. Arizona Commission on the Arts grants funded through Meals on Wheels, Central Arizona 2017 Private Homebound, Prescott, AZ June 2016 Sharing Ground launch at Juneteenth, Phoenix, AZ - International for-profit Tech space, and Present Dance Company sharinggroundintl.com – currently accepting investors Headqaurters Prescott: Prescott, Chicago, Iraq May 2016- Invited Teaching Artist for my “Your Movement is Your Biography” - Creative Aging Present Choreographic Tools & Music Workshop with David Sornesen, Musician Workshops at Alta Vista Living Home, Prescott, AZ Sept. 2015 Ballet/Tap through the methodology of Creative Movement for 3-6 yr. olds, Adult 2016, 2017, Tap Workshop, Heller Barre Practice®, Modern 40+, teacher on call for Ballet, Jazz 2018 - and Contemporary. Present SWITCH Performing Arts, Prescott, AZ Jan. 2014 - Mary Heller Dance Arts – classes offered: Heller Barre Practice®, Beg. - Advanced Present Ballet, Modern, Jazz, Tap, Contemporary, Improv and Contact Improv Techniques, Partnering, Principles of Partnering, Somatics, Creative Movement for 3-5 yr. -
River North Dance Chicago
Cheryl Mann River North Dance Chicago Frank Chaves, Artistic Director • Gail Kalver, Executive Director The Company: Levizadik Buckins, Taeler Cyrus, Michael Gross, Hank Hunter, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Michael McDonald*, Hayley Meier, Olivia Rehrman, Ahmad Simmons, Jessica Wolfrum *Performing apprentice Artistic & Production Sara Bibik, Assistant to the Artistic Director • Claire Bataille, Ballet Mistress Joshua Paul Weckesser, Production Stage Manager and Technical Director Mari Jo Irbe, Rehearsal Director • Laura Wade, Ballet Mistress Liz Rench, Wardrobe Supervisor Administration Alexis Jaworski, Director of Marketing • Salena Watkins, Business Manager Diana Anton, Education Manager • Paula Petrini Lynch, Development Manager Christopher W. Frerichs, Grant Writer Lisa Kudo, Development and Special Events Assistant PROGRAM The Good Goodbyes Beat Eva (World Premiere) -Intermission- Three Renatus Forbidden Boundaries Thursday, April 4 at 7:30 PM Friday, April 5 at 8 PM Saturday, April 6 at 2 PM & 8 PM Media support for these performances is provided by WHYY. 12/13 Season | 23 PROGRAM The Good Goodbyes Choreography: Frank Chaves Lighting Design: Todd Clark Music: Original composition by Josephine Lee Costume Design: Jordan Ross Dancers: Taeler Cyrus, Michael Gross, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Hayley Meier, Jessica Wolfrum Artistic Director Frank Chaves’ newest work, The Good Goodbyes, is an homage to the relationships forged and nurtured within the dance community. Set to an original piano suite by Josephine Lee, artistic director of the acclaimed Chicago Children’s Choir, this wistful and bittersweet work for seven dancers suggests “the beautiful memories and the wonderful relationships I’ve forged with dancers over the years. I want to celebrate the incredibly intimate, intense, fulfilling and—because of the nature of our profession—often short-lived connections we’ve made, and have bid goodbye along the way,” says Chaves. -
THE BIG MUDDY DANCE COMPANY Invigorating Life Through Dance
2015-2016 THE BIG MUDDY DANCE COMPANY Invigorating life through dance. OUR VISION The Big Muddy Dance Company, a St. Louis-based repertory dance company, seeks to build a love of dance by providing fun, experiential and highly entertaining performances. By engaging both emerging and established choreographers, collaborating across the community through senior outreach and training future performers through our school and trainee program, we constantly strive to invigorate life through dance. BRIAN ENOS ARTISTIC DIRECTOR Mr. Enos, originally from San Francisco, CA, began studying ballet at the age of 16. After his training at the Maria Vegh Ballet Centre and The Houston Ballet Academy, he was invited to join Houston Ballet at the age of 18. After several years performing with Houston Ballet, Mr. Enos went on to dance for Hubbard Street Dance Chicago for eight years, before retiring from the stage in 2010. He’s danced leading roles in works by some of the industry’s most in demand choreographers including: Jiri Kylian, William Forsythe, Ohad Naharin, Ben Stevenson, Twyla Tharp, and Christopher Bruce, among others. Mr. Enos also has an impressive choreographic career spanning 16 years, with over 30 original works, and glowing reviews from both critics and audiences throughout the United States and abroad. Some of the companies on which he’s created work include: Houston Ballet, Hubbard Street Dance Chicago, Ballet Met, Nashville Ballet, Oklahoma City Ballet, Grand Rapids Ballet, DanceWorks Chicago, Thodos Dance Chicago, and many more. Succeeding the company’s founder, Paula Young David, as the artistic leadership behind The Big Muddy Dance Company, Mr. -
December 2020 - Volume 26 Issue 12
Lavender Notes Improving the lives of LGBTQ older adults Volunteer through community building, education, and advocacy. Donate with PayPal Celebrating 26+ years of service and positive change December 2020 - Volume 26 Issue 12 Bruce Bierman and Gilberto Cesar Menendez Imagine what you might get when you mix Flamenco with Klezmer, Spanish with Yiddish, Nicaraguan-born Catholic with California-born Jewish?! You get a delightful combination of fun-loving, sometimes volatile, creative, artistic and always-on-the-move proudly-gay married East Bay couple known as Bruce and Gilberto! In April 1947, Gilberto was born the youngest of five children in a village near Nicaragua’s third largest city, Estelí, 150 miles north of Managua, the capital city, and about three hours from the Honduran border. He had two older brothers and two older sisters. “I always felt like I lived in a very small town,” Gilberto recalls, “since I grew up in a close-knit family and protected community where everybody knows you and watches out for you. We were always out and about, playing, swimming, dancing and singing. We were never afraid to go anywhere or do anything, because we always felt safe. I was frequently asked to perform – sometimes poetry, sometimes dancing – I loved the attention.” The Catholic Church played a major role in his childhood and youth. “Our family was very orthodox Catholic,” Gilberto says, “including Latin mass – which I loved – confession, first communion and I was an acolyte for many years. I felt fine about my relationship with God, so in the confessional, the priests would ask if I loved my mother or respected other people. -
Shanna Zordell (Executive Assistant), 563-663-2120 - [email protected] Download This Media Kit in Printable PDF Format
! FOR IMMEDIATE RELEASE September 21, 2018 Contact: Shanna Zordell (Executive Assistant), 563-663-2120 - [email protected] Download this media kit in printable PDF format. Among this year’s Momentum works: Matthew Lovegood’s French Songs (left); Erika Overturff’s Connemara; and Overturff’s Rhapsody in Blue. More full-resolution photos... NEW BRAND, NEW DANCERS, NEW WORKS IN AMERICAN MIDWEST BALLET'S MOMENTUM OMAHA — The freshly rebranded American Midwest Ballet — formerly known as Ballet Nebraska — will open its ninth season in October with a fresh crop of works, artistic director Erika Overturff said. “Our mixed repertory program, Momentum, has been a must-see since our earliest seasons, because it showcases the exciting range of dance as an expressive art,” Overturff said. “For its first American Midwest Ballet edition, we're mixing some past favorites with works that will be new experiences for our audiences.” Headlining the selection is Overturff's Rhapsody in Blue, to the iconic music of George Gershwin. “When I choreographed it, I listened to the music many times until I knew all of the rhythms and notes by heart,” Overturff said. “The music is so expressive; within one piece it conveys so many different moods. It is flirty, jazzy, big and bold, whiny and sad, sweeping and romantic, daring and quick – lots of personality! “I see the dancers as a personification of the musical notes themselves, as if they floated out of the instruments and onto the stage for us to see.” ! Among the program’s other highlights are three guest works: Frank Chaves’ sultry, flirtatious At Last, is a duet set to lyrics sung by the incomparable Etta James. -
Arizona Dance E-Star
Arizona e DANCESeptember 2019 statewide listing of performances master classes auditions | jobs tips | news social dancing National Ballroom Dance Week September 20-29 National Dance Day September 21 Arizona Dance Festival Scottsdale Ballet Arizona's Ballet Under the Stars Director's Choice Inna Berlizyeva & Artem Plakhotnyi DanceSport Education Imperial Ballroom Dance Company Photo by Reza Molavi Arizona Dance e-Star Arizona Dance e-Star a publication of the Arizona Dance Coalition Volume 9, Issue 7 September 2019 Dear readers, Table of Contents September is now the new month for National Dance Day on September 21 (3rd Events.. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 3-18 Saturday in September from here on out). I Workshops/Professional Development. 19-22 guess July wasn't working out, so they changed it. September is a better choice. Students are back in dance classes and can Call for Artists/Competitions ................23-25 learn choreography to participate. September also contains Dance Season Announcements. 26-28 National Arts in Education Week and National School Shows ................................29-30 Ballroom Dance Week! No Auditions. 23, 31-32, 49 excuses - this is the month to dance and celebrate our dance educators. Del E Webb CFA Residency.. .. .. .. .. .. .. .. .. .. .. 33 I conducted a Q&A with Scottsdale CC's ADC Member Announcements. .. .. .. .. .. .. .. .. 34 Angela Rosenkrans (pgs 39-41). Their school year starts early Photo of the Month . .. .. .. .. .. .. .. .. .. .. .. .. .. .. 35 with two guest artists teaching and setting choreography. JOBS / INTERN WANTED . 36, 45-47 Classes are free and open to the public! It's an amazing Regional News. 37-38 program with 20-30 dance classes each semester. Read and be amazed. -
FOR IMMEDIATE RELEASE February 24, 2020 Contact: Wesley Houston, Marketing and Stage Manager, 712-890-5590 - [email protected]
FOR IMMEDIATE RELEASE February 24, 2020 Contact: Wesley Houston, Marketing and Stage Manager, 712-890-5590 - [email protected] Full-resolution photos available here. Download this media kit, plus company bios, in printable PDF format. From left: Dancers Erika Overturff and Sasha York celebrate in 2010 after American Midwest Ballet [then called Ballet Nebraska] makes its successful Orpheum Theater debut with Swing, Swing, Swing! Center and right: Fashions and dance styles of the 1940s help tell the ballet’s story, through a series of vignettes that trace the flowering of a wartime romance. More full-resolution photos... “COMING FULL CIRCLE”: AMB CELEBRATES TEN SEASONS WITH THE BALLET THAT STARTED IT ALL OMAHA — It was just after 10 pm on Saturday, October 2, 2010. Erika Overturff, breathless from two hours onstage, was still in costume as she ran outside to pose for commemorative photos under the Orpheum Theater marquee. The new ballet company she had founded had just completed its first mainstage production: Harrison McEldowney’s Swing, Swing, Swing! Fast-forward to April 2020. Now wrapping up its tenth season, the company – still with Overturff as its artistic director and an active performer – is now American Midwest Ballet. Its original 12-member roster has grown to 29 professional dancers from 17 states and two foreign countries, and it is now based in spacious new studios in Council Bluffs’ just-completed Hoff Family Arts & Culture Center. “It’s time to celebrate,” Overturff said, “and a great time to bring back Swing, Swing, Swing!” The ballet is a tribute to the Second World War's “Greatest Generation,” with a central love story framed by dance vignettes that draw on the era’s popular styles, Overturff said.