MAY 2015

ARMS AND THE MAN WELCOME

Second only to , is the most produced playwright in the history of The Old Globe. Indeed, marks our fifteenth production of one of Shaw’s plays, a long and venerable tradition that began with in 1938, followed by productions of , The Doctor’s Dilemma, , , You Never Can Tell, and numerous others, including, most recently, in 2013. Not satisfied merely to stage Shaw’s own plays, the Globe has also produced plays about the fascinating and irascible man himself, such as Jerome Kilty’s Dear Liar and John Morogiello’s Engaging Shaw. You might even say that the Globe has had a decades-long romance with this complex, DOUGLAS GATES cantankerous, and compelling playwright. Managing Director Michael G. Murphy and Artistic Director Barry Edelstein.

Some of the Globe’s most beloved directors have brought Shaw to life on our stages. Founding Director helmed five productions of Shaw here over the years; other Shaw directors have included Artistic Director Emeritus Jack O’Brien and associate artists William Roesch and . Our 2013 production of Shaw’s Pygmalion was directed by yet another associate artist: the late, great Nicholas Martin, the very man who brought Jessica Stone to the Globe for the first time. A protégé of Nicky’s, Jess stepped in to direct Vanya and Sonia and Masha and Spike when Nicky fell ill, and she quickly became family. We’re more than delighted to have her return. She is joined by a creative team made up of other Globe favorites: scenic designer and associate artist Ralph Funicello, costume designer David Israel Reynoso, lighting designer Austin R. Smith, and composer/ sound designer Mark Bennett. Together this talented group conjures up the biting wit and theatrical brilliance that are the hallmarks of Shaw’s work, ensuring Shaw’s place as a hallmark of The Old Globe for years to come.

Enjoy the show!

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS

BRIAN AND SILVIJA DEVINE MISTER A’S For Brian and Silvija Devine, supporting the performing arts is a lifelong The Old Globe would like to thank Bertrand and Denise Hug and Mister A’s restaurant for their endeavor. Having lived all over the country, their regional theatre history spans continued support and enduring partnership as the theatre celebrates its 80th Anniversary, nationwide and includes San Francisco’s American Conservatory Theater, coinciding with the restaurant’s 50th. To mark these auspicious occasions, Bertrand and Denise ’s Roundabout Theatre Company, and Washington, DC’s Arena are hosting a benefit dinner at Mister A’s, which will raise funds to support the Globe’s artistic and Stage, where they saw The Great White Hope with and Jane education programs. Congratulations to Mister A’s on its many years of the finest service, cuisine, Alexander before its Broadway debut. Shortly after moving to in and views in San Diego, and here’s to another 50 years together! 1990, the Devines became involved with San Diego Repertory Theatre, , and The Old Globe, where Silvija joined the Board of Directors in 2012. In addition to theatre, Brian and Silvija ardently support live music of all genres at organizations like La Jolla Music Society, on whose Board Silvija HM ELECTRONICS, INC. also serves, as well as multiple charities for education. With Brian as Chairman HM Electronics, Inc. (HME) has supported The Old Globe since 2003, donating in excess of of the Board at Petco, the Devines are also strong advocates for animal welfare $535,000 in innovative communication technology for each of the Globe’s three theatres. HME’s organizations, including the San Diego Humane Society and SPCA. groundbreaking wireless intercom systems have quickly become the industry standard among broadcast and entertainment professionals around the world. In 2010, HME acquired Clear-Com®, the global leader in analog and digital cabled intercoms, and today companies around the world depend on HME for clear, reliable, and scalable communication solutions for live performance venues. HME/Clear-Com’s generous gift of communications equipment has enabled the Globe’s JOAN AND IRWIN JACOBS production staff to rely on state-of-the-art wireless and wired communications, and The Old Joan and Irwin Jacobs have been enthusiastic supporters and loyal subscribers Globe applauds HME for their ongoing philanthropy and generosity to the arts in San Diego. of The Old Globe for more than 20 years, during which time the theatre and San Diego communities have greatly benefited from their generosity and involvement. Previous Globe productions sponsored by Joan and Irwin include Othello, Hershey Felder as George Gershwin Alone, Macbeth, Resurrection Blues, EXTRAORDINARY LEADERSHIP Smash, , Avenue Q, The Merry Wives of Windsor, , Golda’s Balcony, Amadeus, Inherit the Wind, and Rosencrantz and Guildenstern are Dead. Since the founding of The Old Globe in 1935, heroic leadership has The following individuals and organizations, recognized for their The couple is active philanthropically throughout the San Diego community, made the theatre a cultural icon in San Diego and a forerunner in tremendous cumulative giving, comprise a special group of friends supporting numerous organizations that include University of California, the American theatre. Many individuals have paved that way and who have played leading “behind-the-scenes” roles, helping create the San Diego (with a $75 million gift to build the new Jacobs Medical Center), enabled the theatre’s extraordinary success, and the Globe would productions on the three stages, programs in the community, and our the new Central Library, Museum of Contemporary Art San Diego, San Diego like to recognize and honor its most generous and committed influence beyond this region. Symphony, La Jolla Playhouse, Museum of Photographic Arts, New Children’s philanthropists who have helped make that possible. Museum, and San Diego Food Bank. — $25 million and higher — Donald* and Darlene Shiley

— $11 million and higher — Conrad Prebys | San Diego Commission for Arts and Culture DARLENE MARCOS SHILEY — $8 million and higher — A longtime friend of both Craig Noel and Jack O’Brien, Darlene Shiley, along Karen and Donald Cohn | Sheryl and Harvey White with her late husband Donald, has been a dedicated supporter of The Old Globe

for more than three decades. The Shileys’ lead gift of $20 million to the Globe’s — $7 million and higher — Capital and Endowment Campaign marked the largest individual contribution Kathryn Hattox in the Globe’s history. The couple served as charter members when the Season Sponsorship program was founded in 1995, and they have underwritten many — $3 million and higher — subsequent productions. The Shileys’ generosity has helped fund many Globe Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego projects, including the Shiley Artist-in-Residence program, the Shiley Terrace Apartments—which provide much-needed local housing for Globe artists— — $2 million and higher — and an endowment that underwrites two full scholarships in the Old Globe/ The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation

EDUARDO CONTRERAS / U-T SAN DIEGO University of San Diego Graduate Theatre Program. Darlene continues to serve — $1 million and higher — as leading underwriter of the annual Globe Gala, and in honor of their enduring The Lipinsky Family The Kresge Foundation J. and Mary Clark* support, the stage of the was named the Donald and Darlene Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm Foundation Shiley Stage. California Cultural & Historical Endowment National Endowment for the Arts Bank of America Stephen & Mary Birch Foundation, Inc. Helen Edison* Mary Beth Adderley Jeannie and Arthur Rivkin Estate of Beatrice Lynds* Anonymous Wells Fargo Victor H.* and Jane Ottenstein *In Memoriam

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic Season Sponsors ($60,000 and higher) and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is pleased to acknowledge the following Season Sponsors who have generously supported the 2014-2015 season.

Leading Season Sponsors ($75,000 and higher)

JOAN AND IRWIN JACOBS VALERIE AND HARRY COOPER GILLIAN AND TONY THORNLEY Sponsors since 2002 Sponsors since 2005 Sponsors since 2009 U-T SAN DIEGO EDUARDO CONTRERAS / T CHARLES ERICKSON KAREN AND DONALD COHN DARLENE MARCOS SHILEY GLOBE GUILDERS AUDREY S. GEISEL Charter Sponsors since 1995 In memory of Donald Shiley Charter Sponsor since 1995 Sponsor since 1998 Charter Sponsor since 1995 JUNE E. YODER PAM FARR AND BUFORD ALEXANDER BRIAN AND SILVIJA DEVINE Sponsor since 2010 Sponsors since 2011 Sponsors since 2012

KATHRYN HATTOX SHERYL AND HARVEY WHITE CONRAD PREBYS AND MARY BETH ADDERLEY Sponsor since 1998 Sponsors since 2000 DEBRA TURNER Sponsor since 2004 GLORIA RASMUSSEN RHONA AND RICK THOMPSON HAL AND PAM FUSON Sponsors since 2004 Sponsor since 2012 Sponsors since 2013 Sponsors since 2013

Charter Sponsor since 1995

JOAN MARCUSJOAN VICKI AND CARL ZEIGER Sponsor since 2007 SUSAN AND JOHN MAJOR PETER COOPER AND EDGERTON FOUNDATION ELAINE AND DAVE DARWIN PAULA AND BRIAN POWERS Sponsors since 2014 Sponsors since 2014 NORMAN BLACHFORD Sponsor since 2008 Sponsors since 2011 Sponsors since 2012 Sponsors since 2008 Leading Production Sponsors ($50,000 and higher)

Sponsor since 2000 JIM COX DIANE AND JOHN BEROL ELAINE LIPINSKY JEAN AND GARY SHEKHTER ANN DAVIES Charter Sponsor since 1995 Sponsors since 1996 FAMILY FOUNDATION Sponsors since 2014 Sponsor since 2013 Sponsor since 2012

Photo for Globe Guilders: Tanya Thai McBride and Amy Kim Waschke in the McCarter Theatre Center production ofThe White Snake, 2015; For additional information on how you may become a Season Sponsor, please contact for Edgerton Foundation: Carmen Cusack as Alice Murphy and Wayne Alan Wilcox as Jimmy Ray Dobbs in the world premiere of , 2014; Todd Schultz, Director of Development, at (619) 231-1941 x2310. for Diane and John Berol: the cast of A Midsummer Night’s Dream, 2013. 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS THE PLAY Welcome to the Globe! 60th anniversary of the Globe Guilders in their support of the Globe and their 25th Annual Fashion Show, Celebrating Couture 2015. Love and war. Honor and deception. FROM THE Idealism and reality. Shaw’s “anti- Your philanthropy makes a difference. We ask you to invest in the romantic comedy” delights from the Globe and help San Diego’s largest not-for-profit performing arts ARTISTIC moment a weary soldier climbs into organization close the 41% funding gap between the total cost of the balcony window of a flighty young producing each show and earned income from ticket sales. We are DIRECTOR woman and inspires changes in her grateful to our audiences and supporters for everything you do, entire world. Globe favorite George including purchasing tickets, attending performances, and spreading Theatre lore overflows with wonderful war and perhaps we never will—but plenty Bernard Shaw upends conventional wisdom and makes us examine the word about our productions and other programs with your stories of historic opening nights. One of of playwrights who’ve decried war in works our assumptions anew in this witty play that has delighted audiences friends. And we are grateful for your adventurous and open-minded my favorites is about the opening of Arms of the past, today merely molder on library since its 1894 premiere. Director Jessica Stone and her fabulous spirit, which encourages us to produce the best in entertaining and and the Man. The towering Irish poet William shelves. Not Shaw. He’s too alive, too much team of designers promise to transport us to another world whose rewarding theatre. Butler Yeats, a friend of Shaw’s, was at the fun, and the twinkle in his eye is too bright. issues still resonate today. performance, and he reported that during And so we turn to him again and again. Thank you for being here, and for being part of the Globe family. the curtain call one audience member sat As your Globe Board Chair and a firm believer in the transformative scowling while everyone else cheered wildly. If this theatre has majored in Shakespeare, powers of the arts, I am pleased to represent and support this Shaw took the stage for the customary then it has minored in Shaw. The Globe has amazing institution. We are grateful to the Production Sponsors, playwright’s bow, pointed to the sullen man, done many of his plays over the years, some Brian and Silvija Devine, Joan and Irwin Jacobs, Darlene Marcos and said, “I assure the gentleman in the repeatedly. Yet we’ve not heard from the Shiley, HM Electronics, Inc., and Mister A’s restaurant, as well as our Elaine Bennett Darwin gallery that he and I are of exactly the same “chocolate cream soldier” and the eccentric Artist Sponsors, Nikki and Ben Clay. We would also like to salute the Chair, Board of Directors opinion, but what can we do against a whole Petkoff family since 1976. One reason we house who are of the contrary opinion?” now break that dry spell is that we have found BOARD OF DIRECTORS a director with a true passion for this play. Elaine Bennett Darwin* Vicki L. Zeiger* Ann Davies* That story—and I really want to believe Jessica Stone is becoming a family member CHAIR INCOMING CHAIR VICE CHAIR, EDUCATION that it’s authentic—captures everything at the Globe. Her production last season of Peter J. Cooper* Anthony S. Thornley* Harvey P. White* I love about Shaw. He was supremely Vanya and Sonia and Masha and Spike was VICE CHAIR, NOMINATING TREASURER SECRETARY witty, preternaturally articulate, ironic, simply splendid, and it demonstrated that DIRECTORS Sue Sanderson HONORARY DIRECTORS EMERITUS DIRECTORS unsentimental, and memorably hilarious. He unique concatenation of hilarity and acid Mary Beth Adderley Harold W. Fuson, Jr.* Crystal Sargent Mrs. Richard C. Adams Garet B. Clark subtitled this play, his first real commercial that might best be described by the adjective Elizabeth Altman Jack Galloway Marguerite Sargis (1912–2005) J. Dallas Clark (1913–2005) success, “An Anti-Romantic Comedy in “Shavian.” She understands this play and its Terry Atkinson Victor P. Gálvez Jean Shekhter Clair Burgener (1921-2006) Bea Epsten Three Acts,” and the phrase sums him up: people in a deep and special way, and she Marla Black Kathryn Hattox* Ann Steck* Mrs. John H. Fox Sally Furay, R.S.C.J. anti-romantic. Raina’s gauzy dreams about leads a team and runs a room with a kindness Pamela Cesak Patricia A. Hodgkin Steven J. Stuckey (1908–2003) (1926-2015) Nicole A. Clay * Daphne H. Jameson Daniel L. Sullivan, Ph.D. Audrey S. Geisel Bernard Lipinsky soldierly heroism and Sergius’s pompous and generosity that I very much admire. I’m Joseph J. Cohen Jo Ann Kilty Karen Tanz Paul Harter (1914-2001) pronouncements about honor and glory very happy to have her here. Donald L. Cohn* Sheila Lipinsky Rhona Thompson Gordon Luce (1925-2006) Delza Martin (1915–2005) are easy targets, of course, and writers with Valerie S. Cooper* Keven Lippert Evelyn Mack Truitt Dolly Poet (1921-2007) Darlene Marcos Shiley lesser gifts than Shaw’s have demolished And I’m very happy to continue the Globe’s Silvija Devine Ramin Pourteymour Debra Turner Deborah Szekely Patsy Shumway such worldviews in plays, poetry, and prose. devotion to a writer I revere, and a thinker Elizabeth Dewberry Paula Powers* Stacey LeVasseur Vasquez Hon. Pete Wilson Carolyn Yorston-Wellcome But Shaw’s distinction is that he uniquely whose work is funny, serious, scintillating, Stephen P. Embry* Conrad Prebys* Jordine Von Wantoch manages to be astringently unsentimental important, and all the best things. We’re Pamela A. Farr Tim Rafalovich Pamela J. Wagner *Executive Committee Member and aridly ironic while being at the same determined to do right by him, and I hope Karen Fox Adam Ratner Lynne Wheeler time flat-out funny. Even as he ridicules his you will agree that we have. Robert Foxworth Sandra Redman Karin Winner* characters’ attitudes and pieties he somehow ASSOCIATE ARTISTS OF THE OLD GLOBE maintains a giant affection for them, and Thanks for coming. Enjoy the show. so do we. There’s a deep warmth in Shaw, In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in especially in this beguiling play. There’s acknowledging as Associate Artists the following individuals who have repeatedly demonstrated, by their active presence on our stages and an unreserved love of people in all their in our shops, that wherever else they may work, they remain the heart and soul of the Globe. foolishness and misguidedness, and so a William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor stance that looks a lot like misanthropy or Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* cynicism turns out to be anything but. Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt * Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead To be sure, Shaw’s themes remain relevant, Victor Buono* Robert Foxworth Tom Lacy David F. Segal James Winker and that’s a major reason we return to him— Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski we’ve still not learned the wastefulness of Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G. Wood* Eric Christmas* William Roesch Don Sparks A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers *In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 PRESENTS CAST (in alphabetical order)

LOUKA...... Sofiya Akilova* CAPTAIN BLUNTSCHLI...... Zach Appelman* MAJOR SERGIUS SARANOFF...... Enver Gjokaj* NICOLA...... Greg Hildreth* CATHERINE PETKOFF...... Marsha Mason* RUSSIAN SOLDIER ...... Jake Millgard† ARMS AND THE MAN VILLAGE MUSICIAN...... Ernest Sauceda RAINA PETKOFF...... Wrenn Schmidt* MAJOR PAUL PETKOFF...... Conrad John Schuck *

BY STAGE MANAGEMENT GEORGE BERNARD SHAW Production Stage Manager...... Annette Yé* Assistant Stage Manager...... Laura Zingle* Stage Management Intern...... Jenn Jacobs

Ralph Funicello° David Israel Reynoso Austin R. Smith Mark Bennett There will be two 15–minute intermissions. SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN PRODUCTION STAFF Assistant Director...... Gerardo Flores Assistant Scenic Design...... Eileen McCann David Huber Caparelliotis Casting Annette Yé Associate Costume Design...... Charlotte Devaux VOICE AND DIALECT COACH CASTING PRODUCTION STAGE MANAGER Assistant Lighting Design...... Jason Bieber Movement Consultant...... Brian Byrnes

DIRECTED BY JESSICA STONE

*Member of ’ Equity Association, the union of Professional Actors and Stage Managers in the .

°Associate Artist of The Old Globe.

Donald and Darlene Shiley Stage †Student in the Old Globe/University of San Diego Graduate Theatre Program. Old Globe Theatre Conrad Prebys Theatre Center Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. Saturday, May 9 – Sunday, June 14, 2015 If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY SHAKING UP SHAW GEORGE BERNARD SHAW AND Jessica Stone on directing Shaw’s Arms and the Man Interview by Danielle Mages Amato ARMS AND THE MAN By Danielle Mages Amato

“The world gets clearer, more vibrant, and more colorful when one emerges from the dark.” —Jessica Stone

(above and below) Photographs from the first production of Jessica Stone. Arms and the Man, 1894. JIM COX What drew you to this play as a to shake him off my back. He’s very What has been your approach to Born in Dublin in 1856, George Bernard Shaw began his director? controlling, that one. There are pages creating the design for the play? literary career as a music and theatre critic, creating the and pages of stage directions that How has that evolved? persona G.B.S. and launching himself as a well-known I think what strikes me most about he’s written and explanations of each troublemaker, satirist, and proto-pundit. After hearing a the play is how Shaw sends up roman- character’s every move, twitch, and I was inspired by this idea that lecture by American politician Henry George in 1882, Shaw tic comedy while also celebrating it. He inflection. You’d think he hadwritten the world gets clearer, more vibrant, considered himself a confirmed socialist. He quickly became might narrow his eyes at my answer, but the thing, he has so many things to say. and more colorful when one emerges a major player in ’s Fabian Society, dedicating himself any play where the “anti-romantic” hero from the dark as Raina does. Raina to the advancement of the socialist cause in England. Inspired climbs through the heroine’s balcony to I kid. Sort of. doesn’t realize she’s in the dark until by Ibsen’s model of social criticism embodied in drama, he George Bernard Shaw. escape bullets is romantic at its core, she comes face to face with someone turned to playwriting. However, on opening night, Shaw was horrified to discover whether he pokes fun at them or not. Honestly, I think my real challenge as a who is not posturing, not idealizing, that his audience seemed more amused than enlightened. director, and one I used to feel as an and not pretending. I was hesitant Arms and the Man was among Shaw’s earliest plays. (The Afterward, he said, “I had the curious experience of witnessing Shaw subtitles the play “An tackling Shaw as well, is getting over my to foist some abstract concept on title references the first line of Virgil’s epic poem The Aeneid, an apparently insane success…and of going before the curtain Anti-Romantic Comedy.” What does idea of what Shaw is and just getting on the play and make the evening more which begins: “Arms and the man I sing.”) When it premiered to tremendous applause, the only person in the theatre who that mean, from your perspective? with the actual play that’s before me. about me than our chocolate cream in 1894, Arms and the Man was only Shaw’s second production knew that the whole affair was a ghastly failure.” soldier, but Ralph Funicello, David on the London stage. Subtitled “An Anti-Romantic Comedy,” I think Shaw has no problems with Come to think of it, my challenge is Reynoso, Austin Smith, and I are the play both satirizes the popular theatre of the day and Shaw’s concerns notwithstanding, Arms and the Man romance—it’s the idealization of downright Shavian. on a subtle way to bring change, heavily relies on its tropes and techniques. Like many of the has proven to be one of the playwright’s most durable romance that he likes to lampoon. In vibrancy, and color to our world as the military melodramas popular in the late 1800s, Arms and the successes. It introduced his work to New York audiences, this play Shaw makes fun of those in Is there anything Shaw has written play progresses. Man is set against the backdrop of a recent conflict: the 1885 and it has seen numerous London and Broadway revivals love with love, but they still fall in love— about the play—or about his work Serbo-Bulgarian War, a short-lived—and ill-fated—attempt over the last 120 years. hence the “anti-romantic comedy” hook. in general—that you have found Are there particular themes, ideas, by Serbia to counteract Bulgaria’s expansion eastward. But useful? or images from the play that you neither the details of that war nor the play’s Bulgarian setting Have you directed Shaw’s work find particularly resonant today, have any significant impact on the play. As in the melodramas before? Are there particular This Shaw quote was useful: “I see over 130 years later? Shaw satirizes, war serves primarily as color and decoration. challenges that he presents to a plenty of good in the world working director or actors? itself out as fast as the idealists will I think Shaw’s satirical look at the An unabashedly partisan playwright, Shaw always wrote with allow it; and if they would only let idealization of war and romance feels a social and political purpose. He delighted in taking what I have not ever before directed Shaw! it alone and learn to respect reality, very fresh today. He was also very he considered reactionary theatre forms—romantic comedy, I’m a Shavian rookie! I can’t speak which would include the beneficial interested in examining the plight of military melodrama—and using their theatrical power to for all of his work, but certainly in exercise of respecting themselves, and the working classes and exposing upper achieve his ideological ends. In the case of Arms and the Man, this one I’m finding it a challenge incidentally respecting me, we should class hypocrisies, which can still bear that meant puncturing a set of romantic ideals about both all get along much better and faster.” exploration today. love and war that he felt to be damaging and dangerous. 10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY ILLUSTRATING WITH FABRIC David Israel Reynoso on his creative process and developing the costume design for Arms and the Man

Interview by Danielle Mages Amato

“Money doesn’t always buy style. It can buy clothes, but it’s how you wear them that really makes the difference.” —David Israel Reynoso

Costume designer David Reynoso drew inspiration from many sources for his Arms and the Man design. (Opposite page) candied violets, (above) Dior dress by John Galliano, (center) Grand Duchess Feodorovna, 1897, (right) Raina Petkoff costume rendering, 2015.

David Israel Reynoso.

on we see Sergius, our returning hero, in his parade uniform. Could you describe your process? At one point, Jessica brought in some What other research did the design And we see the disparity between the two. Where did you start when it came to images of chocolates that had candied require? Arms and the Man? violets on them, just because she liked Were there specific things that the costumes for Arms the color composition. That turned For Louka and Nicola, we studied a lot of and the Man needed to achieve? It begins with the script. You begin by my mind to gardens and flowers, and I Bulgarian embroidery and motifs that reading the words on the page, writing looked at a lot of couture gowns, things translated into their clothes. And we Well, first and foremost, the show is a comedy. That doesn’t down your own notes and impressions that had really beautiful floral patterns. did a lot of research on Balkan military mean that you need to have circus colors on stage, but there of the script, imagining in your head uniforms in the 1880s. In terms of what is a degree of stylization in the look of the show. And we’ve At The Old Globe, I worked on Time and the Conways—set in what you think it looks like. Then you You looked at contemporary couture Sergius is wearing, in particular, the set up throughlines for certain characters. For Raina and early-20th-century England—and Water by the Spoonful— talk with the director and the rest of the dresses? colors we’ve chosen are slightly shifted Louka, especially, there’s a kind of blossoming of color, from set in modern-day Philadelphia—at the exact same time. team involved with the process. You ask from what the actual military uniform something more subdued in Act I to a vibrant, beautiful color Sometimes I’d have costume fittings for the two shows back- questions like: What is the play about? Yes. A lot of couture designers—John would have been, but the visual lines that’s extremely saturated in Act III. to-back. They were both very satisfying projects to work on. Why do we think it’s relevant now? Galliano, Alexander McQueen, Naeem and the silhouette of that uniform And yes, Time and the Conways had a lot of beautiful sequins What things are we inspired by these Khan—end up taking historical shapes were definitely our launching point. I How is it a different challenge to costume a period show and embroidery on all those gowns that the women got to days that might be visually appropriate and riffing on them in incredibly find military uniforms so fascinating, rather than a contemporary show? Do you enjoy one wear. But the unadorned and often humble costumes of Water to help us tell the story? interesting ways. Looking at what because throughout history—and even over the other? by the Spoonful were just as considered and just as carefully they’re doing is really useful—taking today—you’ve got a divide between the put together. On this show we used technology to our a contemporary perspective and then combat uniform, which lends itself more I don’t think I have a preference for one over the other—there advantage: director Jessica Stone and I going backward in time. So I took those toward utility, and the parade uniform, might be a period show that isn’t as interesting to explore, and It ultimately goes back to making sure you are supporting the had a mutual Pinterest board where we ideas and translated them into an 1880s which tends to be this really embellished, there might be a contemporary piece that’s incredibly visually story. As a designer, you are a three-dimensional illustrator. assembled all kinds of images—things silhouette. We actually ended up having heightened piece of clothing that has rich. Despite the fact that one actor might get a really flashy My job is to make sure I’m helping to tell the story on a visual that were true to the period and specific some fabric digitally printed with a nothing to do with combat. It’s a very costume, while another gets a costume that seems more quiet, level. It’s important to let the audience know where we are to the show, and also just things that floral print to use for Raina’s dress in Act romanticized, beautiful look at what it they all require just as much attention. It’s easy to assume that in time, who these characters are in relation to that time were strictly about color or silhouette. II. The whole idea started with Jessica’s means to be a soldier. And that contrast because someone is wearing a t-shirt and jeans, that must period, their socioeconomic status, and what they think of Anything is fair game at that point in image of the chocolates, and we just really lends itself to this play. Our first have been so easy to put on, but you don’t think about all the themselves. Because money doesn’t always buy style. It can the process. rolled with it. And what that’s turned soldier, Bluntschli, we see in the ravages t-shirts and all the jeans that were tried out in order to find certainly buy clothes, but it’s how you wear them that really into, I think, is a very exciting dress. of his combat uniform, and then later just the right ones to tell just the right story. makes the difference. 12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS SOFIYA AKILOVA Taking Chance with Kevin Bacon (HBO), JAKE MILLGARD ( Theatre Club). Ms. Schmidt of work including more than 50 plays. Stratford , Royal (Louka) is delighted to Overture Films’ Stone with Robert De (Russian Soldier) recent- has worked extensively in television Some of his better known plays include Shakespeare Company, Theatre Royal be making her Globe de- Niro, and the Showtime pilot “Filthy Gor- ly appeared in the Old on HBO’s “” as Julia (1903), Bath, Opera, LA Opera, but! She hails from New geous” opposite Isabella Rosselini. Born Globe/University of San Sagorsky, CBS’s “Person of Interest” as (1905), Pygmalion (1912)—which would and San Diego Opera. He currently holds York City, where she and raised in Northern California, Mr. Diego Graduate Theatre Dr. Iris Campbell, and FX’s “The Ameri- later be turned into the musical My Fair the position of Powell Chair in Set Design recently completed her Gjokaj currently resides in Los Angeles. Program productions of cans” as KGB handler Kate, among oth- Lady—and (1923). By the at San Diego State University. M.F.A. at New York Uni- Pericles, Prince of Tyre, ers. Her film work includes Preservation time of his death in 1950, Mr. Shaw had versity Graduate Acting. GREG HILDRETH Trelawny of the ‘Wells’, (Tribeca Film Festival), , received world fame unprecedented for a DAVID ISRAEL REYNOSO Her recent theatre credits include The (Nicola) has appeared and, most recently, Clybourne Park. His Client 9, and How to Follow Strangers. Her literary figure and was hailed by worship- (Costume Design) recently designed Fairytale Lives of Russian Girls (Yale Rep- on Broadway in Rodg- New York credits include Sex and Vio- upcoming work includes Sony Pictures’ I ers as one of the greatest playwrights in the Globe’s productions of Water by the ertory Theatre), A Bicycle Country, Trip- ers + Hammerstein’s lence, On Campus, and Remembering Kim- Saw the Light opposite the English language. Spoonful, Time and the Conways, Double olitania, and Becoming Sylvia (William- Cinderella, Peter and the berly. His regional credits include Dracula and ’s newest series, “Outcast,” Indemnity, and Be a Good Little Widow. stown Theatre Festival), and The Cherry Starcatcher, and Bloody and A Christmas Carol (Actors Theatre created by of “The Walk- JESSICA STONE Mr. Reynoso is the -winning Orchard and Edward Bond’s Restoration Bloody Andrew Jackson. of Louisville), (Northern ing Dead”. Ms. Schmidt graduated from (Director) recently made her Globe debut costume designer of the Off Broadway (NYU Grad Acting). Her recent film and His Off Broadway cred- Stage), and Art, The Odd Couple, and Lips South Carolina Governor’s School for the directing Christopher Durang’s Vanya hit Sleep No More (Punchdrunk/Emur- television credits include Listen Up Philip, its include Peter and the Starcatcher (New Together, Teeth Apart (Mount Baker The- Arts and Humanities, followed by Mead- and Sonia and Masha and Spike. She has sive), and he is also a Award “TURN: Washington’s Spies” (AMC), “Al- York Theatre Workshop) andBloody atre’s Summer Repertory Theatre), and ows Southern Methodist University, worked as an actress on and Off Broad- nominee for Healing Wars (). pha House” (Amazon), and “” Bloody Andrew Jackson (The Public The- he went on tour with From the Mixed-Up where she received her B.F.A. way, and in television and film, for the He is also recognized locally for his de- (NBC). ater). Mr. Hildreth has worked regionally Files of Mrs. Basil E. Frankweiler. He also last 20 years. Her Broadway credits in- signs of The Darrell Hammond Project, at Paper Mill Playhouse, La Jolla Play- appeared in the premiere of The Open CONRAD JOHN clude Anything Goes, Butley, The Odd Cou- Kingdom City, and the DNA New Work ZACH APPELMAN house, , William- Road Anthology (Humana Festival of New SCHUCK ple, The Smell of the Kill, Design for Living, Series presentation of Chasing the Song (Captain Bluntschli) is stown Theatre Festival, and Huntington American Plays). Some of his television (Major Paul Petkoff) this How to Succeed in Business Without Re- (La Jolla Playhouse). His other work in- particularly thrilled to Theatre Company. His film and television and film credits include “Grimm,” Pud- year celebrates his 52nd ally Trying, and . Her Off Broadway cludes Futurity, Cabaret, The Snow Queen, be making his Globe de- credits include Wall Street: Money Never ding Face, Placebo, and Frank and Barry. year working as an actor. credits include Crimes of the Heart, Krisit, Alice vs. Wonderland, Trojan Barbie, Co- but, as it is where he saw Sleeps, “,” “Royal Pains,” He began his career in The Country Club, June Moon, Tenderloin, penhagen, No Man’s Land, Hamletmachine, his first Shakespeare “Kings,” and “Last Week Tonight with ERNEST SAUCEDA regional theatres from and Babes in Arms. She has performed Ajax in Iraq, and Abigail’s Party (American play at the age of nine. John Oliver.” Mr. Hildreth received a (Village Musician) is ex- Cleveland to San Fran- in regional theatres across the country Repertory Theater), The Comedy of Er- Mr. Appelman recently B.F.A. in Acting from University cited to make his Globe cisco. He is best known as Lt. Enright including Huntington Theatre Company, rors and Othello (Commonwealth Shake- starred in the title roles in (Hart- and the London Academy of Music and debut in Arms and the from “McMillan & Wife” starring Rock Mark Taper Forum, Geva Theatre, Mc- speare Company), The Woman in Black ford Stage) and (Folger Theatre), Dramatic Art. Man. A San Antonio Hudson. Broadway knows him as Daddy Carter Theatre Center, and 10 seasons (Gloucester Stage Company), and Dead as well as Demetrius in ’s native, Mr. Sauceda Warbucks in Annie or Buffalo Bill in Annie at Williamstown Theatre Festival. Con- Man’s Cell Phone (The Lyric Stage Com- production of A Midsummer Night’s MARSHA MASON has performed at ven- Get Your Gun starring Reba McEntire. He currently, she was an assistant/associate pany). Mr. Reynoso is also the recipient Dream (Theatre for a New Audience). His (Catherine Petkoff) re- ues such as the White appeared with Reba again in the Carnegie director on and Off Broadway to Nicholas of the Elliot Norton Award, a Craig Noel other stage credits include War Horse turns to The Old Globe, House, Hollywood Bowl, and The Ken- Hall concert of South Pacific. Most recent- Martin, Joe Mantello, David Warren, and Award nomination, and multiple IRNE (Broadway), ( where she was previous- nedy Center. His most recent roles in- ly he played in Nice Work If You Can Get It Christopher Ashley. Ms. Stone’s direct- and BroadwayWorld Award nominations. Shakespeare Theater),Arcadia, Death of ly seen in , clude Indio in West Side Story, Universal with Matthew Broderick. Off Broadway ing career began in earnest with her 2010 davidreynoso.com. a Salesman, and The Winter’s Tale(Chau - directed by Jack O’Brien. Studios Japan, Dollywood, the Fiddler saw him in The Exonerated, The Streets of production of A Funny Thing Happened on tauqua Theater Company), andKing Lear She received Academy in Fiddler on the Roof, Ritchie Valens in New York, and, at Playwrights Horizons, the Way to the Forum for the Williamstown AUSTIN R. SMITH and (Shakespeare Santa Award nominations for The Buddy Holly Story, and the premiere We the People. In London he played oppo- Theatre Festival’s Main Stage, a produc- (Lighting Design) is a New York City- Cruz). Mr. Appelman can be seen in the The Goodbye Girl, Cinderella Liberty, Only of Jonah at Sight & Sound Theatres. His site Charlton Heston in The Caine Mutiny. tion that was met with critical acclaim. based lighting designer working in the- current season of “Beauty and the Beast” When I Laugh, and Chapter Two, and two violin training includes study with Dr. Moviegoers have enjoyed Mr. Schuck in Her directing credits now include Absurd atre, dance, opera, live music, and the and will be seen in an upcoming untitled Golden Globe Awards. Her television Michael Twomey and Angela Caporale. many movies from MASH, as Painless, to Person Singular (Two River Theater Com- intersection thereof. Previously at The feature film from director Joshua Mar- credits include “Frasier” (Emmy Award He has been a semifinalist in the Kings- ’s The Curse of the Jade Scor- pany), June Moon and ’s Last Old Globe he designed The Royale and ston. His previous television and film nomination), Life with Judy Garland: Me ville International Strings Competition pion. His recent television appearances of the Red Hot Lovers (Williamstown), and Anna Christie. His other selected credits credits include “Homeland,” “Sleepy Hol- and My Shadows, a featured role on ABC’s and was a featured violin young artist at include “Law & Order,” “Law & Order: Charlotte’s Web (TheatreworksUSA). She include RoosevElvis (the TEAM), Queen low,” “Black Box,” “Law & Order: Special hit “The Middle,” and a recent guest star- the Cactus Pear Music Festival at age 17. Special Victims Unit,” and “NYPD Blue.” currently lives in with her hus- of the Night, When January Feels Like Victims Unit,” and Kill Your Darlings. Mr. ring role on “Madam Secretary.” Ms. Mr. Sauceda has also been a Top 5 Final- Mr. Schuck is married to the well-known band and two sons. Summer (The Ensemble Studio Theatre), Appelman holds a B.F.A. from UC Santa Mason’s numerous Broadway starring ist for the Best Male Performer Award artist Harrison Houlé. Together they Charles Ives Take Me Home and Massacre Barbara and an M.F.A. from Yale Univer- roles include Impressionism with Jeremy through the International Association of have three sons, six grandchildren, and RALPH FUNICELLO (Rattlestick Playwrights Theater), Stand- sity School of Drama. Irons, Steel Magnolias, The Night of the Amusement Parks and Attractions. He is an eclectic menagerie of friends. (Scenic Design) is an Associate Artist of Up Tragedy (site-specific), Jesus in India Iguana, The Good Doctor, King Richard III, actively performing as a singer/dancer, The Old Globe and has designed the sets (Ma-Yi Theater Company), Regina Spe- ENVER GJOKAJ and Cactus Flower, and her Off Broadway as well as a studio violinist. GEORGE BERNARD SHAW for over 80 productions for the compa- ktor’s What We Saw from the Cheap Seats (Major Sergius Saranoff) roles include I Never Sang for My Father, (Playwright) is the second-most pro- ny including the recent productions of (world tour), Futurity (American Reper- just completed the first A Feminine Ending, Wintertime, Amazing WRENN SCHMIDT duced playwright in Globe history, fol- Quartet, Water by the Spoonful, and the tory Theater), Sleep No More (New York season of the Marvel Grace, and Old Times. Regionally, Ms. (Raina Petkoff) began lowing only William Shakespeare. Mr. Summer Shakespeare Festivals 2004- City), and Three Pianos (American Rep- series “” for Mason starred in All’s Well That Ends Well, her acting career under Shaw was born in Dublin on July 26, 2013. Elsewhere, Mr. Funicello has de- ertory Theater, New York Theatre Work- ABC. He is also known A Doll’s House, You Can’t Take It with You, Tony Award-winning di- 1856 and immigrated to London in 1878. signed scenery on and Off Broadway and shop, Ontological-Hysteric Theater; Obie for his transformational The Crucible, Cyrano de Bergerac, Hecuba, rector Anthony Page in His first significant attempt at literature for many theatres across the country and Award). His upcoming projects include work as Victor on Joss The Tale of the Allergist’s Wife, and Death- national was as a novelist; he produced five nov- abroad, including Theater, Theatre for One with Christine Jones, Whedon’s science fiction fantasy series trap. She directed Neil Simon’s Chapter tour of Who’s Afraid of els between 1879 and 1888. Eventu- , American Con- Anne Washburn’s adaptation of Iphigenia “.” His recent films include Two at Bucks County Playhouse last Virginia Woolf? with ally he turned to criticism: first art and servatory Theater, A Contemporary The- in Aulis, and national/international tours Would You Rather with Brittany Snow and year. She has performed in The Prisoner and . Her New music (enough to fill volumes) and later atre, Mark Taper Forum, Arizona Theatre for RoosevElvis. AustinRSmith.com. Marvel’s The Avengers. Mr. Gjokaj studied of Second Avenue in London and written York theatre credits include The Master theatre. Mr. Shaw’s theatre criticism was Company, Seattle Repertory Theatre, at UC Berkeley before earning an M.F.A. her memoir, Journey: A Personal Odys- Builder opposite (Brooklyn particularly significant for pointing the Berkeley Repertory Theatre, Milwaukee MARK BENNETT in Acting from . sey. For 20 years she was a biodynamic Academy of Music), the world premieres way to a theatre he himself would soon Repertory Theater, Denver Center The- (Original Music and Sound Design) pre- Shortly after graduating, he appeared farmer in New Mexico and has a line of of Be a Good Little Widow (Ars Nova) and create: a theatre of paradox and wit, one atre Company, The Shakespeare Theatre viously worked on the Globe produc- on stage in Mark Lamos’s production organic herbal body products, Resting in Jailbait (’s Cherry that sought engagement with the world Company, , South Coast tions of Twelfth Night directed by Jack of As You Like It (New York Shakespeare the River. Ms. Mason is proud to serve as Pit), Eugene O’Neill’s Beyond the Horizon and contemporary issues rather than Repertory, Oregon Shakespeare Festival, O’Brien, Golda’s Balcony directed by Scott Festival) and in The Cherry Orchard with a member of the Nomina- (), and the Broad- escape from them. As a playwright, Mr. Williamstown Theatre Festival, Hunting- Schwartz, Pygmalion directed by Nicholas . His early roles also included tion Committee. way production of Come Back, Little Sheba Shaw turned out an impressive body ton Theatre Company, Intiman Theatre, Martin, and Vanya and Sonia and Masha 14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS and Spike directed by Jessica Stone. His ler If Ya Hear Me, Casa Valentina, The Snow the works of Shakespeare to diverse com- earned his B.F.A. degree in Stage Manage- Ernie Pyle Theatre in Tokyo. Described by recent Broadway scores include Macbeth, Geese, Lyle Kessler’s Orphans, The Trip to munities throughout San Diego County. ment from Webster University in St. Lou- Variety as the éminence grise of San Diego Vanya and Sonia and Masha and Spike, Bountiful, Grace, Dead Accounts, The Other As Director of the Shakespeare Initia- is, Missouri, and his M.F.A. in Performing theatre, Mr. Noel is one of the few San Driving Miss Daisy, The Coast of Utopia Place, Seminar, The Columnist, Stick Fly, tive at The Public Theater (2008-2012), Arts Management from Brooklyn Col- Diegans to have had an entire year (1987) Free (2007 for Outstand- Good People, Bengal Tiger at the Baghdad Edelstein oversaw all of the company’s lege of the City University of New York. proclaimed in his honor, and to be named ing Music in a Play), Henry IV, Golda’s Bal- Zoo, , Fences, Lend Shakespearean productions, as well as its one of San Diego’s “Living Treasures.” He cony, and The Goat, among others. His Off Me a Tenor, and The Royal Family. They extensive educational, community out- JACK O’BRIEN was a founder of the California Theatre screenings Broadway credits include An Iliad (Obie also cast for Manhattan Theatre Club, reach, and artist-training programs. At (Artistic Director Emeritus) served as Council and a former vice president of Award), Mad Forest, and My Children! My Second Stage Theatre, Atlantic Theater The Public, he staged the world premiere the Artistic Director of The Old Globe the California Confederation of the Arts. of four of the Africa! (New York Theatre Workshop) Company, LCT3, Ars Nova, Goodman of The Twenty-seventh Man; Julius Cae- from 1981 through 2007. Mr. O’Brien His numerous honors include the San and eight scores for The Public Theater’s Theatre, Arena Stage, Ford’s Theatre, and sar; The Merchant of Venice;Shakespeare’s directed the 2014 Broadway revival of Diego Union-Tribune list of 25 persons best Shakespeare Shakespeare in the Park. His La Jolla three seasons with Williamstown Theatre ; and ’s WASP It’s Only a Play starring F. Murray Abra- who shaped the city’s history; the Gov- Playhouse scores include A Midsummer Festival. Their recent film and television and Other Plays. He was also Associate ham, Matthew Broderick, , ernor’s Award for the Arts; University of films ever made. Night’s Dream directed by Christopher credits include HairBrained with Bren- Producer of The Public’s Broadway pro- Stockard Channing, and Megan Mullally. Arizona Alumni Association’s Outstand- Ashley (Craig Noel Award), An Iliad (Craig dan Fraser, “Odyssey” (upcoming, NBC duction of The Merchant of Venice starring His Broadway credits also include: Mac- ing Citizen, for his contribution to their Noel Award), and, as composer and co- series), “How to Get Away with Murder” Al Pacino. From 1998-2003 he was Artis- beth with Ethan Hawke, The Nance, Dead Fine Arts department; San Diego State In celebration of lyricist, the musical Most Wanted. He was (ABC pilot), “Ironside” (NBC), and Steel tic Director of Classic Stage Company. Accounts, Catch Me If You Can, Impression- University’s Outstanding Alumnus; Con- composer for Sam Mendes’s The Bridge Magnolias (Sony for Lifetime). Edelstein’s other Shakespearean direc- ism, The Coast of Utopia (Tony Award), servator of American Arts Award from ’s Project, 2009-2012 (Brooklyn Academy torial credits include The Winter’s Tale Dr. Seuss’ How the Grinch Stole Christmas!, American Conservatory Theater; the San of Music, ) and Barry Edel- ANNETTE YÉ at Classic Stage Company; As You Like It Dirty Rotten Scoundrels (Tony nomina- Diego Press Club Headliner Award; San Centennial and stien’s As You Like It (Williamstown The- (Production Stage Manager) served as starring Gwyneth Paltrow, and Richard III tion), Henry IV (Tony Award), Hairspray Diego Gentleman of Distinc­tion Award; atre Festival). He received the 1998 Obie stage manager for The Old Globe’s The starring John Turturro. Additional cred- (Tony Award), Imaginary Friends, The and a combined tribute from the Public the Globe’s 80th Award for Sustained Excellence in Sound Royale, Quartet, Vanya and Sonia and Ma- its include the Award-win- Invention of Love (Tony nomination, Dra- Arts Advisory Council and the San Diego Design, 1998 Bessie Award, Ovation sha and Spike, The Few, Pygmalion, God ning revival of Arthur Miller’s All My Sons; ma Desk Award), The Full Monty (Tony County Board of Supervisors. Mr. Noel Anniversary Award, American Theatre Wing Award, of Carnage, Anna Christie, Groundswell, the world premiere of Steve Martin’s The nomination), More to Love, Getting Away was particularly proud of the following and 14 Drama Desk Award nominations. and the 2010 production of Dr. Seuss’ Underpants, which he commissioned; and with Murder, Pride’s Crossing, The Little three honors representing edu­cation and How the Grinch Stole Christmas! Her oth- Molière’s The Misanthrope starring Uma Foxes, Hapgood (Lucille Lortel Award, theatre: Honorary Doctorate of Humane Admission is free. DAVID HUBER er Globe credits include A Gentleman’s Thurman in her stage debut. Edelstein Best Director), , Two Shake- Letters, University of San Diego; Hon- Subscribers get early access (Vocal Coach) most recently worked Guide to Love and Murder, Dr. Seuss’ How has taught Shakespearean acting at The orary Doctorate in Fine Arts, San Diego spearean Actors (Tony nomination), Por- through May 24. on last year’s Globe productions of The the Grinch Stole Christmas! (2011-2014), Juilliard School, NYU’s Graduate Acting gy and Bess (Tony Award). Metropolitan State University; and the annual Awards Royale, Bright Star, and The Two Gentle- Boeing-Boeing, , Opus, Program, and the University of Southern Opera: Il Trittico. London: Love Never for Excellence in Theatre named in his men of Verona. His other previous Globe Dancing in the Dark, Hay Fever, and the California. His book Thinking Shakespeare Dies, Hairspray (Olivier nomination). honor by the San Diego Theatre Critics Tickets become available to the credits include The Winter’s Tale directed Summer Shakespeare Festivals 2008 and is the standard text on American Shake- National Theatre:His Girl Friday. Six Circle. In 2007, he received the Nation- general public May 26. by Jack O’Brien, The Tempest, The Two 2010-2013. spearean acting. He is also the author of movies for PBS’s “American Playhouse.” al Medal of Arts—the nation’s highest Gentlemen of Verona, and The Merchant Bardisms: Shakespeare for All Occasions. honor for artistic excellence—in a cer- Awards: 2008 Theatre Hall of Fame You may reserve as many tickets as of Venice, among several others. He has LAURA ZINGLE Inductee, 2005 John Houseman Award, emony at the White House. Craig Noel studied voice with Master Linklater Voice (Assistant Stage Manager) is thrilled to MICHAEL G. MURPHY ArtServe Michigan 2008 International died on April 3, 2010 at the age of 94. in your most recent season package. teacher David Smukler, Eric Armstrong, be back at The Old Globe after recently (Managing Director) served as General Achievement Award, Honorary Doctor- Seating is by General Admission. and Kate Burke. He is a graduate of the working on Dr. Seuss’ How the Grinch Stole Manager of The Old Globe from 2003 to ate, University of Michigan. Honorary Graduate Voice Teacher Diploma Pro- Christmas! (2014). Her La Jolla Playhouse 2012, overseeing the Production, Edu- Doctor of Humane Letters, University of gram at York University in Toronto. His credits include The Grift, Kingdom City, El cation, Human Resources, Information San Diego. Film (actor): Sex and the City 2. CASTING regional theatre credits include Actors Henry, Kamchatka (Without Walls Festi- Technology, and Facilities Departments, Jack Be Nimble: The Accidental Education CAPARELLIOTIS CASTING Henry V (1944) Theatre of Louisville, Cincinnati Play- val), His Girl Friday, and Hands on a Hard- as well as Front of House operations. He of an Unintentional Director, his memoir David Caparelliotis, CSA June 29, 8:15 p.m. house in the Park, The Repertory Theatre body. At San Diego Repertory Theatre also managed the construction of the about the early years of his career, was Lauren Port, CSA of St. Louis, Pittsburgh Playhouse, PCPA she was production stage manager of De- Globe’s new theatre and education facili- released in the summer of 2013 by Far- Theaterfest, Texas Shakespeare Festival, troit. Her other regional credits include a ties. Prior to the Globe, he was the Man- rar, Straus and Giroux. Chimes at Center REP Theatre, Centennial Theater workshop of different words for the same aging Director of Austin Lyric Opera in Festival, and Mo’olelo Performing Arts thing (Center Theatre Group), AFI Fest Austin, Texas; Director of Administra- CRAIG NOEL Midnight (1965) Company. Mr. Huber is currently on fac- 2013, Spoleto Festival USA, Opera NEO, tion of San Diego Opera; and General SPECIAL THANKS (Founding Director) was born on August High Society Tailoring July 13, 7:00 p.m. ulty at Grossmont College and has been and Palomar College Dance. Ms. Zingle is Manager of San Diego Repertory Theatre. 25, 1915, and in 2015 The Old Globe cele- a faculty member at MiraCosta College the production manager and stage man- Before relocating to San Diego from New brates the 100th birthday of this theatre in the Actor’s Academy for the last two ager of San Diego Gay Men’s Chorus. She York, he held similar positions at The- legend who was instrumental in cultivat- years. He is also a graduate of the Old has an M.F.A. in Stage Management from atre for a New Audience and the Joyce ing the San Diego arts community. Noel This theatre operates under an agreement Much Ado About Globe/USD M.F.A. Program. UC San Diego and is a proud member of Theater Foundation’s American Theater was first appointed director in 1939, between the League of Resident Theatres AEA. Exchange. He also served as negotiating directing 15 productions prior to World and Actors’ Equity Association, the union of Nothing (2012) CAPARELLIOTIS CASTING assistant for the League of Resident The- professional actors and stage managers in the War II. Since then he directed more than United States. August 3, 7:00 p.m. (Casting) recently cast the Globe pro- BARRY EDELSTEIN atres and sales representative for Colum- 200 plays of all styles and periods and ductions of Rich Girl, Buyer & Cellar, The (Artistic Director) is a stage director, pro- bia Artists Theatricals Corporation. produced an additional 270 productions. White Snake, The Twenty-seventh Man, ducer, author, and educator. Widely rec- Mr. Murphy serves on the Board of Direc- His vision for The Old Globe resulted in The Directors are members of the Society Dr. Seuss’ How the Grinch Stole Christ- ognized as one of the leading American of Stage Directors and Choreographers, tors of the National Alliance of Musical the establishment of the Shakespeare an independent national labor union. West Side Story mas!, The Royale, Vanya and Sonia and authorities on the works of Shakespeare, Theatre, the National Corporate Theatre Festival and the San Diego Junior The- (1961) Masha and Spike, Water by the Spoonful, he has directed nearly half of the Bard’s Fund, and the Balboa Park Cultural Part- atre in the late ’40s, the expansion to two Time and the Conways, Bethany, The Win- plays. His Globe directing credits include nership and serves as a Management theatres in the ’50s, Globe Educational This Theatre operates under an Agreement August 24, 8:00 p.m. ter’s Tale, The Few, Double Indemnity, The The Winter’s Tale; Othello; and the West Trustee for San Diego County Theatri- with the International Alliance of Theatrical Tours in the ’70s, and Teatro Meta and Stage Employees Local No. 122. Rainmaker, , Be a Good Coast premiere of novelist Nathan Eng- cal Trusts, the pension and welfare trust the Old Globe/University of San Diego Little Widow, A Doll’s House, The Brothers lander’s play The Twenty-seventh Man. for IATSE stagehands in the San Diego Graduate Theatre Program in the ’80s. Size, Pygmalion, and Good People. Their He also directed All’s Well That Ends Well region. He was also an adjunct facul- During the 1940s, Mr. Noel served as (619) 23-GLOBE (234-5623) Broadway casting credits include Fish in The Scenic, Costume, Lighting and Sound as the inaugural production of Globe for ty member of the Music Department at dialogue director for the 20th Century www.TheOldGlobe.org the Dark, It’s Only a Play, Disgraced, Hol- All, a new producing platform that tours Designers in LORT Theatres are represented by the University of San Diego. Mr. Murphy Fox Studios and was the director of the United Scenic Artists Local USA-829, IATSE.

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 EDUCATION 80 YEARS IN THE THEATRE A LOOK BACK: GOING PRO

As Balboa Park celebrates its centennial in 2015, The Old Globe also AND IN THE SCHOOLS marks a major milestone: our 80th Anniversary. Throughout the year, our programs will feature articles and photo essays looking back over eight decades of Globe history.

In the 1950s and 1960s, The Old Globe went through a series of major changes that would mark its transition from a be- loved community institution to a nationally renowned profes- sional theatre. The first came in 1953 with director Craig Noel’s landmark production of Mister Roberts. Thomas Heggen and Joshua Logan’s Broadway hit evoked life on a Navy cargo ship during WWII. San Diego was a Navy town, and Noel jumped at the opportunity to stage the show. He held auditions at The Old Globe’s Free Student Matinee program has inspired To that end, we create in-school workshops that serve as a military bases across the county, assembling a final cast that tens of thousands of students and their teachers for over a pathway to understanding our art form and the specific shows included many active-duty Navy personnel. Several roles were decade. Students emerge from our theatres filled with new that the students will see. Just like our Insights Seminars, double-cast to accommodate the servicemen’s other duties. ideas, new thoughts, and new outlooks. Their worldviews Post-Show Forums, Subject Matters, and In Conversation may shift. Their dreams may get bigger. Their visions of their events serve our adult ticket-buyers, our in-school workshops The show was a smash. It ran for 13 weeks, and attendance futures may change in of one or two hours in a reach our student audiences. exceeded 27,000. In a 1985 interview with Beth Mohr, theatre. Craig Noel recalled, “The success of Mister Roberts was the A few days before students come to the theatre, our Teaching turning point in the history of the theatre. We cleared Theatre, from its very beginnings in ancient cultures, has Artists visit each class to deliver highly participatory $70,000—more money than we had ever had at one time… always served as a way to teach, comment, communicate, and experiences that teach directly about the shows. Students The Globe was never, ever again in danger of going under expand our thinking. It entertains us and makes our minds speak lines from the plays, create improvisational scenes or fearing it would be unable to produce a next season.” Henry Zeiba (center) in the title role of Mister Roberts, 1953. work at the same time. It is ancient and new. It changes and that align with the plots, consider themes that relate to their stays the same. It embraces our sensibilities and pushes own lives and experiences, and grapple with ideas that may The theatre built on that phenomenal success. In 1959, the our beliefs. It surprises us and comforts us. It awakens our differ from their own. They see images of costumes, scenic summer Shakespeare productions began to use professional humanity. designs, and actors from the shows and learn about how actors, members of the Actors’ Equity Association. For nearly the designers and directors come together to tell a story. By 25 years, the theatre operated as a professional company in Here in the Globe’s Education Department, we know that learning about the show ahead of time, they can ignore the the summer, with a winter season produced by the communi- students are touched and strengthened by the experience distraction of what, for many, is a new experience of attending ty theatre organization—a practice that continued until 1982. of seeing our plays. We believe in the power of our art and live theatre. They become informed audiences who can take in we believe in young people. We also believe that we have a the fullness of the spectacle of the performance with deeper The theatre grew in other ways responsibility to explore our art with them, to provide them understanding. as well. As early as 1950, the a full and rich experience of theatre when they come to see Globe began staging produc- our shows. We take our responsibility to these students seriously and, tions outside of its main the- though the shows and workshops are given freely to them, atre space. Falstaff Tavern, they repay us with their unbridled enthusiasm and their originally a restaurant, was thoughtful reflections on the shows. We see our productions used throughout the 1950s as through their eyes and are changed and pushed and surprised a second stage. In the 1960s, and awakened by their way of seeing and understanding. bleacher-style seats were ar- ranged around a central stage in the Tavern, and in 1969, the Cassius Carter Centre Stage officially opened. (In 2009 the Carter was replaced by a new state-of-the art theatre, the Sheryl and Harvey White Stephen Joyce and Joyce Ebert Theatre.) And a third stage in Romeo and Juliet, directed by was just over the horizon… Craig Noel auditioning servicemen for Mister Roberts, 1953. Allen Fletcher, 1959.

For more information, contact our Education Department at [email protected].

18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 OUR THANKS JOIN THE CRAIG ARTIST SPONSORS NOEL LEAGUE NIKKI AND BEN CLAY FOR MARSHA MASON and Ensure the Globe’s Future Nikki and Ben Clay are proud to sponsor four-time The Old Globe gratefully acknowledges the generous Academy Award nominee Marsha Mason, playing Arms’ support of Las Patronas, a philanthropic organization with Your Legacy Gift Today! Catherine Petkoff. Passionate about San Diego and ac- that has enhanced the quality of life in the community tive countywide, Nikki and Ben co-founded the govern- for decades. Founded in 1946, Las Patronas has donated ment and community relations firm Carpi & Clay with more than $17 You are invited to join the Craig Noel League, an association of Globe patrons who offices in Washington, DC, Sacramento, and San Diego. million to over understand the importance of a strong endowment and believe that their testamentary While Nikki ran the 1,000 non-profit gifts ensure the Theatre’s future stability. These gifts are vital to The Old Globe’s San Diego office, Ben organizations artistic and programming excellence and allow the Globe to create great theatre for CRAIG NOEL, 1957. led Sacramento. Now, throughout San generations to come. League members receive benefits and recognition opportunities Nikki provides strategic Diego County and are invited to events that feature actors, directors, and other Globe artists. counsel for Clay Com- in the areas of pany and sits on mul- health, educa- “We recently joined the Craig Noel League because we want to leave tiple boards, including tion, social ser- a legacy gift to The Old Globe and help ensure its future. We’ve been the Globe and the San Saturday, August 8, 2015 vices, and cultural coming to the Globe for decades with our theatre group for both Diego State University La Jolla Beach & Tennis Club arts. This year, summer and winter seasons and love being part of the Globe family. Campanile Foundation. The Old Globe We hold the theatre very close to our hearts.” — Robert and Pamela Brooks Ben is a current Board will be a major member and past Presi- beneficiary of the 69th annual Las Patronas Jewel Ball, dent of the San Diego one of San Diego’s most enduring social, cultural, and Include The Old Globe in Symphony and is active philanthropic traditions. Marsha Mason. with San Diego Rotary. your estate plan, and join us For more information, please visit www.laspatronas.org. Bright Star’s Stephen Lee Anderson and Craig Noel League as we celebrate the theatre’s members Pamela and Robert Brooks. 80th Anniversary in 2015! YOUR SEAT AWAITS YOU... CRAIG NOEL LEAGUE MEMBERS Anonymous (20) Darlene Gould Davies Grace Johnston Ronald J. Newell Jeanette Stevens Bobbie Ball Mrs. Philip H. Dickinson* Gladys H. King Greg & Polly Noel Peter Stovin & Marilyn Johns Diana Barliant* Doug Druley & Becky Young Marilyn Kneeland PACEM (Pacific Academy of Miriam Summ When you attend either Twelfth Night or The Comedy of Mr. & Mrs. Jan Bart Bernard J. Eggertsen & Jean & David Laing Ecclesiastical Music) Eric Leighton Swenson Errors in the Lowell Davies Festival Theatre this summer, Nancine Belfiore Florence Nemkov James & Janice LaGrone Sarah B. Marsh-Rebelo & Anne C. Taubman you will immediately notice new comfortable seating in our Lowell Davies Alan Benaroya Dr. & Mrs. Robert Epsten Dr. Ronald & John Rebelo Randy Tidmore beloved outdoor theatre. Barbara Bolt Frank A. Frye, III Mrs. Ruth W. Leonardi Esther Rodriguez Cherie Halladay Tirschwell Nancy Brock Hal & Pam Fuson Jerry Lester Foundation Bruce Sherman Evelyn Mack Truitt Thirty years ago, when the Davies Theatre was re-built after a fire, generous San Diegans helped fund the new facility, Robert and Pamela Brooks Mr. Alan Gary & Robin J. Lipman Darlene Marcos Shiley Ginny Unanue and their names are emblazed to this day upon many seats. The replacement of these decades-old seats, however, was Ronald Brown Ms. Joanee Udelf Heather Manion Patsy & Forrest* Shumway Jordine Von Wantoch an expensive endeavor, costing the Globe more than $120,000. Again, many generous San Diegans stepped forward Dr. & Mrs. Edgar D. Canada Nancy Reed Gibson Judith Menzel B. Sy & Ruth Ann Silver Merle Wahl* with support, including Las Patronas, which raised funds to cover half of these costs. Sandra & Harry Carter Robert Gleason & Marc Matys Chris & Jill Metcalf Dee E. Silver, M.D. Peggy Ann Wallace Garet & Wendy Clark Marcy Goldstone Paul I. & Margaret W. Meyer Stephen M. Silverman Holly J. B. Ward Today a few seats remain where your name can be memorialized. Joseph J. Cohen & Carol & Don Green Steve Miller Roberta Simpson Sarah Woodruff Watkins Martha P. Farish Betsy Hamblin Shirley Mulcahy Jen Sisskind Joy & Stephen Weiss Bernard* & June Harland Laurie Dale Munday Dolores & Rod Smith We ask you to consider a $5,000 seat-naming gift to “fund a seat” in the Lowell Davies Festival Theatre. If your gift is R. Patrick & Sharon Connell Sheryl & Harvey P. White Kathryn Hattox Stanley Nadel & Cecilia Carrick Marisa SorBello & received prior to June 5, your plaque can be installed before the first Shakespeare performance. Plus, we will invite you Jane Cowgill Mrs. Jack Galen Whitney Gigi Cramer David & Debbie Hawkins Alice B. Nesnow Peter Czipott to an onstage reception later this summer. Julie Meier Wright Patricia W. Crigler, Ph.D., Jill Denison Holmes Harvey* & Marsha Netzer John & Cindy Sorensen Carolyn Yorston-Wellcome CAPT, USN (Ret.) Craig & Mary Hunter Arthur & Marilyn Neumann Nancy A. Spector & Carlos & Patricia Cuellar Alan R. Spector *In Memoriam For further information or to support this campaign, please contact Keely Tidrow at (619) 231-1941 x2309 or [email protected]. To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Associate Director of Development, at (619) 231-1941 x2312 or [email protected]. 20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 OUR THANKS OPENING NIGHT: MURDER FOR TWO TRAVEL WITH and THE TWENTY-SEVENTH MAN THE OLD GLOBE TO ENGLAND THIS FALL The Old Globe celebrated the openings of its first productions of 2015: the musical comedy Murder for Two opened on Join fellow theatre-lovers on a tour of England January 29, and the powerful play The Twenty-seventh Man this October, an experience that will take you opened on February 19. The festivities began with pre-show to London, Bath, and Stratford-upon-Avon! dinners for Circle Patron donors, Board members, sponsors, and members of the artistic teams.

LONDON: • Roundtrip Air from San Diego • 5 Nights First-Class Hotel • 3 Theatre Productions • Daily Breakfast and Two Dinners 3. • Afternoon Tea and Theatre Talk • Cabinet War Rooms 1. 2. • Westminster Abbey • and National Theatre Tours • Hampton Court • Guided Walking Tours

BATH: • 2 Nights First-Class Hotel Participants in 2013’s Theatre Tour to England. • Coach Tour of the West Country • Salisbury Cathedral • A Theatre Royal Bath Production • Daily Breakfast 4. 5. • One Dinner and One Lunch • Roman Baths and Costume Museum Tours Murder for Two • Bath Abbey and Walking Tours 1. Brian and Jill Roth (of Season Sponsor United) with Tina and • Jane Austen Reading in Georgian Home Tom Gilmore. 2. Hans Tegebo and Pam Wagner*. STRATFORD-UPON-AVON: 3. Lynne* and Steve Wheeler (center) with the show’s stars, • 2 Nights First-Class Hotel Joe Kinosian and Ian Lowe. • Coach Tour of the Cotswolds 6. 4. William and Nancy Homeyer (center) with The Twenty-seventh • A Royal Shakespeare Company Production Man actors Robert Dorfman and Ron Orbach at the opening night • Royal Shakespeare Company Theatre Backstage Tour for Murder for Two. • Daily Breakfast • One Dinner and One Lunch • Blenheim Palace Tour The Twenty-seventh Man • Stratford’s Historic Sites 5. Actor , Leading Production Sponsor Kamaya Jane, • Theatre Talk Artistic Director Barry Edelstein, Leading Production Sponsor • Walking Tour 7. Diane Zeps, and playwright Nathan Englander. $ 5,295 6. Leading Production Sponsors Jean* and Gary Shekhter (center) Cost is $5,295 per person (double occupancy), per person based on doubled with their daughters, Sarah and Morgan Shekhter. occupancy plus applicable airtax plus applicable air tax and fuel charges and fuel charges of approx $595. 7. Season sponsors Elaine* and Dave Darwin (left and right) with of approximately $595. playwright Nathan Englander. 8. Arthur and Sandra Levinson with Hilit and The 2015 Spring Tour to New York sold out – make Artistic Director Barry Edelstein. your reservation for the 2015 Fall London Tour today! *Board member. Contact The Old Globe at (619) 231-1941 x2317 8. or [email protected]. 22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 OUR THANKS WHAT THE GLOBE MEANS TO US CIRCLE PATRON MEMBERSHIP

ADD TO YOUR GLOBE EXPERIENCE “Getting to know our M.F.A. students is one of the many joys of Globe involvement. It is an exceptionally Circle Patrons are vital supporters of The Old Globe. When you join the Circle Patron family of donors, dedicated, energetic, talented, and delightful group.” Their gifts allow the theatre to produce a wide array you will embark on a new level of theatrical of productions and offer essential education and enjoyment as you support the Globe’s mission and —Alexa Hirsch, Founder Circle Patron, community programs to participants countywide. partake in a bevy of benefits, such as: Globe Docent, Globe Guilder BOB ROSS BOB (from left) Steve Bjorg and Brigette Krantz with The Twenty-seventh Man cast member Eli Gelb at the opening night for Murder for Two.

“We enjoy the top quality productions and the amazing people we have met through The Old Globe. We feel very fortunate to be a part of this

DOUGLAS GATES wonderful community.” Alexa Hirsch (second from left) and Sally Berry (right) with Old Globe/USD M.F.A. Program candidates Lindsay Brill and Ally Carey at the Globe Guilders Luncheon for DOUGLAS GATES DOUGLAS GATES DOUGLAS GATES M.F.A. students. —Steve Bjorg and Brigette Krantz, Access to Lipinsky Family Suite donor lounge. Invitations to Opening Night Dinners. Valet service along Old Globe Way. “I’ve enjoyed the Globe for many years, and every time I Director Circle Patrons, Globe Guilder walk in it’s still magical. I particularly love and support Craig Noel Circle: $2,500 Founder Circle: $5,000 Director Circle: $10,000 the talented M.F.A. students in our productions.” • Complimentary admission to the Lipinsky All benefits at Craig Noel Circle, plus: All benefits at Founder Circle, plus: Family Suite private donor lounge when • Admission for two to the complimentary • Complimentary Globe valet parking for each —Sally Berry, Gold Level Member, attending Globe performances Founder Circle Dinner in the fall production Globe Guilder • Personal VIP ticketing and subscription • Invitation for two to the Board of Directors • Personal VIP ticketing for productions at services Annual Dinner participating theatres in London • Invitations to Circle Patron events and • Personal VIP ticketing for productions at • Access to Globe facilities for private meetings behind-the-scenes experiences with Globe participating theatres in New York or events “The Old Globe has taken us on an extraordinary journey artists • Voucher for one use of the Globe VIP valet through the world of theatre and the performing arts, • Complimentary admission for two to the parking service and it has given us many special gifts to share with our Opening Night event of your choice family and friends. During our 50 years as part of the Globe experience, we have come to deeply appreciate Exclusive Circle Patron luncheons with Globe Artists: the theatre’s numerous cultural achievements, contributions, and commitment to the arts and BOB ROSS BOB entertainment in the San Diego community and beyond. Barbara Bolt with Bright Star cast members Stephen Lee Anderson (left) and Jeff Hiller (right) and associate music director Anthony DeAngelis at an Bravo to The Old Globe!” onstage reception for Circle Patrons.

—Irene and Buzz Boschken, “I was introduced to theatre and The Old Globe Craig Noel Circle Patrons about 10 years ago, and it has been a love affair ever since. I’ve been on several Globe New York Theatre Tours and look forward to it every year. As a member and officer of the Globe Guilders, I am happy to say that many of the members have become my closest friends. The theatre has become an important part of my life—I love it!” Founder Circle Patrons Jack and Pat Thomas (center) Craig Noel Circle Patron Gigi Cramer (center) with Craig Noel Circle Patrons Harry and Sandra Carter with Kim Martin-Cotten and Max Gordon Moore from Chilina Kennedy, Ken Barnett, and Lisa O’Hare from (left and right) with stage manager Annette Yé and Time and the Conways. A Gentleman’s Guide to Love and Murder. cast member Tyler Lansing Weaks from —Barbara Bolt, Craig Noel Circle Patron, Vanya and Sonia and Masha and Spike. Globe Guilder, Craig Noel League member

To learn more about the Globe’s Circle Patron program, call Major Gifts Officers Keely Tidrow or Rachel Plummer DOUGLAS GATES Buzz and Irene Boschken (left) with guests Carole and Richard Kennedy at the in the Development Department at (619) 231-1941. opening night of Bright Star.

24 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 25 OUR THANKS The Role of the CORPORATE PARTNERS Giving Back to San Diego BOARD OF DIRECTORS More than 30 years ago, The Old Globe began its first relationships In return, the Globe provides benefits, recognition and services to in the business community. Since then, these partnerships have connect the company, its clients and employees with the Theatre. Not-for-profit organizations like The Old benefited the Theatre and San Diego, through Board leadership and The goal is not only to thank these partners but also to provide them Globe are integral to our community and expertise, technical assistance, in-kind gifts, and, of course, financial with tools they can use as ambassadors for the Theatre within their provide countless services and programs support. Today the Corporate Partners are led by a group of Board own networks in San Diego. for children and adults of all ages. By members, who value The Old Globe and what it offers to San Diegans definition, not-for-profit organizations and the larger American Theatre. depend upon the financial support, advocacy and volunteerism of their patrons to meet their established goals, and rely greatly on a dedicated Board of

Directors for leadership and governance. DOUGLAS GATES

You have likely seen the names of range planning. These functions are leadership that helped lift the Globe to the Globe’s Board of Directors many carried out through regular meetings a place of local and national prominence. times but you may not be aware of the full Board and its committees. In The Globe’s Board continues this legacy that these individuals are generous addition, ad-hoc committees are formed through personal advocacy by extending donors and volunteers themselves, who as needed, such as the Artistic Director our reach, engaging neighbors, friends provide their invaluable time and talent Search Committee. and community, and by forging new in service of the mission established relationships and partnerships. 1. 2. by the Globe’s founders. The Globe’s Equally vital, Board members serve Board currently consists of 52 members, as advocates for the Theatre, not We are grateful to the Globe’s Board of representing a broad range of community only enhancing the organization’s Directors for shepherding this great leaders, educators, businesses and public image, but strengthening our institution, the largest performing arts family affiliations. In addition to their connection with the communities each organization in San Diego and the sixth- own generous financial support, Board Board member represents. One of the largest regional theatre in the nation. members provide countless hours many reasons for the Globe’s 80 years of

of guidance over fiduciary matters, success and achievement comes from the Photo: Board members Elaine Darwin (Chair), Karen institutional policy, legal concerns, spirit of collaboration set forth by Craig Fox, Vicki Zeiger (Incoming Chair), and Elizabeth administrative management, and long- Noel, who greatly valued the volunteer Dewberry.

3. 4. 5. Save the Date! Monday, August 17, 2015

Corporate partnerships begin with an annual commitment of $3,000 and range up Remembering Craig Noel—A 100th Birthday Anniversary Celebration to sponsorship levels and higher, with a myriad of benefits and activities along the Corporate Leaders Serving way, including: on the Board of Directors of Join us to celebrate the great legacy of Craig Noel as Globe Associate Artists, MFA students, and others present The Old Globe memories of Craig including scenes from some of the most beloved plays he directed at The Old Globe. · Client entertainment · Networking opportunities Bank of America · Hosted corporate events · Recognition and marketing Barney & Barney LLC · Employee benefits and recognition · VIP valet parking California Bank & Trust · VIP ticket services …and much more City National Bank · Access to special events with artists First American Trust KPMG LLP Photo Captions: 1. KPMG LLP Managing Director Beth Altman and family at KPMG’s yearly PricewaterhouseCoopers LLP (From left): and Craig Noel; Craig at a Globe rehearsal; Craig peeking from behind curtain; Craig and Globe fire-produced wreckage; Craig and Marion Ross; Craig and George W. Bush. Grinch holiday event at the Globe. 2. Show sponsor Bank of America’s executives with Qualcomm Foundation students prior to a free matinee of Dr. Seuss’ How the Grinch Stole Christmas! 3. Corporate SDG&E Sponsor recognition for Higgs Fletcher Mack at an event entertaining clients and employees Sheraton San Diego Hotel & Marina “Can you think of anyone who’s had as much fun as I have? I’ve gotten to play with toys prior to a performance of The Grinch. 4. Corporate Sponsor recognition at The Old Globe. Torrey Pines Bank 5. Maxwell Technology employees celebrate their annual Inventor Awards Night. Union Bank my whole life in a beautiful park, surrounded by beautiful people, and I’ve US Bank For more information about a Corporate Partnership, contact ViaSat gotten paid for it. Who could ask for more?” –Craig Noel Bridget Cantu Wear, Associate Director of Development, Wells Fargo at (619) 231-1941 x2312 or [email protected]. 26 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 27 OUR THANKS CORPORATE DONORS ANNUAL FUND DONORS

Lead Season Sponsors ($75,000 or more) Season Sponsors ($60,000 - $74,999) The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) Mary Beth Adderley Audrey S. Geisel/Dr. Seuss Fund at Paula & Brian Powers Anonymous The San Diego Foundation Conrad Prebys & Debra Turner City of San Diego Commission for Arts & Culture Globe Guilders Qualcomm Foundation Karen & Donald Cohn Kathryn & John Hattox Darlene Marcos Shiley, in memory of Donald Shiley Elaine & Dave Darwin The James Irvine Foundation The Shubert Foundation Edgerton Foundation Microsoft Sheryl & Harvey White Foundation

Season Sponsors ($60,000 to $99,999) Production Sponsors (30,000 - $59,999) The Legler Benbough Foundation Hal & Pam Fuson Gillian & Tony Thornley Peter Cooper & Norman Blachford Joan & Irwin Jacobs Fund of the United Valerie & Harry Cooper Jewish Community Foundation Wells Fargo Ann Davies Gloria Rasmussen June E. Yoder Pamela Farr & Buford Alexander Rhona & Rick Thompson Vicki & Carl Zeiger

Production Sponsors ($30,000 to $59,999) Artist Circle (20,000 - $29,999) Alan Benaroya HM Electronics, Inc. Jean & Gary Shekhter Diane & John Berol The Hull Family Ms. Jeanette Stevens California Bank & Trust Las Patronas S. Mark Taper Foundation The County of San Diego Elaine Lipinsky Family Foundation Evelyn Mack Truitt Mr. & Mrs. Brian K. Devine Jeffrey & Sheila Lipinsky Family Foundation U.S. Bank Nina & Robert Doede National Corporate Theatre Fund Viterbi Family Fund of the Jewish Hervey Family Non-endowment Fund Patrons of the Prado Community Foundation at The San Diego Foundation The Prado at Balboa Park Pamela J. Wagner Leonard Hirsch, in memory of Elaine Hirsch Price Philanthropies Foundation

Artist Circle ($20,000 to $29,999)

National Corporate Theatre Fund is a not-for‑profit created to increase Bank of America Holland America Line San Diego Gas & Electric Director Circle ($15,000 - $19,999) and strengthen support from the business community for this country's most Pamela & Jerry Cesak Hyatt Regency La Jolla at Aventine Sheraton San Diego Hotel & Marina distinguished professional theatres. The following donors support these theatres Nikki & Ben Clay Jo Ann Kilty Torrey Pines Bank through their contributions to NCTF: Joseph Cohen & Martha Farish The Lodge at Torrey Pines Union Bank Elizabeth Dewberry Neiman Marcus Jordine Skoff Von Wantoch Buford Alexander & Jonathan Maurer & Gretchen Shugart Higgs, Fletcher & Mack, LLP The Kenneth T. & Eileen Norris Foundation Mandell Weiss Charitable Trust Pamela Farr McGraw Hill Financial Random House Children’s Books Dr. Steve & Lynne Wheeler American Express MetLife Bank of America Morgan Stanley The San Diego Foundation (This grant was made possible by the Ariel W. Coggeshall Fund of the San Diego Foundation Malin Burnham Center for Civic Engagement) BNY Mellon Lisa Orberg Bloomberg Frank Orlowski Steven Bunson Pfizer, Inc. Director Circle ($10,000 to $19,999) Christopher Campbell/ RBC Wealth Management Terry Atkinson Karen Fox Tom & Lisa Pierce Palace Production Center Roe Green Foundation Cisco Systems, Inc. The Schloss Family Foundation Melissa Garfield Bartell & Michael Bartell Diana R. Glimm Peggy & Peter Preuss Citi Skadden, Arps, Slate, Meagher Jane Smisor Bastien Lee & Frank Goldberg Allison & Robert Price ($10,000 - $14,999) CMT/ABC & Flom LLC Richard & Kathy Binford Dr. & Mrs. Harry F. Hixson, Jr. Rivkin Family Fund I at Paula Dominick George S. Smith, Jr. ResMed Foundation Dorsey & Whitney Foundation Southwest Airlines Bjorg Family Daphne H. & James D. Jameson The San Diego Foundation Edgerton Foundation Stoddard Family Foundation California County Superintendents Barbara G. Kjos Mickey Stern Epiq Systems Theatermania.com/ Gretchen Shugart Educational Services Association Brooke & Dan Koehler Karen & Stuart Tanz Founder Circle ($5,000 - $9,999) Ernst & Young Douglas & Janet True The Anthony Cerami & Anne Dunne Carol & George Lattimer Carol & Larry Veit Mister A’s GEN7 Wines Ford Foundation The James S. and Lynne P. Turley Ernst Alan & Jennifer Freedman & Young Fund for Impact Creativity Foundation for World Health Susan & John Major Karin Winner Loma Media Maxwell Technologies Priscilla & Keith Geeslin James S. Turley Carlo & Nadine Daleo National Endowment for the Arts Brent Woods & Laurie Mitchell Ruth E. Gitlin UBS Goldman, Sachs & Co. Pamela J. Wagner Dan & Phyllis Epstein Caroline & Nicolas Nierenberg Craig Noel Circle ($2,500 - $4,999) The Hearst Foundations Wells Fargo LG&E and KU Energy White & Case LLP Cubic Corporation Marsh & McLennan Companies Willkie Farr & Gallagher FOUNDER CIRCLE R. Patrick & Sharon Connell Drs. Thomas H. & J. Robert & Glady H. King ($5,000 to $9,999) Bernard J. Eggertsen & Jane D. Gawronski Family Trust PUBLIC SUPPORT Anonymous Florence Nemkov Norm Hapke & Regina Kurtz, in fond memory of Joan & Jeremy Berg Marion Eggertsen Valerie Jacobs Hapke Al Isenberg Jay Biskupski & Catherine Imrie Barbara & Dick Enberg Gordon & Phyllis Harris Peter Landin & Michelle Cardinal Major funding provided by the City of San Diego Commission for Arts and Culture. Barbara Bloom Dr. & Mrs. Robert Epsten Liz & Gary Helming Levinson Family Fund of the The Old Globe is funded by the County of San Diego. Carol & Jeff Chang Arlene & Richard Esgate Alexa Kirkwood Hirsch Jewish Community Foundation Barbara Charlton Carol Spielman-Ewan & Joel Ewan Jerri-Ann & Gary Jacobs Peter Manes & Yoko Sakaguchi Colwell Family Distributable Fund Susanna & Michael Flaster William Karatz Paul & Maggie Meyer at The San Diego Foundation Money/Arenz Foundation, Inc. 28 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 29 OUR THANKS Michael G. Murphy Patrick Harrison & Eleanor Lynch The Patricia and Christopher Robert & Doris Reed Bruce & Jane Hopkins Drs. Betty Joan Maly & In Memory of Margaret Peninger Kathleen Steele Bernard Paul Philip & Kathy Henry Weil Family Foundation Bernard Reiter Fund of the Stephanie & Carl Hurst John Meyers James & Judy Queenan Ronald & Susan Styn Matthew & Judith Pollack Rhonda Heth & Thomas Mabie Shirli Fabri Weiss and Sons Jewish Community Foundation Joseph & Donna Hynes Rev. Stephen J. Mather Robert Reid Clifford & Kay Sweet Chrissy & Roger Roberts Bill & Nancy Homeyer James E. & Kathryn A. Whistler Michael Robertson & Dale Johnston Mrs. Susan Inot Ronald McCaskill & Robyn Rogers Stuart & Linda Robinson John & Gail Tauscher Patricia K. Shumway Gary & Carrie Huckell Fund at The San Diego Foundation Esther Rodriguez Steven & Barbara Jaffe Mr. & Mrs. William M. McKenzie Rowling Family Charitable Fund Doris Trauner, M.D. & Beth & Kevin Smith Hutcheson Family Fund at Nowell Wisch The Ralph B. Rogers Foundation Ed & Linda Janon Dr. & Mrs. Paul E. Michelson of the Jewish Community Richard Stanford Herb Solomon & Elaine Galinson The San Diego Foundation Ellen & Tim Zinn Crystal Ann Rubin Tony & Nancy Janus Ursula & Hans Moede Foundation Mr. & Mrs. Jeffrey C. Truesdell Iris & Matthew Strauss Drs. Sonia & Andy Israel Ryan Family Charitable Foundation Dr. & Mrs. Clyde W. Jones Dr. Robert & Anne Morrison Mr. & Mrs. Todd Ruth Natalie C. Venezia & Paul A. Sager Pat & Jack Thomas Pat JaCoby DIAMOND San Diego Branch of LABS, Inc./Silvia Dreyfuss Charles & Susan Muha Frank Ruyak & Denise Graham Kathy & Jim Waring Cherie Halladay Tirschwell Mary & Russell Johnson ($1,500 to $2,499) The English-Speaking Union Michael & Katherine Lee Shirley Mulcahy Susan & Haddon Salt Dennis & Carol Wilson Carol Vassiliadis Jackie Johnston Jeff & Donna Applestein Jay & Julie Sarno Sherry & Rick Levin Darrell Netherton Brigid Hom-Schnapp & Cass Witkowski Family Mary Kay West Katleman Family Fund of the Gary & Barbara Blake Family Fund Marilies Schoepflin, Ph.D. Lois & Larry Lewis Jan Newmark Russell Schnapp Joseph & Mary Witztum Jim & Mary Jane Wiesler Jewish Community Foundation of the Jewish Community Robert & Lisa Shaw Mack Lewis & Kate Herring Evy & Ed Newton Paul Searby Brendan M. & Kaye I. Wynne Pamela & Marty Wygod Dr. Gerald & Barbara Kent Foundation Alan & Esther Siman Marshall & Judy Lewis Fund of the Rod & Barbara Orth Linda J. Seifert Edythe Kenton Mary-Kay Butler Mr. William D. Smith & Jewish Community Foundation Dr. David & Elizabeth Ostrander Tim & Luci Serlet *In Memoriam CRAIG NOEL CIRCLE Ken & Sheryl King Gay and Lesbian Fund for San Diego Dr. Carol Harter Edward & Nancy Lyon Phil & Pam Palisoul Ms. Lari Sheehan ($2,500 to $4,999) Webster & Helen Kinnaird at The San Diego Foundation John & Margery Swanson Carl Maguire & Margaret Sheehan Lori Partrick Beverly & Howard Silldorf This list current as of Dr. & Mrs. Wayne Akeson Sherry & Larry Kline Dr. & Mrs. M. Joseph McGreevy Casey & Julie Tibbitts Sally & Luis Maizel Julius J. Pearl Fund at Norman & Judith Solomon April 3, 2015. Lawrence G. Alldredge & Jane & Ray* Klofkorn Judith & Neil* Morgan Tim & Judy Tillyer The San Diego Foundation Don Stanziano & Michael Sikich Dawn Moore Curt & Nancy Koch The Musser Family Brenda & Robert Tomaras In Memory of Freda Altschuler & Rosalie Kostanzer & Michael Keefe The Arthur & Jeanette Pratt Stan & Anita Ulrich Sylvia Goldin Bob & Laura Kyle Memorial Fund Karen Walker Anonymous (7) Jean & David Laing John & Josette Rekettye Sandy Wichelecki & Judith Bachner & Eric Lasley Terry & Mary Lehr Dr. Sara Rosenthal & Suzanne Dukes Jan & Rich Baldwin Ronald & Ruth W. Leonardi Dr. Julie Prazich Howard & Christy Zatkin PATRON INFORMATION Bobbie Ball James & Pamela Lester Ryde Family Memorial Foundation Jan Bart Paul Levin at The San Diego Foundation GOLD Mr. & Mrs. Bear Robin J. Lipman Dave & Phyllis Snyder ($500 to $999) TICKET SERVICES HOURS SEATING OF LATECOMERS Charlotte & Charles Bird Barbara & Mathew Loonin Jack & Louise Strecker Howard E. Abrams Monday: Closed Although we understand parking is often at a premium, the seating of Paul Black Carlos Malamud Greta & Steve Treadgold Mrs. Marilyn Adams Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alternative Steve & Elizabeth Bluhm Dr. Robert & Marcia Malkus Judith Wenker George Amerault, Jr. Barbara Bolt Jackie & Charlie Mann Anonymous (4) Hours subject to change. Please call ahead. seating and will be seated at an appropriate interval. Dr. Herman & Irene H. Boschken Lois I. Marriott PLATINUM Earl Asbury PHONE (619) 23-GLOBE (234-5623) Bea & Bill Briggs Dr. Ted & Marcy Mazer ($1,000 to $1,499) Alicia Atun & Elaine Rendon* FAX (619) 231-6752 YOUNG CHILDREN Anita Busquets & William Ladd Elizabeth & Edward McIntyre Anonymous The Backman Family Dr. & Mrs. Edgar D. Canada Elizabeth B. Meyer David A. & Jill Wien Badger Bruce & Patricia Becker EMAIL [email protected] or [email protected] Children under five years of age will not be admitted to performances. Edward & Pamela Carnot Dr. Howard & Barbara Milstein Sondra & Robert Berk Fund of the Amnon & Lee Ben-Yehuda WEBSITE www.TheOldGlobe.org Cecilia Carrick & Stan Nadel Akiko Charlene Morimoto & Jewish Community Foundation Sally & John Berry ELECTRONIC DEVICES AND CAMERAS Harry & Sandra Carter Hubert Frank Hamilton, Jr. Mrs. Lazare F. Bernhard Bob & Joyce Blumberg George & Ellen Casey Nancy & James Mullen Chortek Family Fund of the Deb & Brand Brickman ADMINISTRATION HOURS The video and/or audio recording of this performance by any means Rudy & Carol Cesena Joyce & Martin Nash Jewish Community Foundation The Bunn Family Monday – Friday: 9:00 a.m. – 5:00 p.m. whatsoever is strictly prohibited. Please silence all digital watches, Garet & Wendy Clark Lyn Nelson Dean & Mrs. Michael H. Dessent Brent Carey Ms. Heidi Conlan/ Arthur & Marilyn Neumann Dorothy R. Dring Luc Cayet & Anne Marie Pleska PHONE (619) 231-1941 pagers, and cellular phones prior to entering the theatre. The Sahan Daywi Foundation Lawrence Newmark Norman & Patricia Gillespie Drs. Lynne Champagne & WEBSITE www.TheOldGlobe.org Richard & Stephanie Coutts Susan C. Parker Joyce Glazer Wilfred Kearse ADDRESS The Old Globe ASSISTED LISTENING SYSTEM Susan Barlow Cowell Mr. & Mrs. Thomas C. Pastore Mr. William & Dr. Susan Glockner Ms. Lisa Churchill & Jane Cowgill Patricia Payne Louise & Doug Goodman Dr. Susan Forsburg P.O. Box 122171 For the convenience of our hard-of-hearing and hearing-impaired Gigi & Ed* Cramer Col. & Mrs. Ben Pollard Chris Graham & Michael Albo Richard T. Clampitt San Diego, CA 92112-2171 patrons, The Old Globe has an Assistive Listening System in all three Darlene G. Davies, in memory Bill & Mo Popp Heat Bar & Kitchen Ronald D. Culbertson theatres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, of Lowell Davies Daniel Porte & Sally Dubois Isaacs Brothers Foundation at Honorable Vincent P. Di Figlia (Ret.) Jim & Sally Ditto Joseph & Jane Rascoff The San Diego Foundation Dr. Donald & Eilene Dose ORDERING TICKETS/CHANGE OF ADDRESS and the Lowell Davies Festival Theatre. A limited number of the Devora & Ron Eisenberg of Sarah B. Marsh-Rebelo & Louis & Mary Beth Kelly Jacqueline & Stanley Drosch The Old Globe accepts Visa, Discover, MasterCard, and American lightweight headsets, as well as induction neck loops, may be obtained Great News! John G. Rebelo Robert J. Kilian & Berit & Tom Durler Express. Phone orders for non-subscribers are subject to a $3.50-per- from the house manager prior to performances. Mr. & Mrs. Ira S. Epstein Wade and Candi Rich Kathleen M. Slayton Bill Eiffert & Leslie Hodge Mary & David Fitz Nancy J. Robertson Bill & Linda Kolb Georgia Ellis ticket service charge. Ticket exchanges are subject to a service charge for Jean & Sid Fox Cathy & Larry Robinson Jennifer Lake & Drs. George & Susan Dersnah Fee non-subscribers. If you have moved, please notify the Ticket Services PUBLIC TOURS Samuel I. & John Henry Carole Sachs Donald Francis Donovan Richard & Beverly Fink Fox Foundation Beverly & Warren Sanborn Susan Lane & Torrey Harmon Family Foundation Office to update our records. Call (619) 234-5623 during Ticket Services Go behind the scenes at The Old Globe to learn about the history, three at Union Bank of California Sanderson Family Donor Advised Dr. & Mrs. James E. Lasry Pauline Forman hours, mail your change of address to the Ticket Services Office, or stages, shops and craft areas. Open tours: most Saturdays and Sundays Chuck Freebern Fund at the Thomas D. Lookabaugh Foundation Robert & Stacey Foxworth email [email protected]. at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. Charles & Millicent Froehlich Rancho Santa Fe Foundation Joy & Ronald Mankoff Dr. Ben & Sue Frishberg Joy & Dr. Fred Frye Dr. Myron & Doreen Schonbrun Jasna Markovac & Gary Miller Steven & Susan Garfin Call (619) 238-0043 x2145 for information/reservations. Barbara & Albert Garlinghouse Sherry & Charles Sheppard Carlos Martinez & Steven Jacobson J. M. Gillman UNABLE TO ATTEND? Bill & Judy Garrett Drs. Joseph & Gloria Shurman Marcia A. Mattson Morris & Phyllis Gold Fund of the If you find you are unable to use your tickets, please give them to a LOST AND FOUND Daniel & Arline Genis Dee E. Silver, MD James & Estelle Milch Fund of the Jewish Community Foundation Teresa George Nancy & Alan Spector and Family Jewish Community Foundation Robert & Edry Goot friend, or turn them in to the Ticket Services Office and receive a tax If you have misplaced a personal item while at the theatre, please Terrie Georgi Nancy Steinhart & Rena Minisi & Rich Paul Carol & Don Green receipt for your donation. Tickets must be received by show time. contact the Ticket Services Office or Security as soon as possible. If we Arthur Getis & Roberta King Rebecca Goodpasture Charles & Ilene Mittman Richard & Candace Haden are unable to locate your item, we’ll happily take down your contact Gilcrest Family: Andy, Karen, Miriam Summ Jim & Ruth Mulvaney Foundation Jeff & Judy Handler A.J. & Tommy Karen & Don Tartre at The San Diego Foundation James & Ruth Harris Fund of the RESTROOMS information and a description of the item and contact you if it is found. Wendy Gillespie C. Anne Turhollow & Marsha J. Netzer, in memory of Jewish Community Foundation Restrooms are located in the lower lobby of the Old Globe Theatre, The Old Globe does not assume liability for items left behind on the Carol L. Githens Michael J. Perkins Alice & Ray Jacobson Virginia Hawkins Robert Gleason & Marc Matys Michael T. Turner & Mark Niblack, MD Kaaren Henderson the lobby of the Sheryl and Harvey White Theatre, and adjacent to the premises. Sheila & Tom Gorey Suzanne Poet Turner William & Carla Nolan Jamie Henson & Lowell Davies Festival Theatre. George C. Guerra Nita & Henk van der Werff Virginia Oliver Robert Houskeeper Ms. Cheryl Haimsohn Mary R. Warkentin Barbara B. Oswalt Gerald M. Hermanson & Guy & Laura Halgren Jan Harden Webster & Raul Ortega Christopher & Susan Pantaleoni Donna L. Buckner NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. Pat & Rick Harmetz Tim & Leslie Paul Robert & Sabine Hildebrand 30 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 31 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager PROPERTIES DEVELOPMENT Dave Henson...... Director of Marketing and Communications Neil A. Holmes...... Properties Director Annamarie Maricle...... Associate Director, Todd Schultz...... Director of Development Kristin Steva Campbell...... Assistant to the Director Institutional Grants Mark Somers...... Director of Finance M.H. Schrenkeisen...... Shop Foreman Bridget Cantu Wear...... Associate Director, Planned Giving Richard Seer...... Director of Professional Training Rory Murphy...... Lead Craftsman Eileen Prisby...... Events Director Robert Drake...... Director of Production Chris Carignan...... Craftsperson Rachel Plummer, Keely Tidrow...... Major Gifts Officers Roberta Wells-Famula...... Director of Education David Medina...... Properties Buyer Robin Hatfield...... Annual Fund Manager Kristine Hummel-Rosen...... Properties Assistant Matthew B. Williams...... Major Gifts Associate ARTISTIC Trish Rutter...... Artisan Diane Addis...... Membership Administrator Eric Louie, Justin Waldman...... Associate Producers David Buess...... Property Master, Globe Rico Zamora...... Development Assistant Danielle Mages Amato...... Literary Manager/Dramaturg Kristen Flores...... Stage and Property Master, White Tyler Jones...... VIP Donor Ticketing Bernadette Hanson...... Artistic Associate Andrew Recker...... Property Master, Festival Derek Floyd...... Grants Assistant Karen Ann Daniels...... Community Outreach Manager Michelle Panek...... Irvine Grant Associate Project Manager LIGHTING DONOR SERVICES Jose Galvan, Jacqueline Kim...... Artistic Interns Shawna Cadence...... Lighting Director Silvana Burrato, Jyothi Doughman, Laura Regal, Jack Bender...... Assistant Lighting Director Janette Jack, Barbara Lekes, Richard Navarro, PRODUCTION Ryan Osborn...... Master Electrician, Globe Gary Neuberg, Stephanie Reed, Suite Concierges Debra Pratt Ballard...... Associate Director of Production Jim Dodd...... Master Electrician, White Stephen Wade...... Ron Cooling...... Company Manager Kevin Liddell...... Master Electrician, Festival MARKETING Carol Donahue...... Production Coordinator Steve Schmitz...... Lighting Assistant Susan Chicoine...... Public Relations Director Jackson Smith...... Assistant Company Manager Michael Anderson, Xavier Luevano, Michael Paolini, Bo Tindell, Kimberlee Winters...... Electricians Ed Hofmeister...... Associate Director of Marketing STAGE MANAGEMENT Mike Hausberg...... Public Relations Associate Digital and Print Publications Coordinator Leila Knox...... Production Stage Manager SOUND Andrew Waltz...... Paul Peterson...... Sound Director Kevin Lohmann...... Interim Marketing Assistant TECHNICAL Jeremy Nelson...... Master Sound Technician, Globe Stephen Wade...... Marketing/Events Assistant Benjamin Thoron...... Technical Director Clayton Nicodemus...... Master Sound Technician, White Carolann Malley...... Distribution Staff Wendy Berzansky...... Associate Technical Director RJ Givens...... Master Sound Technician, Festival SUBSCRIPTION SALES Lucas Skoug...... Assistant Technical Director Alex Heath...... Deck Audio, Festival Subscription Sales Manager Eileen McCann...... Resident Design Assistant Scott Cooke...... Eliza Korshin...... Technical Assistant/Buyer ADMINISTRATION Arthur Faro, Stephen Jones, Janet Kavin, Alexandra Hisserich...... General Management Associate Pamela Malone, Yolanda Moore, Philip Patterson, Gillian Kelleher...... Master Carpenter Ken Seper, Cassandra Shepard, Jerome Tullmann, Carolyn Budd...... Assistant to the Artistic Carole Payette...... Charge Scenic Artist Grant Walpole...... Subscription Sales Representatives Christian Thorsen...... Stage Carpenter/Flyman, Globe and Managing Directors Darlene Davies...... The Old Globe Historian Robert Dougherty...... Festival Master Carpenter TICKET SERVICES Jack Hernandez...... Charge Carpenter, White Bob Coddington...... Ticket Services Director INFORMATION TECHNOLOGY Daniel Capiro, Sean Chaffin, Chris Chauvet, Marsi Bennion...... Ticket Operations Manager Michael Curtis, Sloan Holly, Eszter Julian, Dean Yager...... Information Technology Director Jordyn Patton...... Interim Group Sales Manager Francisco Ramirez, Andrew Recker, John Ralston...... Information Technology Assistant Manager Stephanie Hable, Kurtis Weichers...... Carpenters Brittany Summers...... Information Technology Assistant Caryn Morgan...... Lead Ticket Services Representatives W. Adam Bernard...... Lead Scenic Artist Christian Amezcua, Kari Archer, Matt Costa, Jessica Amador, John Steven High, Nadine Masters, HUMAN RESOURCES Kathy Fineman, Merri Fitzpatrick, Bea Gonzalez, Ed Roxberg, Syd Stevens, Linda Van Vark...... Scenic Artists Sandy Parde...... Human Resources Director Lauryn Greschke, Alejandro Gutierrez, Amanda King, Jason Chohon...... Automation Coordinator Manny Bejarano...... Human Resources Coordinator Damon Shearer, Zane Whitmore, Jake Millgard...... Run Crew John Sweeney...... Ticket Services Representatives MAINTENANCE PATRON SERVICES COSTUMES Ramon Juarez...... Facilities Director Stacy Sutton...... Costume Director Mack Benjamin, Violanda Corona, Ismael Delgado, Mike Callaway...... Patron Services Director Charlotte Devaux Shields...... Resident Design Associate Roberto Gonzalez, Bernardo Holloway, Juliana Johnson, Mary Taylor...... House Managers Maureen Mac Niallais...... Assistant to the Director Reyna Huerta, John Kammerer, Jason McNabb, Angela Montague Kanish...... Front of House Assistant Shelly Williams...... Design Assistant/Shopper Jose Morales, Maria Rios, Leonardo Rodriguez, Nic Hagan...... Food and Beverage Manager Michelle Hunt Souza...... Design Assistant Vielka Smith...... Building Staff Tim Acosta, Stephanie Passera, Erin Cass...... Draper Brandon Potter...... Pub Shift Supervisors Wendy Miller...... Tailor PROFESSIONAL TRAINING Shelby Anderson, Carolyn Elder, Deborah Montes, Anne Glidden Grace, Raquel Stewart...... Assistant Cutters Ray Chambers...... Interim Chair of Theatre Michelle Thorsen, Jennifer Van Atta, Jacquelyn Weber...... Pub Staff Mary Miller...... Tailoring/Construction Shana Wride...... Program Coordinator Linda Bahash, Jessica Piatt, Heather Premo...... Stitchers Brian Byrnes, Maria Carrera, Cynthia Caywood, Stephanie Rakowski...... Gift Shop Supervisors Erin Carignan...... Craft Supervisor/Dyer/Painter Gerhard Gessner, Jan Gist, Fred Robinson, Abraham Stoll, James Vásquez...... M.F.A. Faculty Jakey Hicks...... Wig and Makeup Supervisor Corey Johnston, Nate Parde, SECURITY/PARKING SERVICES Kim Parker...... Assistant to Wig and Makeup Supervisor Nicole Ries, Robin Roberts...... M.F.A. Production Staff Edward Camarena...... Security Supervisor Beverly Boyd...... Wardrobe Supervisor Sherisa Eselin...... Security Officer Beth Merriman...... Crew Chief, Globe EDUCATION Jonathon Ayon, Joshua Caldwell, Jeff Howell, Anna MacDonald...... Crew Chief, White Crystal Mercado...... Education Programs Manager Janet Larson, Robert Lowe, Alejandro Lugo, Ana Maldanado, Noelle Van Wyk...... Run Crew, Globe Carol Green...... Speakers Bureau Coordinator Anna Salgado, Jakob Schmidt...... Security Guards Marie Jezbera...... Rental Agent Lisel Gorell-Getz, Catherine Hanna, Katherine Harroff, Alexander Thomas...... VIP Valet Attendant Jason Heil, Erika Malone, Heather Pauley, Christopher Salazar, Jason Maddy, Damon Shearer...... Teaching Artists Jack O’Brien...... Artistic Director Emeritus FINANCE Craig Noel...... Founding Director Cindy Hunt...... Senior Accountant Trish Guidi...... Accounts Payable/Accounting Assistant Adam Latham...... Payroll Coordinator/Accounting Assistant Tim Cole...... Receptionist

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