Lyrics for Raffi Let's Play
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Run the World
Run the World Het vermeende spanningsveld tussen feminisme en seksualiteit in de hedendaagse popmuziek Loes Berends 07-07-2015 Master Kunst- en Cultuurwetenschappen Radboud Universiteit Nijmegen Run the World This goes out to all the women getting it in, you on your grind To all the men that respect, point out that, please accept my shine Boy you know you love it how we smart enough to make these millions Strong enough to bear the children, then get back to business. (Beyoncé, Run the World (Girls), 2011) 1 Abstract Run the World The supposed field of tension between feminism and female sexuality in modern pop music. Recently more and more female pop stars started to declare to be feminists. Singer Beyoncé Knowles-Carter is one of them. During her VMA performance in 2014 she made a significant feminist statement while performing her song ***Flawless, standing in front of a giant luminous FEMINIST sign. A lot of critique on this statement followed. Although Beyoncé is claiming to be a feminist, she has been putting a lot of emphasis on her body, looks and sexuality, in both her music and her videos. Therefore, the current study examines how Beyoncés feminist claim can be interpreted through theories about (modern) feminism and sexualization in pop culture, and thereby how these subjects intertwine and contradict. It analyses how core values in pop culture like authenticity, image, sexuality, tone of voice, context, commerciality, and personal autonomy are used in creating a personal message like Beyoncé does. The research focuses on Beyoncé as an artist, her career, and her newest self-titled album including the song ***Flawless. -
Am 01. April Im Theater Des Westens: Take That Bei the BAND – DAS MUSICAL
S T A G E E N T E R T A I N M E N T P R E S S E I N F O R M A T I O N Am 01. April im Theater des Westens: Take That bei THE BAND – DAS MUSICAL Fototermin und Präsentation am 01.4.2019: Die Weltstars von Take That - Gary Barlow, Mark Owen und Howard Donald - besuchen die Proben ihres Musicals THE BAND in Berlin. Berlin, 12. März 2019. Wenige Tage vor der ersten internationalen Premiere ihres Musicals THE BAND kommen Take That am 1. April nach Berlin und besuchen die Proben im Stage Theater des Westens. Zu einem Fototermin und der anschließenden Präsentation von THE BAND - DAS MUSICAL laden wir Sie herzlich ein. Weitere Details auf Seite 2 dieser PM. Aktuelles Pressematerial, Fotos und Videos finden Sie zusammengefasst in unserer Pressemappe unter: https://bit.ly/2IHPrBs Mit THE BAND kommt ein neuer Musical-Hit nach Deutschland. Die Show ist seit über einem Jahr der große Publikumserfolg in Großbritannien. Keine Musical-Tournee war dort jemals schneller ausverkauft. Stage Entertainment präsentiert die deutschsprachige Erstaufführung ab dem 11. April im Berliner Theater des Westens. Unter den 24 Darstellern sind auch TV-Star Heike Kloss und DSDS-Superstar Prince Damien, der bei THE BAND sein Musicaldebüt feiert! THE BAND – DAS MUSICAL über Freundschaft und wiederentdeckte Jugendträume THE BAND – DAS MUSICAL handelt von fünf Mädchen, die in den 90er Jahren aufwachsen. Ihr Vernarrtheit in die Idole einer Boygroup stellt ihr junges Leben auf den Kopf, bis ein Schicksalsschlag ihre Freundschaft abrupt zerschlägt. -
Programação Musical Diária Dia/Mês/Ano: 01/12/2017
Fundação Cultural do Municípal de Varginha-Pç.Matheus Tavares-Nº121-Centro-CEP:37002-320 / Rádio FM Educativa Melodia-ZYC -776 - Canal 272" - 102,3 - MHZ / 18.987.735/0001- 16 / Varginha / MG Descrição Intérprete Compositor Gravadora Vivo/Mec Programação Musical Diária Dia/Mês/Ano: 01/12/2017 Zodiacs Roberta Kelly 000 / 001 You Get What You Give New radicals 000 / 001 You Get Me Hot Jimmy Bo Horne 000 / 001 Woman In Love Barry Gibb 000 / 001 Why Annie Lennox 000 / 001 Wholl Stop The Rain Creedence 000 / 001 Whole Again Atomic Kitten 000 / 001 Who Where You With In The Moonlight Dollar 000 / 001 When A Blind Man Cries Deep Purple 000 / 001 We Shall Dance Demis Rousso 000 / 001 We Say Goodbye Dave Maclean 000 / 001 Walk On The Wild Side Lou Reed 000 / 001 Walk On The Water Creedence Clearwater Revival 000 / 001 Vou Onde Tem Amor João Mulato e Douradinho 000 / 001 Voltando Pro Meu Sertão Rhenato e Rhomano 000 / 001 Você Não Soube Me Amar Blitz 000 / 001 Verdade Caetano Veloso & Gil 000 / 001 Verdade Chinesa Diogo Nogueira (Ao Vivo) 000 / 001 Venus Shocking Blue 000 / 001 Vento No Litoral Legião Urbana 000 / 001 Vem Sambar, Vem Sambar Fundo De Quintal 000 / 001 Vem me amar Alexandre Pires 000 / 001 Vamos Viver Detonautas 000 / 001 Vamos Dançar Ed Motta & Conexao Japeri 000 / 001 Vá Com Deus Roberta Miranda 000 / 001 Uma Resposta Fly 000 / 001 Um Dia Pra Não Se Esquecer Jota Quest E Projota 000 / 001 Um Bom Perdedor Bruno e Marrone 000 / 001 Um Abraço E Um Olhar João Suplicy E Zeca Baleiro 000 / 001 Último Adeus Trio Parada Dura E Eduardo -
The Lowhills Song List October 2018
Country/Bluegrass Nobodies Business- Mississippi John Hurt Deep River Blues- Doc Watson Crawdad Hole- Doc Watson Swinging Doors- Merle Haggard Tonight the bottle let me down – Merle Haggard Sit here and drink- Merle Haggard There Stands the Glass- Web Pierce Gotta Get Drunk- Willie Nelson Good Hearted Woman- Willie Nelson/Waylon Jennings Cold Cold Heart- Hank Williams/ Norah Jones Honkytonk Blues- Hank Williams Lovesick Blues- Hank Williams Your Cheatin Heart- Hank Williams Why Don’t You Love Me- Hank Williams Caleb Meyer- Gillian Welch Deep Elem Blues- Levon Helm/ The Grateful Dead Walkin’ after midnight- Patsy Cline Crazy- Patsy Cline Cheatin Heart- Patsy Cline I’ll Be There (if you ever want me) Ray Price/ JJ Cale Call me the breeze- JJ Cale/ Lynrd Skynrd Hung it up- Junior Brown Loves gonna live here- Buck Owens Women I’ve never had- Hank Williams Jr Freeborn Man- Jimmy Martin Slew foot- Johnny Horton How Mountain Girls Can Love- The Stanley Brothers True life blues- Bill Monroe Blue Moon of Kentucky- Bill Monroe You can have her- Waylon Jennings Wurlitzer Prize- Waylon Jennings That’s alright Mama- Elivs Presley Hound Dog- Elvis Presley Tennessee Whiskey- George Jones Someone I used to know- George Jones and Tammy Winette Slowhand- Conway Twitty Take me back to Tulsa- Bob Wills Old Joe Clark -Trad Salt Creek (instrumental)-Trad All I can do is Dream- The Everly Brothers Clyde –JJ Kale Sleep with One Eye Open- Lester Flatt/ Dolly Parton You Aint Woman Enough –Loretta Lynn Jackson- Johnny Cash Folsom Prison- Johnny Cash Big River-Johnny -
The Politics of Beyoncé's Voice on “Run the World (Girls)”
Veronika Muchitsch : Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)” Schriftenreihe herausgegeben vom Forschungszentrum Populäre Musik der Humboldt-Universität zu Berlin Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)” Veronika Muchitsch “Boy you know you love it How we're smart enough to make these millions Strong enough to bear the children Then get back to business” – Beyoncé, “Run The World (Girls)” (2011) In 2016, Beyoncé is one of the world’s most accomplished entertainers – a skillful dancer, a celebrated singer, and a pop star of exceptional magnitude. She is also acknowledged as a highly successful entrepreneur[1], whose newest product, a sports-fashion line introduced in April 2016, is yet another contribution to the ultimate “product”, the brand of Beyoncé herself. From early on in her career, Beyoncé’s image stressed themes of economic independence, capitalism, and consumerism in lyrics, videos and interviews. Over the span of more than two decades, they have been carefully compounded with selected biographical anecdotes from a childhood determined by profit-oriented parents, an emphasis on individualization and a multi-faceted self. Collectively, these themes have contributed to the image of a larger-than- life star; a perfect exemplification of successful neoliberal entrepreneurship. In this article, I argue that Beyoncé’s image is strongly informed by neoliberal governmentality and its specific gendered manifestation of post-feminism. Further, I suggest 1 Veronika Muchitsch : Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)” that these ideologies do not only inform Beyoncé’s overall image but also become audible in the singer’s vocal sounds. -
Who Run the World
2019 Relay Team Profile: Who Run the World Sometimes the timing is just right. Kelly Bathgate will take to the roads of Rothrock State forest later this month as part of a relay team, thanks to unlikely circumstances finally lining up. This will be Bathgate’s first time taking part in the the Tussey mOUnTaiNBACK 50 Mile Relay and Ultramarathon. “This is my first time doing the race, but not the first time for some of the other team members, my sister being one of them,” said Bathgate, of State College, the team’s captain. “She has done it multiple times, and has even done it with my other sister and husband before. I always felt left out, but having five kids myself, I was always either pregnant or just had a new baby. So now that my youngest is almost 4, my sister was able to get leave approved from the military for the race, so it’s now or never for me!” The team has a range of training backgrounds. Bathgate said she began training during the early summer. “And I have come to the realization I am just not a runner, no matter how much I want to be. I will be doing one leg.” The relay division of the event is designed so that recreational runners with a modest level of distance training can take part and have an enjoyable day in the forest. “My sister and her friends who are joining [the team] are all Marines, so they are trained up for races. My other two friends just started training maybe a month or two ago.” The team name for this all-women’s team is Who Run the World, as a play off the pop song, but with a real-world connection. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
The Story So Far
1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band. -
A Singing God
Volume 45 Number 2 Fine Arts Issue 2016 Article 7 December 2016 A Singing God David Schelhaas Dordt College Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the Creative Writing Commons Recommended Citation Schelhaas, David (2016) "A Singing God," Pro Rege: Vol. 45: No. 2, 8 - 9. Available at: https://digitalcollections.dordt.edu/pro_rege/vol45/iss2/7 This Poetry is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. A Singing God Dave Schelhaas The Lord your God will rejoice over you with singing. Zephaniah 3:17b God sings? Who knew? And He sings to us! Of course the angels sing their glorias and hallelujahs. And everyone knows God’s people sing to him: “Make a Joyful noise!” the psalmist says, and we do, it seems, whenever more than two or three of us get together. We know that Jesus sang. The rabbi and his disciples, after the Passover meal but before they headed out with cleansed feet toward Gethsemane and heartbreak, “sang a hymn.” Was there a standard post-seder meal hymn? Psalm 103, perhaps? Did someone give the pitch? Did this motley male choir harmonize? Did they miss Iscariot’s strong tenor or was he a monotone? Did Jesus on this last night stop singing from time to time and just listen? Jesus, the God-Man, singing— But now here’s Zephaniah whose words I have left unread for sixty years or more, telling us all—all of Abrahams’s seed— that Yahweh is bending over us singing and rejoicing like a mama dreaming the future of her cradled babe. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
Twin Cities Funk & Soul
SEPTEMBER 25, 2012 I VOLUME 1 I ISSUE 1 DEDICATED TO UNCOVERING MUSIC HISTORY WILLIE & THE PROPHETS BAND OF KUXL JACKIE BUMBLEBEES OF PEACE THIEVES RADIO HARRIS 99 SECRET STASH ISSUE 1: TWIN CITIES FUNK & ANDSOUL MUCH SEPTEMBER MORE 25, 2012 The Philadelphia Story (AKA Valdons) mid 70s courtesy Minnesota Historical Society. Photo by Charles Chamblis. Left to right: Maurice Young, Clifton Curtis, Monroe Wright, Bill Clark Maurice McKinnies circa 1972 courtesy Minnesota Historical Society. Photo by Charles Dance contest at The Taste Show Lounge, Minneapolis late 70s courtesy Minnesota Historical Chamblis. Society. Photo by Charles Chamblis. 02 SECRET STASH VOLUME 1 - ISSUE 1: TWIN CITIES FUNK & SOUL SEPTEMBER 25, 2012 INTRODUCTION It was three years ago that we launched Secret Stash Records. About a year and a half lat- er, we started working on what would eventually become our biggest release, Twin Cities Funk & Soul: Lost R&B Grooves From Minneapolis/St. Paul 1964-1979. What follows is our attempt to share with you some of the amazing stories, history, and photos that have been so gracious- ly shared with us during the course of producing a compilation of soulful tunes from our hometown. ..... R&B, soul, and funk music in the Twin Cities of Minneapolis and St. Paul, Minnesota went through dra- matic changes during the 1960s and 1970s. Predating these changes, a vibrant jazz scene beginning in the 1920s laid the groundwork with several players being instrumental in helping teach young local R&B mu- sicians how to play. However, many of the early R&B pioneers, including Mojo Buford, Maurice McKin- nies, and Willie Walker, came to Minnesota from other states and brought the music with them.