The Dream Maker Designer’S Guide to Worlds BYOND

Total Page:16

File Type:pdf, Size:1020Kb

The Dream Maker Designer’S Guide to Worlds BYOND The Dream Maker Designer’s Guide to Worlds BYOND Dantom Cover illustration by Dan and layout by Pamela Ohsan ISBN 1-890661-17-1 Copyright c 2000 by Dantom All rights reserved Inquiries regarding this book may be directed via email to [email protected]. Comments and corrections are welcome! Printed in the United States of America http://www.dantom.com Contents Foreword xi Preface xiii 1 Meet the Dream Maker 1 2 Navigating the Code Tree 9 2.1 Formatting Code . 10 2.2 Compilation Errors . 10 2.3 Paths in the Tree . 11 2.4 Code Comments . 11 3 Objects in the Tree 13 3.1 Object Properties . 14 3.1.1 Location . 15 3.1.2 Additional Mob Properties . 15 3.2 Assigning Variables . 16 3.2.1 Constant Values . 16 3.2.2 Constant Macros . 17 3.3 Putting It All Together . 18 4 Verbs 19 4.1 Defining a Verb . 19 4.2 Setting Verb Properties . 20 4.3 Verb Accessibility . 20 4.3.1 Explicit versus Implicit Source . 22 4.3.2 Default Accessibility . 22 4.3.3 Possible Access Settings . 23 4.4 Overriding Verbs . 24 4.5 Friendly Arguments . 25 4.5.1 Parameter Input Types . 25 4.6 Generating Output . 27 4.6.1 Variables in Text . 28 iii iv CONTENTS 4.7 Flexibility in Choice of the Source . 28 4.8 A Choice of Arguments . 30 4.9 Default Arguments . 31 4.10 anything inputtype.................................. 31 5 Variables 33 5.1 Global Variables . 33 5.2 Object Variables . 34 5.2.1 Defining An Object Variable . 34 5.2.2 Accessing An Object Variable . 34 5.2.3 The usr and src Variables . 35 5.3 Procedure Variables . 36 5.4 The Life of a Variable . 36 5.5 Constants . 37 5.6 Memory and Variables . 38 6 Procs 39 6.1 Creating a Proc . 39 6.2 Executing a Proc . 40 6.3 Proc Inheritance . 40 6.4 Flexibility of Arguments . 41 6.5 Global Procs . 41 6.5.1 Defining A Global Proc . 42 6.5.2 Calling A Global Proc . 42 6.6 The Procedure Language . 43 6.6.1 Statements . 43 6.7 Return Values . 43 6.7.1 The return statement . 43 6.7.2 The . (dot) variable . 44 6.8 The if statement . 44 6.8.1 The else clause . 45 6.9 Boolean Expressions . 45 6.9.1 Boolean Operators . 45 6.10 Mathematical Operators . 48 6.10.1 Arithmetical Operators . 48 6.10.2 ** the power operator . 49 6.10.3 % the modulus operator . 49 6.10.4 Increment and Decrement . 49 6.10.5 Order of Mathematical Operations . 50 6.11 Bitwise Operations . 50 6.11.1 ˜ the bitwise NOT . 51 6.11.2 & the bitwise AND . 51 6.11.3 | the bitwise OR . 52 6.11.4 ˆ the bitwise XOR . 52 CONTENTS v 6.11.5 Bit Shifting . 52 6.11.6 Order of Bitwise Operations . 52 6.12 Assignment Operators . 52 6.12.1 Combining Other Operations with Assignment . 53 6.13 ? the Conditional Operator . 53 6.14 Dereference Operators . 54 6.14.1 . the “strict” dereference . 54 6.14.2 : the “lax” dereference . 55 6.15 Path Operators . 56 6.15.1 / the parent-child separator . 56 6.15.2 . the look-up path operator . 56 6.15.3 : the look-down path operator . 57 6.16 Order of All Operations . 58 6.17 Loop Statements . 59 6.17.1 for list loop . 59 6.17.2 for conditional loop . 60 6.17.3 while loop ................................... 61 6.17.4 do while loop . 61 6.18 Jumping Around . 62 6.18.1 break and continue statements . 62 6.18.2 goto statement . 62 6.18.3 Block Labels . 63 6.19 switch statement . 64 7 Predefined Object Procs 67 7.1 Movement Procs . 67 7.1.1 Enter ...................................... 68 7.1.2 Exit ....................................... 68 7.1.3 Bump ...................................... 68 7.1.4 Move ...................................... 69 7.2 Object Creation and Destruction . 70 7.2.1 New proc.................................... 70 7.2.2 Del proc .................................... 71 7.2.3 Areas and Rooms . 72 7.3 Stat proc........................................ 73 7.4 Click and DblClick .................................. 74 7.5 Login and Logout ................................... 75 7.6 Topic .......................................... 76 8 The world Data Object 77 8.1 world variables . 78 8.2 world procs....................................... 79 8.2.1 New and Del ................................. 79 8.2.2 Repop proc .................................. 80 vi CONTENTS 8.2.3 Reboot proc.................................. 80 8.2.4 Inter-world Communication . 80 9 The Client Data Object 83 9.1 Client Variables . 83 9.2 Client Procs . 85 9.2.1 Direction Procs . 85 9.2.2 Click proc ................................... 85 9.2.3 Stat proc.................................... 86 9.2.4 Topic proc................................... 86 9.2.5 Import and Export procs . 87 9.2.6 New and Del procs . ..
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Run the World
    Run the World Het vermeende spanningsveld tussen feminisme en seksualiteit in de hedendaagse popmuziek Loes Berends 07-07-2015 Master Kunst- en Cultuurwetenschappen Radboud Universiteit Nijmegen Run the World This goes out to all the women getting it in, you on your grind To all the men that respect, point out that, please accept my shine Boy you know you love it how we smart enough to make these millions Strong enough to bear the children, then get back to business. (Beyoncé, Run the World (Girls), 2011) 1 Abstract Run the World The supposed field of tension between feminism and female sexuality in modern pop music. Recently more and more female pop stars started to declare to be feminists. Singer Beyoncé Knowles-Carter is one of them. During her VMA performance in 2014 she made a significant feminist statement while performing her song ***Flawless, standing in front of a giant luminous FEMINIST sign. A lot of critique on this statement followed. Although Beyoncé is claiming to be a feminist, she has been putting a lot of emphasis on her body, looks and sexuality, in both her music and her videos. Therefore, the current study examines how Beyoncés feminist claim can be interpreted through theories about (modern) feminism and sexualization in pop culture, and thereby how these subjects intertwine and contradict. It analyses how core values in pop culture like authenticity, image, sexuality, tone of voice, context, commerciality, and personal autonomy are used in creating a personal message like Beyoncé does. The research focuses on Beyoncé as an artist, her career, and her newest self-titled album including the song ***Flawless.
    [Show full text]
  • Programação Musical Diária Dia/Mês/Ano: 01/12/2017
    Fundação Cultural do Municípal de Varginha-Pç.Matheus Tavares-Nº121-Centro-CEP:37002-320 / Rádio FM Educativa Melodia-ZYC -776 - Canal 272" - 102,3 - MHZ / 18.987.735/0001- 16 / Varginha / MG Descrição Intérprete Compositor Gravadora Vivo/Mec Programação Musical Diária Dia/Mês/Ano: 01/12/2017 Zodiacs Roberta Kelly 000 / 001 You Get What You Give New radicals 000 / 001 You Get Me Hot Jimmy Bo Horne 000 / 001 Woman In Love Barry Gibb 000 / 001 Why Annie Lennox 000 / 001 Wholl Stop The Rain Creedence 000 / 001 Whole Again Atomic Kitten 000 / 001 Who Where You With In The Moonlight Dollar 000 / 001 When A Blind Man Cries Deep Purple 000 / 001 We Shall Dance Demis Rousso 000 / 001 We Say Goodbye Dave Maclean 000 / 001 Walk On The Wild Side Lou Reed 000 / 001 Walk On The Water Creedence Clearwater Revival 000 / 001 Vou Onde Tem Amor João Mulato e Douradinho 000 / 001 Voltando Pro Meu Sertão Rhenato e Rhomano 000 / 001 Você Não Soube Me Amar Blitz 000 / 001 Verdade Caetano Veloso & Gil 000 / 001 Verdade Chinesa Diogo Nogueira (Ao Vivo) 000 / 001 Venus Shocking Blue 000 / 001 Vento No Litoral Legião Urbana 000 / 001 Vem Sambar, Vem Sambar Fundo De Quintal 000 / 001 Vem me amar Alexandre Pires 000 / 001 Vamos Viver Detonautas 000 / 001 Vamos Dançar Ed Motta & Conexao Japeri 000 / 001 Vá Com Deus Roberta Miranda 000 / 001 Uma Resposta Fly 000 / 001 Um Dia Pra Não Se Esquecer Jota Quest E Projota 000 / 001 Um Bom Perdedor Bruno e Marrone 000 / 001 Um Abraço E Um Olhar João Suplicy E Zeca Baleiro 000 / 001 Último Adeus Trio Parada Dura E Eduardo
    [Show full text]
  • The Politics of Beyoncé's Voice on “Run the World (Girls)”
    Veronika Muchitsch : Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)” Schriftenreihe herausgegeben vom Forschungszentrum Populäre Musik der Humboldt-Universität zu Berlin Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)” Veronika Muchitsch “Boy you know you love it How we're smart enough to make these millions Strong enough to bear the children Then get back to business” – Beyoncé, “Run The World (Girls)” (2011) In 2016, Beyoncé is one of the world’s most accomplished entertainers – a skillful dancer, a celebrated singer, and a pop star of exceptional magnitude. She is also acknowledged as a highly successful entrepreneur[1], whose newest product, a sports-fashion line introduced in April 2016, is yet another contribution to the ultimate “product”, the brand of Beyoncé herself. From early on in her career, Beyoncé’s image stressed themes of economic independence, capitalism, and consumerism in lyrics, videos and interviews. Over the span of more than two decades, they have been carefully compounded with selected biographical anecdotes from a childhood determined by profit-oriented parents, an emphasis on individualization and a multi-faceted self. Collectively, these themes have contributed to the image of a larger-than- life star; a perfect exemplification of successful neoliberal entrepreneurship. In this article, I argue that Beyoncé’s image is strongly informed by neoliberal governmentality and its specific gendered manifestation of post-feminism. Further, I suggest 1 Veronika Muchitsch : Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)” that these ideologies do not only inform Beyoncé’s overall image but also become audible in the singer’s vocal sounds.
    [Show full text]
  • Who Run the World
    2019 Relay Team Profile: Who Run the World Sometimes the timing is just right. Kelly Bathgate will take to the roads of Rothrock State forest later this month as part of a relay team, thanks to unlikely circumstances finally lining up. This will be Bathgate’s first time taking part in the the Tussey mOUnTaiNBACK 50 Mile Relay and Ultramarathon. “This is my first time doing the race, but not the first time for some of the other team members, my sister being one of them,” said Bathgate, of State College, the team’s captain. “She has done it multiple times, and has even done it with my other sister and husband before. I always felt left out, but having five kids myself, I was always either pregnant or just had a new baby. So now that my youngest is almost 4, my sister was able to get leave approved from the military for the race, so it’s now or never for me!” The team has a range of training backgrounds. Bathgate said she began training during the early summer. “And I have come to the realization I am just not a runner, no matter how much I want to be. I will be doing one leg.” The relay division of the event is designed so that recreational runners with a modest level of distance training can take part and have an enjoyable day in the forest. “My sister and her friends who are joining [the team] are all Marines, so they are trained up for races. My other two friends just started training maybe a month or two ago.” The team name for this all-women’s team is Who Run the World, as a play off the pop song, but with a real-world connection.
    [Show full text]
  • Rock Music's Crusade of Authenticity
    ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.
    [Show full text]
  • The Derailment of Feminism: a Qualitative Study of Girl Empowerment and the Popular Music Artist
    THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST A Thesis by Jodie Christine Simon Master of Arts, Wichita State University, 2010 Bachelor of Arts. Wichita State University, 2006 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts July 2012 @ Copyright 2012 by Jodie Christine Simon All Rights Reserved THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Masters of Arts with a major in Liberal Studies. __________________________________________________________ Jodie Hertzog, Committee Chair __________________________________________________________ Jeff Jarman, Committee Member __________________________________________________________ Chuck Koeber, Committee Member iii DEDICATION To my husband, my mother, and my children iv ACKNOWLEDGMENTS I would like to thank my adviser, Dr. Jodie Hertzog, for her patient and insightful advice and support. A mentor in every sense of the word, Jodie Hertzog embodies the very nature of adviser; her council was very much appreciated through the course of my study. v ABSTRACT “Girl Power!” is a message that parents raising young women in today’s media- saturated society should be able to turn to with a modicum of relief from the relentlessly harmful messages normally found within popular music. But what happens when we turn a critical eye toward the messages cloaked within this supposedly feminist missive? A close examination of popular music associated with girl empowerment reveals that many of the messages found within these lyrics are frighteningly just as damaging as the misogynistic, violent, and explicitly sexual ones found in the usual fare of top 100 Hits.
    [Show full text]
  • Songs by Artist
    YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me
    [Show full text]
  • Grand Rapids, MI
    Showbiz Grand Rapids 2021 Overalls Rank Routine Dancer Studio Sapphire Mini Small Group 1 Minie's Yoohoo Fusion Center for Dance Sapphire Petite Solo 1 Happy Boys Girls Fiona Soukup Kathy’s Dance Co 2 Me Too Everly Rose Dance Dimensions Sapphire Petite Duet/Trio 1 Come See About Me Kathy’s Dance Co 2 Something To Dance For Dance Dimensions 3 Some Days Studio Dance Sapphire Petite Small Group 1 Coast 2 Coast Kathy’s Dance Co 2 Rockin' Robin Studio Dance 3 Think Fusion Center for Dance 4 You Are My Sunshine Dance Dimensions 5 Sassy Divas Dance Dimensions 6 Walking On Sunshine Studio Dance 7 Just Sing Center Stage Dance Academy Sapphire Petite Large Group 1 Somewhere Over The Rainbow Kathy’s Dance Co 2 Move It Like This Kathy’s Dance Co 3 5678 Dance Dimensions 4 Friend Like Me Dance Dimensions 5 Rain On Me Dance Dimensions 6 Mean Girls Dance Dimensions Sapphire Pre-Junior Solo 1 Flashlight Sabrina Siegel Dance Dimensions 2 Tribe Mikayla Sandner Studio Dance 3 Girls Just Wanna Have Fun Keira Prokopy Dance Dimensions 4 I Wanna Dance With Somebody Sophia Jones Dance Dimensions 5 No Excuses Curdreaah Parker Dance Dimensions Showbiz Grand Rapids 2021 Overalls Rank Routine Dancer Studio 6 I Will Wait Lena Schillim Dance Dimensions 7 All I Want Lilly Anderson Dance Dimensions 8 The Wizards And I Braylon Magoon Dance Dimensions 9 The Climb Maylee Ewing Dance Dimensions Sapphire Junior Solo 1 Candlelight Carlie Bernhardt Dance Dimensions 2 Head Above Water Savannah Rose Dance Dimensions 3 The Greatest Sage Saunders Dance Dimensions 4 Nobody Lila Redder
    [Show full text]
  • Sweet 16 Hot List
    Sweet 16 Hot List Song Artist Happy Pharrell Best Day of My Life American Authors Run Run Run Talk Dirty to Me Jason Derulo Timber Pitbull Demons & Radioactive Imagine Dragons Dark Horse Katy Perry Find You Zedd Pumping Blood NoNoNo Animals Martin Garrix Empire State of Mind Jay Z The Monster Eminem Blurred Lines We found Love Rihanna/Calvin Love Me Again John Newman Dare You Hardwell Don't Say Goodnight Hot Chella Rae All Night Icona Pop Wild Heart The Vamps Tennis Court & Royals Lorde Songs by Coldplay Counting Stars One Republic Get Lucky Daft punk Sexy Back Justin Timberland Ain't it Fun Paramore City of Angels 30 Seconds Walking on a Dream Empire of the Sun If I loose Myself One Republic (w/Allesso mix) Every Teardrop is a Waterfall mix Coldplay & Swedish Mafia Hey Ho The Lumineers Turbulence Laidback Luke Steve Aoki Lil Jon Pursuit of Happiness Steve Aoki Heads will roll Yeah yeah yeah's A-trak remix Mercy Kanye West Crazy in love Beyonce and Jay-z Pop that Rick Ross, Lil Wayne, Drake Reason Nervo & Hook N Sling All night longer Sammy Adams Timber Ke$ha, Pitbull Alive Krewella Teach me how to dougie Cali Swag District Aye ladies Travis Porter #GETITRIGHT Miley Cyrus We can't stop Miley Cyrus Lip gloss Lil mama Turn down for what Laidback Luke Get low Lil Jon Shots LMFAO We found love Rihanna Hypnotize Biggie Smalls Scream and Shout Cupid Shuffle Wobble Hips Don’t Lie Sexy and I know it International Love Whistle Best Love Song Chris Brown Single Ladies Danza Kuduro Can’t Hold Us Kiss You One direction Don’t You worry Child Don’t
    [Show full text]
  • Introduction
    Chapter I Introduction 1.1 Background of the Study Feminism is a movement that advocates for gender equality. The goal of feminism is for all people to be treated equally. This movement appears because women are sick that they are got no rights, cannot give opinions freely, cannot vote, cannot work, cannot get a fair education, to earn fair wages, and told to behave, unlike men. They want to change their lives to have a free life that not strict by their genders roles and wanted an equality between men and women by having the same opportunities that men received. Therefore, feminism has helped a lot of women to live their life to be free and had a huge impact on the everyday role of women in fighting what they believe in. The difference between feminism from other social movement is feminism focusing on gender and how it relates to the oppression of women all around the world. Female empowerment is the movement to make all the feminist goal to happen. Without female empowerment, feminism goal will not be achieved because, if women do not march to empower others, how can others understand what women want, what women have been through, what equal rights are if not properly given the understanding if women do not speak up and women do not 1 fight for it. Female empowerment is to empower other people. To invite all people, to fight together for their rights, to fight for equality. Empowerment enables them to take control of their lives, and their rights. Besides, organize to help each other and make demands on the nation to back and support their movement and for the society for a change of men perspective of women.
    [Show full text]
  • Representation of Black Women Power in Beyoncé Knowless's
    E-Structural p-ISSN: 2621-8844 Vol 4 No 1 e-ISSN: 2621-9395 Representation of Black Women Power in Beyoncé Knowless’s “Run the World (Girls)” Neni Kurniawati Universitas Dian Nuswantoro ([email protected]) Article History: Submitted June 14th, 2021; Accepted July 29th, 2021; Published August 3rd, 2021 Abstract. A Song is one of the propaganda media uses to construct or reproduce an ideology. Beyoncé Knowless' song “Run the World (girls)” is an example of a song that raises the issue of Black Feminism Thought. This paper will discuss how textual and discursive practices construct the paradigm of black women power or black feminism thought through the signs in the text of the song lyrics and video of the song. This study will use the theory and methods of Paul Ricouer's hermeneutics by analyzing the text as a basis for interpreting, discourse theory, and feminism. The structure of the text in the lyrics and the visual signs in the video of the respective song will be interpreted to understand the meaning and its relation with ideology reproduced in the song. The results show that the dialectic of verbal and visual signs represent black women power and aim to bolster black women to become well-respected ones, especially by black men. The independence of black women in the economic and educational aspects, as well as the ability to bear children are the discourses that are reproduced by the singer to make social changes in black people’s life. The presence of this song is also related to the black feminist movement which propagates their ideology through songs.
    [Show full text]