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Edward M. Eyring
The Chemistry Department 1946-2000 Written by: Edward M. Eyring Assisted by: April K. Heiselt & Kelly Erickson Henry Eyring and the Birth of a Graduate Program In January 1946, Dr. A. Ray Olpin, a physicist, took command of the University of Utah. He recruited a number of senior people to his administration who also became faculty members in various academic departments. Two of these administrators were chemists: Henry Eyring, a professor at Princeton University, and Carl J. Christensen, a research scientist at Bell Laboratories. In the year 2000, the Chemistry Department attempts to hire a distinguished senior faculty member by inviting him or her to teach a short course for several weeks as a visiting professor. The distinguished visitor gets the opportunity to become acquainted with the department and some of the aspects of Utah (skiing, national parks, geodes, etc.) and the faculty discover whether the visitor is someone they can live with. The hiring of Henry Eyring did not fit this mold because he was sought first and foremost to beef up the graduate program for the entire University rather than just to be a faculty member in the Chemistry Department. Had the Chemistry Department refused to accept Henry Eyring as a full professor, he probably would have been accepted by the Metallurgy Department, where he had a courtesy faculty appointment for many years. Sometime in early 1946, President Olpin visited Princeton, NJ, and offered Henry a position as the Dean of the Graduate School at the University of Utah. Henry was in his scientific heyday having published two influential textbooks (Samuel Glasstone, Keith J. -
2011-Summer.Pdf
BOWDOIN MAGAZINE VOL. 82 NO. 2 SUMMER 2011 BV O L . 8 2 N Oow . 2 S UMMER 2 0 1 1 doin STANDP U WITH ASOCIAL FOR THECLASSOF1961, BOWDOINISFOREVER CONSCIENCE JILLSHAWRUDDOCK’77 HARI KONDABOLU ’04 SLICINGTHEPIEFOR THE POWER OF COMEDY AS AN STUDENTACTIVITIES INSTRUMENT FOR CHANGE SUMMER 2011 CONTENTS BowdoinMAGAZINE 24 AGreatSecondHalf PHOTOGRAPHS BY FELICE BOUCHER In an interview that coincided with the opening of an exhibition of the Victoria and Albert’s English alabaster reliefs at the Bowdoin College Museum of Art last semester, Jill Shaw Ruddock ’77 talks about the goal of her new book, The Second Half of Your Life—to make the second half the best half. 30 FortheClassof1961,BowdoinisForever BY LISA WESEL • PHOTOGRAHS BY BOB HANDELMAN AND BRIAN WEDGE ’97 After 50 years as Bowdoin alumni, the Class of 1961 is a particularly close-knit group. Lisa Wesel spent time with a group of them talking about friendship, formative experi- ences, and the privilege of traveling a long road together. 36 StandUpWithaSocialConscience BY EDGAR ALLEN BEEM • PHOTOGRAPHS BY KARSTEN MORAN ’05 The Seattle Times has called Hari Kondabolu ’04 “a young man reaching for the hand-scalding torch of confrontational comics like Lenny Bruce and Richard Pryor.” Ed Beem talks to Hari about his journey from Queens to Brunswick and the power of comedy as an instrument of social change. 44 SlicingthePie BY EDGAR ALLEN BEEM • PHOTOGRAPHS BY DEAN ABRAMSON The Student Activity Fund Committee distributes funding of nearly $700,000 a year in support of clubs, entertainment, and community service. -
Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook Is the Property Of
Alpha Chi Sigma Sourcebook A Repository of Fraternity Knowledge for Reference and Education Academic Year 2013-2014 Edition 1 l Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook is the property of: ___________________________________________________ ___________________________________________________ Full Name Chapter Name ___________________________________________________ Pledge Class ___________________________________________________ ___________________________________________________ Date of Pledge Ceremony Date of Initiation ___________________________________________________ ___________________________________________________ Master Alchemist Vice Master Alchemist ___________________________________________________ ___________________________________________________ Master of Ceremonies Reporter ___________________________________________________ ___________________________________________________ Recorder Treasurer ___________________________________________________ ___________________________________________________ Alumni Secretary Other Officer Members of My Pledge Class ©2013 Alpha Chi Sigma Fraternity 6296 Rucker Road, Suite B | Indianapolis, IN 46220 | (800) ALCHEMY | [email protected] | www.alphachisigma.org Click on the blue underlined terms to link to supplemental content. A printed version of the Sourcebook is available from the National Office. This document may be copied and distributed freely for not-for-profit purposes, in print or electronically, provided it is not edited or altered in any -
Cornell Chemistry
CORNELL CHEMISTRY Chairman's Column In the last issue of Cornell Chemistry, Roald Hoffmann told you that he was stepping down as department chairman and kindly introduced me as his successor. Here, I have the opportunity to thank Roald, in the name of all Cornell chemists, past, present, and future, for his many efforts on behalf of us all. We are well aware of Roald's illustrious scientific achievements; I can tell you that he also applied his extraordinary skills to the administration of this office to strengthen and make more secure the framework upon which depends the future success of the department. Thank you Roald, and please stay close to the telephone because I have a lot of questions! One question I can now answer is, "What, exactly, does the chairman do"? Having served on the job since the beginning of July, I have at least a rough THE NEWSLETTER idea. Surprisingly, there is relatively little routine paperwork to worry about. OF THE Most all of the administrative details are handled quite admirably by our efficient staff under the direction of Earl Peters, our Executive Director. He and I work DEPARTMENT OF closely together on a day-to-day basis; yes, one of my first acts in office was CHEMISTRY approving the new Chemistry Department dog ordinance. On an altogether AND THE SOCIETY OF different intellectual plane are some more interesting issues. How can we continue our long tradition of excellence in research, teaching, and service? CORNELL CHEMISTS How do we make available the resources required to make us even a stronger department? Cornell University Baker Laboratory In many ways, we stand at the threshold of the 21st Century. -
A Moral Persuasion: the Nazi-Looted Art Recoveries of the Max Stern Art Restitution Project, 2002-2013
A MORAL PERSUASION: THE NAZI-LOOTED ART RECOVERIES OF THE MAX STERN ART RESTITUTION PROJECT, 2002-2013 by Sara J. Angel A thesis submitted in conformity with the requirements for the degree of PhD Graduate Department Art University of Toronto © Copyright by Sara J. Angel 2017 PhD Abstract A Moral Persuasion: The Nazi-Looted Art Recoveries of the Max Stern Art Restitution Project, 2002-2013 Sara J. Angel Department of Art University of Toronto Year of convocation: 2017 In 1937, under Gestapo orders, the Nazis forced the Düsseldorf-born Jewish art dealer Max Stern to sell over 200 of his family’s paintings at Lempertz, a Cologne-based auction house. Stern kept this fact a secret for the rest of his life despite escaping from Europe to Montreal, Canada, where he settled and became one of the country’s leading art dealers by the mid-twentieth century. A decade after Stern’s death in 1987, his heirs (McGill University, Concordia University, and The Hebrew University of Jerusalem) discovered the details of what he had lost, and how in the post-war years Stern travelled to Germany in an attempt to reclaim his art. To honour the memory of Max Stern, they founded the Montreal- based Max Stern Art Restitution Project in 2002, dedicated to regaining ownership of his art and to the study of Holocaust-era plunder and recovery. This dissertation presents the histories and circumstances of the first twelve paintings claimed by the organization in the context of the broader history of Nazi-looted art between 1933-2012. Organized into thematic chapters, the dissertation documents how, by following a carefully devised approach of moral persuasion that combines practices like publicity, provenance studies, law enforcement, and legal precedents, the Max Stern Art Restitution Project set international precedents in the return of cultural property. -
Carl Djerassi, Pictured Here with Artwork from His Collection
Carl Djerassi, pictured here with artwork from his collection. This sculpture, by artist Niki de Saint Phalle, is entitled “Wise Man.” Photograph by Walter van Schalkwijk. Carl Djerassi: Renaissance Scientist Par Excellence by Krishnan Rajeshwar and Walter van Schalkwijk arl Djerassi was born in Vienna, Austria, and received his Fritzsche Award (1960), Award for Creative Invention (1973), education at Kenyon College (AB summa cum laude, Award in the Chemistry of Contemporary Technological Prob- 1942) and the University of Wisconsin (PhD, 1945). After lems (1983), Priestley Medal (1992), Willard Gibbs Medal (1997), four years as research chemist with CIBA Pharmaceutical and Othmer Gold Medal (2000). Co. in Summit, New Jersey, he joined Syntex, S.A., in Carl Djerassi is a member of the U.S. National Academy of Mexico City in 1949 as associate director of chemical Sciences and of its Institute of Medicine, as well as a member of Cresearch. In 1952, he accepted a professorship at Wayne State the American Academy of Arts and Sciences, the Royal Swedish University, and in 1959 his current position as professor of Academy of Sciences, and many other learned societies. He has chemistry at Stanford University. received 18 honorary doctorate degrees from various academic Concurrently with his academic positions, he also held var- institutions around the world. ious posts at Syntex during the period 1957-1972, including that Djerassi has embarked on a second career in writing of president of Syntex Research (1968-1972). In 1968, he helped including five “science-in-fiction” novels: Cantor’s Dilemma; The found Zoecon Corporation, a company dedicated to developing Bourbaki Gambit; Marx, Deceased; Menachem’s Seed; and NO. -
THE NINETY-THIRD PRESENTATION of the WILLARD GIBBS MEDAL (Founded by William A
http:/chicagoacs.org MAY• 2004 THE NINETY-THIRD PRESENTATION OF THE WILLARD GIBBS MEDAL (Founded by William A. Converse) to PROFESSOR RONALD BRESLOW sponsored by the CHICAGO SECTION AMERICAN CHEMICAL SOCIETY FRIDAY, MAY 21, 2004 North Shore Lights at The iation for a nametag , and your check. Acceptance of the Award Hotel Moraine Be sure to include your address. 700 North Sheridan Road Tables fo r ten are availab le. If you Highwood, Illinois would like a table for a group, please 847-433-6366 put the ir names on a separate sheet and include it with your registration. DIRECTIONS TO THE MEETING From the North or South: Take 1-294 (continued on page 2) (the TriState Tollway) to Route 22. Exit east, take it to Route 41 (Skokie Hwy). AWARD CEREMONY 8:30 P.M. Turn north to the next exit, Old Elm. Go east on Old Elm to Sheridan Road Oust The Willard Gibbs Medal across some railroad tracks) . Turn right/south for 3/4 mile. The hotel is on Milt Levenberg, Chair the right. Chicago Section, ACS From Downtown: Take the Kennedy Introduction of the Medalist Expressway north. At the split , follow the Edens Expressway , which turns Madeleine Jacobs Executive Director & CEO, ACS into Skokie Highway past Lake Cook Dr. Ronald Breslow Road. Continue north to Old Elm Road. Presentation of the Medal Samuel Latham Mitchill Professor of Turn right/east on Old Elm and follow Chemistry and University Professor the directions above to the hotel. Dr. Charles P. Casey Department of Chemistry President, ACS Columbia University Parking: Free New York, NY RECEPTION 6:00-7:00 P.M. -
C-H and H-H Activation in Transition Metal Complexes and on Surfaces
2006 J. Am. Chem. SOC.1984, 106, 2006-2026 C-H and H-H Activation in Transition Metal Complexes and on Surfaces Jean-Yves Saillard and Roald Hoffmann* Contribution from the Department of Chemistry, Cornell University, Ithaca, New York 14853 Received August 15, I983 Abstract: The breaking of the H-H bond in H2 and a C-H bond in CH4 on both discrete transition metal complexes and Ni and Ti surfaces is studied, and the essential continuity and similarity of the physical and chemical processes in the two cases is demonstrated. We begin with an orbital analysis of oxidative addition, delineating four basic interactions: H-H or C-H u - M electron transfer, the reverse M - u* transfer (both weakening the u bond, forming the M-H bond), a repulsive interaction between (r and metal filled orbitals, and a rearrangement of electron density at the metal. The molecular cases analyzed in detail are d6 ML,, d8 ML4 and CpM’L. Coordinative unsaturation is necessary, and consequently u - M electron transfer dominates the early stages of the reaction. Steric effects are important for the CH, reaction. Activation in angular ML4 or CpM’L is achieved through a destabilized yz MO, and dIo ML, and ML2 candidates for activation are described. For our study of the surface we develop tools such as projections of the density of states and crystal orbital overlap populations-the extended structure analogues of a population analysis. These allow a clear understanding of what happens when an H2 or a CH, molecule approaches a surface. Because of the higher energy of the occupied metal orbitals on the surface, the M - u* interaction leads the reaction. -
Study Guide for Oxygen
STUDY GUIDE for OXYGEN By Carl Djerassi and Roald Hoffmann 1 The authors of the play “Oxygen” have distinguished careers as chemists. And they also have a commitment to reaching out to the general public, each in a distinct way, through essays, books, poems, novels, and plays. “Oxygen” is a play they have written together. The play has been performed in the USA, the UK and Germany, and broadcast over UK and German radio. It has also been published in book form in English, and in German translation, by Wiley-VCH. The play and the book serve as an excellent introduction to the culture and mores of science and scientists. The nature of discovery, the critical role of competition and priority, the joy and drama of discovery, the role of women in science – these are some of the issues that emerge in a lively, witty play. We believe “Oxygen,” whether in play or book form, can serve an important educational mission, stimulating interest and debate about the nature of science in young people. To help teachers at both the secondary and university level to present the play to young people, we have written this study guide. It first summarizes the play, and gives an extended description of the main characters (a selection of literature on the protagonists is also included). Then it sets some of the historical background for the events of the play, especially that of an erroneous but plausible chemical theory, phlogiston. And the way the discovery of oxygen played the critical role in the chemical revolution. We also include an essay by one of us on the way science has been portrayed in contemporary theatre. -
Remembering Melvin Calvin (1911–1997), a Highly Versatile Scientist of the 20Th Century
Remembering Melvin Calvin (1911–1997), a highly versatile scientist of the 20th century Govindjee Govindjee, Arthur Nonomura & Hartmut K. Lichtenthaler Photosynthesis Research Official Journal of the International Society of Photosynthesis Research ISSN 0166-8595 Photosynth Res DOI 10.1007/s11120-019-00693-y 1 23 Your article is protected by copyright and all rights are held exclusively by Springer Nature B.V.. This e-offprint is for personal use only and shall not be self-archived in electronic repositories. If you wish to self-archive your article, please use the accepted manuscript version for posting on your own website. You may further deposit the accepted manuscript version in any repository, provided it is only made publicly available 12 months after official publication or later and provided acknowledgement is given to the original source of publication and a link is inserted to the published article on Springer's website. The link must be accompanied by the following text: "The final publication is available at link.springer.com”. 1 23 Author's personal copy Photosynthesis Research https://doi.org/10.1007/s11120-019-00693-y HISTORY AND BIOGRAPHY Remembering Melvin Calvin (1911–1997), a highly versatile scientist of the 20th century Govindjee Govindjee1 · Arthur Nonomura2 · Hartmut K. Lichtenthaler3 Received: 7 October 2019 / Accepted: 17 November 2019 © Springer Nature B.V. 2019 Abstract Melvin Calvin (1911–1997) was the recipient of the 1961 Nobel Prize in Chemistry for the discovery of the canonical pho- tosynthetic carbon reduction cycle. We present here a very brief glimpse of this extraordinary American scientist, who in his time was a preeminent force in physical and organic chemistry. -
JUN 2 7 2013 JUNE 2013 LIBRAR ES 02013 Mariel A
Life behind ruins: Constructing documenta by Mariel A. Viller6 B.A. Architecture Barnard College, 2008 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF ARCHVES MASTER OF SCIENCE IN ARCHITECTURE STUDIES MASSACHUSETTS INSTTE AT THE OF TECHNOLOGY MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 7 2013 JUNE 2013 LIBRAR ES 02013 Mariel A. Viller6. All rights reserved. The author hereby grants MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: Department of Architecture May 23,2013 Certified by: Mark Jarzombek, Professor of the Histo4y 7eory and Criticism of Architecture Accepted by: Takehiko Nagakura, Chair of the Department Committee on Graduate Students 1 Committee Mark Jarzombek,'Ihesis Supervisor Professor of the History, Theory and Criticism of Architecture Caroline Jones, Reader Professor of the History of Art 2 Life behind ruins: Constructing documenta by Mariel A. Viller6 B.A. Architecture Barnard College, 2008 Submitted to the Department of Architecture on May 23,2013 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract A transnational index of contemporary art, documenta in its current form is known in the art world for its scale, site-specificity and rotating Artistic Directors, each with their own theme and agenda. On a unique schedule, the expansive show is displayed in Kassel, Germany from June to September every five years. The origins of the exhibition-event are embedded in the postwar reconstruction of West Germany and a regenerative national Garden Show. -
Werner Haftmann As the Director of the Neue Nationalgalerie in Berlin
692 V. Benedettino УДК: 7.036(4), 069.02:7 ББК: 79.17 А43 DOI: 10.18688/aa200-5-66 V. Benedettino Werner Haftmann as the Director of the Neue Nationalgalerie in Berlin (1967–1974): Survey of the Curatorial Concept in the West German National Modern Art Gallery during the Cold War The following paper will present preliminary results related to key aspects of Werner Haft- mann’s curatorial activity as the director of the Neue Nationalgalerie in Berlin from 1967 un- til 1974. The archival research was undertaken in several public archives in Germany and Italy in the frame of my Ph. D. at Universität Heidelberg and École du Louvre in Paris1. Firstly, Haftmann’s biography will be briefly outlined in order to contextualize his career as an art historian in the first half of the 20th century in Germany, Italy, and after World War II in West Germany. Afterwards, the circumstances of his appointment as the director of the Neue Na- tionalgalerie, built by the renowned architect Mies van der Rohe in West Berlin from 1965 until 1968, will be discussed. Finally, Haftmann’s curatorial concept concerning temporary exhibitions and artworks purchase policy, in addition to his statement about the mission of a national modern art museum will be highlighted. The professional career of Werner Gustav Haftmann (1912–1999) must be analysed in the light of the turbulent political and historical events that occurred in Germany during the 20th century. The art historian started a successful career in the 1930s during the repressive Nazi regime and consolidated it after World War II, in the time of West Germany’s recon- struction.