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University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

TABLE OF CONTENTS

Biographical Sketch …………………………………………………………………… 2 Scope and Content …………………………………………………………………… 4 Series Notes …………………………………………………………………………… 4

Series I: Radio Station Material …………………………………………………… 7 Series II: Scores …………………………………………………………… 7 Series III: Jay McShann Material …………………………………………………… 7 Series IV: Miscellaneous Material …………………………………………………… 9 Series V: Photographs …………………………………………………………… 9 Series VI: Memorabilia …………………………………………………………… 9

Addendum I …………………………………………………………………………… 10 Addendum I – Series I: Personal …………………………………………… 10 Addendum I – Series II: Radio …………………………………………… 10 Addendum I – Series III: Jay McShann …………………………………… 10 A. Confessin’ the Drafts …………………………………… 10 B. Interviews for Confessin’ the Blues …………………………… 11 C. Research Materials …………………………………………… 11 D. Correspondences …………………………………………………… 12 E. Publication …………………………………………………………… 12 F. Miscellaneous …………………………………………………… 12 Addendum I – Series IV: …………………………………… 12 A. Condell’s Writings …………………………………………………… 12 B. Research Articles …………………………………………………… 13 C. Conferences/Events …………………………………………… 14 D. Miscellaneous …………………………………………………… 15 Addendum I – Series V: Periodicals …………………………………………… 15 A. Review …………………………………………………… 15 B. Soundboard …………………………………………………… 15 C. Miscellaneous Magazines/Journals …………………………… 16 D. Newspaper and Article Clippings …………………………………… 16 Addendum I – Series VI: Music …………………………………………… 16 A. Guitar …………………………………………………………… 16 B. …………………………………………………… 26 C. /Vocal Sheet Music …………………………………………… 30 D. Condell Compositions and Arrangements …………………………… 31 E. Other Instruments …………………………………………………… 31 Addendum I – Series VII: Guitar Technique and Teaching …………………… 32 Addendum I – Series VIII: …………………………………… 35 A. Theory …………………………………… 35 B. Jazz Theory …………………………………………………… 36 Addendum I – Series IX: Published Books …………………………………… 36

MS48-James F. Condell Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

BIOGRAPHICAL SKETCH

James Franklin Condell, the second son of Dr. Charles Homer Condell and Mrs. Mary Jane Fielding Condell, was born October 10, 1921, in Louisville, Kentucky, where he grew up. At an early age, he developed a keen interest in music, especially music played by the big bands of the era. As a young child, he listened for hours to the radio broadcasts featuring bands that played in the famous hotels around the country.

At age 14 he played his first job with a local in Louisville. He played piano and was in great demand because he knew dozens of tunes, and he was reliable, always arriving early to set up to play for the evening. Upon graduation from high school, he was awarded a music scholarship to study at Kentucky State College in Frankfort, Kentucky. Because there was another piano player on scholarship in the band, James took up guitar and played for four years with the "Kentucky State Collegians," the official college band. Upon graduation in 1942, he enrolled in a Signal Corps Course and, upon completion of the course, was drafted into the United States Army Air Corp and served from 1943-1946.

As a sociology major in college, James debated whether he wanted to pursue an academic course or to pursue a career in music. After his discharge from the Army in 1946, he spent a year in Nashville, Tennessee, playing in a house band of a nightclub. After a year as a professional , James decided to prepare for an academic career, with music as his avocation. He earned a Master's Degree from Columbia University in 1948 and began an academic career at Maryland State College, serving as Dean of Men and Director of the Men's Glee Club. He returned to New York in 1949 to pursue doctoral studies. While studying at New York University, he was offered a position at Florida A&M University in Tallahassee. He was a member of the faculty for six years.

After earning a doctorate at the University of Nebraska, he served as a clinical psychologist for seven years at mental health institutions in Fergus Falls, Minnesota. He missed the classroom and the company of young, inquiring minds, so he decided to return to the academic world by accepting a position as Professor of Psychology at Minnesota State University in Moorhead. He served for 27 years, ten years as Chair of the Psychology Department.

Always deeply involved in music, he studied for two years at the Royal Conservatory of Music in , . While living in Madrid, he connected with jazz and played with some of the leading jazz musicians, both Spanish and American musicians living in Spain, as well as visiting American musicians playing in local clubs.

Upon his retirement from Minnesota State University in 1992, he devoted all of his time to music, writing and arranging charts for local musicians, as well as playing in local groups. For 13 years, he produced and hosted "Condell's Corner," a weekly jazz program on KDSU, North Dakota State University's Public Radio Station in Fargo, His audience was wide, reaching the entire Red River Valley in Minnesota and North Dakota, and parts of South Dakota, Montana, and Canada. He played his last engagement two weeks before his death on September 4, 1998.

MS48-James F. Condell Collection 2 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

Dr. James Condell and Dr. Yvonne C. Condell, Professor Emerita of Biology at Minnesota State University, were married for 46 years. She survived him.

Biographical information provided by Dr. Yvonne C. Condell.

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SCOPE AND CONTENT

The James F. Condell Collection was gifted to LaBudde Special Collections by Dr. Yvonne C. Condell, wife of the late Dr. James F. Condell. The collection focuses on Condell’s longtime interest and scholarly pursuits in the field of jazz from 1980-1998, although some items date back to his in the early 1970s. Included in the collection is information on his radio programs, A Little Jazz Music and Condell’s Corner, which aired on KCCM 91.1FM in Moorhead, Minnesota, and KDSU 91.9FM in Fargo, North Dakota, respectively. Also included is research material about Kansas City Jazz pianist Jay McShann and the writing of his autobiography, on which Condell worked closely with McShann. Other material includes a collection of music scores, some of which possibly date from his musical studies in Spain; a small photograph collection; correspondence; writings and notes; various articles and clippings; and other miscellaneous ephemera and memorabilia.

An addendum to the collection primarily focuses on his interest in jazz music and his writings on jazz. Condell was an avid researcher of jazz, and had a great amount of research dedicated to Duke Ellington and Jay McShann. There is also a large collection of guitar sheet music, music theory texts, and jazz arrangements.

Sound recordings from this collection are housed separately in the Marr Sound Archives.

SERIES NOTES

Series I: Radio Station Material Series I is contained in Boxes 1-3. Condell hosted two different radio programs. The first was A Little Jazz Music, airing July 19, 1980 – January 30, 1982, on KCCM 91.1FM in Moorhead, Minnesota. The program included a 3-4 minute editorial on some facet of jazz, entitled “Condell’s Corner.” The next program was titled Condell’s Corner, which first aired February 6, 1982 on KDSU 91.9FM in Fargo, North Dakota. This series contains approximately 250 play lists dating July 19, 1980 – December 5, 1994. The play lists are arranged in chronological order. The series also contains program schedules for Condell’s Corner for February 1982 – August 1995. Most of them are typed, but a few handwritten drafts are included. The program schedules are arranged in chronological order. Other miscellaneous items are included such as radio station information, business cards, and clip art.

Series II: Music Scores Series II is contained in Box 4. This series includes over 75 pieces of published sheet music and over 45 pieces of unpublished sheet music. Also included are several copies of Things Get Better All the Time, an original score by Condell. The series is arranged by published and unpublished scores, with separate folders for Condell’s composition and miscellaneous music material.

Series III: Jay McShann Material Series III is contained in Boxes 5-7. This series consists of material, compiled by Condell, related to Kansas City Jazz pianist Jay McShann and the writing of his autobiography. Included are a 311-page unpublished manuscript, Confessin’ the Blues: the Autobiography of Jay

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McShann with James F. Condell; interview transcripts and notes; correspondence (arranged in chronological order); a book proposal to University of Missouri Press; a contract agreement between McShann and Condell; discographies and timelines; and other research material such as articles, clippings, notes and ephemera about McShann. Note: Related photographs from this series are housed in Series V of the collection.

Series IV: Miscellaneous Material Series IV is contained in Box 8. This series contains biographical information, including a job resume; general correspondence, the majority of which are from fans of his radio program (and arranged in chronological order); an interview with Condell conducted by Bill Jones in 1990; miscellaneous writings and notes by Condell; presentation and performance programs in which Condell participated; articles and paperwork used for instruction and teaching; seminar ephemera; and a French Slang Dictionary.

Series V: Photographs Series V is contained in Box 9 consisting of 40 images. Included are 15 prints and a negative strip containing two exposures of Kansas City jazz pianist Jay McShann, dating circa late 1930s to circa early 1990s. Also included in this series are snapshots of Lake Superior from 1980; a latter-day studio portrait of Condell; publicity shots of jazz musicians Art Tatum, Doc Cheatham and Tete Montoliu; snapshots related to Condell’s 1996 visit to Kansas City for the induction of musicians Lawrence Wright and Leon Estell into the Kansas City Elder Statesmen of Jazz; and other miscellaneous images. Images in this series are 8 x 10 or smaller, and are a mixture of color and black-and-white.

Series VI: Memorabilia Series VI is contained in Box 10. Included are two wall calendars (Classic Jazz series) from 1986 and 1996; a musician’s foot pedal; and assorted guitar strings.

ADDENDUM I – SERIES NOTES

Addendum I – Series I: Personal Series I is contained in Box 11, Folders 1-5 and Box 11A. It features Condell’s writings on jazz, an Oral History interview he participated in, jazz programs, a few photos, and some miscellaneous items. It also includes a Doll from 1984.

Addendum I – Series II: Radio Series II is contained in Box 11, Folders 6-16. It features scripts and playlists used on his radio show Condell’s Corner from December of 1985 to July of 1992.

Addendum I – Series III: Jay McShann Series III is contained in Box 11, Folders 17-23; Box 12, Folders 1-18; Box 13, Folders 1-14; and Box 14, Folder 1. It features materials related to the autobiography Condell worked on with jazz pianist and bandleader, Jay McShann. Draft copies of the autobiography, Confessin’ the Blues, are in the series, as well as a Jazz Oral History interview done with McShann at the Smithsonian. Typed and handwritten transcripts of Condell’s interviews with McShann are

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included, and the recordings are housed in the Marr Sound Archives. There are also a number of correspondences between McShann and Condell in this series.

Addendum I – Series IV: Duke Ellington Series IV is contained in Box 13, Folders 15-27; Box 14, Folders 2-4; and Box 15, Folders 1-12. It features materials related to Condell’s research on Duke Ellington. There are a number of articles about Ellington in the series, as well as notes for a book Condell was working on about Ellington. Condell attended a number of Ellington Conferences in the 1980s and 1990s and his documents from these conferences are available in the series.

Addendum I – Series V: Periodicals Series V is contained in Box 16, Folders 1-7; Box 17, Folders 1-8; and Box 18, Folders 1-4. It contains a number of musical journals including Guitar Review, Soundboard, Down Beat and Stereo Review. Plus it contains a number of jazz, guitar, and Condell related newspaper clippings.

Addendum I – Series VI: Music Series VI is contained in Box 19, Folders 1-18; Box 20, Folders 1-19; Box 21, Folders 1-6; Box 22, Folders 1-5; Box 23, Folders 1-7; and Box 24, Folders 1-10. It contains an abundance of published sheet music, jazz arrangements used by Condell, and some of Condell’s original compositions. It is divided into three subseries: Guitar, Jazz Arrangements, Piano/Vocal Sheet Music, Condell Compositions and Arrangements, and Other Instruments. Guitar and Piano/Vocal Sheet music is organized alphabetically by last name (or editor last name for anthologies). Jazz Arrangements and Condell compositions are organized alphabetically by title name.

Addendum I – Series VII: Guitar Technique and Teaching Series VII is contained in Boxes 25-33 and Box 14, Folder 5. It consists of a plethora of manuals and exercises used by Condell to teach and learn guitar. Titles are arranged alphabetically by editor/author last name.

Addendum I – Series VIII: Music Theory Series VIII is contained in Boxes 34-37. It contains a number of music theory texts. It is divided into two subseries: Western Classical Music Theory and Jazz Theory. Titles are arranged alphabetically by editor/author last name.

Addendum I – Series IX: Published Books Series IX consists of published books. These items have been catalogued in the UMKC Library Catalog and are housed with LaBudde Special Collections’ rare book collection.

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CONTAINER LIST

SERIES I: RADIO STATION MATERIAL

Box Folder Description

A. A Little Jazz Music 1 1 Program 1, 7/19/80-Program 8, 10/25/80 2 Program 10, 11/1/80-Program 19, 1/10/81 3 Program 20, 1/17/81-Program 42, 7/4/81 4 Program 44, 7/18/81-Program 66, 1/30/82

B. Condell’s Corner 5 Program 1, 2/6/82-Program 51, 2/5/83 6 Program 52, 2/12/83-Program 94, 12/17/83 7 Program 95, 12/24/83-Program 129, 8/25/84 2 1 Program 539, 5/14/93-Program 552, 10/6/92 2 Program 553, 10/20/92-Program 570, 2/8/93 3 Program 571a, 2/8/93-Program 587, 4/20/93 4 Program 588, 4/20/93-Program 669, 12/5/94 3 1 Program Schedules

C. Miscellaneous 2 Notes 3 Miscellaneous

SERIES II: MUSIC SCORES

Box Folder Description 4 1 Published Sheet Music [1 of 4] 2 Published Sheet Music [2 of 4] 3 Published Sheet Music [3 of 4] 4 Published Sheet Music [4 of 4] 5 Unpublished Sheet Music [1 of 2] 6 Unpublished Sheet Music [2 of 2] 7 Things Get Better All the Time, original score by Condell 8 Miscellaneous

SERIES III: JAY MCSHANN MATERIAL

Box Folder Description

A. Confessing the Blues: the Autobiography of Jay McShann

5 1 Introductory parts: Cover Page, Title Page, Copyright Page, Dedication, Table of Contents, and Prelude (pg. 1-10)

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5 2 Chapter One (pg. 11-30) 3 Chapter Two (pg. 31-49) 4 Chapter Three (pg. 50-65) 5 Chapter Four (pg. 66-85) 6 Chapter Five (pg. 86-103) 7 Chapter Six (pg. 104-129) 8 Chapter Seven (pg. 130-216) 9 Chapter Eight (pg. 217-236) 10 Coda (pg. 237-247) 11 Appendices (pg. 248-311): (a) Location of Engagements/Performances; (b) Discography [see also Series III, box 7, folder 8]; (c) Musicians With Whom I Have Worked; (d) Some Influential People And Organizations In My Life; (e) Films/Videos In Which I Have Appeared; (f) List Of Compositions; (g) Chronology [see also Series III, box 7, folder 9]

B. Jay McShann Interviews Conducted by Condell

6 1 Jay McShann Interview, Wellington Hotel, , March 23, 1976; (typed transcript; folder also includes early drafts) 2 Jay McShann Interview, April 3, 1986 (Typed transcript, 1 of 5) 3 Jay McShann Interview, April 3, 1986 (Typed transcript, 2 of 5) 4 Jay McShann Interview, April 4, 1986 (Typed transcript, 3 of 5) 5 Jay McShann Interview, April 5, 1986 (Typed transcript, 4 of 5) 6 Jay McShann Interview, April 5, 1986 (Typed transcript, 5 of 5) 7 Jay McShann Interview, April 1986, Early Drafts (Handwritten and/or typed transcript, 1 of 3) 8 Jay McShann Interview, April 1986, Early Drafts (Handwritten and/or typed transcript, 2 of 3) 9 Jay McShann Interview, April 1986, Early Drafts (Handwritten and/or typed transcript, 3 of 3)

C. Miscellaneous

7 1 Miscellaneous Interview Notes 2 Confessin’ The Blues: An Audiobiography of Jay McShann (radio script); produced at KDSU 91.9FM, Fargo, North Dakota; James F. Condell, host; taped January 11, 1989 3 Jay McShann Interview, December 11, 1978, conducted by Stanley and Helen Dance, Smithsonian Institution (Typed transcript, 1 of 2) 4 Jay McShann Interview, December 11, 1978, conducted by Stanley and Helen Dance, Smithsonian Institution (Typed transcript, 2 of 2) 5 Correspondence-McShann/Condell 6 Memorandum of Understanding-McShann/Condell (Contract, September 1990)

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7 7 Book Proposal/Book Outline (Typed proposal with book outline addressed to University of Missouri Press; folder also includes early drafts) 8 Discography-Jay McShann 9 Chronology/Timeline-Jay McShann 10 Articles/Clippings/Notes/Ephemera-Jay McShann 11 Miscellaneous

SERIES IV: MISCELLANEOUS MATERIAL

Box Folder Description 8 1 Biographical Material 2 Correspondence 3 Condell Material-Interview 4 Condell Material-Writings/Notes 5 Condell Material-Presentations/Performances 6 Instructional Materials-Teaching Aids/Classroom Materials 7 Instructional Materials-Articles/Workshops/Seminars 8 Instructional Materials-Miscellaneous

SERIES V: PHOTOGRAPHS An inventory of the photograph collection is accessible through an in-house database. Contact sheets are available for viewing to walk-in patrons or can be accessed online through the following web page: https://library.umkc.edu/archival-collections/condell. Contact Special Collections with specific questions or for more information.

SERIES VI: MEMORABILIA

Box Item Description 10 1 Wall Calendar, 1986: Classic Jazz, photography by Val Wilmer 2 Wall Calendar, 1996: Classic Jazz, photography by Lee Tanner 3 Musician’s foot pedal 4 Assorted guitar strings

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ADDENDUM I – CONTAINER LIST

ADDENDUM I – SERIES I: PERSONAL

Box Folder Description 11 1 Writings on jazz by Condell, including an Oral History interview he did with Bill Jones 2 Correspondences 3 Programs and flyers for jazz concerts, set lists for his jazz group, “Dave Burley’s Cavalcade of ” with autographs written out to Condell by Herb Ellis, Les Paul, , and Bucky Pizzarelli 4 Documents related to Psychology, mostly related to Erikson’s eight stages of development 5 Miscellaneous: texts he used for like “Comes Spring” and “Ira” plus other assorted documents and pictures. Pictures: Marian McPartland; Signed photo of guitarist John Williams, dated November 20, 1964; Signed photo of guitarist Oscar Ghiglia. 11A Louis “Satchmo” Armstrong Doll with metal stand, Effanbee 1984, does not contain original tag or

ADDENDUM I – SERIES II: RADIO

Box Folder Description 11 6 Condell’s Corner Program 1/7/84-Program 12/15/85 7 Program 130, 9/8/84-Program 183, 8/31/85 (Some episodes overlap with folder 6, but have notes) 8 Program 184, 9/7/85 –Program 228, 7/12/86 9 Program 229, 7/19/86-Program 314, 4/1/88 10 Program 446, 10/17/90 to Program 457, 1/2/91 11 Program 458, 1/9/91 to Program 465, 2/29/91 12 Program 466, 3/6/91 to Program 481, 6/19/91 (Missing 469-472) 13 Program 492, 9/4/91 to Program 506, 12/11/91 14 Program 507, 12/18/91 to Program 517, 2/26/92 15 Program 518, 3/4/92 to Program 530, 5/27/92, Special episode 7/29/92 16 Miscellaneous episode material

ADDENDUM I – SERIES III: JAY MCSHANN

Box Folder Description

A. Confessin’ the Blues Drafts

11 17 Confessin’ the Blues Complete Draft 18 Prelude: handwritten drafts, typed drafts with editorial markings 19 Chapter One: handwritten drafts, typed drafts with editorial markings 20 Chapter Two: handwritten drafts, typed drafts with editorial markings

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11 21 Chapter Three: handwritten drafts, typed drafts with editorial markings 22 Chapter Three (continued): handwritten drafts, typed drafts with editorial markings 23 Chapter Four: handwritten drafts, typed drafts with editorial markings 12 1 Chapter Five: handwritten drafts, typed drafts with editorial markings 2 Chapter Five (continued): handwritten drafts, typed drafts with editorial markings 3 Chapter Six: handwritten drafts, typed drafts with editorial markings 4 Chapter Seven: handwritten drafts 5 Chapter Eight: handwritten drafts, typed drafts with editorial markings 6 Coda: handwritten drafts, typed drafts with editorial markings 7 Appendix A: Location of Engagements/Performances, drafts and notes 8 Appendix B: Discography drafts and notes 9 Appendix C: Musicians with whom I have worked…; Appendix D: Some Influential People and Organizations in my Life; Appendix E: Films, Videos in which I have appeared; Appendix F: List of My Compositions; Appendix G: Chronology; draft and notes 10 Complete Appendices handwritten drafts and notes 11 Confessin’ the Blues: An Audio Biography taped January 11, 1989; handwritten and typed notes

B. Interviews for Confessin’ the Blues

12 Interview with Jay McShann Volume One: Conducted by James F. Condell Kansas City, MO, April 1986, typed copy 13 Interview with Jay McShann Volume Two: Conducted by James F. Condell Kansas City, MO, April 1986, typed copy 14 Interview with Jay McShann: Conducted by James F. Condell, April 4, 1986, Tape 3-Side 2 handwritten notes 15 Interview with Jay McShann: Conducted by James F. Condell, April 5, 1986, Tape 4-Side 1 handwritten notes 16 Interview with Jay McShann: Conducted by James F. Condell, April 5, 1986, Tape 4-Side 2 handwritten notes 17 Interview with Jay McShann: Conducted by James F. Condell, April 5, 1986, Tape 5-Side 1 handwritten notes 18 Interview with Jay McShann: Conducted by James F. Condell, April 5, 1986, Tape 5-Side 2 handwritten notes

[Tapes housed in Marr Sound Archives]

C. Research Materials

13 1 The Smithsonian Institution Jazz oral History Project: Interview with Jay McShann, Sides 1-2, December 11, 1978; conducted by Stanley and Helen Dance

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13 2 The Smithsonian Institution Jazz oral History Project: Interview with Jay McShann, Sides 3-4, December 11, 1978; conducted by Stanley and Helen Dance 3 The Smithsonian Institution Jazz oral History Project: Interview with Jay McShann, Sides 5-6, December 11, 1978; conducted by Stanley and Helen Dance 4 Articles collected by Condell to write about McShann 5 Music of Jay McShann 6 Miscellaneous notes and programs, two small books about Kansas City Jazz, photocopies of pictures of McShann

D. Correspondences

7 Correspondences between McShann and Condell 8 Correspondences between Condell and others regarding McShann and the book, 1984-1997

E. Publication

9 Book proposal sent to Oxford University Press 1992 10 Contract between Condell and McShann 1990, Notes on book publishers, Book proposal sent to University of Missouri Press 1996

F. Miscellaneous

11 Documents relating to the UMKC Honorary Doctorate McShann received in 1990, Condell attended the ceremony 12 Various travel documents 13 Articles on Writing 14 “The Jay McShann Journal” and other notes 14 1 “Jay McShann Kansas City Jazz Pioneer” poster

ADDENDUM I – SERIES IV: DUKE ELLINGTON

Box Folder Description

A. Condell’s Writings

13 15 Who is/was Duke Ellington? Book proposal, working journal, and bibliography 16 “The Elegant Legacy of Duke Ellington” notes for Communiversity- Concordia College February 7, 1993 17 “Duke Ellington—A Retrospective for Footwarmers and Stompers: A Jazz/Dance Extravaganza” Draft, and final copy

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B. Research Articles/Materials

13 18 Articles from 1936-1959 “The Crises” by Chester Rosenberg with notes by Condell “Swing (An Editorial)” written 1939 The Art of Jazz: Essays on the Nature and Development of Jazz edited by Martin T. William

19 Articles from 1975-1993 Review of the Ellington Band by Jim Fuller, 1975 “Chronology of Duke Ellington’s Life” by Derek Jewell, 1977 “On the Trail of Duke’s Mixture” by William Safire, 1983 “Ives and Ellington at Yale: Remembering the Composer as Folk Hero” by Jonathan Wiener, 1985 “All for the Love of Duke” by Jack Chambers, 1985 “Duke Ellington’s Life Seen as a Prime Example of Affect Tolerance” Written by Jerome I. Sashin, 1988 “Ellington: Reflections on Duke’s Amazing Legacy” by Wynton Marsalis, 1991, appears in Downbeat Articles Related to the Crystal Ball Room in 1992

20 Articles from 1993-1996 “Duke Ellington” by Leonard Feather in 1993, appears in Jazziz magazine Duke Ellington a Musical Genius, essays on Ellington appearing in Cobblestone magazine, May 1993 “Chronology of Ellington’s Recordings and Performances of Black, Brown and Beige, 1943-1973” by Sjef Hoefsmit, 1993 “Celebrating the Duke” by Whitney Balliet, 1993 “Black, Brown and Beige in Duke Ellington’s Repertoire, 1943-1973” by Andrew Homzy, 1993 “The Once and Future Duke” by Joseph Hooper, 1993 “Duke Ellington: The Man is the Music” review by John Litweiler, 1993 “Nothin’ without God: Duke Ellington’s prayerful music” by Janna Tull Steed, 1994 “From Duke Ellington, Themes for the Movies” review by Peter Watrous, 1996 “Duke’s Domain” by Howard Reich, 1996

21 Undated Article and other notes “Duke’s Music” by Mario Rapisarda

14 2 “Duke Ellington: The Fargo Connection” by James Condell in 1997, appears in High Plains Reader “The Ellington Era” by William Ruhlmann, 1993, appears in Goldmine

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3 Newspaper Clippings about the 1996 book Lush Life: A Biography of Billy Strayhorn and his relationship with Duke Ellington from The New York Times and Time magazine.

C. Conferences/Events

13 22 1987 Duke Ellington Conference in Toronto Conference documents, programs Travel Documents Participant list 23 1992 Trip to D.C. to see the Smithsonian Exhibit “Beyond Category: The Musical Genius of Duke Ellington” Notes from interviews in the Smithsonian 24 1989-1997 Documents and articles about the Smithsonian Exhibit “Beyond Category: The Musical Genius of Duke Ellington” 25 1992 Duke Ellington Conference in Copenhagen Programs Participant List Supplemental material from papers read at the conference Travel Documents 26 1992 Duke Ellington Conference in Copenhagen Sightseeing pamphlets Pamphlets from the conference vendors Small woven Denmark flags 27 1992 Duke Ellington Conference in Copenhagen Letter from Jack Towers June 20, 1992 Photos of Dick Burris and Jack Towers who recorded the 1940 live of Duke Ellington’s Orchestra in Fargo 7 Slides of Europe 15 1 1993 Duke Ellington Conference in New York City Program Booklet and Conference Information Participant list 14 4 1993 Duke Ellington Conference in New York City Vinyl tote from conference 15 2 1993 Duke Ellington Conference in New York City Conference related papers New York Times Article Tourist pamphlets 3 1994 Duke Ellington Conference in Stockholm Program booklet Newspaper articles about Jazz in Sweden 4 1994 Duke Ellington Conference in Stockholm His practice translations to Swedish Condell’s notes in English and Swedish 5 1994 Duke Ellington Conference in Stockholm

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Translation and notes by James F. Condell on the article “Född till music, Memoarer” 15 6 1994 Elegant Ellington Concert at Moorhead State University Newspaper Clippings Programs Concert program script by Condell 7 1995 Duke Ellington Conference in Pittsburgh Programs 8 1997 Celebration of Ellington in Fargo Documents related to library exhibits, concerts, and presentations Newspaper clippings about the events 9 1996 Duke Ellington Conference in Toronto Flyers and information for the 1996 conference 10 Miscellaneous programs from Ellington Events

D. Miscellaneous

11 Miscellaneous notes, documents, and correspondences 12 Pictures and postcards

ADDENDUM I – SERIES V: PERIODICALS

Box Folder Description

A. Guitar Review

16 1 1957 (No. 21) Spring 1972 (No. 36) Fall 1972 (No. 37) 2 Winter 1979 (No. 46) Spring 1981 (No. 48) Fall 1983 (No. 55) 3 Winter 1984 (No. 56) Spring 1985 (No. 61) Summer 1985 (No. 62) 4 Winter 1986 (No. 64) Spring 1988 (No. 73) Winter 1988 (No. 72)

B. Soundboard

5 May 1981 (Vol. VIII, No. 2) Summer 1982 (Vol. IX, No. 2) Fall 1982 (Vol. IX, No. 3) 6 Winter 1982-83 (Vol. IX, No. 4) Spring 1983 (Vol. X, No. 1)

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16 6 Summer 1986 (Vol. XIII, No. 2) 7 Spring 1987 (Vol. XIV, No. 1) Summer 1987 (Vol. XIV, No. 2) Winter 1987 (Vol. XIV, No. 4) 17 1 Spring 1988 (Vol. XV, No. 1) Winter 1988-89 (Vol. XV, No. 4) Summer 1989 (Vol. XVI, No. 2) 2 Fall 1989 (Vol. XVI, No. 3) Fall 1990 (Vol. XVII, No. 3) Spring 1991 (Volume XVIII, No. 1) 3 Summer 1991 (Volume XVIII, No. 2) Fall 1991 (Volume XVIII, No. 3) Fall/Winter 1992 (Volume XIX, No. 3) 4 Spring 1995 (Vol. XXI, No. 4) Summer 1995 (Vol. XXII, No. 1) Fall 1995 (Vol. XXII, No. 2) Summer 1997 (Vo. XXIV, No. 1)

C. Miscellaneous Magazines/Journals

17 5 Acoustic Guitar: June 1998 (No. 66) Arts Midwest: Art Link Letter December 1990 Arts Midwest Jazz Letter: Summer 1993 (Vol. II, No. 3) Dakota Arts Quarterly: Fall 1980 (No. 10) 6 Down Beat: September 1996 Down Beat: January 1997 7 Gig Magazine: August 1987 Jazz Educators Journal: Fall 1992 (Vol. XXV, No. 1) Midweek Eagle: August 16, 1993 (Vol. 25, No. 15) 8 Stereo Review: January 1997 Stereo Review: March 1998

D. Newspaper and Article Clippings

18 1 Articles written by/about Condell 2 Jazz related articles 3 Guitar related articles 4 Miscellaneous articles

ADDENDUM I – SERIES VI: MUSIC

Box Folder Description

Guitar

19 1 Ablóniz ed.: Antologia per Chitarra

MS48-James F. Condell Collection 16 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

19 1 Abril, Mario: 101 Intermediate Solos for the Classical Guitar Aguado, Dionisio: Variaciones Brillantes para Chitarra 2 Albeniz, Isaac: Albeniz, Isaac: Capricho Catalan, trans. by Michael Lorimer Albeniz, Isaac: Cordoba from “ d’Espagne,” arr. by John Williams Albeniz, Isaac: Serentar, trans. by F. Tarrega Albeniz, Isaac: The Guitar , vol. 2, trans. by Luis Maravilla Albeniz, Isaac: Torre Bermeja Serenata, arr. by Antonio Lozano 3 Albert, Heinrich: Duette (for two guitars), No. 4 Albright, William: Shadows Allison, Jeremy arr.: for Guitar All Time Classical Guitar: Creative Concepts Publishing Corp. 4 Almeida, Laurindo arr.: Broadway Solo Guitar [2 copies] Almeida, Laurindo arr.: El vito Almeida, Laurindo arr.: Music from the Romantic Era Almeida, Laurindo: Guitariana 5 Angel, Miguel: Gavota Angel, Miguel: Los cuatro muleros Anonymous: Due Chitarre Anonymous: Three Catalan Melodies, arr. by Karl Scheit Arakawa, Yoichi, arr.: The Best of Count Basie Arkin, Eddie: Classical Guitar Suite Arndt, Felix: Nola, arr. by Walter Kaye Bauer Atkins, Chet: Note-For-Note Ayeroff, Stan ed.: Charlie Christian: 18 important solos… de Azpiazu, arr.: Easy Music for Guitar 6 Bacharach, Burt: Alfie, arr. by Howard Morgen Bach Family: From the Bach Family, arr. by Theodore Norman Bach, J.S.: Bouree and Gigue [accompanying tape in Marr] Bach, J.S.: Cello Suite I, trans. by Michael Lorimer Bach, J.S.: Cello Suite II, trans. by Michael Lorimer Bach, J.S.: Cello Suite IV, trans. by Michael Lorimer Bach, J.S.: Cello Suite VI, trans. by Michael Lorimer 7 Bach, J.S.: Chaconne, trans. by A. Segovia Bach, J.S.: Five Easy Pieces for the Guitar, trans. by Alexander Bellow Bach, J.S.: Four J.S. Bach Works, ed. by George Warren Bach, J.S.: Inventions no. 1, 2, 4, 8, 10, and 13 Bach, J.S.: Jesu, Joy of Man’s Desiring, arr. by Laurindo Almeida Bach, J.S.: Lautenmusik Bach, J.S.: Lautensuite IV, trans. by José de Azpiazu Bach, J.S.: Minuet, trans. by Demetrio Ballesteros, handwritten copy Bach, J.S.: Minuet in F major, trans. by F.G. Vallespir Peyron [2 copies] Bach, J.S.: Minue en la menor trans. by F.G. Vallespir Peyron Bach, J.S.: Prelude, Allemande, Minuetto, trans. by A. Segovia Bach, J.S.: Prelude and Fugue, arr. by A. Segovia Bach, J.S.: Prelude from the first suite for cello, trans. by Emilio Pujol

MS48-James F. Condell Collection 17 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

19 7 Bach, J.S.: Prelude, Fugue and Allegro, trans. by Hector Quine Bach, J.S.: Prelude in C major, arr. by Siegfried Behrend Bach, J.S.: Preludio VIII, trans. by Luigi Schinina 8 Bach, J.S.: Sarabanda, tran. by Haracio R. Magliano Bach, J.S.: Sonata, trans. by Julio Prol Bach, J.S.: Six Pieces: Vol. 1, ed. by Sophocles Papas Bach, J.S.: Six Pieces: Vol. 2, ed. by Sophocles Papas Bach, J.S.: Suite in E minor, trans. by Bach, J.S.: Suite No. 4 in Mi maggiore, trans. by Richard Provost Bach, J.S.: Two Cello Preludes, ed. by Julian Bream Bach, J.S.: Vier Kleine Leichte Stücke, trans. by Karl Scheit Bach, Philipp E.: La Xenophone, trans. by Andrés Segovia 9 Balada, Leonardo: Tres Divagaciones sobre temas Castellanos, trans. by Tarragó Barrios: 18 Concert Pieces Vol. 2, trans. by Raymond Burley Bartók, Béla: Béla Bartók for Children, arr. by Ferenc Brodszky Bartók, Béla: Béla Bartók for Children, second series, arr. by Ferenc Brodszky Bauer, Billy: Blue Mist Bauer, Billy: Purple Haze Bay, Mel arr.: Mel Bay’s Album of Harms Hits for Guitar Bay, Mel arr.: Mel Bay’s Folio of Great Classic Guitar Solos Bay, Mel arr.: Swingin’ Songs for Guitar Beethoven, L.V.: Beethoven for Classical Guitar trans. by Jerry Snyder Beethoven, L.V.: Minuet (guitar or harp), arr. by H.F. Odell Beethoven, L.V.: Minuet (1st mandolin), arr. by H.F. Odell 10 Bellow, Alexander ed.: International Anthology for Guitar Berkeley, Lennox: Theme and Variations, ed. by Angelo Gilardino Berkeley, Lennox: Sonatina for Guitar Bernstein: Selections from West Side Story Bizet, Georges: Celebre Minuetto, trans. by Lupe e Azpiazu Block, Leon arr.: Sweet Sound for Guitar Bolotine, Leonid ed.: Classical Guitar 11 Borges, Raul: Obras para guitarra arr. by Rodrigo Riera Borodin: Cavatina from “Prince Igor” Brahms, J.: Vals Op. 39 No. 15, arr. by G. Bianqui Piñero Broqua, Alfonso: Vidala, trans. by E. Pujol Brouwer, Léo: Fuga No. 1 Brouwer, Léo: Preludio Brubeck, Dave: Music of the Americas, arr. by Carlos Barbosa-Lima Bruner, Tom arr.: In Session with Herb Ellis Bufano, Jorge: Primer Album el Joven Guitarrista Byrde, William: Pavan an Galliardo, trans. by Patricio Galindo 12 Caiola, Al arr.: Al Caiola Fabulous Favorites for Guitar Calmes, Keith ar..: Sacred Solos for Voice and Guitar Carcassi, Matteo: Rondoletto Op. 41, ed. by Peter Danner

MS48-James F. Condell Collection 18 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

19 12 Carcassi, Matteo: Seis Caprichos Op. 26, ed. by R. Sainz de la Maza Caroso, Fabrizzio: Selva Amorosa, trans. by Emilio Pujol Castelnuovo-Tedesco, Mario: Appunti Castelnuovo-Tedesco, Mario: Ballatella, Op. 170 No. 34, trans. by Bruno Tonazzi Castelnuovo-Tedesco, Mario: Romanza, ed. by Eduardo Caliendo 13 Castle, Joe ed.: Me Bay’s Deluxe Album of Classic Guitar Chilesotti, Oscar: Two Pieces Chopín, F.: Mazurka, trans. by A. Segovia Chopín, F.: Mazurka no. 25, trans. by F. Tarrega Cimarosa, Domenico: Three Sonatas, ed. by Julian Bream Classical Guitar: Music of the 19th Century published by Charles Hansen... 14 Coble, William: Autumn Elegy Coste, Napoléon: Herbstblätter (Autumn Leaves) arr. by Georg Meier Couperin, François: of the Devil, trans. by Theodore Norman Couperin, Louis: Tombeau de Mr. Blancrocher, trans. by Michael Lorimer [2 copies] Darch, Robert: Rag, trans. by Marcel Robinson Delavigne: Les Fleurs, trans. by François Castet Diabelli, Anton: Sonata in A major Diabelli, Anton: Vier Rondino Dodgson, Stephen: Fantasy-Divisions Dowland, John: Can She Excuse Dowland, John: Fantasia, trans. by R. Sainz de la Maza Dowland, John: Seven Pieces, arr. by Diana Poulton Dowland, John: Three Fantasies, trans by. Michael Lorimer Dowland, John: Wilt thou unkind thus reave me 15 Duarte, Jack: Simple Variations on “Las ” Duarte, John: English Suite Duarte, John: Miniature Suite Duarte, John: Three Modern Miniatures de Falla, Manuel: Dance of the Miller, arr. by Siegfried Behrend de Falla, Manuel: Siete canciones populares Españolas, I. El paño moruno de Falla, Manuel: Siete canciones populares Españolas, II. Seguidillla Murciana de Falla, Manuel: Siete canciones populares Españolas, III. Asturiana de Falla, Manuel: Siete canciones populares Españolas, IV. Jota de Falla, Manuel: Siete canciones populares Españolas, V. Nana de Falla, Manuel: Siete canciones populares Españolas, VII. Pollo Farnaby, Richard: Four Pieces (for flute and guitar), trans. by François Castet Ferrandiere, F.: de los Currutacos, arr. by G. Tarragó Ferrer y Esteve: Spanish Favorite for Classic Guitar Fortea, Daniel: Andaluza Franck, César: Four Short Pieces, trans. by Andrés Segovia

MS48-James F. Condell Collection 19 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

19 15 Frescobaldi, Girolamo: Aria detta la Frescobalda, trans. by Richard Provost Froberger: Tombeau pour Mr. Blancrocher, trans. by Michael Lorimer de Fuenllana, Miguel: De los Alamos vengo, madre, arr. by Graciano Tarrago de Fuenllana, Miguel: Duelete de mi, Señora, arr. by Graciano Tarrago Galilei, Vincenzo: Pavana Garcia Velasco, Venancio: Coleccion de piezas muy faciles 16 Garno, Gerard arr.: Mel Bay Presents Hymns and Sacred Melodies for Guitar: Solos for the Church Year and Special Occasions Ginastera, Alberto: Triste pampeano, tran. by Celia Salomon de Font 17 Giuliani, Mauro: Choix de mes fleurs cherries Giuliani, Mauro: Grosse Sonate Op. 25 (for violin and guitar) Giuliani, Mauro: Sei Grandi Variazioni Op. 112, ed. by Thomas F. Heck [2 copies] Giuliani, Mauro: Seis Preludios, ed. by R. Sainz de la Maza Giuliani, Mauro: Sonata Eroica Giuliani, Mauro: Sonata für gitarre Op. 15 Giuliani, Mauro: Variations on a Theme of G.F. Handel [2 copies] Gorzanis: XV Napolitane Götze, Walter: Die Stunde der Gitarre Vol. 2 and 3 18 Granados, Enrique: Españolas, trans. by Jose de Aspiazu Granados, Enrique: Española no. 1 “Galante”, trans. by Jose de Azpiazu Granados, Enrique: Despertar del cazador Granados, Enrique: El majo olvidado Granados, Enrique: El mirar de la maja, trans. by José de Azpiazu Granados, Enrique: El tralala y el punteado, trans. by José de Azpiazu Granados, Enrique: La maja de Goya, trans. by Granados, Enrique: La maja dolorosa, trans. by José de Azpiazu 20 1 Green, Harold Bellman: Chaconne Grieg, Edvard: Canto del campesino trans. by A. Segovia Grieg, Edvard: Danza De Anitra, trans. by Julio S. Sagreras Grieg, Edvard: Eleven Lyric Piece, trans. by Daniel Estrem Grieg, Edvard: Hoberg Suite Op. 40, trans. by Daniel Estrem Grieg, Edvard: Three Lyric Pieces, Op. 12 trans. by Julian Bream 2 Hagen, Earle: Harlem Nocturne, arr. by Dan Fox [2 copies] Halffter, Cristobal: Codex I, trans. by Karl Scheit Hall: Jazz Guitar Environments [tape in Marr] Handel, G.F.: Air de la Suite X trans. de A. Segovia Handel, G.F.: Fughetta, trans. by Theodore Norman Handel, G.F.: Six pieces arranged for guitars, arr. by John Gavall Handel, G.F.: Sonata, trans. by Andrés Segovia Harris, Albert: Homage to Unamuno [2 copies] Harris, Albert: Sonatina

MS48-James F. Condell Collection 20 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

20 2 Haydn/Carulli: London Symphony (for two guitars), ed. by Simon Wynberg Haydn, Joseph: Menuet, trans. by Andrés Segovia Haydn, Joseph: Minuetto, trans. by A. Segovia

3 Herman, Jerry: Mame, arr. by Mel Bay Hernandez, Rafael: El Cumbanchero, arr. by Vahdah Olcott Bickford Holbrone, Anthony: Pavan and Galliard for Lute Holland, Justin: An Adante Holland, Justin: The Music of Justin Holland for Solo Guitar, ed. by Ernie Jackson [CD in Marr] Imbar, Gilbert editor: Guitare et Musique Poesie Japanese Guitar Songs 4 Jobim, Antonio Carlos: Chega de Saudade, arr. by Charlie Byrd Jobim, Antonio Carlos: Folio for Lead Guitar, arr. by Laurindo Almeida Joplin: Classical Guitar, arr. by Mario Abril Joplin: The Entertainer, trans. by Marcel Robinson Joplin: Fingerpicking Joplin, arr. by Spencer Doidge Joplin, Scott: Maple Leaf Rag trans. by Marcel Robinson Joplin, Scott: Scott Joplin for Guitar, arr. by Carlos Barbosa-Lima Joplin and Hayden: Sunflower Slow Drag 5 Kaelin, Larry: Evanescence Kaelin, Larry: Original Solos for Classic Guitar Kaelin, Larry: Sol, Sol, Sol Kay, Ulysses: A Suite for Solo Guitar Keller, Spohr, Weber: 19th Century Songs with Guitar Accompaniments of the Period Kern, Jerome: Album for Guitar Solo, arr. by Leon Block Kern, Jerome: Classic , arr. by John W. Duarte Kessel, Barney: The Jazz Guitar Artistry of Barney Kessel Küffner, Joseph: Kleine Stüdke (for two guitars), ed. by Walter Götze 6 Lamb, Joseph: Reindeer, trans. by Marcel Robinson Lawry, Walt arr.: Mel Bay’s Music from 17th Century England Lecuona, Ernest: Malaguena Lee, William: Interlude Liszt, Franz: Es muss ein wunderbares Sein, arr. by J. Gavall Liszt, Franz: Liebestraüme Llobet, Miguel: Diez Canciones Populares Catalanas Llobet, Miguel: El testament de Amelia Lopez-Chavarri: Intermezzo Lorca: Canciones españolas antiguas, trans. by Ramon Cueto 7 MacCombie, Bruce: Nightshade Rounds Mairants, Ivor: Meditation Mairants, Ivor: Sonata (To a Sonic Age) Mancini, Henry: Moon River, arr. by Joseph M. Estella Marshall, Jack: Three Romantic Waltzes

MS48-James F. Condell Collection 21 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

20 7 Martinez Oyanguren, J.: Gran Jota Mas, Jean-Luc: Fantasia alegre (for flute and guitar) Matteson, Richard ed.: Mel Bay Presents Early Hymns of America for Acoustic Guitar de la Maza: Canço del lladre popular Catalina de la Maza: El vito McGuire James: Suite no. 1 in Popular Style McGuire James: Suite no. 2 in Popular Style 8 McNeil, Charles: Guitar Solos for Plectrum Guitar Mendelssohn, Felix: Romanza sin Palabras No. 29, trans. by N. Casuscelli Mendelssohn, Felix: Spring Song, trans. by Janon Mertz, Johann Kaspar: VI Landler Op. 9, Mignone, Francisco: Twelve Etudes Vol. 1 and 2 Miguel, Jorge arr.: Guitar Folio No. 1 9 Milan, Luys: El Maestro (for voice and guitar), trans. by Ruggero Chiesa Milan, Luys: El Maestro(for solo guitar) Vol. 1, trans. by Ruggero Chiesa Milan, Luys: III, trans. by Emilio Pujol Milan, Luys: Seis Pavanas, trans. by R. Sainz de la Maza 10 Morel, Jorge: Classical Guitar Solos Morel, Jorge: Classical Guitar Solos: Virtuoso South American Guitar Vol. 2 Morel, Jorge: Classical Guitar Solos: Virtuoso South American Guitar Vol. 5 Moreno-Torroba, F.: Alba de tormes Moreno-Torroba, F.: Alcañiz Moreno-Torroba, F.: Aires de la Mancha Moreno-Torroba, F.: Sigüenza Moreno-Torroba, F.: Suite castellana, trans. by A. Segovia Moreno-Torroba, F.: Turegano Mornac, Juan: Quinze morceaux choisis Moussorgsky, M.: El Viejo Castillo, trans. by Rafael Balaguer Moussorgsky, M.: The Old Castle, arr. by John Mills Mozart, W.A.: Larghetto and Allegro K. 229, ed. By Julian Bream Mozart, W.A.: Mozart for Classical Guitar trans. by Jerry Snyder 11 Mudarra, Alonso: Fantasia, trans. by R. Sainz de la Maza Mudarra, Alonso: Fantasia, trans. by E. Pujol Mudarra, Alonso: Fantasia (que contra hace la harpa en la manera de Ludovico) Mudarra, Alonso: Tres libros de musica en cifra para Munting, Simon ed.: Classical Guitar: Anthology of the 19th Century Vol. 3 and 4 de , Santiago: Prelude, trans. by Richard Provost de Murcia, Santiago: Prélude and Allegro, trans. by Emilio Pujol de Murcia, Santiago: Suite en ré majeur, trans. by Emilio Pujol 12 de Narváez: Conde Claros, trans. by Emilio Pujol

MS48-James F. Condell Collection 22 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

20 12 de Narváez: Los seys libros del Delphin de música de cifra para tañer vihuela, trans. by Graciano Tarragó de Narváez: Siete variaciones (diferencias) sobre “Guardame las vacas”, trans. by Tarragó Negri, Cesare: Lautentänze des 16. Jahrhunerts, trans. by Karl Scheit Nemerowski, ed.: Klassiches Album für Gitarre, Heft II-III Neuburg, Ethan, arr.: The Best in Jazz Guitar Neusiedler, Hans: Präambulum und Tanz, trans. by Karl Scheit 13 Noad, Frederick ed.: The Classical Guitar Norman, Theodore arr.: Music for the Guitar Soloist Norman, Theodore: Mobile O’Neal, Barry ed.: Solos for the Guitar Player 14 Paganini: Centone di Sonate (for violin and guitar) [2 copies] Paganini: Romanze Paganini: Six Sonate Op. 3 (for violin and guitar) Paganini: Tarantella (for violin and guitar) Paganini: 29 Original Compositions for the Guitar Palua, Manuel: Musicas para la corte del Mangnanimo Parkening, Christopher: Romanza 15 Pederson, Charles transcriber: The Excelsior Lute Book Perrichon, Julien: 3 Préludes Pick, Richard: First Repertoire for Classic Guitar Pick, Richard ed.: Mel Bay Presents Favorite Classic Guitar Solos Pisador, Diego: Villanesca arr. by Lupe de Azpiazu 20 16 Ponce, Manuel: Five Pieces for Two Guitars, trans. by Jorge Martinez Zarate Ponce, Manuel: Preludes I-VI Ponce, Manuel: Preludes VII-XII Ponce, Manuel: Scherzino mexicano, arr. by Manuel Lopez Ramos Ponce, Manuel: Six Preludes Ponce, Manuel: Sonata Clásica Ponce, Manuel: Sonata Romantica Ponce, Manuel: Variations sur “ de España” et Fugue 17 Porter, Cole: Classic Cole Porter, arr. by John W. Duarte [2 copies] Previn, André: Concerto (for guitar and orchestra) Progris, Jim arr.: Go for Baroque with that Jazz Feeling Purcell, Henry: Suite IV, trans. by Patricio Galindo 18 Quine, Hector ed.: Modern Guitar Music Eight Pieces by British Rameau, Jean-Philippe: Pièces de clavecin, trans. by John W. Duarte Ravel, Maurice: Pavane pour une infant défunte, arr. by Alexander Bellow Recorded by Basie and Quincy: Published by Charles Hansen Educational Music Rice, Douglas: Divertimento No. 1: 10 Episodes Rodgers: Rodgers and Hart for Guitar, arr. by Dan Fox

MS48-James F. Condell Collection 23 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

20 19 Rodrigo, Joaquin: Aranjuez, Mon Amour from the “Concerto de Aranjuez” Rodrigo, Joaquin: Concierto de Aranjues (for guitar and orchestra) Rodrigo, Joaquin: Fantasia para un gentilhombre Rodrigo, Joaquin: Pajaros de primavera Rodrigo, Joaquin: Tres piezas españolas le Roy, Adrien: J’ai le rebours, trans. by Emilio Pujol Ruggieri, Giovanni Maria: Sonata Prima aus Sonate da Chiesa Op. 3 Runge, John ed.: John Runge’s Collection Early English Lute Songs and Folk Songs 21 1 Sanz, Gaspar: Danzas Cervantinas Sanz, Gaspar: Gallaradas, trans. by Emilio Pujol Sanz, Gaspar: Pasacalle, trans. by Emilio Pujol Sanz, Gaspar: Pavanas, trans. by Emilio Pujol Sanz, Gaspar: Suite en sol mineur, arr. by de Azpiazu Sanz, Gaspar: Suite Española Satie, Erik: Gymnopedie no. 1, trans. by Dan Estrem Satie, Erik: Satie for the Guitar trans. by Peter Charles Kraus Savio, Isaias arr.: Antologia de obras para guitarra 2 Scarlatti, Domenico: Five Pieces, arr. by John Duarte Scarlatti, Domenico: Four Sonatas, ed. by John Duarte Scarlatti, Domenico: Four Sonatas, ed. by John Duarte Scarlatti, Domenico: 9 Sonatas Vol. 1 and 2, trans. by C. Barbosa Lima Scarlatti, Domenico: Three Sonatas, ed. by John Duarte Scarlatti, Domenico: Three Sonatas, trans. by Carlos Barbosa-Lima Scarlatti, Domenico: Sonata No. 23 in Mi Maggiore, trans. by G. Luconi Schoenberg: Sechs kleine Klavierstücke Schubert, Franz: An die Musik Schubert, Franz: Tres pequeños valses, trans. by A. Segovia 3 Schumann, Robert: Album per la gioventù, trans. by G. Caprioglio and C. Ferandini Schumann, Robert: Andante Cantabile Op. 68 no. 26, trans. by A. Segovia Schumann, Robert: Cancion silvestre, trans. by A. Segovia Schumann, Robert: Das Schumann Buch für Gitarre, arr. by Erwin Schwarz-Reiflingen Schumann, Robert: Marcha de los soldados Op. 68 no. 2, trans. by A. Segovia Schumann, Robert: Mayo, buien Mayo…, trans. by A. Segovia Schwarz-Reiglingen, ed.: Zwei Gitarren musizieren Segovia, Andres: Album of Guitar Solos Segovia, Andres: Estudio—Vals Segovia, Andres: Estudios Segovia, Andres: Five Short Works for the Guitar Segovia, Andres: Original Compositions for Guitar Segovia, Andres arr.: Transcripciones para Guitarra

MS48-James F. Condell Collection 24 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

21 3 Shostakovich, Dmitri: Vals, Un Alegre Cuento de Hadas, Marcha trans. by Roberto Lara 4 Snyder, Jerry trans.: The Classical Guitar Library Vol. 1 and 2 Soler: Sonata No. 2, trans. by V. Garcia Velasco Soler: Sonata No. 3, trans. by V. Garcia Velasco [2 copies] Soler: Sonata No. 4, trans. by V. Garcia Velasco Soler: Sonata No. 13, trans. by V. Garcia Velasco Soler: Sonata No. 14, trans. by V. Garcia Velasco Soler: Sonata No. 15, trans. by V. Garcia Velasco [2 copies] Soler: Sonata No. 69, trans. by V. Jose de Azpiazu Soler: Sonata No. 71, trans. by V. Jose de Azpiazu 5 Sor, Fernando: Duette (for ), 2. Divertissement Sor, Fernando: Fantasia No. 1, Op. 7, ed. by Brian Jeffery Sor, Fernando: Fantasia No. 2, Op. 4, ed. by Brian Jeffery Sor, Fernando: Folias de España Sor, Fernando: Grosse Sonate Sor, Fernando: 19 Composiciones para guitarra Sor, Fernando: Rondó, ed. by R. Sainz de la Maza Sor, Fernando: Rondo Op. 22 Sor, Fernando: 2a Sonata, Op. 25, trans. by A. Segovia Sor, Fernando: Variations on the theme “Das klinget so herrlich” from Die Zauberflöte by Mozart Stravinsky, I.: 6 Tarrega, Francisco arr.: Album No. 8, works by Schubert, Mendelssohn, Schumann, and Chopín Tarrega, Francisco: Album No. 2 Tarrega, Francisco: Capricho Arabe Tarrega, Francisco: The Music of Francisco Tarrega Tarrega, Francisco: 30 Preludios originales para guitarra 22 1 Telemann, G.F.: Fantasia en la, trans. by Lupe de Azpiazu Telemann, G.F.: Fantasia en mi mineur, trans. by Lupe de Azpiazu de Tourris, José: Guitar Music of the 16th 17th and 18th Centuries Uhl, Alfred: Bagatelle, arr. by Karl Scheit Villa-Lobos, H.: Cinq Préludes Villa-Lobos, H.: Prélude No. 5 Villa-Lobos, H.: Suite Populaire Bresilienne-Mazurka-Chôro Villa-Lobos, H.: Suite Populaire Bresilienne-Schottish-Chôro Villa-Lobos, H.: Suite Populaire Bresilienne-Valsa-Chôro Villa-Lobos, H.: Suite Populaire Bresilienne-Gavotta-Chôro Villa-Lobos, H.: Suite Populaire Bresilienne-Chôrinho Viola, Al: Mel Bay Presents 20 Guitar Preludes 2 de Visée, Robert: Suite in C minor, arr. by Karl Shelt de Visée, Robert: Suite in D minor, trans. by Julio Prol de Visée, Robert: Suite in E major, arr. by Karl Shelt de Visée, Robert: Suite in G minor, arr. by Karl Shelt de Visée, Robert: Suite en Ré mineur, trans. by Konrad Ragossnig

MS48-James F. Condell Collection 25 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

22 2 de Visée, Robert: Suite en Ré mineur, trans. by R. Sainz de la Maza Vivaldi, Antonio: Concerto en Ré Majeur 3 Volpe: Love Serenade Wadsorth, B. arranger: Three French Pieces by Daquin, Chambonnieres, and Couperin Walker, Luise: Der junge Gitarre-Solist Webber, Andrew Lloyd: The Classical Guitar Collection 4 Weiß, S.L.: Album Sechs Berühmte Stücke, arr. by José de Azpiazu Weiß, S.L.: Chaconne, trans. by Jose de Azpiazu Weiß, S.L.: Lautensonate in A major trans. by Rainer Baumann Weiß, S.L.: Lautensonate in C major trans. by Rainer Baumann Weiß, S.L.: Lautensonate in d minor trans. by Rainer Baumann Weiß, S.L.: Partita No. 15, trans. by Deric Kennard Weiß, S.L.: Six Lute Pieces, trans. by Carlos Barbosa-Lima Vol. 1-2 Weiß, S.L.: Sonata for Lute in E Minor, trans. by Micael Lorimer Weiß, S.L.: Suite in A minor, ed. by Laurindo Almeida Weiß, S.L.: Suite No. 16 in D, trans. by Deric Kennard Weiß, S.L.: Tombeau, trans. by Karl Scheit Werner, Jean-Jacques: Cinq ballades d’antan pour guitar 5 Miscellaneous guitar sheet music

B. Jazz Arrangements

23 1 A Flower is a Lovesome Thing, Strayhorn A Foggy Day, Weir Alley Cat, Bjorn All of Me All the Things You Are, Kern Am I Blue?, Akst A Nightengale Sang in Berkeley Square, Sherwin A Night in Tunisia, Gillespia and Pararelli Are you Real? A Weaver of Dreams, Young and Ellio Before you go, Marshall Bein’ Green, Raposo Bemsha Swing, Monk Billie’s Bounce, Parker Black Butterfly Blue Monk, Monk Blue N’ Boogie, Gillespie Blues Progression, Breau Boo-Dah But not for Me, Gershwin Bye Bye Blackbird 23 2 Charade, Mancini Cherokee, Noble

MS48-James F. Condell Collection 26 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

23 2 The Christmas Waltz, Cahn and Styne Cool and Caressing, Taylor Come Sunday, Ellington Corner Pocket, Green Cross Town Cute, Hetti Day by Day Day in day out, Bloom Days of Wine and Roses, Mancini Digits, Terry Dissonance #1, Pass Django, Lewis Don’t be that way Don’t Blame Me Don’t Take Your Love from Me Dream Dancing, Porter Dreams Everything but you, Ellington, James, and George Everything I love, Porter Evidence, Monk 3 Flamingo Flintstone Theme Fly Me to the Moon For Heaven’s Sake For You Fried Bananas, Gordon Georgia on my Mind Getting Some Fun Out of Life Ghost of a Chance Girl from Ipanema Good Bait, Dameron Groovin’ High, Gillespie Happy Reunion, Ellington Hello, Jackson Here’s that Rainy Day, van Heusen I can’t get Started I can’t give you Anything but Love, McHugh I don’t Know Why I Love you Like I Do If you could see me now, Dameron I get a Kick Out of You, Porter I’ll be Around, Wilder I’ll Never be the Same I’ll Remember Clifford, Golson I’ll See you Again I’m Just a Lucky So and So, Ellington and Mack In a Mellow Tone, Ellington

MS48-James F. Condell Collection 27 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

23 3 I Never Felt This Way Before In Walked Bud, Monk I Should Care Is it Real?, Golson It Could Happen to You, van Heusen It Never Entered My Mind, Rodgers I Told You So It’s Only a paper Moon, Arlen It’s so Peaceful in the Country, Wilder 4 Jazz Mass, Christianson Jeannine, Pearson Just Squeeze Me, Ellington Just you, just me Keester Parade Lady be Good, Gershwin Lester Left Town, Shorter Little Brown Book, Strayhorn The Little Drummer Boy Little Girl Little Girl Blue, Rodgers and Hart Live and Love Tonight Lost in Meditation Lost in the Stars, Weill Lotus Blossom, Strayhorn Love for Sale, Porter Lullaby in Rhythm, Sampson Lush Life, Strayhorn 5 Manhã de Carnaval, Bonta Meditation Melancholy Baby Milestones, Davis Moon River, Mancini My Ideal My Shining Hour My Ship, Weill My Wonderful One No Dance a Samba Now is the Time, Parker Nuage O Barquinho—Little Boat, Menescal Off Minor, Monk Oleo, Rollins Once I Loved/O Amor En Paz, Jobim On Green Dolphin Street Our Day Will Come Out of Nowhere

MS48-James F. Condell Collection 28 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

23 5 Pennies from Heaven Perdido, Tizol Polkadots and Moonbeams The Preacher, Silver Rainbows Raincheck, Strayhorn Recado Round Midnight, Williams and Monk 6 San Francisco Satin Doll Save that Time, Long Scrapple from the Apple, Parker September in the Rain She’s Funny That Way Side by Side Skating in Central Park Smile, Chaplin The Snapper, Terry Soft Winds, Goodman Someone to Watch Over Me, Gershwin Some Other Spring, Kitchings The Song is You, Hammerstein Sophisticated Lady Sposin’, Denniker Spring is Here Stardust, Carmichael Strollin’, Silver Summer Samba Summertime Summer Wind, Mayer The Sun and the Water, Mitchell Sweet and Pungent, Strayhorn Swinging the Blues 7 Take the A Train Taps Miller That’s My Weakness now Thelonious, Monk There is no Greater Love Together Two Degrees East, Three Degrees West, Lewis Two Different Worlds, Frisch Unit 7/The Scene, Jones Until the Real Things Comes Along Useless Landscape, Jobim Waltz for Debbie, Evans Wendy, Desmond

MS48-James F. Condell Collection 29 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

23 7 What a Difference a Day Made What Kind of Fool Am I?, Newley What’s New? When I Die, My Shoes When Sammy Gets Blue Where am I?, Golson Whisper Not, Golson Who can I turn to?, Newley Why Shouldn’t I?, Porter Wrap your Troubles in Dreams, Barris You Must Believe in Spring You Say you care Zing! Went the Strings of My Heart

C. Piano/Vocal Sheet Music

24 1 Arlen: It’s a New World Arlen: This Time the Dream’s on Me Bart: As Long as He Needs Me Bernstein: Somewhere Brooks: You Light Up My Life Brown: You Stepped Out of a Dream Cahn and Chaplin: If it’s the Last Thing I Do Carrillo: Yellow Days David, Whitney, and Kramer: Candy Gibson: I Can’t Stop Loving You 2 van Heusen: Call Me Irresponsible van Heusen: Ev’rbody has the Right to be Wrong! van Heusen: It Could Happen to You Jobim: The Girl from Ipanema Jobim: Quiet Nights of Quiet Stars Johnston: My Old Flame Jones and Salvador: The Midnight Sun Will Never Set Karlin: Come Saturday Morning King: You’ve Got a Friend Kristofferson: Help Me Make it Through the Night Legrand: I was Born in Love with You Legrand: I will Wait for You Livingston and Evans: Love Song from “Houseboat” Mancini: Days of Wine and Roses Mancini: Dreamsville Menescal: Little Boat Mercer: Charade Moross: Lazy Afternoon Nelson: On the Road Again Newman: The Winds of Chance

MS48-James F. Condell Collection 30 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

24 2 Norworth and Bayes: Shine on Harvest Moon 3 Philippe-Gerard: When the World Was Young Porter: Why Shouldn’t I? Rodgers: I do not Know a Day I did not Love You Romberg: One Kiss Sparks: Today Stevens: Everything is Beautiful Trenet: I Wish You Love de Vita: Softly, As I Leave You Weiss: I Want to Thank Your Folks Warren: You’re My Everything Webster: Somewhere, My Love [2 copies] Wonder, Cosby, and Moy: My Cherie Amour Wright and Forrest: Baubles, Bangles and Beads

D. Condell Compositions/Arrangements

4 A Child is Born, arr. By Condell Advent, arr. By Condell Comes Spring Come, Ye Disconsolate, arr. By Condell Fall in Madrid Gee a Point for Joe Ira Last Night Let Us Break Bread Together, arr. By Condell Lift Every Voice and Sing, arr. By Condell 5 The Little Animal Suite (for voice and guitar) The Lord’s Prayer, arr. By Condell Our God Reigns, arr. By Condell Solfeo Sexto (for two guitars) 6 Miscellaneous notes from theory lessons and sketches

E. Other Instruments

7 Piano Bjorn: Alley Cat Chopin: Twenty-Five Préludes for the Piano Morton: The Best of “Jelly Roll” Morton in Silhouette Silver: Horace Silver’s Greatest Hits Thielemans: Bluesette

8 Flute Bauman: Sonate für 3 Blockflöten Berge: Flauto Solo

MS48-James F. Condell Collection 31 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

24 8 Boßler: Trio für Blockflöten Werlé: Ten Bagattalles (for two flutes)

9 Choral Burleigh: Let us Cheer the Weary Traveller Dett arr.: O Ride On, Jesus Dett arr.: Roll, Jordan, Roll Diamond: Sweet Caroline Douglas arr.: Were you There Dowland: What if I never speed? Duruflé: Notre Père Fissinger: The Sleep of the Child Jesus Johnson: The Shepherd Boy’s Gift Kühnau: My Soul Before Thee Prostrate Lies Mueller arr.: Jesu, to Thee my Heart I Bow Nordoff: Heaven, Heaven, Heaven is the Place Schuman: The Lord has a Child Still: All that I am Tacet: Requiem Aeternum (Punny “” of the Requiem Aeternum) Tormé and Wells: The Christmas Song Traditional: Let us Break the Bread Together Traditional: The God of Bethel Hear her Cries Work arr.: Calvary Work arr.: I’m Agoing to Lay Down My Sword Work arr.: O Mary, Don’t you Weep, Don’t you Mourn

10 Miscellaneous Barnby: When Morning Gilds the Skies : A Jazz Master (for B♭ and C instruments with piano accompaniment) Soublett: Choro Let There be Peace Other miscellaneous untitled pieces

ADDENDUM I – SERIES VII: GUITAR TECHNIQUE AND TEACHING

Box Folder Description 25 Aguado: Método complete de guitarra American String Teachers Association: Graded Lists for Guitar: Selected Solo and Ensemble Music Anzaghi: Metodo complete per chitarra Austin: Book 1 Sight Reading Baker: Mickey Baker’s Complete Course in Jazz Guitar: A Modern Method in How-to-Play Jazz and Hot Guitar, Book 2 Baker: Mickey Baker’s Jazz and Rhythm’n Blues Guitar [2 copies]

MS48-James F. Condell Collection 32 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

25 Bay: The Mel Bay Classic Guitar Method, Vol. 3 Bay: Mel Bay’s Deluxe Encyclopedia of Guitar Chords Bay: The Mel Bay Modern Guitar Method, Grades 1-7 Bay: The Mel Bay Modern Guitar Method, Grade 2 Bay: Mel Bay Presents 26 Brouwer: Étude simples, Series 3 and 4 Bruner: Mel Bay Presents How to Play Guitar in a Big Band Carcassi’s Method for the Guitar, edited by G. C. Santisteban Carcassi: Method of Classical Guitar Playing Carcassi: Twenty-Five Melodious and Progressive Studies Op. 60 Carcassi and Block: Classic Guitar Method Carulli: Gitarre=Schule Carulli: Metodo Completo per Chitarra Carulli: Nine Preparatory Pieces Castelnuovo-Tedesco: Appunti: Preludi e studi per chitarra, Quaderno primo: gli intervallic Castelnuovo-Tedesco: Appunti: Preludi e studi per chitarra, Quaderno secondo: i ritmi, Parte I Castelnuovo-Tedesco: Appunti: Preludi e studi per chitarra, Quaderno secondo: i ritmi, Parte II Chierici: Leeds Guitar Dictionary: 2400 Chord Positions Cimadevilla: España Nuevo metodo teorico y practico de guitarra por musica 27 Danner: Nine Etudes in Nine Positions Denyer: The Guitar Handbook Duarte: The Young Persons’ Way to the Guitar Faria: The Brazilian Guitar Book: Samba, Bossa Nova, and Other Brazilian Styles Giuliani: Doce estudios melodicos Giuliani: Studies for Guitar vol. 1 Giuliani: Studies for Guitar vol. 2 Giuliani: Studi per Chitarra Greene: Chord Chemistry [2 copies] Greene: Jazz Harmony Series Moder Chord Progressions: Jazz and Classical Voicings for Guitar Greene: Jazz Guitar: Single Note Soloing Vol. 1 Hanlon: Mel Bay Presents Scale Studies an Etudes for Guitar 14 5 Holland: Holland’s Comprehensive Method for the Guitar 28 Hendrickson and Orzeck: Mel Bay’s Deluxe Arpeggio Studies Hendrickson and Orzeck: Mel Bay’s Deluxe Encyclopedia of Electric Bass Chords, Arpeggios, and Scales Kaye: How to Play the Electric Bass Kessel: The Barney Kessel Personal Manuscript Series #102: Etude #1 in A minor Kessel: The Barney Kessel Personal Manuscript Series #103: Left Hand Gymnastics #1

MS48-James F. Condell Collection 33 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

28 Kessel: The Barney Kessel Personal Manuscript Series #104: The Very First Study in Syncopated Rhythm Patterns Kessel: The Barney Kessel Personal Manuscript Series #105: The Very First Warm Ups Kessel: The Barney Kessel Personal Manuscript Series #106: Blue Boy LaPorta: A Guide to Improvisation [accompanying record in Marr] LaPorta: Developing the High School Stage Band Laurent: Classic Guitar Etudes Lawry: Mel Bay’s Classical Guitar Position Studies Leavitt: A Modern Method for Guitar, Vol. 1-3 Lee: A Business Manual for the Independent Music Teacher Mairants: Arranging for the Guitar Mairants: Writing for the Guitar Made Easy Manoloff: Spanish Guitar Method Martin: The Recording Guitarist Matthews: The Nashville Numbering System: An Aid to Playing Guitar by Ear McKee: Jazz Harmonies: The System Book 3 McNeil: The New McNeil Modern Guitar Method 29 Medina: Metodo de guitarra flamenca Noad: First book for the Guitar Part three Noad: 100 Graded Classical Guitar Studies Noad: Solo Guitar Playing: An introduction to technique and repertoire for the intermediate guitarist Norman: The Classical Guitar: A New Approach Norman: Music for the Young Guitarist Opere per chitarra, liuto, e vihuela Papararo: La tecnica degli arpeggio per chitarra classica Papas: Method for the Classic Guitar Parkening: The Christopher Parkening Guitar Method, Vol. 1 Pick: Introduction to Guitar Pick: Lessons for Classic Guitar, Book 2 Politano: Chords Scale Arpeggios for the Guitarist Pomilio, arr.: 40 Lecciones e Autores Celebres para Guitarra 30 Powers: Sightreading on Guitar Presti: Six Études [2 copies] Pujol: Escuela razonada de la guitarra Pujol: Exercices en forme d’études no. 1221 Pujol: Exercices en forme d’études no. 1243 Rector: Johnny Rector’s Study of Modern Guitar Chord Progressions Roch: A Modern Method for the Guitar Vol. 1-3 [2 copies Vol. 1) Romero: Guitar Style and Technique Sagreras: Las terceras lecciones de guitarra Segovia: Diatonic Major and Minor Scales 31 Shearer: Classic Guitar Technique Volume 1 [2 copies] Shearer: Learning the Classic Guitar Parts 1 and 2

MS48-James F. Condell Collection 34 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

31 Shearer: Slur, Ornament and Reach development Exercises for Guitar Smith: Mel Bay Presents the Johnny Smith Approach to Guitar Part 1 Snyder ed.: Blues Guitar: A Method by B.B. King Sor: Einleitende Etüden Sor: Lecciones progresivas para guitarra Sor: Leçon progressives [2 copies] Sor: Metodo complete para guitarra Sor: Sehr leichte Übungen Sor: Studies for the Guitar by Fernando Sor, ed. by Andres Segovia [2 copies] Sor: Studi per chitarra Sor: 24 Exercices-Übungen Stang: Belwin’s 21st Century Guitar Chord Dictionary Stewart: The Working Guitarist, Vol. 1 32 Tarrago: Método graduado para aprender a tocar la guitarra Tarrago: Veinticinco estudios melodicos Terzi: Raccolta di studi progressive dei più noti autori Van Eps: Mel Bay Presents Harmonic Mechanisms for Guitar Volume 2 [2 copies] 33 Volpe: Beginner’s Book for Plectrum Guitar, Vol. 2 Volpe: Orchestration Guitar Chords Volpe and Dale: Jazz Improvisation on 1000 Chords Weber, Andrew Lloyd: Andrew Lloyd Weber, The Classical Guitar Collection White: Chord Systems Structure and Application White: Sight to Sound: A Guide to Reading for the Studio [2 copies] Younger: Music Students’ Practice Record Book and Guide to Fingering Miscellaneous exercises

ADDENDUM I – SERIES VIII: MUSIC THEORY

Box Folder Description

A. Western Classical Music Theory

34 Aldridge: The Bass Clef Book Beaucamp: Le Solfège Contemporain, Vol. 1-5 [2 copies of each volume (volume with and without accompaniment)] Bencriscutto and Freese: Total Musicianship Bradley: The Musician’s Reference Book of Chords, Scales and Modes Cole and Lewis: Melodia: A Course in Sight-Singing Solfeggio Book 1 and 2 Esbrí and Oliver: Teoria y Practica del Transporte Esbrí et al: Coral, Primer Curso [2 copies] Esbrí et al: Cursos de Repentizacion, Vol. 1, 2 [2 copies], 3, 4, 5

MS48-James F. Condell Collection 35 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

35 Musser and Del Borgo: The Tonality of Contemporary Music: A Collection of Melodious Studies Which Progressively Explore the Tonal Concepts of Programa del Solfeo Richter: The Ada Richter Theory Work Sheets [2 copies] Schaum, John: Harmony Lessons [2 copies] Sociedad didactico-musical: Metodo Especial de Solfe Enseñanza Elemental, Parte Segunda Sociedad didactico-musical: Metodo Especial de Solfe Enseñanza Elemental, Parte Tercera [2 copies] Sociedad didactico-musical: Metodo Especial de Solfe Enseñanza Elemental, Parte Quarta Willmott: Mel Bay’s Complete Book of Harmony, Theory, and Voicing 36 Lemoine and Carulli: Solfeo de los Solfeos, Vol. 1 Noël-Gallon: Cours complet de Dictée Musicale: 100 Dictées (très faciles à moyenne difficulté) Noël-Gallon: Cours complet de Dictée Musicale: 100 Dictées (assez difficiles à très difficiles) Noël-Gallon: Cours complet de Dictée Musicale: 100 Dictées musicales progressive à deux parties Sociedad didactico-musical: Teoria de la musica, Parte Primera [2 copies] Sociedad didactico-musical: Teoria de la musica, Parte Segunda [2 copies] Sociedad didactico-musical: Tratado de armonia, Primera Parte Sociedad didactico-musical: Tratado de armonia, Segunda Parte Vachey: Dictées Rythmiques Vol. 1-3 Weber: Leçon Progressives de lecture et e rythme, Vol. 1, 3, 4, 5, and 6

B. Jazz Theory

37 Arnold: Swing Style for the Saxophone, violin, , and all other treble clef instruments Coker, Casale, Campbell, and Greene: Patterns for Jazz Spear, Stein, and Lamitola: Basic Syncopation for Trumpet Taylor: Sightreading Jazz Melody Book One Other collected jazz theory documents

ADDENDUM I – SERIES IX: PUBLISHED BOOKS

Archival note: Cataloged and housed with LaBudde Special Collections’ rare book collection

Davis, Miles and Scott Gutterman. The Art of . New York: Prentice Hall, 1991.

Massagli, Pusateri, and Volonté. Duke Ellington’s Story on Records 1971-1974. Milan: 1983.

Tucker, Mark ed. The Duke Ellington Reader. Oxford: Oxford University Press, 1993.

MS48-James F. Condell Collection 36 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION

Ulanov, Barry. Duke Ellington. New York: Da Capo, 1975.

Vida, Ginny ed. Our Right to Love: A Lesbian Resource Book Produced in Cooperation with Women of the National Gay Task Force. Englewood Cliffs, NJ: Prentice-Hall, 1978.

Wilkie, Godric. The Studio Musician’s Jargonbuster: A Glossary of and Recording. London: Musonix Publishing, 1993.

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