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A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-6-2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Timothy Semenza University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the Film and Media Studies Commons Recommended Citation Semenza, Timothy, ""The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen" (2012). Honors Scholar Theses. 241. https://opencommons.uconn.edu/srhonors_theses/241 Semenza 1 Timothy Semenza "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Semenza 2 Timothy Semenza Professor Schlund-Vials Honors Thesis May 2012 "The wicked flee when none pursueth": A Formalist Critique of Three Crime Films by Joel and Ethan Coen Preface Choosing a topic for a long paper like this can be—and was—a daunting task. The possibilities shot up out of the ground from before me like Milton's Pandemonium from the soil of hell. Of course, this assignment ultimately turned out to be much less intimidating and filled with demons than that, but at the time, it felt as though it would be. When you're an English major like I am, your choices are simultaneously extremely numerous and severely restricted, mostly by my inability to write convincingly or sufficiently about most topics. However, after much deliberation and agonizing, I realized that something I am good at is writing about film. -
Elli Griff Set Decorator
Elli Griff Set Decorator Credits include: KNIVES OUT 2 Writer/Director: Rian Johnson Detective Comedy Crime Drama Producers: Ram Bergman, Rian Johnson Exec Producer: Tom Karnowski Designer: Rick Heinrichs Featuring: Daniel Craig, Dave Bautista, Kathryn Hayn Production Co: T-Street / Lionsgate / Netflix UNCHARTERED Director: Ruben Fleischer Action Adventure Producers: Ari Arad, Avi Arad, Alex Gartner, Charles Roven Designer: Shepherd Frankel Featuring: Tom Holland, Mark Wahlberg, Antonio Banderas Production Co: Atlas Ent. / Arad Productions Columbia Pictures / Sony Pictures THE DARK TOWER Director: Stephen Hopkins Adventure Fantasy Producers: Akiva Goldsman, Stephen King, Glen Mazzara Designer: Barry Robison Featuring: Michael Rooker, Sam Strike, Jerome Flynn Production Co: Amazon Studios / Sony Pictures Television THE ROOK Directors: Sunu Gonera, Rebecca Johnson Fantasy Thriller Drama Series China Moo-Young, Kari Skogland Exec Producer: Stephen Garrett Designer: Jonathan Lee Featuring: Emma Greenwell, Joely Richardson, Jon Fletcher Production Co: Character 7 / Lionsgate / Starz Originals GHOST IN THE SHELL Director: Rupert Sanders Sci-Fi Action Drama Producers: Ari Arad, Avi Arad, Michael Costigan, Steven Paul Designer: Jan Roelfs Featuring: Scarlett Johansson, Michael Pitt, Juliette Binoche Production Co: Paramount Pictures / DreamWorks / Reliance Ent. Arad Productions / Steven Paul Production / Amblin MISS PEREGRINE’S HOME FOR Director: Tim Burton PECULIAR CHILDREN Producers: Peter Chernin, Jenno Topping Adventure Fantasy Drama Designer: Gavin Bocquet Featuring: Eva Green, Asa Butterfield, Ella Purnell Production Co: Twentieth Century Fox / Chernin Ent. Creative Media Management | 10 Spring Bridge Mews | London | W5 2AB t: +44 (0)20 3795 3777 e: [email protected] w: creativemediamanagement.com Creative Media Management Limited Incorporated in England and Wales No: 3816049 VAT No: 739953576 Registered Office: 61 St Dunstans Road, London, W7 2EY Elli Griff | Set Decorator 2 THE MAN FROM U.N.C.L.E. -
MUSC 2018.07.21 Sweeneytoddprog.Pdf (2.031Mb)
GRIFFIN CONCERT HALL / UNIVERSITY CENTER FOR THE ARTS CSU MUSIC and OPERA FORT COLLINS APPRENTICE ARTISTS PRESENT THE RALPH OPERA PROGRAM PRESENTS MUSIC AND LYRICS BY STEPHEN SONDHEIM BOOK BY HUGH WHEELER Stage Director: John Carlo Pierce | Musical Director: Wes Kenney A concert production conducted by the graduating class of the Summer Conducting Program: Aron Bohnert, Kathy Edgel, Brad Lambrecht, Andrew Malovance, Andrea Peterson, Angela Peugnet, Melissa Shank, Neal Springer, Nathan Wubbena STARRING WES KENNEY AS SWEENEY TODD AND PATTY GOBLE AS MRS. LOVETT Saturday, July 21, 2018 / 7:30PM SUMMER MASTER OF MUSIC PROGRAM IN CONDUCTING Classes are designed to engage current Middle School and High School Choir, Band, and orchestra Directors who seek to further their personal knowledge and skills while earning a Masters Degree in Music education with Conducting emphasis. These intensive courses allow you to complete your degree in just three summers! Participants have daily conducting opportunities with a workshop orchestra, band and choir, providing further hands-on training. For further information on this program, please contact the director, Leslie Stewart, at [email protected] FACULTY AND STAFF FOR 2018 Jeremy Cuebas, Program Assistant Katie Glassman, Guest Lecturer in Jazz Pedagogy Wes Kenney, Professor in Orchestral Conducting James Kim, Professor in Choral Conducting Amy Murphy, Guest Lecturer in Jazz Pedagogy Rebecca Phillips, Professor in Band Conducting Peter Sommer, Lead Professor in Jazz Pedagogy Leslie Stewart, Program Director Shilo Stroman, Lecturer in Jazz Pedagogy Wil Swindler, Lecturer in Jazz Pedagogy Adam Torres, Program Coordinator State of Generosity Your gift to the School of Music, Theatre and Dance provides crucial scholarship support, enables the evolution of our programs and performances, and gives our students the opportunity to obtain their education in the one of the region’s most distinctive facilities for arts students. -
'Nomadland' Finds a Home with WAFCA Critics
FOR IMMEDIATE RELEASE The Washington, D.C. Area Film Critics Association Contact: [email protected], Tim Gordon 202-374-3305 On the Web: www.wafca.com Facebook.com/wafca Twitter.com/wafca February 8, 2021 ‘Nomadland’ Finds a Home with WAFCA Critics Washington, D.C. — “Nomadland” triumphed with five wins when The Washington, D.C. Area Film Critics Association (WAFCA) announced their top honorees for 2020 this morning. A slice-of-life from filmmaker Chloé Zhao about a widow who loses her job and sells her belongings to travel the American West, “Nomadland” won Best Film, Best Director, Best Actress for Frances McDormand, Best Adapted Screenplay, and Best Cinematography. WAFCA posthumously awarded Best Actor to the late Chadwick Boseman for his searing turn as a talented trumpeter and songwriter struggling to make a name for himself in 1927 Chicago in George C. Wolfe’s film adaptation of August Wilson’s play “Ma Rainey’s Black Bottom.” Best Supporting Actor was awarded to Leslie Odom, Jr. for his powerful performance as soul musician Sam Cooke in Regina King’s 1964-set “One Night in Miami…” and Best Supporting Actress went to Yuh-Jung Youn, a standout in Lee Isaac Chung’s “Minari.” Best Youth Performance also went to “Minari,” for Alan Kim’s memorable work as the young son of South Korean immigrants relocating from California to rural Arkansas in the 1980s. Best Acting Ensemble accolades were awarded to “One Night in Miami…,” a drama about a fictionalized February 1964 meeting between Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke, starring Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom, Jr. -
Sweeney Todd the Demon Barber of Fleet Street May 10 – June 7, 2020 Edu TABLE of CONTENTS
A NOISE WITHIN’S 2019-2020 REPERTORY THEATRE SEASON AUDIENCE GUIDE Stephen Sondheim’s Sweeney Todd The Demon Barber Of Fleet Street May 10 – June 7, 2020 Edu TABLE OF CONTENTS Character Map . 3 Synopsis . 4 About the Author: George Dibdin Pitt . 5 About the Adaptors: Christopher Bond, Hugh Wheeler, and Stephen Sondheim . 7 History of Sweeney Todd: A Timeline . 9 Change in the Air: The Transition from the Industrial Revolution to the Victorian Era . 10 Pretty Women: The Role of Women in 19th Century England . 11 The Great Divide: Social Inequality in Industrial and Victorian England . 14 Melodrama and Musicals . 15 The Evolution of the Sweeney Todd Story from Melodrama to Musical . 17 Themes . 18 Revenge . 18 Love and Desire . 18 Freedom and Captivity . 19 Madness . 19 Ken Booth Lighting Designer . 20 Additional Resources . 21 A NOISE WITHIN’S EDUCATION PROGRAMS MADE POSSIBLE IN PART BY: Ann Peppers Foundation The Green Foundation Capital Group Companies Kenneth T . and Michael J . Connell Foundation Eileen L . Norris Foundation The Dick and Sally Roberts Ralph M . Parsons Foundation Coyote Foundation Steinmetz Foundation The Jewish Community Dwight Stuart Youth Fund Foundation 3 A NOISE WITHIN 2019/20 REPERTORY SEASON | Spring 2020 Study Guide Sweeney Todd CHARACTER MAP Mrs. Lovett The owner of a struggling meat pie shop . She knew Sweeney Todd before he was sent to Australia, and she helps him set up a barbershop when he returns to London . Sweeney Todd/Benjamin Barker An English barber formerly known Beggar Woman/Lucy Barker as Benjamin Barker . After spending A woman who has gone mad over 15 years wrongfully incarcerated in time . -
Energy : the Governor of Tommorow’S World Harvesting, Storing and Recycling Par Mateo Acosta
Have you ever heard of.. ? Energy : The Governor of Tommorow’s world Harvesting, Storing and Recycling Par Mateo Acosta As we are watching that the world run out of oil, we also are watching the environment run out of time in terms of energy consumption. The competitiveness of our society makes the demand for energy grow at an exponential rate. This is the reason why the world always needs to produce more energy. But what if this increa- sing energy demand could be tackled not only by producing more energy, but also by efficiently using every tiny watt available? Energy waste is an epidemic : The most striking example being the buildings we use in our daily lives. During the summer, most of the thermal transfer received by a building is lost, whe- reas during the winter we could use that energy to heat the building instead of wasting money and resources. At the very least, one should try to save as much energy as possible by applying proper insulation and consuming efficiently. Motorized vehicles present another example of waste; uphill they consume a lot of energy and, downhill, an equivalent mechanical energy is dissipated in the form of heat, created by the friction caused by braking. 28 CE3 - Mai 2013 Broad outline of an energy recovery system The chart below shows the principles of harves- mal energy into another form and then stores it. It can ting, recycling and storing. They consist in gathering be stored in a battery (electrical energy), a flywheel the energy naturally occurring in the environment (mechanical energy) or even in a hydraulic pressure and then converting it into usable forms of energy accumulator. -
Production Designer Jack Fisk to Be the Focus of a Fifteen-Film ‘See It Big!’ Retrospective
FOR IMMEDIATE RELEASE PRODUCTION DESIGNER JACK FISK TO BE THE FOCUS OF A FIFTEEN-FILM ‘SEE IT BIG!’ RETROSPECTIVE Series will include Fisk’s collaborations with Terrence Malick, Brian De Palma, Paul Thomas Anderson, and more March 11–April 1, 2016 at Museum of the Moving Image Astoria, Queens, New York, March 1, 2016—Since the early 1970s, Jack Fisk has been a secret weapon for some of America’s most celebrated auteurs, having served as production designer (and earlier, as art director) on all of Terrence Malick’s films, and with memorable collaborations with David Lynch, Paul Thomas Anderson, and Brian De Palma. Nominated for a second Academy Award for The Revenant, and with the release of Malick’s new film Knight of Cups, Museum of the Moving Image will celebrate the artistry of Jack Fisk, master of the immersive 360-degree set, with a fifteen-film retrospective. The screening series See It Big! Jack Fisk runs March 11 through April 1, 2016, and includes all of Fisk’s films with the directors mentioned above: all of Malick’s features, Lynch’s Mulholland Drive and The Straight Story, De Palma’s Carrie and Phantom of the Paradise, and Anderson’s There Will Be Blood. The Museum will also show early B- movie fantasias Messiah of Evil and Darktown Strutters, Stanley Donen’s arch- affectionate retro musical Movie Movie, and Fisk’s directorial debut, Raggedy Man (starring Sissy Spacek, Fisk’s partner since they met on the set of Badlands in 1973). Most titles will be shown in 35mm. See below for schedule and descriptions. -
Oscar®-Nominated Production Designer Jim Bissell to Receive Lifetime Achievement Award at 19Th Annual Art Directors Guild Awards on January 31, 2015
FOR IMMEDIATE RELEASE OSCAR®-NOMINATED PRODUCTION DESIGNER JIM BISSELL TO RECEIVE LIFETIME ACHIEVEMENT AWARD AT 19TH ANNUAL ART DIRECTORS GUILD AWARDS ON JANUARY 31, 2015 LOS ANGELES, July 15, 2014 — Emmy®-winning and Oscar®-nominated Production Designer Jim Bissell will receive the Art Directors Guild’s Lifetime Achievement Award at the 19th Annual Excellence in Production Design Awards on January 31, 2015 at a black- tie ceremony at the Beverly Hilton Hotel. The announcement was made today by John Shaffner, ADG Council Chairman, and ADG Award Producers Dave Blass and James Pearse Connelly. “Jim Bissell’s work as a Production Designer is legendary and we are proud to rank him among the best in the history of our profession. He is an extraordinary artist and accomplished leader in the industry and it is our pleasure to name him as this year’s Lifetime Achievement Award recipient,” said Shaffner. A veteran leader of the ADG, Bissell was a past Vice President and a Board member for more than 15 years. He also chaired the Guild’s Awards Committee for the first three years of its existence. Bissell’s distinguished work can be seen on such notable films as E.T. the Extra- Terrestrial (1982), which took home four Oscars® with an additional five Oscar® nominations in 1983; The Rocketeer (1991), Jumanji (1995), 300 (2006), Mission: Impossible – Ghost Protocol (2011) and most recently The Monuments Men (2014), directed by and starring George Clooney. Monuments Men is Jim’s fourth collaboration with Clooney, which began with Confessions of a Dangerous Mind (2002), followed with Oscar®-nominated Good Night, and Good Luck (2005) and continuing with Leatherheads (2007). -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Sophie Cv Updated Feb 2014
Sophie K Newman Mobile: 07976 737707 e-mail: [email protected] CV 1994 - 2014 FEATURE FILMS POSITION “Survivor” – (Contemporary) Millenium Films , Dir – James McTeigue, Production Designer Max Gottlieb Set Decorator “Kick Ass 2” – (Contemporary) Universal, Dir- Jeff Wadlow, Production Designer-Russell De Rozario Set Decorator “The Brothers Bloom” (Contemporary) Set Decorator Endgame Entertainment, Dir-Ryan Johnson, Production Designer-Jim Clay “Two Men Went To War” (Period) Set Decorator Little Wing, Dir -John Henderson, Production Designer-Sophie Becher/Steve Carter “Pure” (Contemporary) Set Decorator Little Wing/Kudos, Dir -Gillies McKinnon, Production Designer-John Henson “London” (Contemporary) Set Decorator Vijyata Films, Dir -Gurinda Chadra, Production Designer-Nitin Desai “Complicity” (Contemporary) Set Decorator Talisman Films, Dir-Gavin Miller, Production Designer-Jamie Leonard “The Lawless Heart” (Contemporary) Set Decorator Martin Pope Productions, Dir-Tom Hunsinger, Production Designer - Lynne Whiteread “Dr. Babasaheb Ambedkar” (Period) Set Decorator National Film Corp., Dir-Jabbar Patel, Production Designer-Nitin Desai “Into The Woods”- (Period – Musical) Asst Set Decorator Disney – Dir – Rob Marshall, Production Designer, Dennis Gassner, Set Decorator- Anna Pinnock “Bond- Skyfall” (Contemporary) Asst Set Decorator Eon, Dir-Sam Mendes, Production Designer Dennis Gassner, Set Decorator-Anna Pinnock “Batman – The Dark Knight Rises” (Contemporary) Asst Set Decorator Warner Bros, Dir-Christopher Nolan, Production Designer -
15Th Annual ADG Awards Nominations
15th Annual ADG Awards Nominations Congratulations to the entire team for each film and television show honored! The SDSA would like to particularly acknowledge the set decorators’ contribution for these outstanding productions. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2010 PERIOD FILM TRUE GRIT Production Designer: Jess Conchor Set Decorator: Nancy Haigh THE KING'S SPEECH Production Designer: Eve Stewart Set Decorator: Judy Farr SHUTTER ISLAND Production Designer: Dante Ferretti Set Decorator: Francesca Lo Schiavo SDSA ROBIN HOOD Production Designer: Arthur Max Set Decorator: SonJa KLaus GET LOW Production Designer: Geoffrey KirkLand Set Decorator: Frank Galline SDSA FANTASY FILM ALICE IN WONDERLAND Production Designer: Robert Stromberg Set Decorator: Karen O’Hara SDSA Set Decorator: Peter Young HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Production Designer: Stuart Craig Set Decorator: Stephanie McMiLLan INCEPTION Production Designer: Guy Hendrix Dyas Set Decorator: Larry Dias SDSA Set Decorator: Doug Mowat TRON: LEGACY Production Designer: Darren GiLford Set Decorator: Lin MacDonaLd THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER Production Designer: Barry Robison Set Decorator: Rebecca Cohen CONTEMPORARY FILM BLACK SWAN Production Designer: Therese DePrez Set Decorator: Tora Peterson THE SOCIAL NETWORK Production Designer: DonaLd Graham Burt Set Decorator: Victor J. Zolfo SDSA THE FIGHTER Production Designer: Judy Becker Set Decorator: Gene Serdena THE TOWN Production Designer: Sharon Seymour Set -
Past, Games and Miracles. Intersemiosi E Metamoderno Nelle Opere Di Neil Jordan
Dottorato di Ricerca in Visual and Media Studies Ciclo XXXII Curriculum in Writing, Translation, Creativity Past, Games and Miracles. Intersemiosi e metamoderno nelle opere di Neil Jordan Maria Elisa Salemi Matricola n. 1011925 Tutor: Prof. Fabio Vittorini Cotutore: Dott. Francesco Laurenti Coordinatore: Prof. Vincenzo Trione ANNO ACCADEMICO 2019/2020 Sommario Introduzione – Le narrazioni di Neil Jordan tra modernismo, postmodernismo e metamodernismo ................................................................................................ 1 Ringraziamenti ................................................................................................. 11 Sezione I ........................................................................................................... 12 Che cos’è la traduzione intersemiotica ............................................................ 12 A partire dal testo: il concetto di autorialità, le opere-mondo, le opere aperte.21 Dall’albero, al labirinto, al rizoma: il pensiero dell’opera aperta ................. 39 Dall’opera aperta all’ipertesto ....................................................................... 54 La traduzione intersemiotica oggi: rimediazione, ipermediazione, immediatezza. .......................................................................................................................... 68 Lettore empirico e lettore modello ................................................................ 77 When worlds collide: gli ambienti di convergenza mediale e gli ecosistemi narrativi