From the Zhuangzi to GUO Xiang's Commentary To
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Is Freedom in Necessity Or in Happiness? Guo Xiang's and Lin Xiyi's Controversial Readings of Zhuangzi's »Free Rambling«
Is Freedom in Necessity or in Happiness? Guo Xiang’s and Lin Xiyi’s Controversial Readings of Zhuangzi’s »Free Rambling« David Machek The opening of Zhuangzi 莊子1 is subject of a long and ongoing controversy in both Chinese and Western interpretive tradition.2 The most debated issue in this discussion is the nature of relationship between big things, as represented by a huge Peng bird, and small things, as embodied by a cicada and dove. This paper will work with two traditional Chinese commentaries on Zhuangzi that represent the earliest articulations of two opposing perspectives on this relationship, charting the battlefield for later interpreters.3 Since this study will confine itself solely to the commentaries on the first 1 As tradition has it, the author of Zhuangzi is the philosopher Zhuangzi who lived in the fourth century B.C. Today, scholars generally agree that the received and the only extant version of the text in the edition of Guo Xiang consists of several textual layers written in different times by different authors. For a detailed overview and discussion of the history of the text, see David Chai, Early Zhuangzi Commentaries (München: Verlag Dr. Müller, 2008). Nonetheless, the authorship of the first chapter is ascribed to Zhuangzi himself. 2 The most recent discussion of the controversy, as well as a critique of Guo Xiang’s reading was presented by Lian Xinda, »Zhuangzi the Poet: Re-Reading the Peng Bird Image«, Dao 8 (2009), 233– 254. The present study is much indebted to Lian Xinda’s article and endorses a great deal of his conclusions. -
Painting Outside the Lines: How Daoism Shaped
PAINTING OUTSIDE THE LINES: HOW DAOISM SHAPED CONCEPTIONS OF ARTISTIC EXCELLENCE IN MEDIEVAL CHINA, 800–1200 A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION (ASIAN) AUGUST 2012 By Aaron Reich Thesis Committee: Poul Andersen, Chairperson James Frankel Kate Lingley Acknowledgements Though the work on this thesis was largely carried out between 2010–2012, my interest in the religious aspects of Chinese painting began several years prior. In the fall of 2007, my mentor Professor Poul Andersen introduced me to his research into the inspirational relationship between Daoist ritual and religious painting in the case of Wu Daozi, the most esteemed Tang dynasty painter of religious art. Taken by a newfound fascination with this topic, I began to explore the pioneering translations of Chinese painting texts for a graduate seminar on ritual theory, and in them I found a world of potential material ripe for analysis within the framework of religious studies. I devoted the following two years to intensive Chinese language study in Taiwan, where I had the fortuitous opportunity to make frequent visits to view the paintings on exhibit at the National Palace Museum in Taipei. Once I had acquired the ability to work through primary sources, I returned to Honolulu to continue my study of literary Chinese and begin my exploration into the texts that ultimately led to the central discoveries within this thesis. This work would not have been possible without the sincere care and unwavering support of the many individuals who helped me bring it to fruition. -
The Philosophy of Zhuangzi and the Commentatorial Tradition of Guo Xiang
THE PHILOSOPHY OF ZHUANGZI AND THE COMMENTATORIAL TRADITION OF GUO XIANG Desislava Damyanova Guo Xiang (also known as Kuo Hsiang or Zixuan) is the author of the most important commentary on Zhuangzi – one of the classical Daoist texts.1 He is also known as the person who implemented the current arrangement of thirty-three chapters divided into inner, outer and miscellaneous sections. Although Guo’s initial aim might have been to elucidate the ideas in the original text, his commentary on Zhuangzi represents a substantial philosophical achievement compared to the core text. It contains many original ideas and we shall examine the textual issues on which he is commenting in a try to get a deeper insight into their meaning. Guo Xiang2 practiced his philosophical pursuits this way – within the framework of the Daoist classic – and his manner has served as a blueprint for the later Neo-Confucian synthesis of the Chinese thought. 1 There is some controversy in the recent years over the true authorship of Guo’s commentary - the earliest source, the Jin Shu (Standard History of the Jin Dynasty), accuses Guo Xiang of plagiarizing all but two chapters of the commentary from Xiang Xiu (d. 300 CE, writing a generation earlier). “Current scholarship, while acknowledging that Guo made use of Xiang Xiu’s work and other earlier commentaries, still credits Guo as the principal author. The evidence for this recognition falls into three main areas. Firstly, the most innovative philosophical features in the commentary do not correspond with those in other works by Xiang Xiu. Secondly, in the early twentieth century, a postface to the commentary was discovered which details the work Guo carried out and finally, various linguistic analyses and references in other works suggest that Guo is the principal author.” <http://www.iep.utm.edu/guoxiang/>10.10.2012 2 Actually very little is known about the life of Guo Xiang: he lived in a time of great political upheaval and his own career was one of consistent and significant success. -
Ziran: Authenticity Or Authority?
religions Article Ziran: Authenticity or Authority? Misha Tadd Institute of Philosophy, Chinese Academy of Social Sciences, 5 Jianguo Inner St., Dongcheng District, Beijing 100022, China; [email protected] Received: 26 December 2018; Accepted: 14 March 2019; Published: 18 March 2019 Abstract: This essay explores the core Daoist concept of ziran (commonly translated as spontaneity, naturalness, or self-so) and its relationship to authenticity and authority. Modern scholarship has often followed the interpretation of Guo Xiang (d. 312) in taking ziran as spontaneous individual authenticity completely unreliant on any external authority. This form of Daoism emphasizes natural transformations and egalitarian society. Here, the author draws on Heshanggong’s Commentary on the Daodejing to reveal a drastically dissimilar ziran conception based on the authority of the transcendent Way. The logic of this contrasting view of classical Daoism results not only in a vision of hierarchical society, but one where the ultimate state of human ziran becomes immortality. Expanding our sense of the Daodejing, this cosmology of authority helps unearths greater continuity of the text with Daoism’s later religious forms. Keywords: Heshanggong; Guo Xiang; ziran; authenticity; authority; transcendence; hierarchy; immortality 1. Introduction Ziran stands as one of the key pillars of Daoist philosophy, and, following the immensely influential theory of Guo Xiang (d. 312), has, in modern times, mostly been viewed as the spontaneous and natural “authenticity” -
Tao Yuanming's Perspectives on Life As Reflected in His Poems on History
Journal of chinese humanities 6 (2020) 235–258 brill.com/joch Tao Yuanming’s Perspectives on Life as Reflected in His Poems on History Zhang Yue 張月 Associate Professor of Department of Chinese Language and Literature, University of Macau, Taipa, Macau, China [email protected] Abstract Studies on Tao Yuanming have often focused on his personality, reclusive life, and pas- toral poetry. However, Tao’s extant oeuvre includes a large number of poems on history. This article aims to complement current scholarship by exploring his viewpoints on life through a close reading of his poems on history. His poems on history are a key to Tao’s perspectives with regard to the factors that decide a successful political career, the best way to cope with difficulties and frustrations, and the situations in which literati should withdraw from public life. Examining his positions reveals the connec- tions between these different aspects. These poems express Tao’s perspectives on life, as informed by his historical predecessors and philosophical beliefs, and as developed through his own life experience and efforts at poetic composition. Keywords Tao Yuanming – poems on history – perspectives on life Tao Yuanming 陶淵明 [ca. 365–427], a native of Xunyang 潯陽 (contem- porary Jiujiang 九江, Jiangxi), is one of the best-known and most-studied Chinese poets from before the Tang [618–907]. His extant corpus, comprising 125 poems and 12 prose works, is one of the few complete collections to survive from early medieval China, largely thanks to Xiao Tong 蕭統 [501–531], a prince of the Liang dynasty [502–557], who collected Tao’s works, wrote a preface, and © ZHANG YUE, 2021 | doi:10.1163/23521341-12340102 This is an open access article distributed under the terms of the CC BY 4.0Downloaded license. -
Seeking Immortality in Ge Hong's Baopuzi Neipian
Dao Companions to Chinese Philosophy 14 David Chai Editor Dao Companion to Xuanxue (Neo-Daoism) Dao Companions to Chinese Philosophy Volume 14 Series Editor Yong Huang Department of Philosophy The Chinese University of Hong Kong Shatin, New Territories, Hong Kong E-mail: [email protected] David Chai Editor Dao Companion to Xuanxue (Neo-Daoism) Editor David Chai Department of Philosophy Chinese University of Hong Kong Shatin, New Territories, Hong Kong ISSN 2211-0275 ISSN 2542-8780 (electronic) Dao Companions to Chinese Philosophy ISBN 978-3-030-49227-4 ISBN 978-3-030-49228-1 (eBook) https://doi.org/10.1007/978-3-030-49228-1 © Springer Nature Switzerland AG 2020 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci"cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro"lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a speci"c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Time in Daoist Practice
Time in Daoist Practice Cultivation and Calculation edited by Livia Kohn Three Pines Press www.threepinespress.com © 2021 by Three Pines Press All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. 9 8 7 6 5 4 3 2 1 Printed in the United States of America This edition is printed on acid-free paper that meets the American National Standard Institute Z39.48 Standard. Distributed in the United States by Three Pines Press. Cover Art: “Measuring Flow: Clock over Yin-Yang.” Design by Breant Cochran. ----------------------------------------------------------------------------------------------- Library of Congress Cataloging-in-Publication Data Names: Kohn, Livia, 1956- editor. Title: Time in Daoist practice : cultivation and calculation / edited by Livia Kohn. Description: St Petersburg : Three Pines Press, [2021] | Includes bibliographical references and index. Identifiers: LCCN 2021011151 | ISBN 9781931483490 (acid-free paper) Subjects: LCSH: Time--Religious aspects--Taoism. Classification: LCC BL1942.85.T56 T56 2021 | DDC 299.5/142--dc23 LC record available at https://lccn.loc.gov/2021011151 Contents Introduction Livia Kohn Daoist Practice and the Importance of Time 1 Setting the Theme Hervé Louchouarn Dao Defines Time and Health 17 Part One: Planetary Time Nataša Vampelj Suhadolnik Defining Time: The Codes of Yin-Yang in Han Murals 39 Bede Benjamin -
Guo Xiang's Commentary of the Zhuangzi's Imputed Words and Its Implication on Explaining Metaphor
Lingnan University Digital Commons @ Lingnan University All Open Access Theses and Dissertations Theses and Dissertations 11-13-2018 Guo Xiang’s commentary of the Zhuangzi’s imputed words and its implication on explaining metaphor Dongyu XIE Follow this and additional works at: https://commons.ln.edu.hk/otd Part of the Philosophy Commons Recommended Citation Xie, D. (2018). Guo Xiang’s commentary of the Zhuangzi’s imputed words and its implication on explaining metaphor (Master's thesis, Lingnan University, Hong Kong). Retrieved from https://commons.ln.edu.hk/ otd/25/ This Thesis is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ Lingnan University. It has been accepted for inclusion in All Open Access Theses and Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. GUO XIANG’S COMMENTARY OF THE ZHUANGZI’S IMPUTED WORDS AND ITS IMPLICATION ON EXPLAINING METAPHOR XIE DONGYU MPHIL LINGNAN UNIVERSITY 2018 GUO XIANG’S COMMENTARY OF THE ZHUANGZI’S IMPUTED WORDS AND ITS IMPLICATION ON EXPLAINING METAPHOR by XIE Dongyu 嫅⅔䐄 A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in Philosophy Lingnan University 2018 ABSTRACT Guo Xiang’s Commentary of the Zhuangzi’s Imputed Words and its Implication on Explaining Metaphor by XIE Dongyu Master of Philosophy This thesis discusses how Guo Xiang’s Commentary (hereinafter referred to as “the Commentary”) shapes our understanding of the Zhuangzi in regard to the usage of imputed words (yuyan ⭻妨). -
Imagery of Female Daoists in Tang and Song Poetry
Imagery of Female Daoists in Tang and Song Poetry by Yang Liu B.A. Changchun Normal University, 1985 M.A. Jilin University, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April, 2011 © Yang Liu, 2011 Abstract This dissertation involves a literary study that aims to understand the lives of female Daoists who lived from the eighth to the twelfth centuries in China. Together with an examination of the various individual qualities manifested in their poetry, this study includes related historical background, biographical information and a discussion of the aspirations and cultural life of the female clergy. Unlike some of the previous scholarship that has examined Daoist deities and mythical figures described in hagiographical texts and literary creations, or on topics such as the Divine Mother of the West and miscellaneous goddesses and fairies, this work takes the perspective of examining female Daoists as historical persons who lived in real Daoist convents. As such, this work concentrates on the assorted images of female Daoists presented in their own poetic works, including those of Yu Xuanji, Li Ye, Yuan Chun, Cao Wenyi and Sun Bu-er. Furthermore, this thesis also examines poetic works about female Daoists written by male literati from both inside and outside the Daoist religion. I do this in order to illustrate how elite men, the group with whom female Daoists interacted most frequently, appreciated and portrayed these special women and their poetry. I believe that a study of their works on Daoist women will not only allow us a better understanding of the nature and characters of female Daoists, but will also contribute to our knowledge of intellectual life in Tang and Song society. -
Nature Naturing Ziran in Early Daoist Thinking A
NATURE NATURING ZIRAN IN EARLY DAOIST THINKING A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN PHILOSOPHY MAY 2018 By Jing Liu Dissertation Committee: Roger T. Ames, Chair Franklin Perkins, Co-chair Steve Odin Chung-Ying Cheng David McCraw Kai Zheng Keywords: Nature, Ziran, Daoism ABSTRACT Due to the worsening environmental situation, the relation between nature and humans has been reflected on by environmental philosophers. However, we often find that the very meaning of nature has not been brought to light. So what is nature? My thesis shows that ziran in early Daoism offers us an alternative to the modern concept of nature as an object to be controlled and exploited for human purposes. Ziran is the very process of the transformation of dao and things, in which the intimacy of dao, things and humans is kept. My thesis presents ziran or nature as a way of life that penetrates dao, things, and humans. It is with the understanding of ziran that the nature of humans and all things are illuminated. Daoist ziran also sheds light on the creativity of a feminine power as the realization of nature which emphasizes the interplay between the female and the male (yin and yang), setting a contrast with any exclusively patriarchal principle of the relationship between humans and “nature.” While ziran offers us an alternative to the modern concept of nature, the investigation on ziran seeks dialogue with Western thoughts. By questioning the meaning of nature through the lens of Daoist ziran many important terms in western philosophy, e.g., being and nonbeing, permanence and transience, truth, reality, freedom and so on are reinterpreted and gain refreshed meanings. -
Dream of the Butterfly.’ Philosophical Analysis of Western Reception
The Polish Journal of Aesthetics Vol. 32 (1/2014) * Agnė Budriūnaitė The Tension Between Illusion and Reality in Zhuangzi’s ‘Dream of the Butterfly.’ Philosophical Analysis of Western Reception Abstract Zhuangzi (Qi wu lun - One of the most important allegories of Daoism is the ‘Dream of the Butterfly’ in the second chapter of the ). Sometimes it is supposed to be a rep- resentation of all Daoistwu wei or even all Chinese philosophyziran in the West. This allegory encompasses fundamental Daoist notions, such as spontaneity, ‘free and easy wan dering,’ non-action ( ), natural self-alternation ( ), the no-perspective of a sage andZhuangzi the understanding of correlation between life and death. The purpose of- this paper is a philosophical analysis of the relationship between illusion and real- ity in the looking from the ‘Western’ perspective. To achieve this, I will re- view some of the most distinct English translations of the allegory that show possible multiple meanings of the allegory and many fundamentally different, sometimes op posite interpretations of it and discuss theZhuangzi significance of the relationship between illusion and reality. There is a huge body of academic literature Zhuangziabout translating and interpreting the texts ascribed to the . I will mention only some of the commentaries and will pay more attention to other stories of the , looking there for the explication and explanation of the main ideas found in the ‘Dream of the Butterfly.’ Key words allegories in Daoism, Zhuangzi, illusion, reality, forgetting * Department of Philosophy, Centre for Asian Studies Vytautas Magnus University, Kaunas, Lithuania Email: [email protected] 138 Agnė Budriūnaitė Translation and Understanding of the ‘Dream of the Butterfly’ Reading of a Chinese text for us, Westerners, is a real challenge. -
BNU Philosophy Summer School Brochure
Confucius China Studies Program School of Philosophy Confucius Institute Headquarters Beijing Normal University A Journey into Chinese Thought and Modern Civilization: Beijing Normal University Philosophy Summer School July 9-23,2017 PROGRAM BROCHURE Overview With more than 3000 years of advanced civilization, China has a rich tradition of philosophical thinking and moral reasoning. To enable young students and scholars all around the world to get in touch with Chinese culture, to understand China’s contemporary situation, and to develop an interest in Chinese philosophy, the School of Philosophy of Beijing Normal University (BNU) will hold its Philosophy Summer School from July 9th to July 23rd, 2017, on the theme of Daoist Philosophy. Designed for global university students and young faculty members who are curious about traditional Chinese culture, BNU’s Philosophy Summer School has run for two successful sessions in 2015 and 2016. Our invited speakers are world-renowned scholars who offer unique insights into traditional Chinese philosophy and thought-provoking discussions on contemporary China. The Philosophy Summer School also presents a unique opportunity to meet young people from around the world who share a passion to explore the treasures of Chinese civilization. Our Philosophy Summer School enriches philosophical understanding while offering precious memories for both the students and the teachers. Program Highlights World-renowned Scholars Distinguished scholars focusing on the study of traditional Chinese thought will share