The Survey of London's Approaches to the History of East London
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Land Adjacent to 16 Beardell Street, Crystal Palace, London SE19 1TP Freehold Development Site with Planning Permission for 5 Apartments View More Information
CGI of proposed Land adjacent to 16 Beardell Street, Crystal Palace, London SE19 1TP Freehold development site with planning permission for 5 apartments View more information... Land adjacent to 16 Beardell Street, Crystal Palace, London SE19 1TP Home Description Location Planning Terms View all of our instructions here... III III • Vacant freehold plot • Sold with planning permission for 5 apartments • Contemporary 3 storey block • Well-located close by to Crystal Palace ‘triangle’ and Railway Station • OIEO £950,000 F/H DESCRIPTION An opportunity to acquire a freehold development site sold with planning permission for the erection for a 3 storey block comprising 5 apartments (2 x studio, 2 x 2 bed & 1 x 3 bed). LOCATION Positioned on Beardell Street the property is located in the heart of affluent Crystal Palace town centre directly adjacent to the popular Crystal Palace ‘triangle’ which offers an array of independent shops, restaurants and bars mixed in with typical high street amenities. In terms of transport, the property is located 0.5 miles away from Crystal Palace Station which provides commuters with National Rail services to London Bridge, London Victoria, West Croydon, and Beckenham Junction and London Overground services between Highbury and Islington (via New Cross) and Whitechapel. E: [email protected] W: acorncommercial.co.uk 120 Bermondsey Street, 1 Sherman Road, London SE1 3TX Bromley, Kent BR1 3JH T: 020 7089 6555 T: 020 8315 5454 Land adjacent to 16 Beardell Street, Crystal Palace, London SE19 1TP Home Description Location Planning Terms View all of our instructions here... III III PLANNING The property has been granted planning permission by Lambeth Council (subject to S106 agreement which has now been agreed) for the ‘Erection of 3 storey building plus basement including a front lightwell to provide 5 residential units, together with provision of cycle stores, refuse/recycling storages and private gardens.’ Under ref: 18/00001/FUL. -
Mapping Artists' Professional Development Programmes in the Uk: Knowledge and Skills
1 REBECCA GORDON-NESBITT FOR CHISENHALE GALLERY SUPPORTED BY PAUL HAMLYN FOUNDATION MARCH 2015 59 PAGES MAPPING ARTISTS’ PROFESSIONAL DEVELOPMENT PROGRAMMES IN THE UK: KNOWLEDGE AND SKILLS 2 COLOPHON Mapping Artists’ Professional Development This research was conducted for Chisenhale Programmes in the UK: Knowledge and Skills Gallery by Rebecca Gordon-Nesbitt with funding from Paul Hamlyn Foundation. Author: Rebecca Gordon-Nesbitt Editors: Polly Staple and Laura Wilson → Chisenhale Gallery supports the production Associate Editor: Andrea Phillips and presentation of new forms of artistic delivery Producer: Isabelle Hancock and engages diverse audiences, both local and Research Assistants: Elizabeth Hudson and international. Pip Wallis This expands on our award winning, 32 year Proofreader: 100% Proof history as one of London’s most innovative forums Design: An Endless Supply for contemporary art and our reputation for Commissioned and published by Chisenhale producing important solo commissions with artists Gallery, London, March 2015, with support from at a formative stage in their career. Paul Hamlyn Foundation. We enable emerging or underrepresented artists to make significant steps and pursue Thank you to all the artists and organisational new directions in their practice. At the heart of representatives who contributed to this research; our programme is a remit to commission new to Regis Cochefert and Sarah Jane Dooley from work, supporting artists from project inception Paul Hamlyn Foundation for their advice and to realisation and representing an inspiring and support; and to Chisenhale Gallery’s funders, challenging range of voices, nationalities and art Paul Hamlyn Foundation and Arts Council England. forms, based on extensive research and strong curatorial vision. -
NOTICE of RELEASE of TRUSTEES. O O No
NOTICE OF RELEASE OF TRUSTEES. o o No. of o Debtor's Name. Debtor's Address. Debtor's Description. Court. Matter. Trustee's Name. Trustee's Address. Trustee's Description. Date ot Release. Ball, William 2, 3, 4, 14, 15, 16, and 17, Tauntqn- Cab Proprietor High Court of Justice 890 William Rooke 11, Milk-street-buildings, Accountant Nov. 28, 1888 mews, Dorset-square, Middlesex in Bankruptcy of 18SG Cheapside, London Bunting, William Goggs 9, Penywern-road, Earl's Court, Fancy Box Manufac- High Court of Justice 738 Henry John Leslie ... 4, Coleman-street, Lon- Chartered Account- Nov. 29, 1888 (otherwise De Bunting, Middlesex turer in Bankruptcy of 1885 don ant H W. G.) W Rl Campbell, Percy 5, Drapers'-gardens, Throgmorton- Stockbroker High Court of Justice 492 Horace Woodburn 4, Coloman- street, Lon- Chartered Account- Nov. 29, 1888 street, London in Bankruptcy of 1885 Kirby don, E.C. ant t-i O Coulter, Thomas W. Late of 62, Carter-lane, E.C. Coulter, Charles 'A., and ... Late of 62, Carter-lane, E.C. ^ Ennery, L. D Late of 62, Carter-lane, E.G. u (trading as o Coulters and Co.) Lately trading at 62, Carter-lane, Shippers and Mer- High Court of Justice 1249 Frederick Adolphus 82, Queen-street, Cheap- Chartered Account- Nov. 29, 1888 London, and residing at 54, chants ' in Bankruptcy of 1886 Rawlings side, E.C. ant Addison-road, Kensington, Mid- dlesex • Cox, William Joseph 253, Portobello-road, Netting Hill, Upholsterer and Cabi- High Court of Justice 951 Pullam Markham 2, Gresham - buildings, Chartered Account- Nov. -
Issues I — Ii — Iii — Iv the — Unlimited — Edition
THE — UNLIMITED EDITION ISSUES I — II III IV Many thanks to all our contributors This issue of The Unlimited Edition has for their hard work been printed locally by Aldgate Press, with recycled paper by local Published by supplier Paperback We Made That www.wemadethat.co.uk www.aldgatepress.co.uk www.paperback.coop Designed by Andrew Osman & Stephen Osman www.andrewosman.co.uk www.stephenosman.co.uk THE — UNLIMITED — EDITION ISSUE I — SURVEY — AUGUST 2011 2 THE — UNLIMITED — EDITION ISSUE I — SURVEY — AUGUST 2011 THE — UNLIMITED — EDITION ISSUE I — SURVEY — AUGUST 2011 3 is to record and explore the familiar, the transitory nature of the area for the High Street 2012 Historic Buildings Officer and to celebrate and speculate on the present day commuter. for Tower Hamlets Council, also gives possibilities that lie in its future. Expanding outwards from this critical us his personal perspective on some of In our first issue, ‘Survey’, we focus on highway, articles from Ruth Beale and the restoration works that form part the existing nature of the High Street. Clare Cumberlidge reveal the tight mesh of the wider heritage remit of the High Olympic Park Our contributors have been invited from of social, cultural, ethnic and economic Street 2012 initiative. Whitechapel Market a wide range of disciplines: they have fabric that surrounds the High Street in may hold new delights for you once you Holly Lewis, We Made That watched, read, analysed, photographed Aldgate and Wentworth Street. Such have imagined the stallholders as part of and illustrated the High Street to bring to hidden links and ties are further elaborated a life-sized ‘Happy Families’ card game, Stratford Welcome to Issue I of The Unlimited you a collection of articles as varied, by Esme Fieldhouse and Stephen Mackie, as Hattie Haseler has done, or considered Ω Ω Edition. -
Household Income in Tower Hamlets 2013
October 2013 Household income in Tower Hamlets Insights from the 2013 CACI Paycheck data 1 Summary of key findings The Corporate Research Team has published the analysis of 2013 CACI Paycheck household income data to support the Partnerships knowledge of affluence, prosperity, deprivation and relative poverty and its geographical concentration and trends in Tower Hamlets. The median household income in Tower Hamlets in 2013 was £ 30,805 which is around £900 lower than the Greater London average of £ 31,700. Both were considerably above the Great Britain median household income of £27,500. The most common (modal) household annual income band in Tower Hamlets was £17,500 in 2013. Around 17% of households in Tower Hamlets have an annual income of less than £15,000 while just below half (48.7%) of all households have an annual income less than £30,000. 17% of Tower Hamlets households have an annual income greater than £60,000. 10 out of the 17 Tower Hamlets wards have a household income below the Borough’s overall median income of £30,805. The lowest median household income can be found in East India & Lansbury (£24,000) and Bromley by Bow (£24,800) while the highest is in St Katherine’s & Wapping (£42,280) and Millwall (£43,900). 2 1 Tower Hamlets Household income 1 1.1 CACI Paycheck household income data – Methodology CACI Information Solutions,2 a market research company, produces Paycheck data which provides an estimate of household income for every postcode in the United Kingdom. The data modelled gross income before tax and covered income from a variety of sources, including income support and welfare. -
Quaker Values and Arts and Crafts Principles Pamela
THE BRYNMAWR EXPERIMENT 1928-1940 QUAKER VALUES AND ARTS AND CRAFTS PRINCIPLES by PAMELA MANAS SEH A thesis submitted to the University of Plymouth in partial fulfilment for the degreeof DOCTOR OF PHILOSOPHY Faculty of Art and Design University College, Falmouth October, 2009 2 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. PAMELA MANASSEH THE BRYNMAWR EXPERIMENT, 1928-1940: QUAKER VALUES AND ARTS AND CRAFTS PRINCIPLES ABSTRACT This is a study of the social work of Quakers in the town of Brynmawr in South Wales during the depressions of the 1920s and 1930s. The work, which took place during the years 1928 to 1940, has become known as the Brynmawr Experiment. The initial provision of practical and financial relief for a town suffering severely from the effects of unemployment, was developed with the establishment of craft workshops to provide employment. Special reference is made to the furniture making workshop and the personnel involved with it. The thesis attempts to trace links between the moral and aesthetic values of Quakerism and the Arts and Crafts Movement and explores the extent to which the guiding principles of the social witness project and the furniture making enterprise resemble those of the Arts and Crafts Movement of the inter-war years, 1919-1939. All aspectsof the Quaker work at Brynmawr were prompted by concern for social justice and upholding the dignity of eachindividual. -
2006, Stand 64
ESTABLISHED 1884 CLOCK Designed and painted by Lewis F. Day English, circa 1877 Furniture and Works of Art 119 Mount Street, London W1K 3NL, England e-mail: [email protected] Telephone: 020 7493 0444 Facsimile: 020 7495 0766 www.blairman.co.uk Open Monday – Friday, 9 am – 6 pm and on Saturday by appointment STOVE TILE Designed by A.W.N. Pugin and manufactured by Minton English, circa 1850 All objects are offered for sale, subject to their remaining unsold. Dimensions are in inches (and centimetres), height × width × depth. Exhibiting The Grosvenor House Art & Antiques Fair, London 15–22 June 2006, Stand 64. The International Fine Art and Antique Dealers Show, New York 20–26 October 2006, Booth B16. TEFAF, Maastricht 9–18 March 2007, Stand 183 © H. Blairman & Sons Ltd, 2006 ISBN 0–9542530–4–3 MEMBER OF THE BRITISH ANTIQUE DEALERS’ ASSOCIATION Now and again in the history of art, works appear that over time come to be recognised as iconic. Within the field of furniture history, the Godwin sideboard (below) and the Mackintosh ‘Argyle’ chair (no. 17), both the creations of architect-designers, undoubtedly fall into this category. Artists and craftsmen also contributed some of the nineteenth- century’s finest achievements. Such highlights are reflected, respectively, in two objects that passed through our hands last year: the wall clock designed and painted by Lewis F. Day (see page 1) and the richly damascened table clock created by Placido Zuloaga (see final page). The opportunity to offer the Bullock cabinet (no. 1) is the culmination of a story that began nearly twenty years ago. -
Hannah Black ‘Some Context’ 22 September – 10 December 2017
HANNAH BLACK ‘SOME CONTEXT’ 22 SEPTEMBER – 10 DECEMBER 2017 READING LIST A reading list of texts, books and articles has been compiled in collaboration with Hannah Black to accompany her exhibition, Some Context, at Chisenhale Gallery. This resource expands on ideas raised through Black’s new commission. Included is previous writing by Black, such as her publications Dark Pool Party (DOMINICA/Arcadia Missa, 2016) and Life, with Juliana Huxtable, (mumok, 2017); essays and books that provide reference and further context to the work; and a selection of writings by contributors to The Situation (2017). Abreu, M. A. (2017). Three Poems by Manuel Arturo Abreu. [online] The Believer Logger. Available at: https://logger.believermag.com/post/three-poems-by-manuel-arturo-abreu [Accessed 8 Sep. 2017]. Aima, R. (2017). Body Party: Hannah Black. Mousse Magazine, [online] (57). Available at: http://moussemagazine.it/rahel-aima-hannah-black-2017/ [Accessed 7 Sep. 2017]. Black, H. (2014). My Bodies. [video] Available at: https://vimeo.com/85906379 [Accessed 7 Sep. 2017]. Black, H. (2016). Apocalypse Tourism. [online] The Towner. Available at: http://www.thetowner.com/apocalypsetourism/ [Accessed 9 Sep. 2017]. Black, H. (2015). Long term effects. In: K. Williams, H. Black, R. Johnson, A. Zett, S. M Harrison and S. Kotecha, After the eclipse. [online] Available at: http://www.annazett.net/pdf/AFTER%20THE%20ECLIPSE.pdf [Accessed 7 Sep. 2017]. Black, H. (2015). Some of the police officers spent up to 10 years pretending to be people who had died. In: E. Ryan, ed., Oh wicked flesh!. London: South London Gallery. Black, H. (2016). [Readings] | A Kind of Grace, by Hannah Black | Harper’s Magazine. -
THOMSON REUTERS MAP.Ai
PUBLIC TRANSPORT PUBLIC TRANSPORT Watford M Hatfield A1 2 LIMEHOUSE DOCKLAND 1 M25 1 DLR 1 N TRAIN STATION LIGHT RAILWAY M Hendon A1 27 Situated on Commercial Road Canary Wharf Station. Situated High A406 (A13), walk to the Limehouse at the centre of North and South Wycombe Basildon The Thomson Reuters Building M 2 DLR Station and catch a Colonnade. The Station is a two M4 5 South Colonnade 0 A40 A1 3 connecting train to Canary minute walk from our building. A1 3 Slough Canary Wharf Wharf. CITY OF • London C ity LONDON Airport London M4 Tilbury LONDON CITY LONDON UNDERGROUND • A20 5 2 E14 5ep CANARY WHARF • AIRPORT Heathrow A205 M Airport Jubilee Line Extention – links Catch a connecting London Gravesend A3 Croydon Canary Wharf with Waterloo City Airport shuttle bus to SECTION M 2 +44 (0)20 7250 1122 0 Station and London Bridge, Canary Wharf DETAILED M3 BELOW M25 thomsonreuters.com also other tube lines. Wok ing Limehouse MANOR Train Station A Docklands B BURDETT 1 ROAD 1 0 A1 206 2 ROAD Blackwell Tunnel 2 Isle of Dogs 1 Dover A1 02 N C anary Wharf WESTFERRY C IRC US (A1 3) Folkestone COMMERCIAL Royal Docks ROAD C ity 3 C anary A1 Wharf Airport C . London A1 3 One Way COMMERCIAL EAST INDIA ROAD C abot Square DOCK ROAD A1 3 L I M E H O U S E P P C anary Wharf Start here DLR A1 3 A1 3 From the East To Tower Gateway A L L (A1 3) & Central London 6 S A I N T S 0 2 1 P O P L A R Start here W E S T F E R R Y A C . -
Queen Mary, University of London Audio Walking Tour Exploring East London
Queen Mary, University of London Audio walking tour exploring east London www.qmul.ac.uk/eastendtour 01 Liverpool Street Station 07 Brick Lane Mosque Exit Liverpool Street Station via Bishopsgate West exit (near WH Go up Wilkes Street. Turn right down Princelet Street. Then turn right Smith). You will come out opposite Bishopsgate Police Station. Press on to Brick Lane. The Mosque is 30m up on the right-hand side. Press play on your device here. Then cross Bishopsgate. Walk to Artillery play on your device. Lane, which is the first turn on the right after the Woodin’s Shade Pub. 08 Altab Ali Park 02 Artillery Passage Follow Brick Lane (right past Mosque) for 250m (at the end Brick Lane Follow Artillery Lane round to the right (approximately 130m). Artillery becomes Osborn Street) to Whitechapel Road. Altab Ali Park on the Passage is at the bottom on the right (Alexander Boyd Tailoring shop is opposite side of Whitechapel Road, between White Church Lane and on the corner). Press play on your device. Adler Street. Press play on your device. 03 Petticoat Lane Market 09 Fulbourne Street Walk up Artillery Passage. Continue to the top of Widegate Street (past At the East London Mosque cross over Whitechapel Road at the traffic the King’s Store Pub). Turn left onto Middlesex Street (opposite the lights, turn right and walk 100m up to the junction of Fulbourne Street Shooting Star Pub). Continue to the junction with Wentworth Street (on (on the left). Press play on your device. the left). Press play on your device. -
Leamouth Leam
ROADS CLOSED SATURDAY 05:00 - 21:00 ROADS CLOSED SUNDAY 05:00TO WER 4 2- 12:30 ROADS CLOSED SUNDAY 05:00 - 14:00 3 3 ROUTE MAP ROADS CLOSED SUNDAY 05:00 - 18:00 A1 LEA A1 LEA THE GHERR KI NATCLIFF RATCLIFF RATCLIFF CANNING MOUTH R SATURDAY 4th AUGUST 05:00 – 21:00 MOUTH R SUNDAY 5th AUGUST 05:00 – 14:00 LIMEHOUSE WEST BECKTON AD AD BANK OF WHITECHAPEL BECKTON DOCK RO SUNDAY 5th AUGUST 14:00 – 18:00 TOWN OREGANO DRIVE OREGANO DRIVE CANNING LLOYDS BUILDING SOUTH ST PAUL S ENGL AND Limehouse DLR SEE MAP CUSTOM HOUSE EAST INDIA O EAST INDIA DOCK RO O ROYAL OPER A AD AD CATHED R AL LEAMOUTH DLR PARK OHO LIMEHOUSE LIMEHOUSBecktonE Park Y Y HOUSE Cannon Street Custom House DLR Prince Regent DLR Cyprus DLR Gallions Reach DLR BROMLEY RIGHT A A ROADS CLOSED SUNDAY 05:00 - 18:00 Royal Victoria DLR W W Mansion House COVENT Temple Blackfriars POPLAR DLR DLR Tower Gateway LE A MOUTH OCEA OCEA Monument COMMERC COMMERC V V GARDEN IAL ROAD East India RO UNDABOU T IAL ROAD ExCEL UNIVERSI T Y ROYAL ALBERT SIL SIL ITETIONAL CHASOPMERSETEL Tower Hill Blackwall DLR OF EAST LONDON SEE MAP BELOW RT R AIT HOUSE MILLENIUM ROUNDABOUT DLR Poplar E TOWN GALLE RY BRIDGE A13 VENU A13 VENUE SAFFRON A SAFFRON A SOUTHWARK THE TO WER Westferry DLR DLR BLACKWALL Embankment ROTHERHITH E THE MUSEUM AD AD CLEOPATRA’S BRIDGE OF LONDON EAST INDIA DOCK RO EAST INDIA DOCK RO LONDON WAPPING T UNNEL OF LONDON West India A13 A13 LEAMOUTH NEED LE SHADWELL LONDON CI T Y BRIDGE DOCK L A NDS Quay BILLINGSGATE AIRPOR T A13 K WEST INDIA DOCK RD K WEST INDIA DOCK RD LEA IN M ARKET IN LEAM RATCLIFF L L SE SE MOUT WAY TATE MODERN HMS BELFAST U U SPEN O O AD A N H H A AY A N W E TOWER E E 1 ASPEN 1 H R W E G IM IM 2 2 L L OREGANO DRIVE 0 W 0 OWER LEA CROSSING L CANNING P LOWER LEA CROSSIN BRIDGE 6 O 6 O EAST INDIA DOCK RO POR AD R THE O2 BL ACK WAL L Y T LIMEHOUSE PR ESTO NS A T A A C C HORSE SOUTHWARK W V RO AD T UNNEL O O E V T T . -
The Crystal Palace
The Crystal Palace The Crystal Palace was a cast-iron and plate-glass structure originally The Crystal Palace built in Hyde Park, London, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in its 990,000-square-foot (92,000 m2) exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was 1,851 feet (564 m) long, with an interior height of 128 feet (39 m).[1] The invention of the cast plate glass method in 1848 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building and astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a The Crystal Palace at Sydenham (1854) piece penned by the playwright Douglas Jerrold, who in July 1850 General information wrote in the satirical magazine Punch about the forthcoming Great Status Destroyed Exhibition, referring to a "palace of very crystal".[2] Type Exhibition palace After the exhibition, it was decided to relocate the Palace to an area of Architectural style Victorian South London known as Penge Common. It was rebuilt at the top of Town or city London Penge Peak next to Sydenham Hill, an affluent suburb of large villas. It stood there from 1854 until its destruction by fire in 1936. The nearby Country United Kingdom residential area was renamed Crystal Palace after the famous landmark Coordinates 51.4226°N 0.0756°W including the park that surrounds the site, home of the Crystal Palace Destroyed 30 November 1936 National Sports Centre, which had previously been a football stadium Cost £2 million that hosted the FA Cup Final between 1895 and 1914.