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The Inventory of the Erica Morini Collection #1077

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The Inventory of the Erica Morini Collection #1077 Howard Gotlieb Archival Research Center Morini, Erica , 1904-1995. #1077 Preliminary Listing 2/27/91 Box( I. ORAL HISTORY A. AUSTRIAN PROJECT: THE REMINISCENCES OF ERICA MORINI. Oral History Research Office, Columbia University, 1981. 16 boxes: FULLER Morini, Erica #1077 Preliminary Listing 5/6/97 Box 1 I. Framed photographs, mostly family and friends, including some musicians (autographed): A. Bruno Walter B. Pablo Casals C. Bronislaw Huberman D. Otakar Sevcik E. Arturo Toscanini F. Wilhelm Furtwanger G. George Szell H. Stravinsky (in HBG's office) II. Certificate of appreciation, city of New York Ill. Award from the National Academy of Recording Arts and Sciences, Nomination for Best Classical Performance, Chamber Music, 1961 Box2 I. Photographs II. Slide view finder Box3 I. Printed matter A. Programs, flyers, ads, featuring EM performances B. Menus from restaurants and dinner parties C. Catalogues from record stores D. "Bronislaw Huberman and the Unity of Europe," by Helmut Goetz, 1967 E. "Erika Morini erzahlt ausihrem leben," Die Frau, Oct. 1954 F. "Rostopovich, Off and Running-'Tritico,'" Saturday Review, March 11, 1967 G. "Basic Elements of Music" Paul Emerich H. EM on cover of AHET, 1957 I. Performing Arts, Jan. 1970 J. East ofFifth, Sept. 1956 K. "100 Years of Great Performances at Univ. of Michigan, 1879-1979 ," commemorative book L. Etude, Nov. 1954 M. Texas String News, Summer 1951 Box 3 N. The Strad, Dec. 1987 Box4 I. Correspondence, mainly from 1970's Including 1 Xmas card from Arturo Toscanini, 1943 II. Expenses/Financial Papers Ill. Newspaper clippings IV. Schwann Artist Issue, 1963, 1966 Box5 I. Audio Material (mainly EM performances) A. Wire tape reels, 7" 1. Brahms, Dec. 14,1952, Szell/Morini 2. Tchaikovsky, Szell, Philharmonic Orchestra, NYC 3. Szell/Stern Violin Concert, Beethoven 4. Untitled 5. Heifetz/Beethoven 6. Tchaikovsky 7. Walter/Morini, Beethoven Concert, 3/13/49 8. Heifetz/Mendelssohn Concerto/Brahms 9. Prove-Skool 10. Prove-Beethoven 11. Walter/Morini Concert 12. Tenore Costa/Maestro Raffaelli B. Tape reels, 3.5" 1. Bruch, Belltel, NBC, 3/13/63 2. Schubert- Death & Maiden?,/Mendelssohn Concert 3. Schubert, Arpeggio ne Sonata, 1st movement/ Hindemith, Solo; Viola Sonata, op. 11, no. 5, 2nd and 3rd movements, Wallfisch-duo C. Tape reels, 7" 1. EM-Mendelssohn, 6/8/69 2. Mozart 3. Mozart D Major Concerto with Piano 4. Beethoven, Violin Concerto, San Francisco Symphony, 12/69, EM, Josef Krips 5. Stamitz: Allegro from Sonata in B-flat major; Brahms: Andante un poco adagio and Allegretto grazioso, from Sonata in F-minor, op. 120, no.1; Schumann: Marchenbilder, op. 113, II and Ill, only; Milhaud: Quatre Visages, La Californienne and The Wisconsonian; Wallfisch: Duo, Viola and Piano 6. Mozart, D Major Concerto, alone and piano Box5 7. Side 1-Bruch Violin Concerto/Side 2-Radio Symphony Orchestra, Conductor, Ferenc Fricsay D. Tape reels, 10" 1. Beethoven Concerto for Violin and Orchestra, in D Major, op. 61, Allegro ma non troppo, 23: 25, 1958 2. 2nd and 3rd movements--Larghetto (segue) and Rondo: Allegro, 19:45 E. Tape cassettes 1. Untitled 2. Dvorak, 3/31/77/Mozart, Dvorak, 4/9/80 3. #11 Quartet I #1 Prove 4. Dvorak, 4/4/80/Mozart, 1980 5. Beethoven Concerto (2nd and 3rd movements)/Beethoven Concerto, E. Morini, Krips, S.F. Symphony, 12/69 6. E.M.---Bach, Chaconne; Wieniawski Concerto 2nd; Beethoven Violin Concerto/Beethoven Concerto concluded 7. Beautiful River; Lost Puppy; On the Farm/Sunray and the Rainbow Trout 8. Quartett, 12/22/75/Erica Sp. 9. Tchaikovsky Concerto, EM, Rodzinski, London Philharmonic, I/Tchaikovsky, Con. II and Ill; Vivaldi, Respighi Sonata, Wieniawski, Capr. Waltz; Fant, Faust 10. Margit, Varro, "Remembrances and Messages, 1974"/2 11. Haydn movement, 4/27/77 12. EM-Devil's Trill 13. Tartini, Beethoven Sonata, 2/5/76, Duos Rehearsal/ Brahms Sonata in D Minor 14. EM Plays Beethoven 15. Prove-Dvorak/Prove-Dvorak, Mozart 16. Prove con Piano, 1/9/76/Prove con Concerto, 12/26/7 F. Musical Scores (most played at one time or another by EM: some have holograph annotations) 1. Beethoven Quartetts a. Violin I b. Violin II C. Cello d. Viola 2. Haydn Quartets, I and II a. Violin I b. Violin II C. Cello d. Viola Box6 I. Musical Scores A. Couperin-Kreisler, "La Precieuse" Francreur-Kreisler, "Siciliano" Monsigny, "Rigaudon" Kreisler, "Rondino" Tartini-Kreisler, "F uge" Gossec-Franko, "Tamourin" Dvorak-Kreisler, "Slavonic Dances, No. 1," G Minor Brahms, "Waltz in A Minor," op. 39 B. Schubert, "Wiegenlied" Rimsky-Korskow-Kreisler, "Hindoo Chant'' C. Zsolt, "Valse Caprice" Wieniawski, "2me Polonaise Brillante, op. 21" Kuhn, "Ave Maria" Scott, "Lotus Land" Szymanowski, "La Berceuse d'Aitacho Enia," op. 52 D. Pugnani-Kreisler, "Praeludium und Allegro" White, "Negerlied" Valdez, "Zigeunerserenade" Bach, "Menuet" E. Heifetz, "Fairy Tale," "Ritmodi Tango," "Valses Nobles" Stravinsky, "Chanson Russe" Debussy, "II pleure dans mon couer" F. Sarasate, "Romanza Andaluza" Albeniz-Franko, "Spanish Dance" Schubert-Franko, "Valse Sentimentale" Juan, "Berceuse" G. Mondonville, "Air Tendre" Kreutzer, "Caprice" H. Vieuxtemps, "Serenite" Paganini, "Moses-Fantasia" Hubay, "Flower-Life" Kreisler, "Caprice Viennois" Tchaikovsky, "Neapolitanisch" I. Mayseder, "Polonaise" Kreisler, "La Gitand" Lully, "Gavotte" J. Schubert, "Ave Maria" Mozart, "Rondo" Bach, "Arioso" K. DeFalla-Kochanski, "Pantomime" Wieniawski-Kreisler, "Caprice A moll" L. Aulin, "Berceuse" Brahms, "Sonatensatz" Box6 Kreisler, "Schon Rosmarin" Box6 M. Chasins, "Prelude D Minor," "Prelude E Minor" Aulin, "Berceuse" Godowsky, "Viennese" Glinka-Zimbalist, "Persian Song" Brahms-Kreisler, "Hungarian Dance" Albeniz-Kreisler, "Malaguefia" N. Schubert, "Quintett fur 2 violenen, viola, und 2 violincelli," op. 163 0. Sarasate, "Romanza Andaluza" P. Bach, "Arioso" Juan, "Berceuse" Albeniz-Franko, "Spanish Dance" Schubert-Franko, 'Valse Sentimentale" Q. Moszkowski, "Guitarre" R. Aulin, "Berceuse Humoresque in D" Couperin, "Les Petites Moulins a Vent'' Brahms, "Sonatensatz" S. Loeffler, "Scherzo Valse" Bazzini, "La Ronde des Lutins" T. Zsolt, "Valse Caprice" Scott-Kreisler, "Lotus Land" Wieniawski, "Polonaise" Szymanowski, "La Berceuse d'Aitacho Enia" Kahn, "Ave Maria" 1 Dvorak, "Romantische Stocke" U. Wieniawski, "Fantaisie Brillante," "Souvenir de Moscou" V. Klavier, "Madchen im Brautgemach," "Holzapfel unde Schlehweiss" "Gartenszene," "Mummenschanz" W. Paradis, "Sicilienne" Dinieu," Hora Staccato" Castelnuovo, "Tango" X. Ravel, "String Quartet'' Y. Debussy, "1er Quartuor'' Z. Beethoven, "Klavier Trios" AA. Schubert, "Trios" BB. Mozart, "Klavier Trios" CCC. Schubert, "Forellen Quintetf' Box? I. Musical Scores A Debussy, "111.Sonate" B. Weiner, "Sonate Fismoll" C. Weiner, "Sonate #2 (fismoll)" D. Seveille, "Op. 8," "School ofTechnic for Violin, Part IV' E. Fleisch, "Scale System" Box 7 F. Kreisler, "Caprice Viennois," "Schon Rosmarie" Veracini, "Largo Romantico" Rise, "La Capricciosa" G. Kreisler, "Du alter Stefansturm" H. Wieniawski, "Caprice-Etudes" I. Paganini, "24 Capricen" Ernst, "Six Etudes" J. Beethoven, "Quartuor, op. 16" K. Viotti, "Konzert no. 22" L. Sarasate, "Faust Fant'' Antalffy, "Romanze" Wieniawski, "2 Mazourkas" Ries, "Perpeteum" M. Joachim, "Variationen flir Violine" N. Goldmark, "Violin Solo" 0. Tartini, "Concerto in re minore" P. Lalo, "Symphonie Espagnole" Q. Bart6k, "Rumanische Tanze" R. Kreisler, "La Chasse," "Liebeslied" Heuberger, "Midnight Bells" Schumann, "Vogel als prophet' Danbe, "Menuet'' Vivaldi-Corti, "Largo" S. Brahms, "Hungarian Dances, 6-1 0" Tchaikovsky, "Barcarolle" Wieniawski, "Souvenir de Moscou" T. Wieniawski, "Capriccio Valse" Elgar, "La Capricieuse" Tchaikovsky, "Neapolitanisch Valse" U. Handel, "Six Sonates" V. Brahms, "Sonate, op. 78" W. Chausson, "Poeme," Vivaldi, "Sonate" X. Tartini, "Sonata, G Minor" Y. Schumann, "Duos, Zweite Grosse Sonate" Z. Hindemith, "Sonate, op. 11, no. 2, in D" AA. Grieg, "Sonate" BB. Brahms, "Ungarische Tanze" CC. Spohr, "Concert 8" DD. Bach, "Concert for 2 violinen und piano" EE. Bach, "Concert for 2 violins" FF. Paganini-Wilhelm, "Concert'' GG. Molique, "Concert no. 5" HH. F. David, "Die Hohe Schule" II. Grieg, "Sonate" JJ. Schubert, "Sonatinen" Box 7 KK. Laderman, "Sonate for Violin and Piano" LL. Beethoven, "Sonaten, Band I" MM. Beethoven, "Sonaten, Band II" NN. Veracini, "Sonat G Dur'' Bach, "Sonat G Dur" Tartini, "Sonat D Dur'' Vitali, "Ciaccona" Lucabelli, "Sonate G Moll" 00. Bach, "Sechs Sonaten" PP. Handel, "Sonate E Dur'' QQ. Faure, "Sonaten, op. 13" Box8 I. Musical Scores A. Hindemith, "Sonata in D" B. Handel, "Sonaten" C. Tartini, "Sonata G Moll," "Le trill du diable" D. Schubert, "Sonatenen" E. Schumann, "Duos-Zweite Grosse" F. Weiner, "Sonate no. 2, op.11" G. Bach, "Six Solo Sonatas" H. Beethoven, "Sonates" I. Frank, "Sonate" J. Prokofiev, "Sonata" K. Brahms, "Sonaten in D Minore" L. Handel, "Kammertrio, no. 15" M. Bach, "Sechs Sonaten" N. Beethoven, "Sonaten-Violine" 0. Brahms, "Sonate A Dur'' P. Tartini, "Devil's Trill" Q. Brahms, "Sonate G Dur" R. Faure, "Sonata" S. Beethoven, "Concert-Violino Principale" T. Dinieu-Heifetz, "Hora Staccata" Paradis, "Sicilienne" Castelnuovo, "Tango" U. Tartini, "Le Trille du Diable" V. Haydn, "Trios-Band I" W. Mozart, "Concerto di Violino" X. Chausson, "Poeme" Vivaldi, "Sonate D Dur'' Z. Kreisler, "La Chasse," "Liebeslied" Heuberger, "Midnight Bells" Schumann, "Vogel Als Prophet'' Danbe, "Menuet'' Vivaldi-Corti, "Largo" Box 8 AA. Sarasate, "Spanische Tanze BB. Winterlitz, "Forsaken" CC. Sarasate,
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    ABSTRACT Title of Dissertation: A SURVEY OF CZECH PIANO CYCLES: FROM NATIONALISM TO MODERNISM (1877-1930) Florence Ahn, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Larissa Dedova Piano Department The piano music of the Bohemian lands from the Romantic era to post World War I has been largely neglected by pianists and is not frequently heard in public performances. However, given an opportunity, one gains insight into the unique sound of the Czech piano repertoire and its contributions to the Western tradition of piano music. Nationalist Czech composers were inspired by the Bohemian landscape, folklore and historical events, and brought their sentiments to life in their symphonies, operas and chamber works, but little is known about the history of Czech piano literature. The purpose of this project is to demonstrate the unique sentimentality, sensuality and expression in the piano literature of Czech composers whose style can be traced from the solo piano cycles of Bedřich Smetana (1824-1884), Antonín Dvořák (1841-1904), Leoš Janáček (1854-1928), Josef Suk (1874-1935), Bohuslav Martinů (1890-1935) to Erwin Schulhoff (1894-1942). A SURVEY OF CZECH PIANO CYCLES: FROM ROMANTICISM TO MODERNISM (1877-1930) by Florence Ahn Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2018 Advisory Committee: Professor Larissa Dedova, Chair Professor Bradford Gowen Professor Donald Manildi Professor
  • Brahms's Song Collections," in Brahms Studies: Analytical and Historical Perspectives, Ed

    Brahms's Song Collections," in Brahms Studies: Analytical and Historical Perspectives, Ed

    Brahms’s Song Collections: Rethinking a Genre by Daniel Brian Stevens A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Theory) in The University of Michigan 2008 Doctoral Committee: Professor Kevin E. Korsyn, Chair Professor Walter T. Everett Associate Professor Johanna H. Prins Associate Professor Ramon Satyendra © Daniel Brian Stevens 2008 To Elizabeth and Olivia ii Acknowledgements This dissertation would not have been possible were it not for the generous support of many individuals. First and foremost, I would like to thank my advisor, Kevin Korsyn, whose keen insights and sensitive guidance fueled this project from its conception to its completion. I am grateful for the imaginative ideas that he freely shared with me throughout this process, ideas that were deeply formative both of this dissertation and of its author. It has been an inspiration to study with this consummate music scholar throughout my years at the University of Michigan. I owe an enormous debt of gratitude to the other members of my committee, each of whom responded to this project with enthusiasm and support. Five years ago, Walter Everett first drew me to the interpretive challenges and delights of studying song, and his valuable research in the area of text-music relations made an important contribution to my thinking. His close reading of and detailed responses to many of the ideas in this dissertation have yielded many suggestions for future research that will keep me busy for at least another five years. I have also benefited greatly from Ramon Satyendra’s refined musical and philosophical mind; his encouragement of my work and the unique perspective he brought to it enriched this project in innumerable ways.
  • Lynn Freeman Olson Collection Cassette

    Lynn Freeman Olson Collection Cassette

    LYNN FREEMAN OLSON COLLECTION CASSETTE RECORDINGS LIST Beethoven 9 Symphonien Ouverturen (6 tape boxed set)- Karajan Berliner Philharmonikar Vivaldi: Two Concertos for Two Violins / Two Sonatas for Two Violins and Continuo - Aston Magna Vivaldi: Concerti E Sinfonie - I Solisti Veneti/Claudio Scimone Mahler: Symphony No. 10 - Philadelphia Orchestra / James Levine (2 cassettes) Mahler: Symphony So, 1 - London Philharmonic - Klaus Tennstedt Debussy: 3 Nocturnes Ravel: Pavane & Bolero - Moscow Radio Large Symphony Orchestra / Yevgeni Svetlanov Debussy: La Mer, Nocturnes - Cleveland Orchestra/ Lorin Maazel Rachmaninoff: Symphony No. 2 - Royal Philharmonic Orchestra / Yuri Temirkanov Rachmaninoff: Symphony Mo. 3 Shostakovich: Symphony No. 6 - London Symphony Orchestra / Andre Previn Rachmaninoff: Second Piano Concerto - Balakirev Islamey, Julius Katchen - London Symphony Orchestra / Sir Georg Solti Rachmaninoff: Piano Concerto No. 3 - Vladimir Ashkenazy - The London Symphony / Anatola Fistoulari Rachmaninoff: Piano Concertos 2 & 4 -Vladimir Ashkenazy - Concertgebouw Orchestra / Bernard Haitink Shostakovich: Symphony No. 11 ("1905") - Houston Symphony Orchestra / Leopold Stokowski Shostakovich: Symphony No. 6 / The Age of Gold (Ballet Suite) - Chicago Symphony / Leopold Stokowski Shostakovich: Symphony No. 7 ("Leningrad") - Bournemouth Symphony Orchestra / Paavo Berglund Shostakovich: Symphony No. 10 e minor Op, 93 - Austrian Broadcast Symphony Orchestra / Milan Horvat (2 cassette set) LYNN FREEMAN OLSON REFERENCE COLLECTION OF RECORDED SOUND
  • The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors

    The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors

    The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito.
  • Download Booklet

    Download Booklet

    572373bk MartinuCon2:570034bk Hasse 23/8/10 8:38 PM Page 4 Arthur Fagen A former assistant of Christoph von Dohnányi (Frankfurt Opera) and James Levine (Metropolitan Opera), Arthur Fagen is a regular guest at the most prestigious opera MARTINU˚ houses, concert halls, and music festivals at home and abroad. Born in New York, he studied with Laszlo Halasz, Max Rudolf (Curtis Institute) and Hans Swarowsky. His career has been marked by a string of notable appearances including the Metropolitan Opera, Lyric Opera of Chicago, Staatsoper Berlin, Munich State Opera, Deutsche Oper Piano Concertos Berlin, New York City Opera, and orchestras including the Baltimore Symphony Orchestra, the Czech Philharmonic, Munich Radio Orchestra, Tokyo Philharmonic, Nos. 1, 2 and 4 Orchestre de la Suisse Romande, Deutsche Kammerphilharmonie, and RAI Orchestras of Turin, Naples, Milan and Rome, among others. From 1998 to 2001 he was invited regularly as Guest Conductor at the Vienna State Opera. He has served as Principal Giorgio Koukl, Piano Conductor in Kassel and Brunswick, as Chief Conductor of the Flanders Opera of Antwerp and Ghent, as Music Director of the Queens Symphony Orchestra and a Bohuslav Martinu˚ Philharmonic Orchestra, Zlín member of the conducting staff of the Chicago Lyric Opera. From 2002 to 2007 he was Music Director of the Dortmund Philharmonic Orchestra and Opera, and in 2008 Arthur Fagen he was appointed Professor at the Indiana University in Bloomington. Arthur Fagen has recorded for Naxos and BMG. Bohuslav Martinu˚ Philharmonic Orchestra The home of the Bohuslav Martinu˚ Philharmonic Orchestra is Zlín, a town in the east of the Czech Republic.