2019 Sheroes Entertainment Circus Price List

Total Page:16

File Type:pdf, Size:1020Kb

2019 Sheroes Entertainment Circus Price List Sheroes Entertainment Circus and Carnival Price List 2019 This workbook offers insight in to the base rates in the circus and carnival themed entertainment options. Prices are dependent on talent available - book early to secure the lowest rates for the closest staff. Travel may be applied to rates. Gratuity is not included. Parking costs are expected to be covered by Client. Formal written quotes, until expired, offer the best rates available based on available staff. Major holidays and the weekend before and of Halloween may incur an extra 35% overtime rate. Formal quotes are offered to written requests through www.sheroesentertainment.com/contact-us and are issued in writing only. Entertainment Act Description Dependencies 1 Hour Rate 2 Hour Rate Starting Day Rate (Varies on Length) Acro / Adagio Dancing (1) 5 - 10 minute set per Need flat, level surface at least $1,625 $1,850 $2,300 hour. Female / Male Duo. Rate is 16'x16' for two people. Acro / Hand Balancing - (1) 5 - 10 minute performance / Need flat, level surface at least $2,540 $3,110 $4,250 Advanced act per hour. Female / Male Duo 16'x16' or Male / Male Duo. Rate is for two people. Acro / Tumbling / Tricks Street (1) 20 minute performance of 6 Need 30' x 40' x 20' x 20' Space $4,945 $5,745 $7,345 Show to 8 performers filled with a Venice Beach street scene vibe of crazy tumbling acts, breakdancers, balance poses, and freestyle street tricks. Aerialist - Aerial Bartending (2) 10-20 minute sets per hour. Glasses, alcohol, rigging cost & $1,205 $1,350 $1,640 installation is separate from performer cost. Aerialist - Advanced ( > 25ft (1) 7-10 minute set with (1) Rigging cost & installation is $2,820 $3,280 $4,200 height) advanced level aerialist separate from performer cost. performing at a height great than the 15 to 20 ft normal height. E.g. from helium balloons, suspended off cranes, hot air balloons, etc. Aerialist - Advanced ( < 25 ft (1) 5 - 7 minute choreographed Rigging cost & installation is $1,060 $1,220 $1,540 height) to music set per hour or (1) 15 separate from performer cost. min ambiance set per every 1 hr. Act can include Lyra, Silks, Net, Hammock, Cube, Static Trapeze, or Straps (Straps are Male Only) Aerialists - Dual & (2) Performers on Lyra. (1) 5 - 7 Rigging cost & installation is $2,330 $3,000 $4,340 Choreographed minute set per hour. separate from performer cost. Aerialist - Intermediate (1) 5 - 7 minute silk set per hour Rigging cost & installation is $875 $945 $1,085 or 10 to 15 min ambiance in lyra separate from performer cost. At 3 or 4 sets, set length will be reduce to 4 minutes long. Amy the All-American Clown 1 hour of over the top big top 20' x 20' play space free of $250 $400 $850 entertainment in a colorful circus obstacles. story, basic balloon twisting for up to 15 children per 30 minutes, circus animal and act themed interactive games, and glitter tattoos - exact lineup varies based on client request. Ball Walker (1) 20-25 min ambiance set per 10' x 10' space minimum $725 $810 $980 hour. Maximum 3 sets per night. Balloon Twisting - Basic 2+ Hours of Strolling 1&2 $185 $335 $485 Entertainment Balloon Designs. Each design takes 3-5 minutes to make. Balloon Twisting - Deluxe 3 Hour experience. Elaborate $400 $800 $1,270 Entertainment balloon twisting wearables such as headbands, hats, bracelets, backpacks, etc. decorated with lights, rhinestones, and feathers. Onsite twisting covers 30 to 35 people or premade pieces allow for up to 50 people. Bubble Play Experience (3) stations about bubbles Indoor or Outdoor Location, 10' $350 $525 $700 suitable for science play radius per station Bubble Science Show (1) 20 minute scripted bubble Indoor Location $350 $700 $1,050 tricks show Bubble Sphere (Ground) with (1) 10 minute ambient Ball Operator, Green Room, $1,270 $1,365 $1,555 Contortionist Inside performance on water or on land Electric Outlet Near every 45 minutes to 1 hour. Rate Performance Space includes a ball operator and the rental fee of the 6' clear ball. Burlesque Dancer (1) 5 to 10 min show an hour. 10' x 10' space minimum $655 $750 $940 Some shows might repeat depending on what is already choreographed Caricature Artist Black and white caricature (1) table with (3) chairs $350 $530 $780 rendering created on the spot by an artist for each guest to take home. Each drawing takes 5-7 minutes per person. Character - Basic Stock One 30-40 min performance per $250 $400 $650 Ambiance / Roaming hour. Maximum 6 hours. hours per night. Includes rental fee for basic in-house costume and one prop. Character - Deluxe Ambiance / One 30-40 min performance per $500 $585 $795 Roaming hour. Maximum 6 hours. hours per night. Includes rental fee for basic in-house costume and one prop Character - Grinch (1) Grinch and (1) makeup artist. $1,600 $2,500 $4,100 (1) 40 minute roaming set Character - Mascot / Fur Suit 40 minutes of roaming time of Must avoid stairs and be in a $350 $650 $950 with Stock Costume mascot character and handler shaded location with a green room / changing area away from guests on breaks. Character - Mascot / Fur Suit 40 minutes of roaming time of Must avoid stairs and be in a $800 $1,100 $1,400 with Custom Request Costume mascot character and handler shaded location with a green room / changing area away from guests on breaks. Character - Real Beard Santa 1 hour of roaming, meet and $350 $700 $1,050 greet, and photos Cheerleader - Solo Includes atmosphere cheering, 15' x 15' cleared space $600 $685 $855 dancing, and acrobatic stunts. One 30 min performance per hour. Maximum 4 hours per night. Includes custom costume for client colors or in- house costume. Cheerleader - Stunt Team 10 to 20 minute ambient $3,600 $3,900 $4,680 performance of tricks per hour for a 4-6 person cheer squad. Children's Party Entertainer / 1 hour of entertainment in story 20' x 20' play space free of $250 $400 $850 Games Lead (Princess, Pirate, books, songs, basic balloon obstacles. Fairy, Explorer, Mary Poppins, twisting, games, and glitter etc.) tattoos - lineup varies based on client request. Clown or Jester (2) 15 minute sets per hour, $625 $1,000 $2,125 strolling gags. Contortionist - Advanced with (1) 5 - 7 minute set per hour, Box, table, stage, or $1,060 $1,205 $1,495 Choreography Advanced or extreme poses and champagne glass dislocations. Ambiance performance available for up to 20 minutes with intermittent contortion moves. Ability to add contortionist in champagne glass for additional fee. Contortionist - Ambient without (1) 10-15 minute set per hour. Box, table, or stage $690 $800 $1,020 Choreography More simplistic poses held for longer periods. Contortionist - Ambient without (1) 10-15 minute set per hour. Box, table, or stage $1,000 $1,500 $2,000 Choreography with Snake More simplistic poses held for longer periods Contortionists - Duo (1) 5 - 7 minute set per hour for Box, table, or stage $2,050 $2,335 $2,905 Choreographed Show Advanced or extreme poses and dislocations. With additional acts, same show will be performed. Cube Juggler (1) 5 - 7 min set per hour. 20' x 20' footprint with at least $1,060 $1,235 $1,585 14' ceiling. Cyr Wheel Act (1) 5 - 10 minute high 20' x 20' footprint minimum. $920 $1,045 $1,295 performance set per hour OR Ambiance-roaming performing 15-20 min straight per hour which can be divided up into two sets. Dancer - Advanced (1) 5 to 15 min performance per $530 $595 $725 hour of dancer with advanced skill Dancer - Belly Dancer (1) 5 - 10 minute set per hour or Performer brings their own $550 $645 $835 ambience of 15 to 20 min/hour. music but needs sound system May include various talents such to play it on. as traditional belly dance, veil dancing, Isis wings, silk fans, sword balancing, etc. Dancer - Custom Choreographed One choreographed show of 4 to 1 month lead time required $620 $660 $740 Show 8 minutes with 1 dancer Dancer - Gogo (1) 15 - 20 min set per hour. $415 $470 $580 Maximum 6 hours per night. Includes rental fee for basic in- house costume. Dancer - Pole One 5 to 15 min performances Pole rental separate on $745 $855 $1,075 per hour. freestanding base. Fabric Flow Artist (1) 10 - 20 min performance OR 8' x 8' space minimum. $620 $675 $785 Performer/Spinner (Daytime) (2) 5 - 10 min performances per hour. Maximum 6 hours. Includes advanced performer and daytime colorful fabrics/tools. Selection: Poi, Wings, Multiple Hoops, Flags, Silk Fans, + More. Fire Dancer - Advanced- With Includes various tools and more Requires Safety Person / $850 $935 $1,105 Fire Breathing advanced tech such as fire poi, Assistant plus permitting fees staff, hula hoop, fans, sword, ($200- $500 ) based on city umbrella, fees. Permits require at least 3 and fire breathing. weeks government processing time. Fire Dancer - intermediate Includes various tools such as Requires Safety Person / $585 $650 $780 fire poi, staff, hula hoop, fans, Assistant plus permitting fees sword, umbrella, etc. ($200- $500 ) based on city fees. Permits require at least 3 weeks government processing time. Flash Mob One flash mob choreographed $3,570 $4,060 $5,040 performance of 8 people lasting the length of one song 3.5- 4 minutes. Various levels of dancers with potential to have break dancers and acrobats. Freak Show Side Show One 20 minute freak show with Requires 10'x10' space with $850 $1,050 $1,250 things like nail head and razor separation barrier between blade swallows with one audience and performer.
Recommended publications
  • Emilia Sonalii Selena Fernandez Alignment: Unprincipled P.C.C.: Fire Walker Occupation: Fire Dancer/Performer, Singer & Violinist
    Emilia Sonalii Selena Fernandez Alignment: Unprincipled P.C.C.: Fire Walker Occupation: Fire Dancer/Performer, Singer & Violinist Excerpts for Emilia’s journal (translated from Spanish): “We buried papi this morning. It was a simple service. I think he’d have preferred that. When I gave my goodbyes to everyone who attended, I gave them for possibly forever. That thing that killed papi… they call it a “Dar’ota” … I overheard its master say they were “going up to ‘Seattle’ for business” (in English), which is a city in America; way up north, close to Canada. But if that’s where it is going, then so am I. I packed my things before the funeral, and I started heading north as soon as I left. I don’t know why it killed papi, but I will avenge him. I know that vengeance is a sin, but justice is not. Mexico City has always been my home, and I’ve never left my family. The idea of leaving behind my home and my family behind is terrifying. But I’m determined to the find that thing and destroy it, no matter what. I writing in this journal so in case I don’t come home, my family might understand why.” “I am in Seattle. It has taken me weeks to get here, but I did it. It is very different from Mexico City. There are so many trees here. The sky is steel gray, overcast and rainy most days. I can see mountains with snow on them in the distance. The people here are very different, but they are interesting and they are kind to me.
    [Show full text]
  • Fire Performance Art Permit
    Policy Grants Pass Department of Public Safety 4XX Fire Policy Manual Fire Performance Art Permit 4XX.1 PURPOSE AND SCOPE The purpose of this policy is to provide guidelines to advise fire performance venues and artists of safety considerations and practices consistent with fire and life safety codes and public assembly safety concerns. 4XX.2 POLICY This policy applies to all acts of fire performance art occurring within all areas in which Grants Pass Department of Public Safety has authority. Fire art refers to performances or demonstrations such as fire breathing, fire juggling, fire dancing, etc. Not included: pyrotechnics and flame effects (these are addressed in a different policy and require a separate permit). The business owner, event coordinator and the fire performer are responsible for all aspects of fire and life safety. Failure to possess a current permit and follow the minimum requirements set forth in this document may result in revocation of permit, future permits and/or issuing of citation(s). Fire performance artists shall: 1. Be at least 18 years of age. a. EXCEPTION: Performers age 16 to 18 may be allowed at the discretion of the Fire Marshal’s Office with written consent from a parent or legal guardian. They must be under the direct supervision of an adult fire performance troupe leader or instructor. 2. Have valid, state issued identification and Fire Performance Permit readily accessible at each performance. 3. Audience: It should be recognized that audiences, especially youthful ones, may not fully understand the dangers associated with fire performance art. Every effort should be made to emphasize the safety precautions and dangers of such activity.
    [Show full text]
  • Using Role Method and Therapeutic Circus Arts with Adults to Create a Meaningful Performance
    Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Expressive Therapies Capstone Theses (GSASS) Spring 5-22-2021 Using Role Method and Therapeutic Circus Arts with Adults to Create a Meaningful Performance Sydney Schorr Lesley University, [email protected] Follow this and additional works at: https://digitalcommons.lesley.edu/expressive_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Schorr, Sydney, "Using Role Method and Therapeutic Circus Arts with Adults to Create a Meaningful Performance" (2021). Expressive Therapies Capstone Theses. 405. https://digitalcommons.lesley.edu/expressive_theses/405 This Thesis is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Expressive Therapies Capstone Theses by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected], [email protected]. Running head: ROLE METHOD AND THERAPEUTIC CIRCUS ARTS 1 Using Role Method and Therapeutic Circus Arts with Adults to Create a Meaningful Performance Capstone Thesis Lesley University Spring 2021 Sydney Schorr Mental Health Counseling with a concentration in Drama Therapy Dr. Laura Wood, PhD, RDT/BCT ROLE METHOD AND THERAPEUTIC CIRCUS ARTS 2 Abstract This capstone thesis explores the ways in which dramatherapeutic techniques, specifically Role Method (RM), can be used in conjunction with the field of Therapeutic Circus Arts (TCA). The literature reviews the topics of the history of circus, social circus, the current research on Therapeutic Circus Arts, and drama therapy with a concentration on the core processes, role theory, and Role Method. A one-time community engagement workshop project was developed based on Role Method and Therapeutic Circus Arts to guide adults with circus experience to create a meaningful performance designed for self-discovery.
    [Show full text]
  • Fire Producer E-28 Fire Performer E-29
    FIRE DEPARTMENT ● CITY OF NEW YORK STUDY MATERIAL FOR THE EXAMINATION FOR CERTIFICATE OF FITNESS FOR Fire Producer E-28 Fire Performer E-29 © 12/2015 New York City Fire Department - All rights reserved 1 Table of Contents NOTICE OF EXAMINATION ............................................................................. 4 ABOUT THE STUDY MATERIAL ...................................................................... 9 Introduction .................................................................................................. 11 a. Worst Case Scenario .......................................................................... 12 b. Definitions ......................................................................................... 13 Class of Flammable and Combustible Liquids Reference Chart ................ 17 Part I. General Information............................................................................ 17 1. Permits .............................................................................................. 17 2. General requirements for Fire Effects ................................................. 18 3. Fire Performances .............................................................................. 19 Part II. Safety, Handling and Use................................................................... 20 1. Clothing, Costumes, Makeup ............................................................. 21 a. Fiber content ..................................................................................... 21 b. Characteristics
    [Show full text]
  • Dust Palace Roving and Installation Price List 2017
    ROVING AND INSTALLATION CIRQUE ENTERTAINMENT HAND BALANCE AND CONTORTION One of our most common performance installations is Hand Balance Contortion. Beautiful and graceful this incredible art is mastered by very few, highly skilled performers. Roving or installation spots are only possible for 30 mins at a time and are priced at $950+gst per performer. ADAGIO AND ACROBATICS Adagio, hand to hand, balance acrobatics and trio acro are all ways to describe the art of balancing people on people. Usually performed as a couple this is the same as hand balance contortion in that it’s only possible for 30 minute stints. Roving or installation can be performed in any style and we’re always happy to incorporate your events theme or branding into the theatrics around the skill. Performers are valued at $950+gst per 30 minute slot. MANIPULATION SKILLS Manipulation skills include; Hula Hoops, Juggling, Cigar boxes, Diabolo, Chin Balancing, Poi Twirling, Plate Spinning and Crystal Ball. As a roving or installation act these are fun and lively, bringing some nice speedy movement to the room. All are priced by the ‘performance hour’ which includes 15 minutes break and range between $400+gst and $700+gst depending on the performer and the skill. Some performers are capable of character work and audience interaction. Working these skills in synchronisation with multiple performers is a super cool look. Most of these skills can be performed with LED props. EQUILIBRISTICS aka balance skills The art of balancing on things takes many long hours of dedication to achieve even the most basic result.
    [Show full text]
  • Circus Schools Discovery Questionnaire This Is for Quotation Purposes Only—This Is Not a Binder A
    ANY PERSON WHO KNOWINGLY AND WITH INTENT TO DEFRAUD ANY INSURANCE COMPANY OR OTHER PERSON, FILES AN APPLICATION FOR INSURANCE CONTAINING ANY FALSE INFORMATION, OR CONCEALS FOR THE PURPOSE OF MISLEADING, INFORMATION CONCERNING ANY FACT MATERIAL THERETO, COMMITS A FRAUDULENT INSURANCE ACT, WHICH IS A CRIME. CIRCUS SCHOOLS DISCOVERY QUESTIONNAIRE THIS IS FOR QUOTATION PURPOSES ONLY—THIS IS NOT A BINDER A. General Information PROPOSED EFFECTIVE DATE: 1. Applicant (as it would appear on the coverage contract): 2. Doing Business As: 3. Mailing Address: City: State: Zip: 4. Contact Person: Years Experience: Contact Person is: □ Owner □ Manager □ Promoter □ Management □ Other: 5. Phone: Fax Number: 6. Web Address: E-Mail Address: 7. Is this a new business? □ Yes □ No If no, how many years have you been in business? 8. Applicant is: □ Individual □ Corporation □ Partnership □ Joint Venture □ Other: 9. Length of season: 10. Who was your last or is your current insurance carrier? 11. What is or was your annual premium? 12. Describe your claims and loss history: 13. Amount of Liability Required: □ 50,000 per accident / 100,000 annual □ 100,000 per accident / 200,000 annual aggregate aggregate □ 100,000 per accident / 300,000 annual □ 200,000 per accident / 300,000 annual aggregate aggregate □ 200,000 per accident / 500,000 annual □ 300,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 300,000 annual □ 500,000 per accident / 500,000 annual aggregate aggregate □ 300,000 per accident / 1,000,000 annual □ 500,000 per accident / 1,000,000 annual aggregate aggregate 14. Self-Insured Retention desired: □ $1,000 □ $2,500 □ $5,000 □ Other: $ B.
    [Show full text]
  • Fire-Breathing Burns Genet 1991;28:337
    Letters to the Editor body during the span of 10 years and the lesions progressed which caught fire resulting in burns. The burns were managed only in a linear distribution causing only mild pruritus. In conservatively with topical ointment application. Satisfactory addition, histopathology revealed features of psoriasis and the healing was achieved within 2 weeks without residual scarring. lesions responded well to treatment. Fire breathing is a stunning but potentially injurious stunt. The Nidhi Singh, Naseem Noorunnisa1 fire-breathers direct a mouthful of fuel forcefully or creates a Departments of Dermatology and 1Pathology, Sri Venkateshwaraa fine mist by spitting through pursed lips which is ignited over a Medical College Hospital and Research Centre, Ariyur, flame resulting in a stunning visual show of plume, pillar, ball, Puducherry-605102, India volcano, or a cloud of fire [Figure 2]. The important thing in this Address for correspondence: Dr. Nidhi Singh, process is controlling the fuel’s direction and the consistency of Department of Dermatology, Sri Venkateshwaraa Medical College Hospital and Research Centre, Ariyur, Puducherry 605102, India. E-mail: [email protected] Access this article online Quick Response Code: Website: www.idoj.in DOI: 10.4103/2229-5178.93489 REFERENCES 1. Chien P Jr, Rosenman K, Cheung W, Wang N, Sanchez M. Linear psoriasis. Dermatol Online J 2009;15:4. 2. Happle R. Somatic recombination may explain linear psoriasis. J Med Figure 1: Fire-breathing burns Genet 1991;28:337. 3. Morag C, Metzker A. Inflammatory linear verrucous epidermal nevus: Report of seven new cases and review of the literature. Pediatr Dermatol 1985;3:15-8.
    [Show full text]
  • “Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
    “FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours.
    [Show full text]
  • Philip Solomon
    Philip Solomon Philip Solomon is a highly regarded producer and creator of theatrical, circus, and musical entertainment with nearly 30 years of professional experience. He is President and Creative Director of Way 2 Much Entertainment; a premier award-winning live event production company based in Los Angeles, a keynote speaker, and a coordinator and international Master Trainer for Cirque Du Soleil. Philip began his professional performing career in his teens with a circus-skilled based juggling and comedy duo. He began creating entertainment that integrated music, comedy, acrobatics, audience interaction and thrilling stunts with fire, knives, balance boards, stilt walking and wire walking. Simultaneously, Philip began performing as drummer for the pioneering punk rock band Anti-Heros, with whom he recorded multiple albums (on Link and Taang Records) and toured extensively. He remained with the band for over 10 years. Philip attended the Cincinnati Conservatory of Music (CCM) and earned a BFA in Dramatic Performance. Through a desire to find the words to express the emotions stirred by music and other influential forms of art, Philip found CCM and flourished in a conservatory environment. He is a noted Distinguished Alumnus and the 2010 recipient of the Julia Winter Cohen Career Excellence Award. After graduating, Philip continued his theatrical training working with the Alliance Theater in Atlanta and The National Theater in London. Way 2 Much Entertainment (www.way2much.com) Philip is currently the President and Creative Director of Way 2 Much Entertainment, a premier live event production company established in 2002. Way 2 Much specializes in the creation of inventive entertainment concepts, motivational programs, and customized performance designs and décor utilizing world-class talent and designers.
    [Show full text]
  • Office of the Fire Marshal
    Performance with Fire Requirements Reference(s): 2014 Oregon Fire Code, Section 308 NFPA 160 – Flame Effects Before an Audience-2011 Edition PURPOSE: To provide guidelines to advise “Fire Performance Artists” and “Fire Flame Effects” of safety considerations and practices consistent with fire and life safety codes and public assembly safety concerns through a “no cost permit” process. SCOPE: These requirements apply to all acts of Fire Performance Art or Fire Flame Effects occurring within all areas in which Bend Fire & Rescue has fire prevention authority. Included are performances or demonstrations of fire breathing, fire juggling, flame effects, etc. Not included: special effect pyrotechnics (these are addressed under separate permit through the State Fire Marshal’s Office). BACKGROUND: Due to a lack of existing regulations, these requirements were developed to address general fire safety for the use of Fire Performance Art or Fire Flame Effects. DEFINITION: Fire Performance Art or Fire Flame Effects will be defined as any act (fire juggling, fire eating, flame effect, etc.), in an outdoor public or private place, that the public is invited to attend, which utilizes fire for entertainment purposes, outside of a protective housing or in ways in which it travels though the air (by one person or between multiple persons). These acts do not include pyrotechnics otherwise regulated under separate permit. PROCEDURES: The following information is provided for use by Fire Performance Art or Fire Flame Effects. Failure to follow these procedures may endanger the public and/or the artist. 1. Plan: A plan for the use of fire performances or flame effects shall be approved prior to performance, and be readily available at the site for inspection.
    [Show full text]
  • High-Flying, Fire-Breathing Dragons Embark on Worldwide Tour High
    High-Flying, Fire-Breathing Dragons Embark on Worldwide Tour MEDIA ENQUIRIES: ROGERS & COWAN Lorraine Osmundsen 212.878.5028 [email protected] | Lauren Wilsman 212.878.5007 [email protected] Jenny McGirl 212.878.5006 [email protected] High-Flying, Fire-Breathing Dragons Embark on Worldwide Tour On the Heels of Smash Hit Run in Australia & New Zealand Tickets On Sale May 11, 2012 New York, NY– May 10, 2012 – This summer, audiences across North America will experience the magic of fire- breathing dragons that soar through arena skies in DREAMWORKS’ HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR. DreamWorks Animation SKG, Inc. (Nasdaq: DWA), Global Creatures and S2BN Entertainment today announced HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR will embark on a worldwide tour following its critically-acclaimed debut in Australia and New Zealand. The tour will be produced by RZO Dragon Productions to deliver 23 dragons, some with wingspans of up to 46 feet, Viking warriors and world-class circus artists and acrobats, to perform against a state-of-the-art, wall-to-floor immersive projection measuring more than 20,000 square feet. HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR was created by DreamWorks Animation, producers of the Academy Award®-nominated film,How to Train Your Dragon, which grossed approximately $500 million at the worldwide box office and opened as the #1 film in over 30 countries and Global Creatures, the masterminds behind the international phenomenon Walking with Dinosaurs, the #1 grossing world tour of 2010.HOW TO TRAIN YOUR DRAGON LIVE SPECTACULAR’s worldwide tour is exclusively promoted by S2BN Entertainment and delivers some of the most ambitious theatrical technology to ever tour the arena.
    [Show full text]
  • Inquiries Into Fire in a Burning Man Community
    FIRE IN THEIR EYES: INQUIRIES INTO FIRE IN A BURNING MAN COMMUNITY By KACIE CLAIRE ALLEN A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2012 1 © 2012 Kacie Claire Allen 2 To my fire kin 3 ACKNOWLEDGMENTS I thank my committee, for their advice, patience, and encouragement. And I thank all those who shared their stories by the fireside. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 7 ABSTRACT ................................................................................................................... 10 CHAPTER 1 INTRODUCTION .................................................................................................... 12 First Encounters ...................................................................................................... 12 Exploring Fire In Burner Life ................................................................................... 13 The Research Community ................................................................................ 13 The Subject Of Inquiry ...................................................................................... 14 The Project ....................................................................................................... 15 2
    [Show full text]