April 2018 Smoke Jazz & Supper Club Page 17 the New School Jazz Performance Space

Total Page:16

File Type:pdf, Size:1020Kb

April 2018 Smoke Jazz & Supper Club Page 17 the New School Jazz Performance Space 190881_HH_Apr_0 3/26/18 9:21 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 April 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 The New School Jazz Performance Space Page 10 Mary Stallings Monika Herzig & SHEroes Richard Wyands Ed Palermo The 75 Club Page 19 Iridium Page 10 Where To Go & Who To See Since 1982 190881_HH_Apr_0 3/23/18 2:44 PM Page 2 2 190881_HH_Apr_0 3/23/18 2:44 PM Page 3 3 190881_HH_Apr_0 3/23/18 2:44 PM Page 4 4 190881_HH_Apr_0 3/23/18 2:44 PM Page 5 5 190881_HH_Apr_0 3/23/18 2:44 PM Page 6 6 190881_HH_Apr_0 3/23/18 2:44 PM Page 7 7 190881_HH_Apr_0 3/23/18 2:44 PM Page 8 8 190881_HH_Apr_0 3/23/18 2:44 PM Page 9 9 190881_HH_Apr_0 3/23/18 2:44 PM Page 10 WINNING SPINS By George Kanzler WO GROUPS, ONE A NONET, THE The Adventures of Zodd Zundgren, The other a big band, with specific points of Ed Palermo Big Band (Cuneiform viewT or agendas, have new albums that Records), mixes the New Jersey-founded comprise this Winning Spins. The nonet is band's original goal, big band Frank Zappa an all-female band, with music composed music, with Ed's love of another rocker or arranged by its members; the big band from the 1960s-1970s, Todd Rundgren. is dedicated to playing rock tunes in a jazz With 25 short tracks, almost all segueing format. one to another, excepting three pairs of Monika Herzig's Sheroes (Whaling Todd's or Frank's tunes, the album is a City Sound) is the second CD from the kaleidoscopic whirlwind of contrasting yet nonet led by Monika, a pianist, composer complementary styles. and arranger based at Indiana University. Ed does not lead your standard jazz big She wrote four of the ten tracks and band, often utilizing Katie Jacoby's arranged two others. The band includes acoustic or electrified violin or his own or Ingrid Jensen, trumpet; Reut Regev, trom- Bruce McDaniel's rock-tinged electric gui- bone; Jamie Baum, flute; Ada Rovatti, tars as the lead. In many ways this is big tenor sax; Jennifer Vincent, bass; Leni band jazz rock, although it isn't smart to Stern, guitar; Mayra Casales, percussion, try to categorize or pigeonhole Ed's music; and Rosa Avila, drums. like Frank Zappa, he is ultimately sui Monika's take on the two pop songs here generis as a musical conceptualist. demonstrates the versatility of the group. Among those conceptions is leading into "Ain't No Mountain High Enough," the Bruce's fairly straight vocal rendition of Ashford & Simpson R&B anthem, is pared Todd's most famous song, "Hello, It's Me" down for a hornless electric approach, the (think Frank Sinatra big band ballad) first melody emerging stealthily from Leni's with a rocking violin cameo of Zappa's guitar and Monika's Fender Rhodes key- "You Are What You Is" followed by a full board. "The House of the Rising Sun," an blown Zappa "Echidna's Art (Of You)" old English ballade turned rock hit by The delivered mostly by a Swingle Singers-like Animals in the first British (rock) vocal group called Louisiana Swindle Invasion, is propelled by Rosa's brushes, Singers, confining themselves to baby talk- lightening the rhythmic volume as Jamie's like scat singing. flute and Leni's guitar play the theme and Ed can redeem Zappa's carefree lyrical Monika has a central solo on acoustic whimsy (celebrating dental floss; rhyming piano. "heart breaks" with "crab cakes") by sur- Monika pays tribute to her mentor at rounding it with top notch big band jazz, as Indiana, the late David Baker, with "Time on long versions of "Montana" and Again, D.B.," alternating duple and triple "Florentine Pogen" spotlighting alto sax by time meters, a Baker trait, and featuring Ed on the former, and trombone by Ingrid's trumpet and Reut's trombone as Charley Gordon and deep groove swinging well as a piano solo. Reut introduces her organ by Ted Kooshian on the latter. own "I Am a Superstar" with trombone Ed appears to honor the lyrical depth harmonics in a cadenza before dueting and melodic rock gifts of Todd Rundgren— with Jaime over the rhythm section's just check out the nigh-perfect "Broke klezmer-inflected stop-times. Jennifer Down and Busted"—as much as he revels gives us her richly episodic, multi-tempoed in the zaniness of Zappa, which he seems and polytonal "Song for C.C." and the able to convert to eccentric but often solid- rhythm section's Afro-Cuban potential is ly swinging big band jazz. Case in point: fulfilled on Monika's "Cantos." "Janet's Big Dance Number," a feature for tenor saxophonist Ben Kono, could prof- itably be added to any current big band jazz book. As for zaniness, don't miss the "hidden track" at the CD's end, a piano bar singer coda, with doo wop female chorus, too lewd to repeat here. Monika Herzig's Sheroes performs a free CD release concert at the New School Performance Space April 4 at 6 p.m., following a panel discussion at 4:40 p.m. The Ed Palermo Big Band is From left to right: 1st row Monika Herzig, Ingrid Jensen, Reut Regev, at The Iridium on April 2 and at The 2nd row Jamie Baum, Ada Rovatti, Jennifer Vincent, Falcon in Marlboro, April 21. 3rd row Leni Stern, Mayra Casales, Rosa Avila. 10 Palermo cover photo by Chris Drukker, Stallings by Mars Breslow, Wyands by Fran Kaufman. 190881_HH_Apr_0 3/23/18 2:44 PM Page 11 Sign-up for our E-ALERT at www.hothousejazz.com and be the 1st to know when the latest Hot House is available on line PUBLISHER/MANAGING EDITOR: For advertising requests and listing Gwen Kelley (formerly Calvier) information contact Gwen Kelley [email protected] 203-434-4646/[email protected] COPY EDITOR: Yvonne Ervin Hot House Jazz Magazine is published monthly and all [email protected] copyrights are the property of Gwen Kelley. All rights reserved. No material may be reproduced without written PRODUCTION & ART DIRECTOR: permission of the President. No unsolicited manuscripts Karen Pica [email protected] will be returned unless enclosed with a self addressed CONTRIBUTING WRITERS: stamped envelope. Domestic subscriptions areavailable for Ken Dryden, Nick Dunston, $37 annually (sent first class). For Canada $39 and Yvonne Ervin, Ken Franckling, international $50. Raul da Gama, Seton Hawkins, PUBLISHER EMERITUS: Dave N Dittmann Eugene Holley Jr., Stephanie Jones, CO-FOUNDERS: Gene Kalbacher, George Kanzler, Elzy Kolb, Michael G. Nastos, Lynn Taterka & Jeff Levenson Cary Tone, Gary Walker, Eric Wendell For press releases and CD revues send a copy to CONTRIBUTING PHOTOGRAPHER: Fran Kaufman Gwen Kelley: PO Box 20212 - New York, NY 10025 11 190881_HH_Apr_0 3/23/18 2:44 PM Page 12 CLUBS & HALLS UPPER MANHATTAN (Above 70th Street) 449 Lenox Av (bet 132nd & 133rd Sts). 449212-234-3298. LA: Sun: 1-3:30pm&4-7pm Patio Jazz; Thurs: 1-3:30pm Jazz & Dessert; Fri- Sat: 8:30pm. 253W 125th St. 212-531- APOLLO5300. www.apollotheater.org. THEATER: Apr 20: 7:30pm www.jazzfoundation.org/Apollo2018 The Jazz Foundation of America feat A Great Night in Harlem honoring Roberta Flack, Otis Rush, Jimmy Heath, Jimmie Vaughan, Nona Hendryx. 148W 133rd St (bet Lenox & 7th BILL’SAvs). PLACE: www.billsplaceharlem.com. 212-281- 0777. Fri-Sat: 8&10pm $20 don Bill Saxton Bebop Band. At Carlyle Hotel. 35E 76th St CAFÉat Madison.CARLYLE: www.thecarlyle.com. 212-744- 1600. Mon: 8:45pm Woody Allen & Eddy Davis New Orleans Jazz Band. 2485 Bway (bet CLEOPATRA’S92nd & 93rd Sts).NEEDLE: www.cleopatrasneedleny. com. 212-769-6969. Sets: Early (E), Late (L); Sun E 4-8pm, L 9pm-1am; Mon-Tues E 8- 9pm, L 10pm-1am; Wed-Thurs E 7-11pm, L 11:30pm-2:30am; Fri-Sat E 8pm-12am, L 12:30-3am. Free adm/$10 min. Trios except Mon&Thurs Duets unless otherwise noted. L Jam. Residencies: Sun E Open mic w/Keith Ingham, L Kelly Green; Mon Jon Weiss; Tues Marc Devine; Wed E Open mic w/Les Kurtz, L Nathan Brown; Thurs L Kazu; Fri L Ben Zweig; Sat L T. Kash. Apr 5: Noriko Kamo; 6: Kate Cosco; 7: Carol Sudhalter; 12: Uri Zelg; 13: Julie Bluestone; 14: Joe Bonacci; 19: Matt Baker; 20: Robert Rocker; 21: Satchamo Mannan Qrt; 26: Roland Temple; 27: Dona Carter; 28: Rudi Mwongozi. FIRST1912 CORINTHIANAdam Clayton PowellBAPTIST Blvd atCHURCH: 116th St. www.fcbcnyc.org. 212-864-5976. Apr 30: 6:30pm $20-50 adm Jazzmobile fundraiser feat Winard Harper w/Alexis Cole, Craig Harris, Antoinette Montague, Ray Mantilla. 308 Malcolm X Blvd at 125th St. 2nd GINFl. FIZZ: www.ginfizzharlem.com. 212-289-2220. Mon: 6-0pm The Harlem Swing Dance Society free adm Swing Dance + $10 Christine Melton Jazz Qnt + guest Kiara Ray + Open Mic & Dancing. Ev other Fri: 7- 8&8:30-9:30pm My Billie Holiday Tribute con- cert series 917-863-7854 feat 04/13 Jenn Jade Qnt, 04/27 Emily Braden Qnt. At Red Rooster. GINNY’S310 Lenox SUPPER Av (bet CLUB: 125th & 126th Sts). www.ginnyssupperclub.com. 212-792-9001. Sets/adm: 7:30&9:30pm/$15-20 unless other- wise noted. Apr 5-6: “King” Solomon Hicks; 7: Milton Suggs; 12: Johnny O'Neal; 13: SaRon Crenshaw; 14: Lakecia Benjamin; 19: $35 Bobbi Humphrey; 20: Marcus Gilmore, James Francies & Chris Turner; 21: Dezron Douglas; 26: $15 Chris Turner & Human Resource; 27: Doug Wamble; 28: Winard Harper/Jeli Posse.
Recommended publications
  • “I'm in Heaven Right Now”
    CHICAGO’SFREEWEEKLYSINCE | JANUARY | JANUARY CHICAGO’SFREEWEEKLYSINCE “I’M IN HEAVEN RIGHT NOW” Angel Bat Dawid taps into the root of all black music. BYLG31 MAYORAL RENT CONTROL THEATER SPOTLIGHT ON IN THE FIRST AND DIRECTORS ON TONI PRECKWINKLE 26TH WARDS GENDER BIAS Ben Joravsky | Kathleen Hinkel10 IN CHICAGO Samantha Smylie 8 Novid Parsi15 THIS WEEK CHICAGOREADER | JANUARY | VOLUME NUMBER A NOTE FROM THE EDITOR “DOES JOURNALISM HAVE a future?” Jill disaffection for journalism that Lepore and have stated their support quite clearly. Lepore asked in the most recent issue of the Peretti point to in their own ways. I’ve put We’re honored. New Yorker, as prankster turned media inno- several of my own publications down, watched But the real appreciation for your sup- vator Jonah Peretti laid o 15 percent of his freelance paychecks dwindle, faced increas- port shines through our pages and on our workforce at BuzzFeed and then refused to ing antagonism for asking basic questions of website. Listen to our first-ever podcast pay most former employees their paid time authority. Perhaps most horrifying, I’ve faced the BACK ROOM DEAL at chicagoreader. o . Meanwhile, we’re over here adding pages the prospect of either doing the work for free com/backroomdeal (or Spotify, Stitcher, or to our print edition, launching a podcast, or choosing to live in a world where the work Apple) for the complete scoop on the Chi- and tracking gains in Web tra c month after doesn’t get done. cago elections from Ben Joravsky and Maya month (after month). (We also expanded our Yet we’ve seized the chance at the Read- Dukmasova.
    [Show full text]
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • Chucho Valdés - Solo De Piano
    Log in Sign up 10/08/14 By Karen Brundage-Johnson, PhD. Chucho Valdés - Solo de piano Saturday, October 4, 2014 -The Annenberg Center for the Performing Arts 1 By Karen Brundage-Johnson, PhD. 2 By Karen Brundage-Johnson, PhD. 3 By Karen Brundage-Johnson, PhD. 4 By Karen Brundage-Johnson, PhD. 5 By Karen Brundage-Johnson, PhD. 6 By Karen Brundage-Johnson, PhD. 1 of 6 Next On Saturday, October 4th the legendary multi-Grammy Award winner Cuban pianist, composer, arranger and bandleader Chucho Valdés, performed an outstanding solo performance at the Annenberg Center for the Performing Arts, located at the University of Pennsylvania. This performance marked the conclusion of his national tour. Chucho Valdés has been a key figure in the evolution of Afro-Cuban jazz for the past 50 years. Valdés played with amazing versatility on his original composition, “Mambo Influenciado” and the bolero “Esta Tarde Ví Llover” on which Valdés poured on some heavy Afro-Cuban rhythms. Valdés made us catch our breaths when he launched into Thelonious Monk’s “Blue Monk” first then into a lightning fast version of Chick Corea’s “Spain”. We could hear the reverberation of the piano strings. Valdes’ rhythmic ambidextrous technique added much excitement to the performance. At one point during a Frédéric Chopin composition, he plays Chopin-like with his left hand and simultaneously plays Latin rhythms with his right hand. Just as the beautiful lyricism of "Besame Mucho” he came back with “People” a Barbara Streisand tune that had the crowd smiling. Valdés mentioned that he was inspired by Duke Ellington and paid tribute featuring “A-Train” and an original composition entitled “Duke”.
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Harry Allen Valerie Capers Linda May Han Oh Charnett Moffett
    202509_HH_July_0 6/24/19 12:27 PM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 July 2019 www.hothousejazz.com Jazz Forum Page 10 Village Vanguard Page 10 Charnett Moffett Linda May Han Oh Valerie Capers Harry Allen Jazz at Kitano Page 17 Zinc, 75 Club and 92Y Page 21 Where To Go & Who To See Since 1982 202509_HH_July_0 6/24/19 11:39 AM Page 2 2 202509_HH_July_0 6/24/19 11:39 AM Page 3 3 202509_HH_July_0 6/24/19 11:39 AM Page 4 4 202509_HH_July_0 6/24/19 11:39 AM Page 5 5 202509_HH_July_0 6/24/19 12:26 PM Page 6 6 202509_HH_July_0 6/24/19 11:39 AM Page 7 7 202509_HH_July_0 6/24/19 11:39 AM Page 8 8 202509_HH_July_0 6/24/19 11:39 AM Page 9 9 202509_HH_July_0 6/24/19 11:39 AM Page 10 WINNING SPINS By George Kanzler WO MUSICIANS KNOWN FOR under Charnett's chant of "Free the slaves, intrepidly anchoring vibrant rhythm let 'em go." Jana contributes one composi- sectionsT over the years explore other tion to the album, "Precious Air," a song aspects of their artistry on new albums. with her own lyrics, delivered in a breathy Both Charnett Moffett and Linda May Han voice and the musical textures of folk-rock. Oh are bassists and the principal com- Linda May Han Oh's Aventurine posers on their latest releases, but for the (Biophilia), is what was called third- first time, Charnett exclusively plays fret- stream music in the mid-20th century.
    [Show full text]
  • Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
    Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook
    [Show full text]
  • Beyond the Machine Photo by Claudio Papapietro
    Beyond The Machine Photo by Claudio Papapietro Juilliard Scholarship Fund The Juilliard School is the vibrant home to more than 800 dancers, actors, and musicians, over 90 percent of whom are eligible for financial aid. With your help, we can offer the scholarship support that makes a world of difference—to them and to the global future of dance, drama, and music. Behind every Juilliard artist is all of Juilliard—including you. For more information please contact Tori Brand at (212) 799-5000, ext. 692, or [email protected]. Give online at giving.juilliard.edu/scholarship. The Juilliard School presents Center for Innovation in the Arts Edward Bilous, Founding Director Beyond the Machine 19.1 InterArts Workshop March 26 and 27, 2019, 7:30pm (Juilliard community only) March 28, 2019, 7pm Conversation with the artists, hosted by William F. Baker 7:30pm Performance Rosemary and Meredith Willson Theater The Man Who Loved the World Treyden Chiaravalloti, Director Eric Swanson, Actor John-Henry Crawford, Composer On film: Jared Brown, Dancer Sean Lammer, Dancer Barry Gans, Dancer Dylan Cory, Dancer Julian Elia, Dancer Javon Jones, Dancer Nicolas Noguera, Dancer Canaries Natasha Warner, Writer, Director, and Choreographer Pablo O'Connell, Composer Esmé Boyce, Choreographer Jasminn Johnson, Actor Gwendolyn Ellis, Actor Victoria Pollack, Actor Jessica Savage, Actor Phoebe Dunn, Actor David Rosenberg, Actor Intermission (Program continues) Please make certain that all electronic devices are turned off during the performance. The taking of photographs
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • N E W S L E T T E R Fall 2018
    Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2018 National Music Council NMC Director Dr. David Sanders hosted Honors Jazz Legends the event, and praised the honorees for setting an extraordinary standard for Chick Corea and The ongoing contribution to American Manhattan Transfer at musical culture and heritage, and for serving as mentors and role models to 35th Annual American aspiring jazz artists. The evening Eagle Awards opened with a performance by the Nashville School of the Arts jazz ensemble Swing Thing under the direction of James Satterwhite, who reminded the audience of why access to music education for all students is so vital. Nashville Singer/Songwriter Dianne Davidson performed an emotional musical tribute to The Manhattan Transfer before presenting TMT members Janis Siegel, Alan Paul, and Cheryl Bentyne with the first award. Davidson was responsible for introducing late Manhattan Transfer The National Music Council honored founder Tim Hauser to Janis Siegel, jazz legends Chick Corea and The forming the iteration of the group that Manhattan Transfer at the organization’s created their great success and earned 35th annual American Eagle Awards on them ten Grammy Awards. Hauser died Thursday, June 28 at the Summer in 2014. NAMM Show in Nashville. The honors are presented each year in recognition Internationally renowned flutist Hubert of long-term contributions to American Laws presented Chick Corea’s award, musical culture and heritage, the citing Corea’s great contribution to the importance of music education and art of improvisation and an inspiration to inspiration for all children, and the need himself and musicians all over the world.
    [Show full text]
  • Jon Batiste and Stay Human's
    WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.
    [Show full text]
  • Publicacion7135.Pdf
    BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca.
    [Show full text]