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Turbulence 3RD AUCKLAND TRIENNIAL 2007 R > V Irv > ^ ^ I |\[C |^0 M turbulence 3RD AUCKLAND TRIENNIAL 2007 r > v Irv > _ ^ ^ I |\[C |^0 M ARTISTS LIDA ABDUL A fg h a n is t a n CHANTAL AKERMAN Be l g iu m VYACHESLAV AKHUNOV Uzb ek is t a n w ith SERGEY TICHINA Uz b ek is t a n EVE ARMSTRONG n ew Ze a l a n d THE ATLAS GROUP/WALID RAAD l e b a n o n / u s a CARLOS CAPELAN u r u g u a y /SWEDEN PHIL COLLINS UNITED k in g d o m DONNA CONLON u s a / p a n a m a SHANE COTTON n g a p u h i/ n ew Ze a l a n d CHRISTINA DIMITRIADIS g r e e c e / g e r m a n y WILLIE DOHERTY n o r t h e r n Ir e l a n d REGINA JOSE GALINDO Gu a t e m a l a CARLOS GARAICOA Cu b a ALEXANDROS GEORGIOU GREECE MONICA GIRON A r g e n t in a GEORGE GITTOES Au s t r a l ia FIONA HALL Au s t r a l ia MONA HATOUM Pa l e s t in e / u n it e d k in g d o m JULIAN HOOPER n ew Ze a l a n d ALFREDO JAAR Ch il e / u s a ISAAC JULIEN UNITED KINGDOM LUCIA MADRIZ c o s t a r ic a OSCAR MUNOZ Co l o m b ia JOHN PULE NIUE/NEW ZEALAND R E A GAMILARAAY/ WAILWAN PEOPLE OF NSW, AUSTRALIA MICHAL ROVNER i s r a e l / u s a JULIE RRAP AUSTRALIA LAZARO A. SAAVEDRA GONZALEZ Cu b a SRIWHANA SPONG n ew Ze a l a n d YUK KING TAN n ew z e a l a n d / h o n g ko n g LAURA WADDINGTON u n it e d kin g d o m LYNETTE WALLWORTH Au s t r a l ia ARETA WILKINSON kai t a h u / n ew Ze a l a n d MULTI-ARTIST PROJECT LONG MARCH PROJECT p e o p l e 's r e p u b l ic OF c h in a KAH BEE CHOW Ma l a y s i a / n ew Ze a l a n d DANIEL MALONE n ew Ze a l a n d THE 3RD AUCKLAND TRIENNIAL COULD NOT HAVE BEEN REALISED WITHOUT THE ASSISTANCE AND COOPERATION OF: I EXHIBITION PARTNERS ARTSPACE <ST PAUL ST A c a m m v THE GUS FISHER C lI M M A S SUE FISHER ere at ive PATRONS OF ART TRUST 'n z AUCKLAND FESTIVALS THE TRIENNIAL PATRONS OF THE TRIENNIAL: JENNY GIBBS/ADRIAN BURR AND PETER TATHAM/ERIKA AND ROBIN CONGREVE/ROSE AND JOHN DUNN/GRAEME EDWARDS/ FRIEDLANDER FOUNDATION/DAYLE AND CHRIS MACE/BEVERLEY MCCONNELL/THANKSGIVING FOUNDATION ga|TH E u n iv e r s it y C it y L if e 1 V OF AUCKLAND EEXQSI NATIONAL INSTITUTE OF BRITISH AIRWAYS I C O L O U B [ CREATIVE ARTS AND INDUSTRIES IElam School of Fine Arts The Auckland Art Gallery Toi o Tamaki is provided by 4$y Auckland City c o c r LU £ X X LU AUCKLAND ART GALLERY TOI 0 TAMAKI THE GUS FISHER GALLERY ACADEMY CINEMAS NEW Gallery Kenneth Myers Centre Auckland Central Library Building Cnr Lome and Wellesley Streets The University of Auckland 44 Lom e Street A uckla nd 74 Shortland Street ph +64 9 373 2761 ph + 64 9 307 7700 A uckla nd www.academycinemas.co.nz www.aucklandartgallery.govt.nz ph +64 9 373 7599 ext 86646 www.gusfishergallery.auckland.ac.nz 9 March to 4 June 2007 9 M arch to 28 A pril 2007 Screenings weekends 9 March to 4 June 2007 ARTSPACE ST PAUL ST Level 1 Level 1 WM Building 300 Karangahape Road AUT University A uckla nd School of Art and Design ph +64 9 303 4965 34 St P au l Street www.artspace.org.nz Auckland ph +64 9 921 9999 ext 8313 www.stpaulst.aut.ac.nz 9 March to 14 April 2007 9 March to 21 April 2007 cover: CARLOS CAPELAN Published by Auckland Art Gallery This book is copyright. Except for Always There 2 (detail) 2006 Toi o Tamaki on the occasion of reasonable purposes of fair review, Indian ink on wall and turbulence: the 3rd Auckland Triennial no part may be stored or transmitted in any form or by any means, electronic digital photography www.aucklandtriennial.com installed in onlyyou, Museo or mechanical, including recording or de Arte y Diseno Contemporaneo Commissioning editor: Victoria Lynn storage in any information retrieval (MADC). San Jose Managing editor: Jane Davidson systems, without permission in writing courtesy of the artist and MADC from the publishers. No reproductions Artist biographies compiled by Jane photo: Carlos Murillo Hernandez may be made, whether by photocopying Davidson and Winsome Wild, with or other means, unless a license has assistance from Caroline McBride been obtained from the publishers or Copy editor: Nic McCloy their agent. Gallery photographers: ©Auckland Art Gallery Toi o Tamaki, John Mclver and Jennifer French Victoria Lynn, the artists and in d ivid u a l authors, 2007 Catalogue design: www.inhousedesign.co.nz Auckland Art Gallery Toi o Tamaki PO Box 5449 Printers: Cnr Wellesley and Kitchener Streets Spectrum Print, Christchurch Auckland ISBN 0-86463-272-X New Zealand www.aucklandartgallery.govt.nz CO I— o CJ -10 DIRECTOR'S FOREWORD - CHRIS SAINES -12 CURATOR'S ACKNOWLEDGEMENTS - VICTORIA LYNN ESSAYS -19 WE LIVE IN TURBULENT TIMES... - VICTORIA LYNN -32 ANITPODEAN ANTI-TURBULENCE IN ART AND POLITICAL ECONOMY - DAVID CRAIG —40 SPHERES. CITIES. TRANSITIONS: INTERNATIONAL PERSPECTIVES ON ART AND CULTURE - GERARDO MOSQUERA ARTISTS -46 LIDA ABDUL - NIKOS PAPASTERGIADIS -48 CHANTAL AKERMAN - KAIRA CABANAS -50 VYACHESLAV AKHUNOV with SERGEY TICHINA - VIKTOR MISIANO -52 EVE ARMSTRONG - VICTORIA LYNN -54 THE ATLAS GROUP / WALID RAAD - ALAN GILBERT -56 CARLOS CAPELAN - NIKOS PAPASTERGIADIS -58 PHIL COLLINS - EDGAR SCHMITZ -60 DONNA CONLON - VIRIGINIA PEREZ-RATTON -62 SHANE COTTON - VICTORIA LYNN -64 CHRISTINA DIMITRIADIS - MARINA FOKIDIS -66 WILLIE DOHERTY-JE A N FISHER -68 REGINA JOSE GALINDO - VIRIGINIA PEREZ-RATTON -70 CARLOS GARAICOA - VIRIGINIA PEREZ-RATTON -72 ALEXANDROS GEORGIOU - MARINA FOKIDIS -74 MONICA GIRON - VIRIGINIA PEREZ-RATTON -76 GEORGE GITTOES - RUSSELL STORER -78 FIONA HALL - DAVID HANSEN -80 MONA HATOUM - ALIX OHLIN -82 JULIAN HOOPER - LINDA TYLER -84 ALFREDO JAAR - ALFREDO JAAR -86 ISAAC JULIEN - LEONHARD EMMERLING AND VICTORIA LYNN -88 LUCIA MADRIZ - VIRIGINIA PEREZ-RATTON -90 OSCAR MUNOZ - VIRIGINIA PEREZ-RATTON -92 JOHN PULE - RON BROWNSON -94 REA- CHRISTINE NICHOLLS -96 MICHAL ROVNER - MICHAEL RUSH -98 JULIE R R A P -VICTORIA LYNN -100 LAZARO A. SAAVEDRA GONZALEZ - VIRIGINIA PEREZ-RATTON -102 SRIWHANA SPONG - LAURA PRESTON -104 YUK KING TAN - JANE DAVIDSON -106 LAURA WADDINGTON - FIONA TRIGG -108 LYNETTE WALLWORTH - VICTORIA LYNN -110 ARETA WILKINSON - HANNA SCOTT MULTI-ARTIST PROJECT -113 LONG MARCH PROJECT - LU JIE -116 KAH BEE CHOW - TZE MING MOK -118 DANIEL MALONE - JON BYWATER -120 LONG MARCH - CHINATOWN, NO CHINATOWN - LONG MARCH PROJECT with KAH BEE CHOW and DANIEL MALONE -124 LIST OF WORKS □ oc r LU world. She does so in a way that is critically informed q : and astute but not theoretically prescriptive, less o paradigm more passion. Consistent with the Triennial's Li_ raison d'etre she joins New Zealand to the world, drawing the work of local artists, writers and curators CO into her task. Through turbulence, she makes an important contribution to the ideas, experiences, memories, provocations and conversations the Auckland Triennial seeks to generate. For recurring contemporary art projects of this kind to achieve their uncommon reach they reQuire a complex architecture of support - first and funda­ mentally from the artists themselves, then from those who lend their baseline organisational resources, through to those who provide structural funding, and those whose in-kind support helps to keep The Auckland Art Gallery has a long history of artistic and curatorial ambitions aloft. While such presenting and collaborating on exhibitions of diverse systems are inherently a challenge to build, contemporary New Zealand and international art, they hold together more readily when the project's seen either independently or in play. Less long is its conceptual and curatorial direction is sound, as history of recurrent projects like this one, built around it is here. Victoria has ted the artistic development a consistent and increasingly more integrated of turbulence with a remarkable degree of good exhibition-making structure. The launch of the 1st judgment and professionalism, adroitly gathering Auckland Triennial (presented across three venues and binding disparate artists and others into her in 2001) and the development of the 2nd Auckland enterprise. Triennial (presented across four venues in 2004) signalled a determinedly new direction for the An independent curator and writer based in Gallery. Conceived as a major multi-venue contem­ Melbourne, she curated the inaugural 2006 porary art project that would engage a new curator TarraW arra Museum of Art Biennial. From 2001-4 she or curators on each successive occasion, the held the positions of curatorial manager and then Auckland Triennial aimed to connect contemporary director of creative development at the Australian art to the host city itself. Centre for the Moving Image in Melbourne, and chaired the Visual Arts/Craft Board of the Australia Now in its third iteration, turbulence: the 3rd Council. Before that, she worked for over ten years Auckland Triennial (presented across five venues) as curator of contemporary art at the Art Gallery is endeavouring to build its nascent relationship of New South Wales, organising more than forty with Auckland.
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