Filming Israel: A Conversation Author(s): Amos Gitai and Annette Michelson Source: October, Vol. 98 (Autumn, 2001), pp. 47-75 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/779062 Accessed: 16-05-2017 19:51 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October This content downloaded from 143.117.16.36 on Tue, 16 May 2017 19:51:37 UTC All use subject to http://about.jstor.org/terms Filming Israel: A Conversation AMOS GITAI and ANNETTE MICHELSON Amos Gitai, the preeminent Israeli filmmaker of his generation, is the author of thirty- seven films. Trained as an architect in Israel and at Berkeley, he turned in 1980 to filmmak- ingfor reasons set forth in the following portion of conversations held in New York in 2000. The radically critical dimension of his investigation of Israel's policy on the Palestinian question generated an immediate response of alarm, hostility, and censorship. Although the corpus of Gitai's work is large and extremely varied, including documentary films shot in the Far East, the Philippines, France, Germany, Italy, and elsewhere, it is largely the transition from work in the documentary mode to that of the fiction feature film that has, as might be expected, enlarged the appreciative audience of his work.