All I Need to Know About Being a Lawyer I Learned from Star Trek: an Open Letter to New Attorneys
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bachelorarbeit Saskia Sperfeld
BACHELORARBEIT Frau Saskia Sperfeld Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) 2018 Fakultät: Medien BACHELORARBEIT Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) Autorin: Frau Saskia Sperfeld Studiengang: Film und Fernsehen Seminargruppe: FF15sR1-B Erstprüfer: Prof. Peter Gottschalk Zweitprüfer: Christian Maintz, M.A. Einreichung: Braunschweig, 24.05.2018 Faculty of Media BACHELOR THESIS Developments in the Star Trek franchise as seen in “Star Trek II: The Wrath of Khan” (1982) and “Star Trek Into Darkness” (2013) author: Ms. Saskia Sperfeld course of studies: Film and Television seminar group: FF15sR1-B first examiner: Prof. Peter Gottschalk second examiner: Christian Maintz, M.A. submission: Braunschweig, 24.05.2018 Bibliografische Angaben Nachname, Vorname: Sperfeld, Saskia Die Entwicklung des Star Trek Franchises am Beispiel der Filme „Star Trek II: Der Zorn des Khan“ (1982) und „Star Trek Into Darkness“ (2013) Developments in the Star Trek franchise as seen in “Star Trek II: The Wrath of Khan” (1982) and “Star Trek Into Darkness” (2013) 53 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2018 Thema der vorliegenden Arbeit sind die Filme Star Trek II: The Wrath of Khan von 1982 und Star Trek Into Darkness von 2013. Es wird aufgezeigt welche Gemeinsamkeiten und Unterschiede die beiden, in Handlung und Figuren sehr ähnlichen, Filme aufweisen, um zu untersuchen, ob und wie sich das Star Trek Franchise weiterentwickelt hat. Zu diesem Zweck werden zunächst Filmanalysen der beiden Filme nach den Parametern Hand- lung, Erzählstruktur, Figuren und Thematiken und Kontext durchgeführt. -
“Kobayashi Maru” by DEACON/SEMINARIAN LOIS SORENSEN
“Kobayashi Maru” BY DEACON/SEMINARIAN LOIS SORENSEN As Christians, especially as Evangelical Lutherans, we say we preach the “good news”. But where is the “good news” in today’s readings (other than the psalm)? From the farmer-turned-prophet Amos, we hear how he was told to vacate the premises after he spoke truth to those who did not want to hear it. And from the writer of Mark, we get Herod’s flash-back to the beheading of the John the Baptist (after John spoke a truth that Herodias did not want to hear). Those stories sound like “cost of discipleship” messages rather than “good news” (don’t ‘cha think?) As I prepared today’s homily, I wondered if I had “missed something” about the readings, so I consulted with a few colleagues but they were all were facing the same quandary. Then I consulted with some commentaries (essays about the readings written by biblical scholars) and alas one commentator even came right out and said, “Maybe there is no good news this week”. The next thought that came to my mind was: “Kobayashi Maru”. Trust me, that is not swearing in Greek or some other language (at least, not that I am aware of) although, for a fleeting moment, I certainly wanted a “word or two” with Pastor John for giving me this particular preaching date! “Kobayashi Maru” is a nerdy way of calling something a “no-win scenario” and, if you are “into” science fiction at all, you might recognize it as a Star Trek reference. You see, every command-eligible cadet at Star Fleet Academy must take a certain training exercise in a simulator of the bridge of a starship (like the Enterprise) which part of our Sanctuary bears some resemblance to, by the way. -
James T. Kirk Spock Spock Prime Nero Christopher Pike Leonard
James T. Kirk Spock Spock Prime Nero Christopher Pike Leonard McCoy Nyota Uhura Montgomery Scott Hikaru Sulu Pavel Chekov Sarek After witnessing the destruction of his home planet, Romulus in 2387, Nero sets in place a chain of events that will permanently alter the timeline of the Star Trek Universe, leading to the creation of an alternate reality, that deviates from the Prime Reality of the Star Trek Canon. 2387 - Nero loses his wife and unborn child during the destruction of Romulus in a supernova. Witnesses the tragedy while off- planet. 2387 - Grief- stricken and seeking revenge, Nero places the blame for Romulus's demise on Ambassador Spock, who had promised to prevent the disaster. Aditionally, he blamed the Federation as a whole, who he accused of standing idle while Romulus perished. 2387 - Spock, 2387 - Nero piloting his intercepts Spock's trademark ship the escape from the Jellyfish, absorbs ensuing black hole the supernova with while in command the use of Red of the Matter, creating a technologically black hole. Before advanced Romulan he could escape, mining vessel, the Spock is Narada. The intercepted by Narada is pulled Nero, in command into the Singularity of the Romulan first. mining vessel the Narada. Both ships are pulled into the Black Hole, the Narada entering first. 2222 - Montgomery Scott is born in Scotland. Spock Prime and 2227 - Leonard the Romulans get McCoy is born in Matthew Georgia, USA, McConaughey'd Earth. 2230 - Spock is born on Vulcan to Sarek, Vulcan ambassador to Earth and Amanda Grayson, a human. Spock's birth takes place prior to Nero's time incursion, and therefore before the timelines diverge from oneanother, so this event takes place for both Spock Prime and the Spock of this timeline. -
A Course Whose Time Has Come
A course whose time has come Paul R. Joseph Law is a central component of the democratic State. It defines the relation between the government and its people and sets the rules (and limits) of the restrained warfare of politics. Law becomes the battle ground for moral debates about issues such as abortion, discrimination, euthanasia, pornography and religion. Today we also debate the role Using science fiction and functioning of the legal system itself. Are lawyers ethical? Do judges usurp the legislative role? Are there too many ‘frivolous’ law materials to teach law. suits? Law and popular culture Where do the masses of people learn about the law? What shapes their views? Some peruse learned treatises, others read daily newspapers or tune in to the nightly news. Some watch key events, such as Supreme Court confirmation hearings, live, as they happen. Some have even been to law school. Many people also rely (whether consciously or not) on popular culture for their understanding of law and the legal system. Movies, television programs and other popular culture elements play a dual role, both shaping and reflecting our beliefs about the law. If popular culture helps to shape the public’s view about legal issues, it also reflects those views. By its nature as a mass commercial product, popular culture is unlikely to depart radically from images which the public will accept. By examining popular culture, we, the legally trained, can get an idea about how we and the things we do are understood and viewed by the rest of the body politic. -
TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
Docket No. 19-3160-Cv Plaintiff-Appellant, V. Defendants
Case 19-3160, Document 89-1, 08/17/2020, 2909066, Page1 of 38 19-3160-cv Anas Osama Ibrahim Abdin v. CBS Broadcasting Inc., et al. UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT August Term 2019 (Submitted: May 14, 2020 Decided: August 17, 2020) Docket No. 19-3160-cv ANAS OSAMA IBRAHIM ABDIN, Plaintiff-Appellant, v. CBS BROADCASTING INC., NETFLIX, INC., CBS CORPORATION, CBS INTERACTIVE, INC., Defendants-Appellees. ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK Before: CHIN AND CARNEY, Circuit Judges, AND DOOLEY, District Judge.* * Judge Kari A. Dooley, of the United States District Court for the District of Connecticut, sitting by designation. Case 19-3160, Document 89-1, 08/17/2020, 2909066, Page2 of 38 Appeal from a judgment of the United States District Court for the Southern District of New York (Schofield, J.), dismissing plaintiff-appellant's third amended complaint pursuant to Federal Rule of Civil Procedure 12(b)(6). Plaintiff-appellant alleged that defendants-appellees violated the Copyright Act, 17 U.S.C. § 101 et seq., by copying creative aspects from his unreleased science fiction videogame, including his use of a tardigrade -- a microscopic animal -- traveling in space, in their television series Star Trek: Discovery. The district court concluded that plaintiff-appellant's copyright claim failed as a matter of law because his videogame and the television series were not substantially similar. AFFIRMED. John Johnson and Allan Chan, Allan Chan & Associates, New York, New York, for Plaintiff-Appellant. Wook Hwang, Loeb & Loeb LLP, New York, New York, for Defendants-Appellees. -
Embracing the Kobayashi Maru: Why You Should Teach Your Students to Cheat Gregory Conti and James Caroland
Embracing the Kobayashi Maru: Why You Should Teach Your Students to Cheat Gregory Conti and James Caroland Adversaries cheat. We don’t. In academic institutions around the world, students understand that they will be expelled if they violate their college’s honor code or otherwise fail to play by the institutional rules. The dissonance between how our adversaries operate and how we teach our students puts our students at a distinct disadvantage when faced with real world adversaries who inevitably do not play by the rules. Breaking through the paradigm where students self- censor their ways of thinking to a new paradigm that cultivates an effective adversary mindset is both necessary and possible. An adversary examines systems and finds weaknesses in trust relationships, human behavior, communications protocols, physical security, and system logic to find exploitable vulnerabilities. By anticipating adversary actions and reactions, ethical actors are far better prepared to build secure systems and perform both defensive and offensive activities successfully. For both the attacker and the defender a devious mind is equally as important as a beautiful mind. This article describes our experiences in helping students develop an adversary mindset by adopting the Kobayashi Maru training exercise employed in the fictional Star Trek universe. In the Kobayashi Maru exercise, Starfleet cadets were faced with a no-win scenario -- attempt to rescue the crew of a disabled civilian vessel, and be destroyed in the effort, or avoid confrontation and leave the disabled ship and its crew to be captured or destroyed. Famously, Captain Kirk won the scenario by, and this is important, stepping outside the game and altering its rules to his benefit. -
Major Kira of Star Trek: Ds9: Woman of the Future, Creation of the 90S
MAJOR KIRA OF STAR TREK: DS9: WOMAN OF THE FUTURE, CREATION OF THE 90S Judith Clemens-Smucker A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2020 Committee: Becca Cragin, Advisor Jeffrey Brown Kristen Rudisill © 2020 Judith Clemens-Smucker All Rights Reserved iii ABSTRACT Becca Cragin, Advisor The 1990s were a time of resistance and change for women in the Western world. During this time popular culture offered consumers a few women of strength and power, including Star Trek: Deep Space Nine’s Major Kira Nerys, a character encompassing a complex personality of non-traditional feminine identities. As the first continuing character in the Star Trek franchise to serve as a female second-in-command, Major Kira spoke to women of the 90s through her anger, passion, independence, and willingness to show compassion and love when merited. In this thesis I look at the building blocks of Major Kira to discover how it was possible to create a character in whom viewers could see the future as well as the current and relatable decade of the 90s. By laying out feminisms which surround 90s television and using original interviews with Nana Visitor, who played Major Kira, and Marvin Rush, the Director of Photography on DS9, I examine the creation of Major Kira from her conception to her realization. I finish by using historical and cognitive poetics to analyze both the pilot episode “Emissary” and the season one episode “Duet,” which introduce Major Kira and display character growth. -
Nichelle Nichols (Lt. Uhura) Wants to Make Science of Star Trek Reality," Sun·Herald, June 4, 1977, N.P., Nichols Bio File, NASA HQ
More Than "Just Uhura" Understanding Star Trek's Lt. Uhura, Civil Rights, and Space History Margaret A. Weitekamp s the scene opens on an isolated roadhouse bar, the viewers' A first glimpse inside the establishment reveals a tall, attractive woman striding confidently toward a set of swinging doors, her profile reflected in the photographs hanging along the hallway. As she pushes through the doors, the music booms. She greets some friends at a table and heads straight for the bar, her long hair swing ing behind her, her step in time with the music. At the bar, she places a large order of drinks with alien-sounding names. Her good time with her fellow Starfleet cadets is interrupted, however, when a young man, a local, whom the viewers recognize as an inebriated James T. Kirk, starts hitting on her, trying to buy her a drink: "Her shot's on me," he directs the bartender. "Her shot's on her," she answers. 'Thanks, but no thanks." As they banter, she remains unflustered, an equal in the verbal spar ring. When Kirk asks her for her name, she replies, "It's Uhura." 22 MORE THAN " JUST UHURA" 23 The author with actress Nichelle Nichols, who gave an interview for this chapter, in the National Air and Space Museum's art gallery. "Uhura what?" "Just Uhura," she replies. Her brush-off answer is an inside joke for Star Trek fans: in the original 1960s television show, her char acter never had a first name. (Kirk's quest to learn her full name became a running joke throughout the 2009 film .) But Kirk refuses to be deterred by her rebuffs. -
1 Open Ninth: Conversations Beyond the Courtroom Live
1 OPEN NINTH: CONVERSATIONS BEYOND THE COURTROOM LIVE LONG AND PROSPER EPISODE 6 SEPTEMBER 25, 2016 HOSTED BY: FREDERICK J. LAUTEN 2 (Music.) >> Welcome to Episode 6 of "Open Ninth: Conversations Beyond the Courtroom" in the Ninth Judicial Circuit Court of Florida. And now here's your host, Chief Judge Frederick J. Lauten. (Music.) >> JUDGE LAUTEN: Hello. I'm here today with Orange County Judge Faye Allen. Judge Allen's been on the bench in Orange County as an Orange County judge since 2005. She received her bachelor of arts degree in criminology from Florida A & M and her Juris Doctorate from Florida State University. Judge Allen, first of all, welcome. >> JUDGE ALLEN: Thank you. >> JUDGE LAUTEN: I understand that you consider yourself a Trekkie. For those listeners who don't know what a Trekkie is, think Star Trek. Think fan. Think the phenomena of a Star Trek fan and its multiple fans. And I think the definition is an avid fan of Star Trek science fiction, television shows, and films or, by extension, a person interested in space travel. Before we talk a little bit about your love of Star Trek, Gene Roddenberry, Captain Kirk, Spock, McCoy, and everything else that is the Star Trek franchise -- and it's 3 truly a franchise -- I'd like to talk a little bit about your background. So why don't you tell me where you're from originally, and why you decided to become a judge. >> JUDGE ALLEN: Fred, I'm originally from Quincy, Florida. It's a few miles west of Tallahassee, the capital. -
Kieran Tranter Is Associate Professor at Griffith Law School, Griffith N
TRANTER layout with new pic.qxp_Layout 1 29/05/2018 10:28 Page 1 EDINBURGH CRITICAL STUDIES IN LAW, LITERATURE AND THE HUMANITIES l EDINBURGH CRITICAL STUDIES IN LAW, LITERATURE AND THE HUMANITIES i v i ‘Tranter leverages his prior work to produce a masterful examination n of what it means to be living in an era that seems infused with sci-fi g tropes from the past. This is a valuable contribution to law and i technology studies.’ n Arthur Cockfield, Queen’s University, Ontario t e Through detailed readings of popular science fictions, including the c novels of Frank Herbert and Octavia E. Butler and television’s h Battlestar Galactica and Doctor Who, this book presents the first n i sustained examination of the legality of science fiction. c a Successive transformations have resulted in the emergence of a total l technological world where old separations about ‘nature’ and ‘culture’ l have declined. With this, the tendency towards technicity within e Science Fiction and Law modern law has flourished. There has often been identified a g mechanistic essence to modern law in its domination of human life. a as Technology Usually this has been considered an ‘end’ and a loss, the human l i swallowed by the machine. However, this innovative book sets out to t re-address this tendency. y By examining science fiction as the culture of our total technological world, Living in Technical Legality journeys with the partially consumed human into the belly of the machine. What it finds is unexpected: k i rather than a cold uniformity of exchangeable productive units, there e r is warmth, diversity and ‘life’ for the nodes in the networks. -
Jul/Aug 2016
THE WRIGHT STUFF Vol XXVII No 4 The Official Newsletter of the U.S.S. Kitty Hawk NCC-1659 Jul/Aug 2016 C O N T E N T S THE CENTER SEAT ..................................................................................................... 3 John Troan COMPUTER OPERATIONS REPORT ........................................................................ 3 John Troan COMMUNICATIONS REPORT ................................................................................... 3 Elaine Pischke BECOME A CADET AT THE STARFLEET ACADEMY EXPERIENCE .................4 Keung Hui ENGINEERING REPORT ............................................................................................. 6 Brad McDonald ST:TOS – IN SERVICE OF THE QUEEN .................................................................... 7 Volume 27 - Number 4 Brad McDonald is a publication of the U.S.S. Kitty Hawk, the UPCOMING EVENTS ................................................................................................. 14 Raleigh, N.C., chapter of STARFLEET, an international STAR TREK fan organization. This publication is provided to all chapter members in good standing. Please address all correspondence to CATBIRD Publications, 5017 Glen Forest Dr., Raleigh, N.C. 27612. This publication is a non-profit enterprise and is not meant to infringe upon any copyright or trademark held by Paramount Pictures, Gulf & Western, or any other holder of STAR TREK copyrights or trademarks. Unless otherwise noted, ENTIRE CONTENTS ARE COPYRIGHT 2016 CATBIRD Publications, THE WRIGHT STUFF.