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												Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY - 
											
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. - 
												
												LOST WEEKEND Ben Terrall
A BOOK VS. FILM COmparisON THE LOST WEEKEND Ben Terrall he Lost Weekend (1945) The Lost Weekend was a runaway suc- end was the only book, out of five books, that was a breakthrough novel cess, and one of the first novels to deal with I wrote sober, without stimulus or sedative.” for author Charles Jackson, the ravages of the hardcore boozehound. Billy Wilder’s film adaptation ofThe Lost who based protagonist Don Within five years it had sold nearly half a Weekend maintained enough fealty to the Birnam’s debilitating dipso- million copies, including a Modern Library source material to inspire raves from Charles Tmaniacal tendencies on his own personal edition. Walter Winchell praised it as “the Jackson. Wilder’s biographer Maurice Zo- history. Jackson also drew on his life expe- Uncle Tom’s Cabin” of alcoholism. Mal- lotow suggests that the great director was in- riences to portray Birnam’s closeted homo- colm Lowry’s devastating “terminal drunk” spired to film the book as a way “to explain sexuality, though in the 1940s and 1950s, novel Under The Volcano had not yet been Raymond Chandler to himself” after the ex- Jackson was coy about the autobiographi- published when Jackson’s book hit the best- hausting experience of dealing with the ter- cal aspects of his hero’s steady inebriation, seller lists, and Charles Bukowski’s “cult minally self-destructive Chandler during the not to mention his sexual orientation. of blotto” literary personality was making of Double Indemnity (1944). In a subsequent novel, The decades in the future. Wilder’s co-writer Charles Brackett later Fall of Valor, Jackson would Ironically, Jack- claimed that the scenario was tackle homoerotic material son would later “the easiest script we head-on but, in this book, gay admit: “The wrote, thanks to the themes are mostly limited to Lost Week- superb novel.” subtext. - 
												
												Black Market Peso Exchange As a Mechanism to Place Substantial Amounts of Currency from U.S
United States Department of the Treasury Financial Crimes Enforcement Network FinCEN Advisory Subject: This advisory is provided to alert banks and other depository institutions Colombian to a large-scale, complex money laundering system being used extensively by Black Market Colombian drug cartels to launder the proceeds of narcotics sales. This Peso Exchange system is affecting both U.S. financial depository institutions and many U.S. businesses. The information contained in this advisory is intended to help explain how this money laundering system works so that U.S. financial institutions and businesses can take steps to help law enforcement counter it. Overview Date: November Drug sales in the United States are estimated by the Office of National 1997 Drug Control Policy to generate $57.3 billion annually, and most of these transactions are in cash. Through concerted efforts by the Congress and the Executive branch, laws and regulatory actions have made the movement of this cash a significant problem for the drug cartels. America’s banks have effective systems to report large cash transactions and report suspicious or Advisory: unusual activity to appropriate authorities. As a result of these successes, the Issue 9 placement of large amounts of cash into U.S. financial institutions has created vulnerabilities for the drug organizations and cartels. Efforts to avoid report- ing requirements by structuring transactions at levels well below the $10,000 limit or camouflage the proceeds in otherwise legitimate activity are continu- ing. Drug cartels are also being forced to devise creative ways to smuggle the cash out of the country. This advisory discusses a primary money laundering system used by Colombian drug cartels. - 
												
												DINNERS ENROLL TOM SAWYER.’ at 2:40
1 11 T 1 Another Film for Film Fans to Suggest Gordon tried out in the drama, "Ch.!« There Is dren of Darkness.” It was thought No ‘Cimarron’ Team. Janet’s Next Role. in Theaters This Week the play would be a failure, so they Photoplays Washington IRENE DUNNE and ^ Wesley Ruggles, of the Nation will * fyJOVIE-GOERS prepared to abandon It. A new man- who as star and director made be asked to suggest the sort of agement took over the property, as- WEEK OP JUNE 12 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY cinematic history in 1931 In “Cimar- Stopping picture In which little Janet Kay signed Basil Sydney and Mary Ellis "Bit Town Olrl." "Manneouln." "Manneouln." are to be "Naughty Marietta" "Haughty Marietta" "Thank You. Ur. ron," reunited as star and Chapman. 4-year-old star dis- to the leads and Academy "alfm*83ifl£L'‘ Jon Hall in Will Rogers in Will Rosen in and ‘•The Shadow of and "The Shadow of Moto.” and "Ride. recently they scored a Broad- " director of a Paramount to Sth »nd O Sts. B.E, "The Hu-rlcane." "The Hurricane." _"David Harum "David Harum."_Silk Lennox."_ Silk Lennox." Ranter. Ride." picture covered by a Warner scout, should be way hit. This Lad in } into in the Rudy Vailee Rudy Valle? in Rudy Vallee in Myrna Loy. Clark Oa- Myrna Loy. Clark Oa- Loretta Yoon* in go production early fall. next seen on the screen. Miss So It Is at this time of Ambassador •■Sm* "Gold Diggers in "Gold Diggers in "Oold in ble and ble Chap- only yea# DuE*niBin Diggers Spencer Tracy and Spencer Tracy "Four Men and a The announcement was made after man the 18th «nd OolumblA Rd. - 
												
												An Examination of the Legal Marijuana Use Age and Its Enforcement in California, a State Where Recreational Marijuana Is Legal
An examination of the legal marijuana use age and its enforcement in California, a state where recreational marijuana is legal March 2021 James C. Fell NORC at the University of Chicago Traci Toomey University of Minnesota Angela H. Eichelberger Insurance Institute for Highway Safety Julie Kubelka NORC at the University of Chicago Daniel Schriemer Darin Erickson University of Minnesota Contents ABSTRACT .................................................................................................................................................. 3 INTRODUCTION ........................................................................................................................................ 4 METHOD ..................................................................................................................................................... 6 Enforcement of minimum legal marijuana use age of 21 (MLMU-21) laws ...................................... 6 Pseudo-underage patron entry attempts ............................................................................................... 7 Sample design ............................................................................................................................ 8 Recruitment of pseudo-underage patrons ................................................................................. 9 Data collection protocol ............................................................................................................ 9 RESULTS .................................................................................................................................................. - 
												
												Forbidden Transactions and Black Markets
Forbidden Transactions and Black Markets Chenlin Gu,∗ Alvin E. Roth,y and Qingyun Wuzx Abstract Repugnant transactions are sometimes banned, but legal bans sometimes give rise to active black markets that are difficult if not impossible to extinguish. We explore a model in which the probability of extinguishing a black market depends on the extent to which its transactions are regarded as repugnant, as measured by the proportion of the population that disapproves of them, and the intensity of that repugnance, as measured by willingness to punish. Sufficiently repugnant markets can be extinguished with even mild punishments, while others are insuf- ficiently repugnant for this, and become exponentially more difficult to extinguish the larger they become. (JEL D47, K42, P16) Keywords: black market; repugnance; Markov process. 1 Introduction Why are drug dealers plentiful, but hitmen scarce? I.e. why is it relatively easy for a newcomer to the market to buy illegal drugs, but hard to hire a killer? Both of those transactions come with harsh criminal penalties, vigorously enforced: In the U.S., half of Federal prisoners have drug convictions,1 and murder for hire is treated ∗DMA, Ecole Normale Sup´erieure,PSL Research University, Paris 75230, France (email: chen- [email protected]). yDepartment of Economics, Stanford University, Stanford, CA 94305, United States (email: al- [email protected]). zDepartment of Economics, and Department of Management Science and Engineering, Stanford University, Stanford, CA 94305, United States (email: [email protected]). xWe thank Itai Ashlagi, Fuhito Kojima, Jean-Christophe Mourrat, Muriel Niederle, Andrei Shleifer, Gavin Wright, Zeyu Zheng and Zhengyuan Zhou for helpful discussions. - 
												
												Hollywood Stars and Their Army Service from the Spanish American
James E. Wise, Paul W. Wilderson. Stars in Khaki: Movie Actors in the Army and Air Services. Annapolis: Naval Institute Press, 2000. xi + 244 pp. $24.95, cloth, ISBN 978-1-55750-958-1. Reviewed by Charles C. Kolb Published on H-PCAACA (November, 2000) Hollywood Stars and their Army Service from In Stars in Blue we learned about Wayne the Spanish American War to Vietnam Morris, Douglas Fairbanks, Jr., Henry Fonda, This splendid book is the third and fnal vol‐ Humphrey Bogart, Paul Newman, Aldo Ray, ume in historian-biographer Wise's trilogy and it Ernest Borgnine, Robert Montgomery, Cesar makes a ftting companion to its two illustrious Romero, and dozens of other flm stars. With the predecessors. In 1997 Wise and his co-author Ann sequel, Stars in the Corps , we discovered the con‐ Rehill wrote Stars in Blue: Movie Actors in Ameri‐ tributions made by more than 30 motion picture ca's Sea Services in which flm actors who served stars including Sterling Hayden, Tyrone Power, in the U.S. Navy, Naval Reserve, Coast Guard, or Steve McQueen, Lee Marvin, Gene Hackman, Coast Guard Reserve from 1920 through the Kore‐ George C. Scott, Harvey Keitel, Brian Dennehy, an War are profiled. Wise and Rehill also au‐ Hugh O'Brien, Ed McMahon, and Dale Dye. As in thored Stars in the Corps: Movie Actors in the these two volumes, the emphasis in Stars in Khaki United States Marines (1999) which covers the is on World War II. Many of the men who served same period but emphasizes Marines in the Pacif‐ in the U.S. - 
												
												GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. - 
												
												How Hollywood Films Portray Illness Robert A
New England Journal of Public Policy Volume 17 | Issue 1 Article 11 9-21-2001 How Hollywood Films Portray Illness Robert A. Clark Follow this and additional works at: http://scholarworks.umb.edu/nejpp Part of the Film and Media Studies Commons, and the Medicine and Health Sciences Commons Recommended Citation Clark, Robert A. (2001) "How Hollywood Films Portray Illness," New England Journal of Public Policy: Vol. 17: Iss. 1, Article 11. Available at: http://scholarworks.umb.edu/nejpp/vol17/iss1/11 This Article is brought to you for free and open access by ScholarWorks at UMass Boston. It has been accepted for inclusion in New England Journal of Public Policy by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. How Hollywood Films Portray Illness Robert A. Clark, M.D. Part I: Oncology Art imitates life, we are often told. Occasionally we also observe that life imitates art. Hollywood movies may fulfill the definition of art in both these adages. Movies evoke our fantasies, fears, loves, and hates and therefore reflect our lives. The art of film, however, diverges from real life because of the necessities of good story- telling: dramatization, plot lines, character development, and romanticism. There- fore, films are often imperfect reflections of our lives. As F. Scott Fitzgerald said, “There are no second acts in life.” Movies have been blamed for creating disturbing or profane cultural images, leading to societal ills such as violence, sexual deviancy, and isolation. Whether art imitates life or the reverse, it may be instructive to study how movies depict medi- cal themes, especially oncology, in order to understand how cancer and medicine are perceived in popular culture. - 
												
												Issues in the Implementation and Evolution of the Commercial
International Journal of Drug Policy 27 (2016) 1–12 Contents lists available at ScienceDirect International Journal of Drug Policy jo urnal homepage: www.elsevier.com/locate/drugpo Editors’ Choice Issues in the implementation and evolution of the commercial § recreational cannabis market in Colorado a, b a Todd Subritzky *, Simone Pettigrew , Simon Lenton a National Drug Research Institute, Faculty of Health Sciences, Curtin University, Perth, WA, Australia b School of Psychology and Speech Pathology, Curtin University, Kent St, Bentley, WA, 6102, Australia A R T I C L E I N F O A B S T R A C T Article history: Background: For almost a century, the cultivation, sale and use of recreational cannabis has been Received 21 September 2015 prohibited by law in most countries. Recently, however, under ballot initiatives four states in the US have Received in revised form 27 November 2015 legalised commercial, non-medical (recreational) cannabis markets. Several other states will initiate Accepted 1 December 2015 similar ballot measures attached to the 2016 election that will also appoint a new President. As the first state to implement the legislation in 2014, Colorado is an important example to begin investigating early Keywords: consequences of specific policy choices while other jurisdictions consider their own legislation although Cannabis the empirical evidence base is only beginning to accrue. Regulation Method: This paper brings together material sourced from peer reviewed academic papers, grey Colorado Marijuana literature publications, reports in mass media and niche media outlets, and government publications to Testing outline the regulatory model and process in Colorado and to describe some of the issues that have Edibles emerged in the first 20 months of its operation. - 
												
												Legalization of Cannabis in Canada: Implementation Strategies and Public Health
LC LSIC Inquiry into Use of Cannabis in Victoria Submission 347 Inquiry into the use of Cannabis in Victoria Organisation Name: Your position or role: SURVEY QUESTIONS Drag the statements below to reorder them. In order of priority, please rank the themes you believe are most important for this Inquiry into the use of Cannabis in Victoria to consider:: Accessing and using cannabis,Education,Mental health,Public health,Social impacts,Young people and children,Public safety,Criminal activity What best describes your interest in our Inquiry? (select all that apply) : Individual Are there any additional themes we should consider? Select all that apply. Do you think there should be restrictions on the use of cannabis? : Personal use of cannabis should be legal. ,Sale of cannabis should be legal and regulated. ,Cultivation of cannabis for personal use should be legal.,There should be no restrictions. YOUR SUBMISSION Submission: Every term of reference can be cut and copied from Canada's implementation. If required, sale of cannabis can be done just as tobacco sales have been implemented, which would include the restrictions to underage people. Minimising the risk of underage people growing cannabis at home for personal use can be managed by advertising to parents with honest, non-divisive, independent science based studies, all of which are available to be copied from Canada's implementation. Do you have any additional comments or suggestions?: People should not live in fear of growing or utilising a plant. The illegality of Cannabis and crime surrounding it is because it is illegal, that's all. Decriminalise and permit either personal or public production stops the criminality and all associated negative impacts.