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Filhos De Nazistas: Os Impressionantes Retratos De Família Da Elite Do Nazismo / Tania Crasnianski ; Tradução Fernando Scheibe
DADOS DE COPYRIGHT Sobre a obra: A presente obra é disponibilizada pela equipe Le Livros e seus diversos parceiros, com o objetivo de oferecer conteúdo para uso parcial em pesquisas e estudos acadêmicos, bem como o simples teste da qualidade da obra, com o fim exclusivo de compra futura. É expressamente proibida e totalmente repudíavel a venda, aluguel, ou quaisquer uso comercial do presente conteúdo Sobre nós: O Le Livros e seus parceiros disponibilizam conteúdo de dominio publico e propriedade intelectual de forma totalmente gratuita, por acreditar que o conhecimento e a educação devem ser acessíveis e livres a toda e qualquer pessoa. Você pode encontrar mais obras em nosso site: lelivros.love ou em qualquer um dos sites parceiros apresentados neste link. "Quando o mundo estiver unido na busca do conhecimento, e não mais lutando por dinheiro e poder, então nossa sociedade poderá enfim evoluir a um novo nível." Copyright © 2016 Éditions Grasset & Fasquelle Copyright © 2018 Editora Nemo/Vestígio Título original: Enfants de nazis Todos os direitos reservados pela Editora Nemo/Vestígio. Nenhuma parte desta publicação poderá ser reproduzida, seja por meios mecânicos, eletrônicos, seja via cópia xerográfica, sem a autorização prévia da Editora. GERENTE EDITORIAL Arnaud Vin EDITOR ASSISTENTE Eduardo Soares ASSISTENTE EDITORIAL Paula Pinheiro PREPARAÇÃO Sonia Junqueira REVISÃO Aline Sobreira CAPA Diogo Droschi (sobre imagem de ullstein bild Dtl./Getty Images) DIAGRAMAÇÃO Larissa Carvalho Mazzoni Dados Internacionais de Catalogação na Publicação (CIP) Câmara Brasileira do Livro, SP, Brasil Crasnianski, Tania Filhos de nazistas: os impressionantes retratos de família da elite do nazismo / Tania Crasnianski ; tradução Fernando Scheibe. -
Examples of Great Falsifications in 20Th-Century History
The Manipulated Past Andrzej Krajewski, PhD When many people strongly believe in a falsehood, the fraud starts to take on a life on its own, and there is a real danger that it will not only change the way the past is seen but also shape the future. On 13 March 1881, Ignacy Hryniewiecki, a Pole associated with the Russian anarchist organization Narodnaya Volya (People’s Will), threw a bomb that killed Alexander II. The investigation carried out after the assassination of the tsar showed that among the conspirators was a Jewish woman Hesia Helfman. At the time, a rumour spread like wildfire across the empire that it was the Jews who had killed the ruler. With the permission of the authorities, there were about 250 pogroms (acts of cruelty and killings aimed at a large group of people , mainly the Jews, because of their race or religion) in the western governorates. A decade later Nicholas II ascended the throne and revolutionary turmoil began to grow in Russia. According to the French ambassador to St Petersburg, Maurice Paléologue, Nicholas II’s secret police (Okhrana) constantly warned him ‘about the conspiracies being set up in the darkness of the ghettos’. All that was missing were documents confirming these reports of Jewish plots. The conquest of the world by the Jews The Russians were informed about the rise of the Jewish conspiracy in a series of articles in the newspaper Russkoye Znamia. In August 1903 it began to publish records from the secret – as it was claimed – part of the proceedings of the First Zionist Congress, which took place in Basel in 1897. -
Irish Chemical News 2014 Issue 1
The Institute of Chemistry of Ireland Irish Chemical News Feature Articles: The State of Chemical Education in Thiosugar Synthesis Ireland Prof Eoin Scanlan Peter Childs 2014 Issue 1 IRISH CHEMICAL NEWS Editorial Welcome to the new issue of Irish Chemical News. We have two feature articles in this issue and one written by last year’s Boyle Higgins awardee – Dr Shelia Willis of The Forensic Science Laboratory. One is written by Prof. Eoin Scanlan, who is in the Organic Chemistry Section of the School of Chemistry at TCD. His article describes his recent work in thiosugar synthesis. The second article is authored by Peter Childs from Limerick. He gives a review of the state of Science education in Ireland. The winning entry in this year's Schools Newsletter competition, which the Institute sponsors, is also included. Entitled 'How do Adolescents see Chemistry?', it was won by a team from The Royal Belfast Academical Institution.'. One of the aims of this issue is that it can be distributed as widely as possible, to members and non-members alike, to highlight the activities of the Institute and hopefully to grow our membership. All our readers are encouraged to visit the website, http://www.chemistryireland.org/index.html, regularly. Details of membership rates can also be found there. We still need volunteers for articles that can be featured in ICN. There is a bias towards academic articles, so we especially ask our industrial members to participate. If you wish to contribute to the next issue, or have ideas of article types you wish to see, please do not hesitate to contact the editorial team (Robert Baker, Margaret Franklin or Brian Murray). -
MASTER CASES Faking Hitler
CORPORATE BRAND MANAGEMENT AND REPUTATION MASTER CASES Faking Hitler The STERN scandal and its impact on the reputation of the entire European press industry By: Théo Caplet Julia Anna Lagler Christina Julia Pretz Eights Edition Master Student Case Papers 2021 Corporate Brand Management and Reputation: Master’s Cases The “Corporate Brand Management and Reputation: Master’s cases” is a case series for applying the case method of teaching and learning in higher education. The cases are relevant to brand strategists in private and public sector organizations, as well as academics and students at universities, business schools, and executive education. The cases are written by groups of master’s students as a course project. The specially developed case format is defined as: “A management decision case describes a real business situation leading up to a question(s) that requires assessment, analysis, and a decision reached by discussion in class. The alternative approaches and recommendations from the class discussion are followed by a description of the choices made by the case company. This description is then discussed by the class.” The student groups select the topics of their case providing updated and relevant insights into the corporate brand management. The cases can be used as “written cases” (handed out and read in advance, later to be discussed in class) and/or as “live case” (presented by the teacher following a discussion in class). Each case includes teaching notes, visuals with speaker’s notes, learning objectives, board plans, -
Selling Hitler: the Story of the Hitler Diaries Free
FREE SELLING HITLER: THE STORY OF THE HITLER DIARIES PDF Robert Harris | 400 pages | 01 Oct 2009 | Cornerstone | 9780099791515 | English | London, United Kingdom Selling Hitler (TV Mini-Series – ) - IMDb In Selling Hitler Robert Harris has provided an enthralling, blow-by-blow account of one of the most infamous hoaxes in history, the alleged discovery of the Hitler diaries. A potentially convoluted A very exciting account of the Hitler diaries forgery case. The front cover Observer quote "impossible to stop reading" was quite true and I raced through this at an unprecedented pace for non-fiction Robert Harris. Written with the pace and verve of a thriller, this is the story of the biggest fraud in publishing history. Init seemed that one of the most startling discoveries of the century had been made, and that one of the world's most sought-after documents had finally come to light - the private diaries of Adolf Hitler. What followed was a Selling Hitler: The Story of the Hitler Diaries of fakery, greed, the duping of experts, and the exchange of enormous sums of money for world-wide publishing rights. Several of his books have been filmed, Selling Hitler: The Story of the Hitler Diaries The Ghos t, which was directed by Roman Polanski. His work has been translated into forty languages and he is a Fellow of the Royal Society of Literature. He lives in West Berkshire with his wife, Gill Hornby. His next book, V2is coming out in autumn Selling Hitler by Robert Harris | Waterstones As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get some streaming picks. -
Selling Hitler Tells the Story of the Biggest Fraud in Publishing History
CONTENTS About the Book About the Author Also by Robert Harris Title Page Acknowledgements List of illustrations Dramatis Personae Prologue Part One Chapter One Chapter Two Chapter Three Part Two Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Part Three Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen 1 Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty-One Chapter Twenty-Two Chapter Twenty-Three Chapter Twenty-Four Part Four Chapter Twenty-Five Chapter Twenty-Six Chapter Twenty-Seven Chapter Twenty-Eight Chapter Twenty-Nine Chapter Thirty Epilogue Picture Section Index Copyright 2 About the Book APRIL 1945: From the ruins of Berlin, a Luftwaffe transport plane takes off carrying secret papers belonging to Adolf Hitler. Half an hour later, it crashes in flames . APRIL 1983: In a bank vault in Switzerland, a German magazine offers to sell more than 50 volumes of Hitler’s secret diaries. The asking price is $4 million . Written with the pace and verve of a thriller and hailed on publication as a classic, Selling Hitler tells the story of the biggest fraud in publishing history. 3 About the Author Robert Harris is the author of Fatherland, Enigma, Archangel, Pompeii, Imperium and The Ghost, all of which were international bestsellers. His latest novel, Lustrum, has just been published. His work has been translated into thirty-seven languages. After graduating with a degree in English from Cambridge University, he worked as a reporter for the BBC’s Panorama and Newsnight programmes, before becoming political editor of the Observer and subsequently a columnist on the Sunday Times and the Daily Telegraph. -
Journalism Ethics
The Fall of Journalist Jack Kelley and “The Hitler Diaries” Hoax Emily Biery and Lizzie Torrance Annette Taylor USA Today Fabrications by Jack Kelley Fabrication of Hitler Diaries Jack Kelley was a USA Today reporter and a Pulitzer Gerd Heidemann, a journalist from German magazine, finalist in 2002. Fellow journalists speculated about Der Stern, pushed for the publication of “The Hitler the accuracy of his stories, including coverage of Diaries,” a series of journals allegedly written by Jerusalem and Cuban refuges. USA Today investigated Adolf Hitler, which Heidemann marketed to various the stories for plagiarism and falsifications. news organizations. London’s Sunday Times and the United States’ Newsweek published excerpts in 1983. The SPJ Ethics Code says a journalist should be The documents were quickly proven by historians, “honest and courageous in gathering, reporting and who utilized basic authentication techniques, to be interpreting information.” Journalists should provide forged by German swindler and Nazi memorabilia citizens with correct and useful information. Kelley’s counterfeiter, Konrad Kujau. articles included exaggerated quotes from sources. He violated the ethics code to seek truth and report it If the principles of journalism as outlined in the SPJ because his stories were false and did not serve the Code of Ethics, including 1. a reliance on skepticism, public. 2. verification of the facts and 3. a hyperawareness of the circumstances and sources that the Although his fabricated stories were published, USA documents were said to have come from were Today handled the situation effectively by publicly followed, the story would have never been published. acknowledging the error. -
Report on Hitler's Alleged Top Hat and Frock Coat
Report on the alleged Adolf Hitler's black formal coat and top hat to be auctioned by Alexander Historical Auctions, Chesapeake City, MD, USA, July 14, 2020 index (text in blue is clickable) Introduction The auctioneer's description A critical view of the auctioneer's description The letter from Mrs. Frank M. Sinclair No Major Frank S. Sinclair in 101st Airborne Division Douglas P. Finey The provenance Donald J. Boyle The top hat – from a Jewish hat maker? 328th Infantry Regiment 'Hitler' top hats with a Konrad Kujau provenance Conclusion Comment by auctioneer Bill Panagopulos by Jaap van den Born and Bart FM Droog Droog Magazine, Eenrum version 1.5 – July 15, 2020 The Hitler forgery industry. Droog Magazine, 2020 page 1/23 Introduction On July 14, 2020, Bill Panagopulos, the owner of Alexander Historical Auctions, Chesapeake City, MD, USA plans to auction “Adolf Hitler's black formal frock coat and top hat.” These objects form lot 6471 at their 'Historical Militaria and Autographs' auction. The starting bid is 40,000 US dollars; the selling price is estimated at 80,000 to 100,000 dollars. Hitler's alleged top hat, frock coat and labels, offered by Alexander Historical Auctions in 2020 This auction takes place some eight months after an auction in Germany, were another alleged Hitler's top hat was sold for 50,000 euros.2 Alleged, as there was no solid evidence that the particular hat was once owned by the Nazi dictator. To index. 1 https://www.alexautographs.com/auction-lot/adolf-hitlers-black-formal-frock-coat-and-top-hat_FAC4972915 Archived on: https://web.archive.org/web/20200706123713/https://www.alexautographs.com/auction-lot/adolf- hitlers-black-formal-frock-coat-and-top-hat_FAC4972915 2 Bart FM Droog. -
Los Falsos Diarios De Hitler
Los falsos diarios de Hitler Francisco Viñals Carrera* ICG-AGC 2008 A principios de los años 80 una noticia convulsionó a la opinión pública, la aparición de los presuntos diarios de Adolf Hitler, unos 27 volúmenes escritos a mano que se encontraban en poder de un coleccionista de objetos nazis. Este tema fue ampliamente tratado en los medios de comunicación internacional (Der Spiegel, Reuters, Newsweek, The New York Times, The Observer, The Sunday ºMirror, Bild Zeitung, Independent Radio News, The BBC, etc…), prensa escrita y televisión dieron acogida a tensos debates entre expertos sobre la autenticidad o no de los citados diarios, publicándose éstos por entregas en la revista alemana Stern en 1983, la cual pagó por los diarios unos 2 millones de dólares, previa autentificación de los mismos por los expertos Max Frei-Sulzer, exjefe del Departamento de Ciencias Forenses de la Policía de Zurich, y el documentólogo norteamericano, Ordway Hilton, quienes cotejaron fotocopias de los diarios con letra de Hitler recuperada de los Archivos Alemanes Federales, concluyendo que los diarios eran genuinos, auténticos. El prestigioso historiador inglés, Hugh Trevor-Hoper, también afirmó inicialmente la autenticidad de los documentos, y aunque en general, los datos históricos efectuados por historiadores ideológicamente de diferente signo: Eberhard Jaeckel (notable antifascista), Werner Maser (administrador del patrimonio documental hitleriano), y Kart Dietrich Bracher (historiador totalitarista) se dirigían en la línea inversa, el circo mediático siguió alimentándose, encumbrando a personajes cuya única motivación era la búsqueda de la fama y su enriquecimiento, como el historiador pro-nazi David Irving, quien primero los negó y después validó, tras cobrar importantes sumas de dinero por sus entrevistas, o del periodista alemán, Gerd Heidemann. -
Authentic Events: the Diaries of and the Alleged Diaries of 1
Sonja Neef 23 Authentic Events: The Diaries of and the Alleged Diaries of 1 This article approaches the concepts of authenticity and copy by focusing on two autographs whose authenticity is at the core of a longstanding and culturally ur- gent debate: Anne Frank’s diaries and the alleged diaries of Adolf Hitler. Combin- ing these cases by discussing them in one and the same paper may, at first sight, seem odd, or even blasphemous. By taking a closer look at these diaries, however, I will concentrate on a rhetoric of authenticity that they share and that, at the same time, distinguishes them radically. The aim, then, is to arrive at a differentiated view of the concept of the authenticity of handwriting and of the cultural signifi- cance of the idea of the original. Both diaries were subject to a series of investiga- tions into their authenticity. For Frank, several attempts were made to prove that the diaries were false and – along with this – that the Holocaust was a lie. For Hit- ler, in contrast, the aim was to prove that the diaries were authentic, and – along with this – to fill in the flatness of der Führer’s public persona with the private depth of an original, personal character. Both diaries had a serious impact on how we deal with the past and on how we locate this past in our present culture between memory and amnesia. Both for the diaries of Frank and for the alleged diaries of Hitler, the discourse of authenticity is to a large extent based on archival work. -
The Revival of the Nazi-Communist Pact: Soviets Foster Worldwide
Click here for Full Issue of EIR Volume 11, Number 1, January 3, 1984 The revival of the Nazi-Communistpact: Soviets foster worldwide terrorism by Thierry Lalevee As 1983 drew to a close, an interview was made available by gressive policies" from countries of the Axis can becountered intelligence sources to EIR-a discussion with former Lt. by any means without requesting a decision of the U.N. Gen. Otto-Ernst Remer, who in July 21, 1944 led the com Security Council! In the same way that Stalin used Hitler as mandos who arrested and assassinated the members of the a pawn for Russia's expansionist goals in Eastern Europe, conspiracy led by Adm. Wilhelm Canaris against Hitler. today's Nazis will be used by the Soviets in the attempt to Canaris himself, leader of German military intelligence, the gain world hegemony, anti to destroy the United States and Abwehr, was hanged in March 1945. Remer, who came back Western civilization. As Remer puts it bluntly, this is a goal to Germany in late 1981,told his interlocutor bluntly: "I want which is common to the Russians and Nazis. to make an agreement with the Russian people, we have to move out of NATO, and out of the European Community. KGB-controlled Black International We want to be a neutral country, then we can reunify. The The Soviet use of the Nazi card is not merely aimed at Americans, not the Russians, are the aggressors!" West Germany; Nazi networks have been for decades an Remer, who created a "European Resistance group" essential component of KGB and related institutions' covert against American imperialism last March in Luxembourg, operations worldwide. -
S I G N H E R
Sign Here! Handwriting in the Age of New Media features a number of articles from different fi elds, reaching from cultural and media S studies to literature, fi lm and art, and from philosophy and infor- mation studies to law and archival studies. Questions addressed in I this book are: Will handwriting disappear in the age of new (digital) media? What happens to important cultural and legal concepts, G such as original, copy, authenticity, reproducibility, uniqueness, and SIGN iterability? Where is the writing hand to be located if handwriting is N performed not immediately ‘by hand’ but when it is (re)mediated by electronic or artistic media? H Sonja Neef is junior-professor of European Media and Culture at the Bauhaus University Weimar/Germany. E José van Dijck is Professor of Media and Culture at the University HERE! of Amsterdam and chair of the Media Studies department. R Eric Ketelaar is Professor of Archival Science in the Department of Handwriting in the Age Mediastudies of the University of Amsterdam, and Honorary Pro- E fessor in the Faculty of Information Technology at Monash Univer- sity, Melbourne. ! of New Media Sign Here! Handwriting in the Age of New Media is the fi rst part in KetelaarEric(eds.)Dijck/ vanJosé /Sonja Neef the series Transformations in Art and Culture. Amsterdam University Press www.aup.nl Edited by Sonja Neef / José van Dijck / Eric Ketelaar isbn-13 978-90-5356-816-3 isbn-10 90-5356-816-6 Amsterdam University Press Sign Here! Transformations in Art and Culture The series Transformations in Art and Culture is dedicated to the study of historical and contemporary transformations in arts and culture, emphasizing processes of cultural change as they manifest themselves over time, through space, and in various media.