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Definitive Collection of Stax Records' Singles to Be
FOR IMMEDIATE RELEASE: DEFINITIVE COLLECTION OF STAX RECORDS’ SINGLES TO BE REISSUED Two volumes, due out December 16, 2014 and Spring 2015, cover 1968-1975. Volumes to be made available digitally for first time. LOS ANGELES, Calif. — Concord Music Group and Stax Records are proud to announce the digital release and physical reissue of two comprehensive box set titles: The Complete Stax/Volt Soul Singles, Vol. 2: 1968-1971 and The Complete Stax/Volt Soul Singles, Vol. 3: 1972-1975. Originally released in 1993 and 1994, respectively, these two compilations will be re-released back into the physical market in compact and sleek new packaging. Each set includes full-color booklets with in-depth essays by Stax historian and compilations co- producer Rob Bowman. The volumes feature stalwart Stax R&B artists including Isaac Hayes, the Staple Singers, Rufus Thomas, Johnnie Taylor, Carla Thomas, the Bar-Kays and William Bell, as well as bluesmen Little Milton, Albert King and Little Sonny, and “second generation” Stax hitmakers like Jean Knight, the Soul Children, Kim Weston, the Temprees, and Mel & Tim. Many of the tracks included in these collections will be made available digitally for the very first time. The story of the great Memphis soul label Stax/Volt can be divided into two distinct eras: the period from 1959 through the beginning of 1968, when the company was distributed by Atlantic and was developing its influential sound and image (chronicled in acclaimed 9-CD box set The Complete Stax/Volt Singles 1959-1968, released by Atlantic in 1991); and the post-Atlantic years, from May 1968 through the end of 1975, when Stax/Volt began its transition from a small, down-home enterprise to a corporate soul powerhouse. -
Al Green Call Me Mp3, Flac, Wma
Al Green Call Me mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Call Me Country: Canada Released: 1973 Style: Rhythm & Blues, Soul MP3 version RAR size: 1553 mb FLAC version RAR size: 1127 mb WMA version RAR size: 1358 mb Rating: 4.8 Votes: 246 Other Formats: VQF AHX VOC XM ADX MMF AA Tracklist Hide Credits Call Me (Come Back Home) A1 3:03 Written-By – Green*, Jackson*, Mitchell* Have You Been Making Out O.K. A2 3:42 Written-By – Green* Stand Up A3 3:25 Written-By – Al Green I'm So Lonesome I Could Cry A4 3:10 Written-By – Williams* Your Love Is Like The Morning Sun A5 3:09 Written-By – Green* Here I Am (Come And Take Me) B1 4:14 Written-By – Green*, Hodges* Funny How Time Slips Away B2 5:33 Written-By – Nelson* You Ought To Be With Me B3 3:15 Written-By – Green*, Jackson*, Mitchell* Jesus Is Waiting B4 5:36 Written-By – Green* Companies, etc. Distributed By – London Records Credits Arranged By [Strings] – Charles Chalmers, James Mitchell Backing Vocals – Charles Chalmers, Donna Rhodes, Sandra Rhodes Baritone Saxophone – James Mitchell Bass – Leroy Hodges Design – Farmlett, Barsanti & Wood Inc.* Drums – Al Jackson*, Howard Grimes Engineer – Willie Mitchell Guitar – Tennie Hodges* Mastered By – Howard Craft Organ, Piano – Charles Hodges Photography By – Jim Cummins Piano – Archie Turner Producer – Al Green, Willie Mitchell Strings – The Memphis Strings Tenor Saxophone – Andrew Love, Ed Logan Trombone – Jack Hale* Trumpet – Wayne Jackson Notes Black label (see image). Recorded at Royal Recording Studios, Memphis, Tennessee. -
The Year in Southern Soul
December 28, 2019: 2019: The Year In Southern Soul Thrown down like a gauntlet near the end of 2018, Tucka's album "Working With The Feeling" was a challenge to every other artist to match or surpass in 2019, and although many recording artists arguably came close, no one succeeded at de-throning the sugar-coated vocalist from Louisiana. "Big Train" (DBN's #1 Song of the Year) crested in the first quarter of 2019 and found the pillow-talking candy- lander banging away at his own unique, acoustic version of the blues. As for the challengers, just about everybody who was anybody among the major artists put out an album. Avail Hollywood, J-Wonn, L.J. Echols, T.K. Soul, O.B. Buchana, J. Red, Bigg Robb, Big G, Ms. Jody, Vick Allen, Sir Charles Jones, Willie Clayton and Calvin Richardson among others all published new collections, making 2019 a banner year for recording. But although the collective material was of high quality, none were career-defining albums for the individual artists, nor were any industry-shaking events in the way that Pokey Bear's "My Sidepiece" continued to be. In fact, the one major artist who didn't record a long-play set-- Pokey Bear-- dominated the southern soul concert circuit as the #1 headliner along with Tucka, making Louisiana (Pokey's new home via Houston) doubly relevant. When Daddy B. Nice posted the annual Blues Is Alright Tour for the first quarter of 2020, Pokey Bear was the single artist to ace every venue--in demand everywhere. -
Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice. -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. -
Memphis Flyer
home • about us • advertise with us • the blogs • contact • submit an event • best of memphis LOG IN / CREATE ACCOUNT Sign up for Flyer e-mail Subscribe to RSS Memphis Flyer MUSIC » MUSIC July 14, 2011 Share 1 0 Send Be the first of your Soul Messenger Charles Hodges releases "God, He's Able." by ROBERT GORDON If you've heard an Al Green hit, you've heard Charles Hodges. click to enlarge He's the organ player, the one producer Willie Mitchell called "Do Funny" — as in, when listening to a take before what would become the final one, Mitchell would say to Hodges, "Go in there and do something funny." Hodges plays the memorable organ stabs that punctuate "Take Me to the River" and the sweeping swells that bring together "Love and Happiness." He plays soul music like he's in church, and he plays church music from his soul. That's him on Little Milton hits (e.g., "Walking the Backstreets and Crying") and on all the classic Ann Peebles and Syl Johnson songs. He once traded licks with Stevie Wonder on an unreleased Al Green track. "I have no conflicts about secular music," Rev. Hodges says. "I put me in that work. I'm doing what God has given me the ability to do: 'Whatsoever you do, if you put me first, I am with you.' So I know God is with me when I play that music." In the 1960s, Hodges moved from the stage of Beale Street's Flamingo Club to the road band for O.V. -
A Proclamation by Governor Ronnie Musgrove
A Proclamation By Governor Ronnie Musgrove WHEREAS, Shirley Brown has always been surrounded by musical inspiration —she was born in Memphis, a blues town and home to rock king Elvis, grew up in St. Louis, the birthplace of jazz, and was further influenced by the gospel sounds of the church choir, which she joined at age nine; and WHEREAS, at age 18 blues legend, Albert King, got her an audition with Memphis’ venerable Stax label—after only half a song, president Jim Stewart immediately landed her a contract and her success was instant; and WHEREAS, her first release, “Woman to Woman,” quickly climbed to No. 1 on Billboard’s R&B chart and earned her a Grammy nomination for Best Female R&B Vocal Performance, as well as made her a household name; and WHEREAS, she has had a steady stream of Billboard-charted hits that signaled her astonishing voice and is regularly called “the diva of soul,” a reigning “queen of blues” and a veteran “R&B hitmaker” by the world media; and WHEREAS, Shirley Brown performs with rare insight, heart and abandon that marks every lyric and melody her own: NOW, THEREFORE, I, Ronnie Musgrove, Governor of the State of Mississippi, hereby proclaim Shirley Brown as a 2002 honoree of the Jackson Music Awards National Rhythm and Blues Diva and commend you for your talents and accomplishments in the music industry. IN WITNESS WHEREOF, I have hereunto set my hand and caused the Great Seal of the State of Mississippi to be affixed. DONE in the City of Jackson, July 15, 2001, in the two hundred and twenty- sixth year of the United States of America. -
Al Green I'm Still in Love with You Mp3, Flac, Wma
Al Green I'm Still In Love With You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: I'm Still In Love With You Country: US Released: 1972 Style: Rhythm & Blues, Soul MP3 version RAR size: 1224 mb FLAC version RAR size: 1301 mb WMA version RAR size: 1360 mb Rating: 4.5 Votes: 423 Other Formats: AAC AA MP1 VOX MP3 XM DTS Tracklist Hide Credits I'm Still In Love With You A1 3:12 Written-By – A. Jackson*, W. Mitchell* I'm Glad You're Mine A2 2:54 Written-By – A. Green* Love And Happiness A3 5:00 Written-By – A. Green*, M. Hodges* What A Wonderful Thing Love Is A4 3:37 Written-By – A. Green* Simply Beautiful A5 4:08 Written-By – A. Green* Oh, Pretty Woman B1 3:22 Written-By – B. Dees*, R. Orbison* For The Good Times B2 6:27 Written-By – K. Kristofferson* Look What You Done For Me B3 3:04 Written-By – A. Green*, A. Jackson*, W. Mitchell* One Of These Good Old Days B4 3:15 Written-By – A. Green* Companies, etc. Phonographic Copyright (p) – Hi Recording Corporation Copyright (c) – London Records, Inc. Recorded At – Royal Recording Studios, Memphis Pressed By – H.V. Waddell Co. Distributed By – London Credits Arranged By [String Arrangement] – Charles Chalmers, James Mitchell Backing Vocals [Vocal Background] – Rhodes, Chalmers & Rhodes Baritone Saxophone – James Mitchell Bass – Leroy Hodges Drums – Al Jackson*, Howard Grimes Engineer – Willie Mitchell Guitar – Teenie Hodges* Organ, Piano – Charles Hodges Producer – Al Green, Willie Mitchell Tenor Saxophone – Andrew Love, Ed Logan Trombone – Jack Hale* Trumpet – Wayne Jackson Notes H.V. -
Register of Entertainers, Actors and Others Who Have Performed in Apartheid South Africa
Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1986_03 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 3/86 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1986-04-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1986 Source Northwestern University Libraries Description This third Register of entertainers, actors and others who have performed in apartheid South Africa since the beginning of 1981 is published at the request of the United Nations Special Committee against Apartheid as part of the campaign for a cultural boycott against South Africa called for in a number of resolutions of the General Assembly. -
Otis Clay Trying to Live My Life Without You Mp3, Flac, Wma
Otis Clay Trying To Live My Life Without You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Trying To Live My Life Without You Country: Japan Released: 2005 Style: Soul MP3 version RAR size: 1436 mb FLAC version RAR size: 1518 mb WMA version RAR size: 1600 mb Rating: 4.8 Votes: 928 Other Formats: DMF MMF WMA AA TTA MP1 VOC Tracklist Hide Credits Trying To Live My Life Without You 1 2:48 Written-By – Eugene Williams I Die A Little Each Day 2 2:40 Written-By – Don Bryant Holding On To A Dying Love 3 3:00 Written-By – George Jackson , James Dotson*, Ronald Townsend I Can´t Make It Alone 4 2:50 Written-By – Darryl Carter, Johnny Keyes That´s How It Is 5 3:37 Written-By – Monk Higgins, Maurice Dollison* I Love You, I Need You 6 5:45 Written-By – Archie Bradley, Julius Bradley You Can´t Keep Running From My Love 7 2:47 Written-By – Bernard Miller, Bill Taylor , Don Bryant Precious Precious 8 3:14 Written-By – Dave Crawford, Jackie Moore Home Is Where The Heart Is 9 2:50 Written-By – Bettye Crutcher Too Many Hands 10 2:43 Written-By – Eugene Williams , Mabon Hodges* Companies, etc. Recorded At – Royal Recording Studios, Memphis Mastered At – Mastercraft Credits Backing Vocals – Rhodes, Chalmers And Rhodes* Baritone Saxophone – James Mitchell Bass – Leroy Hodges Drums – Howard Grimes Engineer – Willie Mitchell Guitar – Teenie Hodges* Mastered By – Howard Craft Organ, Piano – Charles Hodges Photography By – William Cantrell* Producer – Willie Mitchell Strings – The Memphis Strings Strings [Arrangements] – James Mitchell Tenor -
The Mississippi Mass Choir
R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z. -
Al Green Greatest Hits Mp3, Flac, Wma
Al Green Greatest Hits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Greatest Hits Country: Australia Released: 1975 Style: Soul MP3 version RAR size: 1670 mb FLAC version RAR size: 1580 mb WMA version RAR size: 1689 mb Rating: 4.9 Votes: 673 Other Formats: MMF AAC MPC MP4 ADX AIFF MP2 Tracklist Hide Credits Sha-La-La (Make Me Happy) A1 Written-By – A. Green* Here I Am (Come And Take Me) A2 3:09 Written-By – A. Green*, M. Hodges* I'm Still In Love With You A3 3:12 Written-By – A. Green*, A. Jackson*, W. Mitchell* You Ought To Be With Me A4 3:15 Written-By – A. Green*, A. Jackson*, W. Mitchell* Call Me (Come Back Home) A5 3:03 Written-By – A. Green*, A. Jackson*, W. Mitchell* Let's Stay Together A6 4:45 Written-By – A. Green*, A. Jackson*, W. Mitchell* How Can You Mend A Broken Heart B1 6:21 Written-By – B. Gibb*, R. Gibb* Look What You Done For Me B2 3:04 Written-By – A. Green*, A. Jackson*, W. Mitchell* I Can't Get Next To You B3 3:42 Written-By – Whitfield; Strong* Let's Get Married B4 4:20 Written-By – A. Green* Tired Of Being Alone B5 Written By – Al Green Companies, etc. Phonographic Copyright (p) – Hi Recording Corporation Copyright (c) – London Records, Inc. Recorded At – Royal Recording Studios, Memphis Mastered At – Mastercraft Pressed By – Indústrias Elétricas E Musicais Fábrica Odeon S.A. Credits Arranged By [String Arrangements] – Charles Chalmers Arranged By [String Arrangements], Baritone Saxophone – James Mitchell Art Direction, Design – Glenn Ross, Richard Krieger*, Richard Roth Backing Vocals – Rhodes,