Dean Morris - Advanced Level 3 Grip

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DEAN MORRIS - ADVANCED LEVEL 3 GRIP TELEPHONE : +44 (0)7970 825605 EMAIL : [email protected] DIARY SERVICE : SUZ CRUZ TELEPHONE : +44 (0) 1932 25 25 77 +44 (0) 7538 92 75 90 TITLE DOP POSITION FEATURE FiLMS Without Remorse Phillippe Rousselot A Cam Dolly/Crane Black Widow Gabriel Beristain / Rob Hardy A Cam Dolly/Crane MIB international 2nd Unit Lukasz Jogalla A Cam Dolly/Crane Mission Impossible Fallout Rob Hardy C Cam Dolly/Crane The Good Liar Tobias A. Schliessler B Cam Dolly/Crane Potato Peel Pie Society Zac Nicholson B Cam Dolly/Crane Murder On The Orient Express Haris Zambarloukos B Cam Dolly/Crane Life Seamus McGarvey A Cam Dolly/Crane Mowgli Micheal Seresin B Cam / 2nd Unit Key Beauty and the Beast Tobias A. Schliessler B Cam Dolly/Crane Alice Trough the Looking Glass Stuart Dryburgh C Cam / 2nd Unit Key Pan Seamus McGarvey B Cam Dolly/Crane Fury Roman Vasynov B Cam Dolly/Crane The Monuments Men Phedon Papamichael Crane Grip UK Fast and Furious 6 2nd Unit Igor Meglic Rigging Grip Skyfall Peter Talbot Grip Anna Kerinina Seamus McGarvey B Cam Dolly/Crane Dark Knight Rises Wally Pfister B Cam Dolly/Crane Hereafter Tom Stern B Cam / Best Boy Kings Speech 2nd Unit Martin Kenzie Grip London Dreams Sejal Shah Key Grip Clash of the Titans 2nd Unit Martin Kenzie B Cam Dolly/Crane Wolfman Shelly Johnson C Cam Dolly Quantum of Solace Palio Unit Roberto Schaefer Grip The Dark Knight Wally Pfister B Cam Dolly/Crane The Riddle Mark Moriarty Key Grip Atonement Seamus McGarvey B Cam Dolly/Crane The Bourne Ultimatum 2nd Unit Mark Moriarty Grip Doctor Parnassus Nicola Pecorini B Cam Dolly/Crane Harry Potter Order of the Phoenix Mike Brewster Grip 2nd Unit Harry Potter Goblet of Fire Mike Brewster Grip 2nd Unit V for Vendetta Harvey Harrison B Cam Dolly/Crane TV DRAMA Devs Rob Hardy B Cam Dolly/Crane Red Dwarf Andy Martin Key Grip Game of Thrones Season 1 Alik Sakharov Matt Jenson B Cam Dolly/Crane The American Embassy (Pilot) Andy Collins B Cam Dolly/Crane Ever After Mark Partridge Trainee Grip Bad Girls Nick Dance Trainee Grip In Deep Peter Sinclair B Cam Dolly/Crane SHORT FILM Woman X Gareth Pritchard Key Grip Cloud Cuckoo Land Andy Martin Key Grip Most Beautiful Man Nanu Segal Key Grip 33 Times Around the Sun Daniel Cohen Key Grip COMMERCIAL HLA, Factory Films, Great Guns, COMPANIES Quiet Storm, Flynn, The Mob Gerard de Thame, Radical media, Pink, Vermillion, Moving Brands, Breakthru, Weilands, Moxie Films, Feel Films, The Victorians, Ebb & Flow, Red Bee, Run 2 Record, Nice Shirt, Outlaw LIVE EVENTS Big Brother Eviction Night U2 Vertigo Tour Milan Live 8.

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Camera Operator/ Steadicam Operator
PRINCESTONE ( +44 (0) 208 883 1616 8 [email protected] SIMON BAKER Assoc. BSC / GBCT / ACO Camera Operator/ Steadicam Operator FEATURES: Title Director / DOP Production Co BLITHE SPIRIT Edward Hall / Fred Films / Powderkeg Pictures / B Camera operator / Steadicam Ed Wilde Align Cast: Emilia Fox, Isla Fisher, Judy Dench, Dan Stevens DOWNTON ABBEY Michael Engler / Carnival Films / Focus Features / B Camera operator / Steadicam Ben Smithard Perfect World Pictures Cast: Hugh Bonneville, Matthew Goode, Maggie Smith, Michelle Dockerty,Tuppence Middleton PETER RABBIT 2 (UK Unit) Will Gluck / Sony Pictures / B Camera Operator Peter Menzies Jnr Rose Line Productions Cast: Domhnall Gleeson, Rose Byrne, James Corden HIS HOUSE Remi Weekes / New Regency / BBC Films Camera operator / Steadicam Jo Willems Cast: Sope Dirisu, Munmi Mosaku, Matt Smith FANTASTIC BEASTS: CRIMES OF GRINDLEWALD Stephen Woolfenden / Warner Bros 2nd Unit B camera /Steadicam Jean-Phillippe Gossart A&B camera/ Steadicam on Main Unit David Yates / Phillipe Rousselot Cast: Eddie Redmayne, Johnny Depp ALL THE MONEY IN THE WORLD Ridley Scott / Sony / Tristar / Imperative / B camera operator (2wks reshoots) Darius Wolski Scott Free Productions Cast: Christopher Plummer, Michelle Williams PETER RABBIT (UK Unit) Will Gluck / Columbia Pictures / B camera operator Peter Menzies Jnr Animal Logic Ent. Cast: Domhnall Gleeson, Rose Byrne, James Corden THE MAN WHO INVENTED CHRISTMAS Bharat Nalluri / Thunderbird / Bleeker Street B camera operator / Steadicam Ben Smithard Cast: Dan Stevens,
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British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
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Atonement (2007) Compiled by Jay Seller
Literature to Film, lecture on Atonement (2007) Compiled by Jay Seller Atonement (2007) Universal Pictures Director: Joe Wright Screenwriter: Christopher Hampton Novel: Ian McEwan 123 minutes Cast Cecilia Tallis Keira Knightley Robbie Turner James McAvoy Briony Tallis,Briony Romola Garai Older Briony Vanessa Redgrave Briony Taliis,Briony Saoirse Ronan Grace Turner Brenda Blethyn Singing Housemaid Allie MacKay Betty Julia Ann West Lola Quincey Juno Temple Jackson Quincey Charlie Von Simpson Leon Tallis Patrick Kennedy Paul Marshall Benedict Cumberbatch Emily Tallis Harriet Walter Fiona MacGuire Michelle Duncan Sister Drummond Gina McKee Police Constable Leander Deeny Luc Cornet Jeremie Renier Police Sergeant Peter McNeil O’Connor Tommy Nettle Daniel Mays Danny Hardman Alfie Allen Pierrot,Pierrot Jack Harcourt Frenchmen Michel Vuillemoz Jackson,Jackson Ben Harcourt Frenchmen Lionel Abelanski Frank Mace Nonso Anozie Naval Officer Tobias Menzies Crying Soldier Paul Stocker Police Inspector Peter Wright Solitary Sunbather Alex Noodle Vicar John Normington Mrs. Jarvis Wendy Nottingham Beach Soldier Roger Evans, Bronson Webb, Ian Bonar, Oliver Gilbert Interviewer Anthony Minghella Soldier in Bray Bar Jamie Beamish, Johnny Harris, Nick Bagnall, Billy Seymour, Neil Maskell Soldier With Ukulele Paul Harper Probationary Nurse Charlie Banks, Madeleine Crowe, Olivia Grant, Scarlett Dalton, Katy Lawrence, Jade Moulla, Georgia Oakley, Alice Orr-Ewing, Catherine Philps, Bryony Reiss, DSarah Shaul, Anna Singleton, Emily Thomson Hospital Admin Assistant Kelly Scott Soldier at Hospital Entrance Mark Holgate Registrar Ryan Kiggell Staff Nurse Vivienne Gibbs Second Soldier at Hospital Entrance Matthew Forest Injured Sergeant Richard Stacey Soldier Who Looks Like Robbie Jay Quinn Mother of Evacuees Tilly Vosburgh Evacuee Child Angel Witney, Bonnie Witney, Webb Bem 1 Primary source director’s commentary by Joe Wright.
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Nommdfeaturesformatslist.Cwk (WP)
Features Nominated for 2012 Best Picture and/or Ourstanding Cinematography by the AMPAS and ASC along with the Directors, DPs, and formats they employed - Amour, Director Michael Haneke, DP Darius Khondji Camera/Format: Arri Alexa, ARRIRAW, Cooke Spherical - Argo, Director Ben Affleck, DP Rodrigo Prieto, Format: Mostly 35mm Kodak Film on ARRICAM with some ARRI Alexa/ARRIRAW, and some 16mm, and 8mm mixed in - Beasts of the Southern Wild, Director Bhen Zeitlin, DP Ben Richardson Camera: ARRI 16SR3, S16 Kodak Film, Zeiss Lenses, Spherical - Django Unchained, Director Quentin Tarantino, DP Robert Richardson, ASC, Camera/Format Panavision on 35mm Kodak Film, Anamorphic - Les Misérables, Director Tom Hooper, DP Danny Cohen Camera/Format, Arricam, S35mm Kodak Film, Spherical - Life of Pi, Director Ang Lee, DP Claudio Miranda, ASC, Head of Stereography Graham D. Clark, (DCS Member), Stereographer, Brian Gardner, Camera/Format Arri Alexa, PACE Fusion 3-D - Lincoln, Director Steven Spielberg., DP Janusz Kaminski, Camera/Format: Panavision on S35mm Kodak Film - Silver Linings Playbook, Director David O. Russell, DP Masanobu Takayanagi, Camera/Format, Arricam, S35mm Kodak Film, Spherical - Zero Dark Thirty, Director Kathryn Bigelow, DP Greig Fraser, Camera/Format: Arri Alexa, ARRIRAW, Cooke Spherical - Anna Karenina, Director Joe Wright, DP Seamus McGarvey Camera/Format Panavision on 35mm Kodak Film, Anamorphic - Skyfall, Director Sam Mendes, DP Roger Deakins, ASC, BSC, Camer/Format: ARRI Alexa, ARRIRAW, with some RED Epic REDcode RAW mixed in for 2nd Unit Action Shots. Compiled by James Mathers with data collected from IMDBpro.
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Richard Dyer Production Sound Mixer
Richard Dyer Production Sound Mixer Credits include: THE NEVERS Season 1 Showrunner: Joss Whedon Sci-Fi Period Drama Series Season 2 Showrunner: Philippa Goslett Executive Producers: Andrew Bernstein, Bernadette Caulfield Douglas Petrie, Ilene Landress, Jane Espenson Producer: Duncan Muggoch Directors Andrew Bernstein, Joss Whedon David Semel, Zetna Fuentes DoPs: Seamus McGarvey, Ben Smithard Richard Donnelly, Kate Reid Featuring: Laura Donnelly, Ann Skelly, Olivia Williams Production Co: Mutant Enemy Productions / HBO THE GREAT Producer: Nick O’Hagan Period Drama Director: Matt Shakman DoP: Anette Haellmigk Featuring: Elle Fanning, Nicholas Hoult, Gwilym Lee Production Co: Thruline Ent. / Echo Lake Ent. / MRC Studios / Hulu BLACK MIRROR: Smithereens Producer: Madonna Baptiste Dystopian Sci-fi Drama Director: James Hawes DoP: Lukas Strebel Featuring: Andrew Scott, Topher Grace, Damson Idris Production Co: House of Tomorrow / Netflix HARLOTS Producer: Grainne Marmion Period Drama Series Director: Coky Giedroyc, Philippa Langdale, Jill Robertson DoP: Rasmus Arrildt Featuring: Jessica Brown Findlay, Samantha Morton, Lesley Manville Production Co: Monumental Pictures / ITV / Hulu KEEPING FAITH Producers: Pip Broughton, Nora Ostler Drama Series Directors: Pip Broughton, Andy Newbery DoP’s: Steve Lawes, Bjorn Stale Bratberg Featuring: Eve Myles, Hannah Daniel, Bradley Freegard Production Co: Vox Pictures / BBC Wales / S4C ABERFAN: THE GREEN HOLLOW Producer: Jenna Robbins A film poem commemorating the Aberfan disaster. Director: Pip Broughton
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Seamus Mcgarvey, ASC, BSC (Academy Award®-Nominee for Atonement, the Hours, Nowhere Boy)
BBC Films and UK Film Council present in association with Footprint Investments LLP, Piccadilly Pictures and LipSync Productions an Independent production in association with Artina Films and Rockinghorse Films WE NEED TO TALK ABOUT KEVIN A Film by Lynne Ramsay INTERNATIONAL SALES INTERNATIONAL PRESS Independent Film Sales Charles McDonald - [email protected] Abigail Walsh +33 6 33 361 389 [email protected] Matthew Sanders - [email protected] +44 7968 109 251 +44 7815 130 390 WE NEED TO TALK ABOUT KEVIN A Film by Lynne Ramsay UK, 2011, 35 mm / colour / 1.85, Dolby SRD, 112 min Screenplay by Lynne Ramsay & Rory Stewart Kinnear Based on the Novel by Lionel Shriver Key Cast: Tilda Swinton John C. Reilly Ezra Miller Produced by Luc Roeg Jennifer Fox Robert Salerno SYNOPSIS We Need To Talk About Kevin is an emotional thriller, directed by acclaimed filmmaker Lynne Ramsay (Ratcatcher, Morvern Callar) and starring Tilda Swinton. Eva puts her ambitions and career aside to give birth to Kevin. The relationship between mother and son is difficult from the very first years. When Kevin is 15, he does something irrational and unforgivable in the eyes of the entire community. Eva grapples with her own feelings of grief and responsibility. Did she ever love her son? And how much of what Kevin did was her fault? Based on the Winner of the Orange Prize for Fiction. Presented by BBC Films and the UK Film Council in association with Footprint Investments LLP, Piccadilly Pictures and Lipsync Productions, the film is an Independent production in association with Artina Films and Rockinghorse Films.
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Belonging to The
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| BELONGING TO THE BSC Leading cinematographers reveal what being a member of the BSC means to them, and how they’d ROGER DEAKINS CBE BSC ASC like to see their art and craft unfold in the future. Fargo, O Brother Where Art Thou, Jarhead, Skyfall, Blade Runner 2049 Joined: 1999… I can’t recall how I managed to become a board member, nor eventually the BSC president (2014-17). Doesn’t seem |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| possible, but it was. Joined: 1986… I was blown away when I was asked to join by Alex Thomson BSC, just after I shot 1984. Your BSC inspirations? This one is easy… Chris Menges BSC ASC. I Your BSC inspirations? was always inspired by his documentaries and, Oswald Morris OBE BSC and Chris Menges BSC ASC of course, he shot the film Kes, which literally were the two most inspiring BSC members as I began change my life. He also, in his own quiet way, my life as a cinematographer. Ossie’s body of work led me on to my career as a cinematographer is unsurpassed. The Spy Who Came In From The Cold and introduced me to Ken Loach. remains the greatest B/W photography out there. Chris, a gentleman and a true inspiration, brings quiet Your thoughts about cinematography today? dignity to his images and hence to the subjects that he I’m certain that it’s the art of cinematography has trained his camera on. The subject comes first, not that makes cinema so special. I see new talent the cinematography. coming along all the time.
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Download Full CV Here
TERESA ADAMSON 2nd AC / CLAPPER LOADER [email protected] 07772 135445 IMDB https://www.imdb/name/nm4994668 IG camera_tee FEATURE TITLE COMPANY DOP 2nd AC FORMAT ROLE Cyrano MGM/Working Title Films Seamus McGarvey ASC, BSC Saskia Dixie Alexa Mini LF Camera Trainee/Daily FEATURE TITLE COMPANY DOP 1st AC FORMAT ROLE Pretty Red Dress BBC/BFI Adam Scarth Malte Hübner Alexa Mini 2nd AC TV TITLE COMPANY DOP 2nd AC FORMAT ROLE House Of Dragons HBO Fabian Wagner ASC, BSC Faith Glenister Alexa Mini LF, Alexa 65 Camera Trainee/Daily TV TITLE COMPANY DOP 1ST AC FORMAT ROLE Top Boy (S4) Netflix Adam Scarth, Stuart Bentley BSC Malte Hübner Alexa Mini LF 2nd AC The Cleaner (Pilot) BBC Sarah Bartles-Smith Hilda Sealey GBCT Alexa Mini A cam 2nd AC Alexa Mini B cam 2nd AC St. Maud’s St. Maud’s Ltd Ben Fordesman Ed Tucker Alexa Mini 2nd AC/Daily So Awkward (S4) BBC Len Gowing Tobin Jones Red Epic MX Camera Trainee Top Boy (S3) Netflix Adam Scarth, Rina Yang Lami Okrekson, Kate Molins Alexa LF Camera Trainee DOCUMENTARY TITLE COMPANY DOP 1ST AC FORMAT ROLE Marilyn Monroe Empress Films Geoffrey Sentamu Rana Darwish GBCT Red Gemini 2nd AC/Dailies CORPORATE/COMMERCIAL TITLE COMPANY DOP 1ST AC FORMAT ROLE Lego – Mom Of Girls Wearesocial Anna MacDonald Catharina Scarpellini Alexa Mini 2nd AC Asus Product Launch Stink Nick Morris Kate Eccarius GBCT Sony Venice/Red Komodo 2nd AC Gillette x FBB – Game Changers Glue Productions John Fisher Mitchell Collins Alexa Mini A cam 2nd AC Ltd B cam 2nd AC Gymshark – Big Deal Energy Friend London Marcus Autelli Lami Okrekson
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Johnnycv 03-04-19
Curriculum Vitae: Johnny Breedt SCOPE OF WORK: YEAR COMPANY/LOCATION PRODUCTION TITLE LEAD CAST POSITION 2018 Sergio Film/Netflix – Sergio – Feature Wagner Moura, Ana Production Jordan, Thailand, Rio De Director: Greg Barker De Armas, Garret Designer Janeiro Producers: Daniel Dreifuss, Brent Dillahunt Travers, Stephen Marinaccio, Wagner Moura D.O.P. Adrian Teijido Shonda Rhimes/ABC - For The People – TV Series Hope Davis, Ben Production Disney (Season 1) Shenkman Designer 2017 Shonda Rhimes/ABC - For the People – Pilot and TV Series Hope Davis, Ben Production Disney – Los Angeles, (Season 1) Shenkman Designer NYC 2016 Lotus Films Replicas Keanu Reeves, John Production San Juan - Puerto Rico Director: Jeffrey Nachmanoff Ortiz, Thomas Designer Producers: Keanu Reeves, James Middleditch, Emjay Dodson, Stephen Hamel, Lorenzo Di Anthony, Alice Eve, Bonaventura, Erik Howsam Nyasha Hatendi D.O.P: Checco Varese 2015\16 ABC - Disney, Of Kings & Prophets-TV Series Ray Winstone, Olly Production Moonlighting Films, Director: Michael Offer Rix, Simone Kessel Designer Advantage Entertainment Producers: Sara Fischer, Jason Cape Town, Northern Reed, Chris Brancato, Tina Grewal, Cape - South Africa Duane Clark, Vlokkie Gordon, Genevieve Hofmeyer 2014 E One, Raindog Films, Eye In The Sky Helen Mirren, Aaron Production Moonlighting Films Director: Gavin Hood Paul, Alan Rickman Designer Cape Town, Northern Producer/s: David Lancaster, Ged Cape - South Africa Doherty, Colin Firth D.O.P: Haris Zambarloukos 2013 VideoVision The Art Direction of Mandela-Long Author and Cape Town - South Africa Walk To Freedom (Book Publication) Creator 2012 VideoVision, HWC Mandela-Long Walk To Freedom Idris Elba, Naomi Production Cape Town, Joburg - Director: Justin Chadwick Harris, Terry Pheto Designer South Africa Producer/s: Harvey Weinstein, Anant Singh D.O.P: Lol Crawley 2011 VideoVision, HWC Mandela-Long Walk To Freedom Research Cape Town-South Africa Phase 20th Century Fox Chronicle Dane De Haan, Alex Supervising Cape Town, Joburg - Director: Josh Trank Russell, Michael B.
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Gwyn Evans Colourist IMDB Gwyn Evans Mobile: 07768-271152 E-Mail: [email protected]
Gwyn Evans Colourist IMDB Gwyn Evans Mobile: 07768-271152 e-mail: [email protected] 46 Priory Road, Chiswick, London W4 5JA The Bedford Park Postw Production Company Ltd is owned by Gwyn Evans who is available for high quality film and video productions. Gwyn has created a fully calibrated beautiful grading theatre with exceptional projection, curved screen and great sound. Full cinema DI suite with 5.1 audio (3D available). DaVinci Resolve. Adobe Creative Cloud including Premiere Editing and After Effects. Feature films and short films. Quality television drama and documentaries. Commercials and Music Videos. Restoration. Films: THE STRUGGLES FOR POLAND– A Different World – Messenger from Poland. (2013). Restoration. Executive Producer Martin Smith. Restoration of two films from 1986 landmark series made for Channel 4. THE MEETING (2012). Short Film. Cinematography by Trevelyan Oliver. Written and directed by David Bispham. With Hugh Quarshie and Dan Richardson. Originated on Canon C300. Aspect Ratio 2.35. Location filming in England. LOVE TOMORROW (2012). Feature Film. Cinematography by Paul Teverini. Written and directed by Christopher Payne. With Cindy Jourdain and Arionel Vargas. 80 min. Originated on Red. Aspect Ratio 1.85. Location filming in London. Winner of Jury Prize Best UK Feature Raindance Film Festival 2012. SELL BY DATE (2012). Short Film. Cinematography by Faye. Written and directed by Emma Savage. With Daisy Haggard and Tom Stuart. Originated on Sony F3. Aspect Ratio 1.85. Location filming in London. Premiered at BFI London Film Festival 2012. SHADY LADY (2012). Feature Film. Cinematography by Nathalie Grace. Written and directed by Tristan Loraine. 87 min.
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We Need to Talk About Kevin
fugu Filmverleih KinoKontrovers BBC Films UK Film Council präsentieren in Zusammenarbeit mit Footprint Investments LLP, Piccadilly Pictures und LipSync Productions eine Independent Produktion in Zusammenarbeit mit Artina Films und Rockinghorse Films WE NEED TO TALK ABOUT KEVIN ein Film von LYNNE RAMSAY nach dem Roman von LIONEL SHRIVER KURZINHALT Die ehemalige Reisejournalistin und Cosmopolitin Eva Khatchadourian trägt eine schwere seelische Last. Grund ist ihr Sohn Kevin, der bereits als Baby eine eigenwillige Distanz zeigt, die es Mutter Mutter Eva schwer macht, Nähe aufzubauen. Während ihr Mann Franklin an seinem Sohn nichts Ungewöhnliches sieht, ist Eva besorgt über die mangelnde Empathie und seine Lust an Zerstörung. Regisseurin Lynne Ramsay enthüllt zugleich spannend wie bewegend erst nach und nach das Familiendrama, spannend und bewegend. Sie zeigt, wie das einst glückliche Paar in eine Katastrophe ungeahnten Ausmaßes schlittert. DARSTELLER Eva................................................................................... Tilda Swinton Franklin............................................................................ John C. Reilly Kevin, Jugendlicher.............................................................. Ezra Miller Kevin, 6-8 Jahre.................................................................Jasper Newell Kevin, Kleinkind................................................................. Rocky Duer Celia...................................................................... Ashley Gerasimovich Wanda.................................................................
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British Music Videos and Film Culture
Scope: An Online Journal of Film and Television Studies Issue 26 February 2014 The Fine Art of Commercial Freedom: British Music Videos and Film Culture Emily Caston, University of the Arts, London In the “golden era” or “boom” period of music video production in the 1990s, the UK was widely regarded throughout the world as the center for creative excellence (Caston, 2012). This was seen to be driven by the highly creative ambitions of British music video commissioners and their artists, and centered on an ideological conception of the director as an auteur. In the first part of this article, I will attempt to describe some of the key features of the music-video production industry. In the second I will look at its relationship with other sectors in British film and television production – in particular, short film, and artists’ film and video, where issues of artistic control and authorship are also ideologically foregrounded. I will justify the potentially oxymoronic concept of “the fine art of commercial freedom” in relation to recent contributions in the work of Kevin Donnelly (2007) and Sue Harper and Justin Smith (2011) on the intersection between the British “avant garde” and British film and television commerce. As Diane Railton and Paul Watson point out, academics are finally starting to recognize that music videos are a “persistent cultural form” that has outlived one of their initial commercial functions as a promotional tool (2011: 7). Exhibitions at the Museum of Moving Image (MOMI) in New York and the Foundation for Art and Creative Technology (FACT) in Liverpool have drawn the attention of Sight and Sound, suggesting that this cultural form is now on the verge of canonization (Davies, 2013).
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