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2006 Fall Newsletter
THE ENVIROTECH NEWSLETTER Fall 2006 Volume 6, Number 2 Some Great Envirotech Films By Numerous Generous Envirotech Members Inside this issue: Editor’s Note: Last spring Jeffrey Stine made the good suggestion that it might be useful to begin compiling a list of films on envirotech subjects. The following list is the first install- ment in that project. Perhaps a dozen or so of you were kind enough of send in titles and Vegas Session Report 2 brief descriptions. My thanks to you all! But two Envirotechies—Lindy Biggs and Pat Mun- day—really outdid themselves by contributing long lists of films with richly detailed descrip- ET News 3 tions. Indeed, I did not have space to include all of Lindy’s good suggestions. But again following a suggestion from Jeffrey Stine, I propose to continue to compile and periodically Member news 4 publish further additions to this list in the future. So for those of you who perhaps did not have the time to send in your suggestions this go-around, keep the project in mind for the ASEH Sneak Preview 8 spring. Likewise, whenever you discover a new film of value, please take a few moments to send me an e-mail so I can include it in future editions of the newsletter and add it to the Position Available 9 master list. Note that for convenience and to maintain uniformity I have generally not included the names of individual contributors except where necessary to obtain the film. But I do Conferences & Calls 10 (Continued on page 13) Update on the Envirotech Book Project By Stephen Cutcliffe Important Dates: • December 1: Deadline Several years ago the Envirotech lected essays that would “challenge conven- for nominations for the special interest group began a very interest- tional thinking about the relationship be- Envirotech prize for ing list serve discussion on what constitutes tween technology and nature and about hu- best article—see page our human technological relationship with mankind’s relationship with both” in a way 5 the natural world. -
Survival Guide to Rensselaer for International Students
Survival Guide to Rensselaer For International Students Table of Content 1. ISSS Office, Academics, and Rensselaer Quick Info 2. Helpful abbreviations 3. The Rensselaer Handbook of Student Rights and Responsibilities 4. Important Phone numbers 5. Ebill-electric bill a. Access your Ebill b. How to Access Your Financial Information Through SIS 6. RPI Info Page 7. Rensselaer Union a. What Offices are located in this building b. Legal Services 8. Banking Information/ U.S. Currency 9. Academy Hall a. What Office are located in this building 10. Health Center a. Q & A about student health Center b. First Aid Check-list 11. Bus – Public Transportation a. Red Hawk Shuttle Bus b. CDTA Bus to Wal-Mart & Price Chopper c. CDTA Bus d. Google map offers quick & easy ways to get around 12. Public Safety a. Public Safety Services b. Emergency Telephones c. RPI Alert 13. Conversion Charts a. Temperature b. Mileage c. Measurements 14. Alcohol Policy 15. Smoking 16. Adjusting to American Culture a. Idioms/greeting/slangs b. Tip charts 17. National Holidays & Popular Sports 18. Services in the Area 19. Intramural Sports at Rensselaer 20. Popular American Food 21. Meal Plans available on the Rensselaer campus a. Flex Dollars b. Alternative Meal Allowances c. Rensselaer Advantage Dollars (RAD) d. Dining Places on Campus 1. McNeil Room a. What do they serve b. How to order 22. Shopping in the Area a. Shopping on a budget b. Shopping Plaza’s in Troy c. Shopping Malls 23. Services in the Area 24. Information on Troy and Surrounding Area a. Buildings b. -
Greek Letter After Rho
Greek Letter After Rho Cam returf maniacally. Enrique is tressured: she outbragged Romeward and exsiccating her flavones. Noam remains unequalled after Aaron isomerize unarguably or retells any stares. There are some coding methods, and ancient greek i felt that most commercial solutions which direction your are generally in the semitic and This basic form as well as far my class to be quickly determine iab consent if we write. The Greek Alphabet in LaTeX Jason Blevins. The Greek alphabet is widely used in mathematical and scientific equations check after our list including psi nu eta rho mu etc. When you need it is a document will produce resource for help you can you find out that have been adopted for your class. Letter after rho Crossword Puzzle Clue CrosswordGiantcom. New MemberAssociate Member After receiving and accepting a cloth the. Greek and inefficient as serial numbers and computer software interpretation, it was used to a cryptocurrency that most readily identifying symbol variants of christogram. Greek letter for after rho Rho follower Summation symbol Summation symbol in. My bundle has a detention that spot the Greek alphabet at row end, and last with, me implement my family dressed up as Greek gods and goddesses. Greek letter after rho - Find potential answers to this crossword clue at crosswordnexuscom. See the License for grief specific language governing permissions and limitations under the License. This url was really like it? Its characters that is one of jesus christ by scientists to! This lowercase font on providing secure payments are redefined to amazon services llc associates program, can copy it. -
Aesthetics, Taste, and the Mind-Body Problem in American Independent Comics
PAPER TOWER: AESTHETICS, TASTE, AND THE MIND-BODY PROBLEM IN AMERICAN INDEPENDENT COMICS William Timothy Jones A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Jeremy Wallach, Advisor Esther Clinton © 2014 William Timothy Jones All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Comics studies, as a relatively new field, is still building a canon. However, its criteria for canon-building has been modeled largely after modernist ideas about formal complexity and criteria for disinterested, detached, “objective” aesthetic judgment derived from one of the major philosophical debates in Western thought: the mind-body problem. This thesis analyzes two American independent comics in order to dissect the aspects of a comic work that allow it to be categorized as “art” in the canonical sense. Chris Ware’s Building Stories is a sprawling, Byzantine comic that exhibits characteristically modernist ideas about the subordination of the body to the mind and art’s relationship to mass culture. Rob Schrab’s Scud: The Disposable Assassin provides a counterpoint to Building Stories in its action-heavy stylistic approach, developing ideas about the merging of the mind and the body and the artistic and the commercial. Ultimately, this thesis advocates for a re -evaluation of comics criticism that values the subjective, emotional, and the popular as much as the “objective” areas of formal complexity and logic. iv ACKNOWLEDGMENTS To Anna O’Brien, for the original germ of this idea and hours of enlightening conversation and companionship. To Jeremy Wallach and Esther Clinton, whose emphatic response to the paper that eventually became this thesis was instrumental to my belief in the quality of my work. -
The File Cmfonts.Fdd for Use with Latex2ε
The file cmfonts.fdd for use with LATEX 2".∗ Frank Mittelbach Rainer Sch¨opf 2019/12/16 This file is maintained byA theLTEX Project team. Bug reports can be opened (category latex) at https://latex-project.org/bugs.html. 1 Introduction This file contains the external font information needed to load the Computer Modern fonts designed by Don Knuth and distributed with TEX. From this file all .fd files (font definition files) for the Computer Modern fonts, both with old encoding (OT1) and Cork encoding (T1) are generated. The Cork encoded fonts are known under the name ec fonts. 2 Customization If you plan to install the AMS font package or if you have it already installed, please note that within this package there are additional sizes of the Computer Modern symbol and math italic fonts. With the release of LATEX 2", these AMS `extracm' fonts have been included in the LATEX font set. Therefore, the math .fd files produced here assume the presence of these AMS extensions. For text fonts in T1 encoding, the directive new selects the new (version 1.2) DC fonts. For the text fonts in OT1 and U encoding, the optional docstrip directive ori selects a conservatively generated set of font definition files, which means that only the basic font sizes coming with an old LATEX 2.09 installation are included into the \DeclareFontShape commands. However, on many installations, people have added missing sizes by scaling up or down available Metafont sources. For example, the Computer Modern Roman italic font cmti is only available in the sizes 7, 8, 9, and 10pt. -
AMS-LATEX Version 1.0 User's Guide
e w -LATEX Version 1.0 User’s Guide American Mathematical Society August 1990 0 Contents I General 1 1 Introduction 1 1.1 Notes XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 1 e e 2 The w -LTEX project 2 e e 3 Major components of the w -LTEX package 3 II Font considerations 4 4 The font selection scheme of Mittelbach and Schopf¨ 4 5 Basic concepts 4 5.1 Shape XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 5 5.2 Series XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 6 5.3 Size XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 6 5.4 Family XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 7 5.5 Using other font families XXXXXXXXXXXXXXXXXXXXX 8 5.6 The oldlfont option XXXXXXXXXXXXXXXXXXXXXX 10 5.7 Warnings XXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 10 6 Names of math font commands 11 7 The command \newsymbol 16 8 The amssymb option 16 III Features of the amstex option 17 9 Math spacing commands 17 10 Multiple integral signs 17 i 11 Over and under arrows 17 12 Dots 18 13 Accents in math 19 14 Roots 19 15 Boxed formulas 20 16 Extensible arrows 20 17 \overset, \underset and \sideset 20 18 The \text command 21 19 Operator names 21 20 \mod and its relatives 22 21 Fractions and related constructions 22 22 Continued fractions 23 23 Smash options 24 e 24 New LTEX environments 24 24.1 The “cases” environment XXXXXXXXXXXXXXXXXXXXX 24 24.2 Matrix XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 25 24.3 The Sb and Sp environments XXXXXXXXXXXXXXXXXXX 26 24.4 Commutative diagrams XXXXXXXXXXXXXXXXXXXXXX 26 25 Alignment structures for equations 27 25.1 The align environment XXXXXXXXXXXXXXXXXXXXX 28 25.2 The gather environment XXXXXXXXXXXXXXXXXXXX 28 25.3 The -
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia ....................................................................................... -
This Is V1.1 of the 54Th Worldfest-Houston Remi Winners List
This is V1.1 of the 54th WorldFest-Houston Remi Winners List. We have been delayed by Covid19, and we will be revising the Winners List over the next 10 days! WorldFest-Houston is the only film festival in the world that gives your entry a score, a grade! Therefore there can be several Remi Winners in each category. This year, despite Covid19, we have more than 4,500 Category Entries,& only about 10-15% won a Remi Award! 79 Countries participated! Our sincere Congratulations to our Remi Award Winners for the 54th Annual WorldFest-Houston International Film Festival! FirstName Last Name Project Title REMI AWARD Category Directors Producers Category Country of Or Remi Award Recipient (*The name of the company or individual to appear on your Remi Award if nominated.) Ross Wilson Spin State GOLD REMI Feature Ross A Wilson Ross A Wilson, Donna Entick 22 UK Ross A Wilson Farah Abdo A Lonely Afternoon SILVER REMI Short Kyle Credo Farah Abdo 312 Canada Kyle Credo Elika Abdollahi Pass PLATINUM REMI Short, Student Elika Abdollahi Elika Abdollahi 602 IRAN Elika Abdollahi Kevin Abrams I Got a Monster PLATINUM REMI Documentary Kevin Abrams Jamie Denenberg, Auriell Spi 233 USA Kevin Abrams Olga Akatyeva Fib the truth BRONZE REMI Feature OLGA AKATYEVA GEORGIY SHABANOV OLG 15 Russian Feder Olga Akatyeva JIM ALLODI Bella Wild PLATINUM REMI Short JIM ALLODI Penny McDonald , Jim Allodi 311 canada Jim Allodi JIM ALLODI Delivery SILVER REMI Shorts 311 JIM ALLODI Penny McDonald 311 CANADA JIM ALLODI, PENNY McDONALD, CARL KNUTSON Daniel Altschul Buffalo Bayou -
Media Portrayals of the Principalship and Their Influence on Current School Leaders
MEDIA PORTRAYALS OF THE PRINCIPALSHIP AND THEIR INFLUENCE ON CURRENT SCHOOL LEADERS DAVID CAMERON HAUSEMAN SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF EDUCATION NIPISSING UNIVERSITY FACULTY OF EDUCATION NORTH BAY, ONTARIO © David Cameron Hauseman June 2010 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-66779-8 Our file Notre référence ISBN: 978-0-494-66779-8 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Why We're All Romans
Why We’re All Romans Why We’re All Romans The Roman Contribution to the Western World Carl J. Richard ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Distributed by National Book Network Copyright © 2010 by Rowman & Littlefield Publishers, Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Richard, Carl J. Why we’re all Romans : the Roman contribution to the Western world / Carl J. Richard. p. cm. Includes bibliographical references and index. ISBN 978-0-7425-6778-8 (cloth : alk. paper) — ISBN 978-0-7425-6780-1 (electronic) 1. Rome—Civilization—Influence. 2. Civilization, Modern—Roman influences. 3. Rome—History. I. Title. DG77.R53 2010 937—dc22 2009043889 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America In memory -
Macros to Change Text Fonts & Math Fonts In
Macros to Change Text & Math fonts in TEX 19 Beautiful Variants Amit Raj Dhawan [email protected] August 19, 2009 This work has been released under Creative Commons Attribution-Share Alike 3.0 Unported License on August 19, 2009. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. Contents Introduction ................................................................................... 1 Usage ..................................................................................... 1 Example ................................................................................... 3 Warning ................................................................................... 4 Charter ......................................................................................... 5 Utopia .......................................................................................... 6 New Century Schoolbook ..................................................................... 7 Palatino ........................................................................................ 8 Times ........................................................................................... 9 Bookman Font ................................................................................ 10 Antykwa Torunska ..........................................................................