BSFG News 476 May 2011
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Program Grid
Welcome to Renovation! Renovation THE 69TH WORLD SCIENCE FICTION CONVENTION Because the Convention Guide had to go to press prior to the convention, some late changes were not included. Look for the “pink sheets” of program changes at the convention, both when you register and as the convention progresses. Program changes may be announced in the newsletter as well. You can see the most current program online at www.RenovationSF.org, or through our mobile app, available at the same site. Note: The Sunday grid is on the back of the Thursday evening schedule, to allow Friday and Saturday to each fit on a single sheet, for those of you who like to take one day at a time (as it were). Wednesday Morning/Early Afternoon 10:00a 10:30a 11:00a 11:30a noon 12:30p 1:00p 1:30p 2:00p 2:30p Tourists: Creating Breaking into Comics A01+6 Characters and Stories in an Existing World A02 Welcome to Reno A Trip to the Creation Adventures in Gaming: The Museum Business of Game Design A03 Designing Believable Physics A04 Green Chemistry Molecular Gastronomy Tour of Historic Nevada A05 Reading: Cory Doctorow Not My Fandom: Other A10 Fandoms and Their Worldcon Experience I Think I Want to Make a A11 Costume—What do I do Next? Teaching SF: Teaching SF: Friends of Bill W A13 Introduction Motivation (9am, A18) (9:15, A18) Teaching SF: Teaching SF: Teaching SF: Lunch and Teaching SF: Stellar Evolution/Alien Design Teaching SF: Give the Kid A18 Keynote Scientific Video a Book Literacy D07 Read or Die—OVA Tokyo Godfathers Claymore Anime D08 Enchanted Alice in Wonderland -
Dark Matter #4
Cover Page DarkIssue Four Matter July 2011 SF, Fantasy & Art [email protected] Dark Matter Issue Four July 2011 SF, Fantasy & Art [email protected] Dark Matter Contents: Issue 4 Dark Matter Stuff 1 News & Articles 7 Gun Laws & Cosplay 7 Troopertrek 2011 8 Hugo Award Nominees 10 2010 Aurealis Awards 14 2011 Aurealis Awards to be held in Sydney again 15 2011 Ditmar Awards 16 2011 Chronos Awards 20 Renovation WorldCon 22 Iron Sky update 28 Art by Ben Grimshaw 30 Ebony Rattle as Electra, Art by Ben Grimshaw 31 The Girl in the Red Hood is Back … But She’s a Little Different 32 Launching & Gaining Velocity 34 Geek and Nerd 35 Peacemaker - A Comic Book 36 Continuum 7 Report 38 Starcraft 2 - Prae.ThorZain 46 Good Friday Appeal 50 FAQ about the writing of Machine Man, by Max Barry 65 J. Michael Straczynski says... 67 Interviews 69 Kevin J. Anderson talks to Dark Matter 69 Tom Taylor and Colin Wilson talk to Dark Matter 78 Simon Morden talks to Dark Matter 106 Paul Bedford talks to Dark Matter 115 Cathy Larsen talks to Dark Matter 131 Madeleine Roux talks to Daniel Haynes 142 Chewbacca is Coming 146 Greg Gates talks to Dark Matter 153 Richard Harland talks to Dark Matter 165 Letters 173 Anime/Animation 176 The Sacred Blacksmith Collection 176 Summer Wars 177 Evangelion 1.11 You are [not] alone 178 Evangelion 2.22 You can [not] advance 179 Book Reviews 180 The Razor Gate 180 Angelica 181 2 issue four The Map of Time 182 Die for Me 183 The Gathering 184 The Undivided 186 the twilight saga: the official illustrated guide 188 Rivers -
Why Read Science Fiction and How to Help Those Who Do Chat Transcript
Why Read Science Fiction and How to Help Those Who Do Chat Transcript 1:29 PM Welcome everyone! Thanks for joining early. We will get started at the top of the hour. 1:39 PM Hello everyone! 1:46 PM "Hello from Salt Lake City! We're reading Station Eleven for our United We Read book, and I'm loving it so far." 1:47 PM "I've heard it has Sci-Fi elements, but I haven't gotten that far yet." 1:47 PM That's great Tanya. Thanks for sharing. 1:48 PM "Hi, I'm Kirsten from Boston. A science fiction book that I've read and enjoyed recently was Space Opera by Catherynne Valente. I'm currently reading Becky Chambers' Record of a Spaceborn Few and am enjoying it!" 1:49 PM "Hello from Fresno County Public Library!. I don't read much scifi. In fact, I have a hard time differentiating it from fantasy. I'm looking forward to learning how to approach our scifi-reading patrons." 1:50 PM "Hello from FCDL in Lancaster, Ohio" 1:50 PM "Hi, I'm Denice from Louisiana. " 1:50 PM "Hi! I'm Heather from Eckhart Public Library. My reading is always varied, but my most recent sci-fi reads have been the Murderbot Diaries series by Martha Wells." 1:50 PM I am Jo at Dallas Public Library. I like some Science Fiction especially Fantasy other worlds. 1:51 PM I do fondly recall my 6th grade teacher reading THE WHITE MOUNTAINS to our class. Anyone read the Tripods series? 1:51 PM The Man in the High Castle 1:51 PM Is there aurdio right now? I'm testing my sound and don't hearg anythin 1:51 PM I love Ender's Game; I wish we had one of those Freeze weapons to zap at kids running in the library. -
SF Commentary 83
SSFF CCoommmmeennttaarryy 8833 October 2012 GUY SALVIDGE ON THE NOVELS OF PHILIP K. DICK ALSO IN THIS ISSUE: Brian ALDISS Eric MAYER John BAXTER Cath ORTLIEB Greg BENFORD Rog PEYTON Helena BINNS Mark PLUMMER Damien BRODERICK Franz ROTTENSTEINER Ned BROOKS Yvonne ROUSSEAU Ian COVELL David RUSSELL Bruce GILLESPIE Darrell SCHWEITZER Fenna HOGG Steve SNEYD John-Henri HOLMBERG Ian WATSON Carol KEWLEY Taral WAYNE Robert LICHTMAN Frank WEISSENBORN Patrick MCGUIRE Ray WOOD Murray MACLACHLAN Martin Morse WOOSTER Tim MARION Cover: Fenna Hogg S F Commentary 83 SF Commentary No 83, October 2012, 107 pages, is edited and published by Bruce Gillespie ([email protected]), 5 Howard St., Greensborough VIC 3088, Australia, and http://efanzines.com/SFC/SFC83.pdf. All correspondence: [email protected]. Member fwa. First edition and primary publication is electronic. All material in this publication was contributed for one-time use only, and copyrights belong to the contributors. Alternate editions: * A very limited number of print copies are available. Enquiries to the editor. * The alternate PDF version is portrait-shaped, i.e. it looks the same as the print edition, but with colour graphics. Front cover: Melbourne graphic artist Fenna Hogg’s cover does not in fact portray Philip K. Dick wearing a scramble suit. That’s what it looks like to me. It is actually based on a photograph of Melbourne writer and teacher Steve Cameron, who arranged with Fenna for its use as a cover. Graphic: Carol Kewley (p. 105). Photographs: Damien Broderick (p. 5); Guy Salvidge (p. 10); Jim Sakland/Dick Eney (p. 67); Jerry Bauer (p. -
Materialism in Ian Mcdonald's Novel the Dervish House
English Language and Literature E-Journal / ISSN 2302-3546 MATERIALISM IN IAN MCDONALD’S NOVEL THE DERVISH HOUSE Yogi Sulendra 1, Kurnia Ningsih 2, Muhammad Al-Hafizh 3 Program Studi Bahasa Dan Sastra Inggris FBS Universitas Negeri Padang email: [email protected] Abstrak Tujuan penelitian ini adalah (1) menganalisa sejauh mana novel ini merefleksikan materialism, (2) menunjukkan kontribusi elemen fiksi (karakter, alur (konflik), dan seting) dalam mengungkap materialism dalam novel ini. Data penelitian ini adalah teks tertulis yang dikutip dari novel. Kutipan teks tersebut kemudian diinterpretasi dan dianalisa dengan elemen fiksi (karakter, alur (konflik), dan seting), lalu dikaitkan dengan konsep materialism yang dijelaskan oleh Marsha L. Richins, Scott Dawson, dan Russel W. Belk serta teori human motivation yang dirumuskan oleh Abraham Maslow. Hasil analisa menunjukkan bahwa dua karakter dalam novel ini melakukan tindakan-tindakan seorang yang materialistis untuk mencapai tujuan utama dalam hidup mereka, yaitu memiliki sebanyak mungkin materi, khususnya uang. Mereka sangat brilian dalam melihat kesempatan - kesempatan dalam melakukan bisnis. Mereka juga memiliki ambisi yang berlebihan dalam bekerja. Key words: materialism, materialistic, goal, material, money, brilliant, opportunities, excessive, ambition A. Introduction Having capability to fulfill needs in life is the goal of most of people. Everyone wants to have an established life. However, they have different view about what established life means. Some people have already felt satisfied with their life if they at least can fulfill their basic needs, such as food, clothes, and shelter. Others never feel satisfied, though they have already had more than what they need. These people have high level of desire to have more possession. -
The Foundations of the Valuation of Insurance Liabilities
The foundations of the valuation of insurance liabilities Philipp Keller 14 April 2016 Audit. Tax. Consulting. Financial Advisory. Content • The importance and complexity of valuation • The basics of valuation • Valuation and risk • Market consistent valuation • The importance of consistency of market consistency • Financial repression and valuation under pressure • Hold-to-maturity • Conclusions and outlook 2 The foundations of the valuation of insurance liabilities The importance and complexity of valuation 3 The foundations of the valuation of insurance liabilities Valuation Making or breaking companies and nations Greece: Creative accounting and valuation and swaps allowed Greece to satisfy the Maastricht requirements for entering the EUR zone. Hungary: To satisfy the Maastricht requirements, Hungary forced private pension-holders to transfer their pensions to the public pension fund. Hungary then used this pension money to plug government debts. Of USD 15bn initially in 2011, less than 1 million remained at 2013. This approach worked because the public pension fund does not have to value its liabilities on an economic basis. Ireland: The Irish government issued a blanket state guarantee to Irish banks for 2 years for all retail and corporate accounts. Ireland then nationalized Anglo Irish and Anglo Irish Bank. The total bailout cost was 40% of GDP. US public pension debt: US public pension debt is underestimated by about USD 3.4 tn due to a valuation standard that grossly overestimates the expected future return on pension funds’ asset. (FT, 11 April 2016) European Life insurers: European life insurers used an amortized cost approach for the valuation of their life insurance liability, which allowed them to sell long-term guarantee products. -
|||GET||| the Sparrow a Novel 20Th Edition
THE SPARROW A NOVEL 20TH EDITION DOWNLOAD FREE Mary Doria Russell | 9780449912553 | | | | | THE SPARROW Her plans are thwarted when she is taken and forced to marry Troy. Even on Earth, people went to a new place, caught a new and unknown disease, and died of it, and that would only be exacerbated by it The Sparrow A Novel 20th edition a totally different planet. Amazon US Amazon UK The cover and the blurb lured me hook, line and sinker into this book, so when The Sparrow A Novel 20th edition author sent me The Sparrow A Novel 20th edition to review, I dove straight in whilst trying really hard not to have any high expectations. I can only hope that she has a long and productive career, because the talent is there to produce a true masterwork that puts her in the first rank among science fiction authors. Maybe it's in the novel? Is there a chance for the man to be saved? My microwaving skills are surpassed only by my stellar ability to boil water. Mary Doria Russell has addressed this speculation:. Isaac Jogues managed to escape his torturers and get back to France. Hitchcock provided an example of how to craft suspense in an interview many years ago, relating this scenario: show the audience a bomb being planted under the seat in the witness stand, then bring the witness in and have him take a seat. Books by Mary Doria Russell. View all 4 comments. But to make creation, God had to remove Himself The Sparrow A Novel 20th edition some part of the universe, so something besides Himself could exist. -
A Short Guide to Irish Science Fiction
A Short Guide to Irish Science Fiction Jack Fennell As part of the Dublin 2019 Bid, we run a weekly feature on our social media platforms since January 2015. Irish Fiction Friday showcases a piece of free Irish Science Fiction, Fantasy or Horror literature every week. During this, we contacted Jack Fennell, author of Irish Science Fiction, with an aim to featuring him as one of our weekly contributors. Instead, he gave us this wonderful bibliography of Irish Science Fiction to use as we saw fit. This booklet contains an in-depth list of Irish Science Fiction, details of publication and a short synopsis for each entry. It gives an idea of the breadth of science fiction literature, past and present. across a range of writers. It’s a wonderful introduction to Irish Science Fiction literature, and we very much hope you enjoy it. We’d like to thank Jack Fennell for his huge generosity and the time he has donated in putting this bibliography together. His book, Irish Science Fiction, is available from Liverpool University Press. http://liverpooluniversitypress.co.uk/products/60385 The cover is from Cathal Ó Sándair’s An Captaen Spéirling, Spás-Phíolóta (1961). We’d like to thank Joe Saunders (Cathal’s Grandson) for allowing us to reprint this image. Find out more about the Bid to host a Worldcon in Dublin 2019 on our webpage: www.dublin2019.com, and on our Facebook page; Dublin2019. You can also mail us at [email protected] Dublin 2019 Committee Anonymous. The Battle of the Moy; or, How Ireland Gained Her Independence, 1892-1894. -
Readers— It’S Awards Season, and Yes, We Will Be Talking About It on the Blog, and in Future Podcasts
Contents (Under Extreme Pressure) Editor’s Note —3— The Awards Season By Laura Burns —4— EP275: Schrodinger’s Cat Lady By Marjorie James —6— Movie Review: Tangled By Josh Roseman —13— EP276: On a Blade of Grass By Tim Pratt —15— Book Review: Monster Hunter International By Sarah Frost —19— EP277: Rejiggering The Thingamajig By Eric James Stone —21— Superheroes II: Metropolis, we have a problem by Adam Christopher —29— Escape Pod Publisher: Ben Phillips – ben @ escapeartists.net Founder: Steve Eley – steve @ escapeartists.net Editor: Mur Lafferty – editor @ escapepod.org Assistant Editor: Bill Peters – bill @ escapeartists.net The Soundproof Escape Pod and all works within are licensed under a Creative Commons Attribution-NonCommercial- NoDerivs 3.0 Unported License. All works are copyright their respective authors. To our lovely readers— It’s awards season, and yes, we will be talking about it on the blog, and in future podcasts. Even as SF authors all over are posting on their blogs about their 2010 award-eligible work, others are discussing whether this is blatantly trolling for votes. I can see how a constant barrage of VOTE FOR ME OMG could be irritating and tacky. I certainly find it so when it’s podcast award season, and one award allows listeners to vote daily, so the constant vote requests tend to be cacophonous. However, I’m spreading out the awards information for one main reason: don’t forget the podcasts. Until recently, people didn’t even think about nominating a podcast (or any web content) for a Hugo. Heck, it was ground-breaking when webzines started to win. -
Bibiiography
.142; Aldiss, Brian W., and David Wingrove. Trillion Year Spree: The History of Science Fiction. New York: Atheneum, 1986. A revision of Aldiss’s earlier Billion Year Spree, this is a literate overall history of science fiction by one of England’s leading authors in the genre. Ashley, Mike. The Story of the Science Fiction Magazines. Volume I: The Time Machines: The Story of the Science-Fiction Pulp Magazines from the Beginning to 1950. Volume II: Transformations: The Story of the Science Fiction Magazines from 1950 to 1970. Volume III: Gateways to Forever: The Story of the Science Fiction Magazines from 1970 to 1980. Liverpool, England: Liverpool University Press, 2000–2007. These three volumes, from one of Britain’s leading historians of science fiction, cover the entire history of magazine science fiction over more than five decades, discussing the role of various editors and writers, as well as the major stories of each era. Attebery, Brian W. Decoding Gender in Science Fiction. New York: Routledge, 2002. An astute examination of gender and feminist themes in science fiction by one of the leading scholars of science fiction and fantasy. Bleiler, Everett. Science-Fiction: The Early Years. Kent, OH: Kent State University Press, 1991. A comprehensive summary and analysis of nearly 2,000 individual stories that appeared in science fiction pulp magazines between 1926 and 1936 and an invaluable guide to the early pulp era. Bould, Mark, Andrew M. Butler, Adam Roberts, and Sherryl Vint, eds. The Routledge Companion to Science Fiction. London and New York: Routledge, 2009. A collection of 56 essays on various aspects of science fiction by leading writers and critics in the field. -
Guilt, Forgiveness, and Reconciliation in Contemporary Music
IS SORRY REALLY THE HARDEST WORD? GUILT, FORGIVENESS, AND RECONCILIATION IN CONTEMPORARY MUSIC Ariana Sarah Phillips-Hutton Darwin College Department of Music University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy September 2017 ABSTRACT IS SORRY REALLY THE HARDEST WORD? GUILT, FORGIVENESS, AND RECONCILIATION IN CONTEMPORARY MUSIC Ariana S. Phillips-Hutton Guilt, forgiveness, and reconciliation are fundamental themes in human musical life, and this thesis investigates how people articulate these experiences through musical performance in contemporary genres. I argue that by participating in performances, individuals enact social narratives that create and reinforce wider ideals of music’s roles in society. I assess the interpenetrations of music and guilt, forgiveness, and reconciliation through a number of case studies spanning different genres preceded by a brief introduction to my methodology. My analysis of Arnold Schoenberg’s A Survivor from Warsaw illustrates the themes (guilt, confession and memorialisation) and approach I adopt in the three main case studies. My examination of William Fitzsimmons’s indie folk album The Sparrow and the Crow, investigates how ideals of authenticity, self-revelation, and persona structure our understanding of the relationship between performer and audience in confessional indie music. Analyses of two contemporary choral settings of Psalm 51 by Arvo Pärt and James MacMillan examine the confessional relationship between human beings and God. I suggest that by -
1998 Hugo Awards Statistics
The Hugo and Campbell Award Winners Bucconeer, the 56 th World Science Fiction Convention, has presented the 1998 Hugo Awards and John W. Campbell Award at a ceremony in Baltimore, Maryland on Friday, August 7 th . Bucconeer received 769 valid ballots for the awards. They were counted and verified by the Hugo Administrators, John Lorentz and Ruth Sachter, with the assistance of software developed by Jeffrey L. Copeland. Best Novel: Forever Peace by Joe Haldeman (Ace) Best Novella: "…Where Angels Fear To Tread" by Allen Steele ( Asimov’s , October- November 1997) Best Novelette: "We Will Drink A Fish Together…" by Bill Johnson ( Asimov’s May 1997) Best Short Story: "The 43 Antarean Dynasties" by Mike Resnick ( Asimov’s December 1997) Best Related Book: The Encyclopedia of Fantasy , edited by John Clute & John Grant (Orbit, St. Martin’s Press) Best Dramatic Presentation: Contact (Warner Brothers/South Side Amusement) Best Professional Editor: Gardner Dozois Best Professional Artist: Bob Eggleton Best Semiprozine: Locus , edited by Charles N. Brown Best Fanzine: Mimosa , edited by Nicki & Richard Lynch Best Fan Writer: Dave Langford Best Fan Artist: Joe Mayhew John W. Campbell Award for Best New Science Fiction Writer of 1996-1997: Mary Doria Russell HUGO VOTING STATISTICS BEST NOVEL 585 ballots counted Forever Peace 188 189 223 277 City on Fire 104 104 126 143 152 152 196 262 The Rise of Endymion 96 97 107 113 119 120 150 157 160 233 Frameshift 97 97 105 134 135 150 194 171 173 205 215 217 Jack Faust 83 83 115 116 154 155 212 216 323 No