POST-COLONIAL LITERATURES in English
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Makarand R. Paranjape
1 Makarand R. Paranjape Curriculum Vitae (Executive Summary) PRESENT POSITION and ADDRESS: Professor of English, Centre for English Studies, School of Language, Literature, and Culture Studies, Jawaharlal Nehru University, New Delhi-110067, INDIA. Phone: (D): 26704663Fax: 91-11-26106025; email: [email protected] EDUCATION: 1980: B.A. (Hons.) in English, St. Stephen’s College, University of Delhi 1983: M.A. in English, University of Illinois at Urbana-Champaign, USA. 1985: Ph.D. in English, University of Illinois at Urbana-Champaign, USA. Academic Honours: Distinction in PhD exam; Distinction in the special field exam; first rank in M.A. Comprehensive Exam; CGPA 5.0 on a 5 point scale throughout M.A. and PhD; first rank in B.A. (Hons) English at Delhi University in 1st and 2nd years; first class throughout. PROFESSIONAL EXPERIENCE: Over thirty years of undergraduate/postgraduate teaching in USA and in India. 1980-1986: Teaching Assistant, University of Illinois at Urbana-Champaign. 1986-1994: Lecturer, then Reader, University of Hyderabad (Central University) 1994-1999: Associate Professor, Department of Humanities & Social Sciences, Indian Institute of Technology, New Delhi. 1999-onwards: Professor of English, Jawaharlal Nehru University, New Delhi HONOURS: Homi Bhabha Fellow for Literature, 1991-1993 Visiting Professor, Indian Institute of Advanced Study, Shimla, 1996. Shastri Indo-Candian Research Fellow, University of Calgary, Canada, Summer 2000. Visiting Professor, Ball State University, Indiana, USA, Fall 2001. IFUSS Fellow, University of Iowa, Iowa City, USA, Summer 2002. Mellon Fellow, Harry Ransom Humanities Research Center, University of Texas at Austin, Summer 2003 and Summer 2004. Coordinator, UGC Special Assistance Programme, 2003-onwards Joint-Coordinator, China-India intercultural dialogue, 2004-2005 GPSS research award, 2005-2006 Australia India Council Fellow, 2005-2006 GPSS Major Award 2006-2009 Chair of the Jury for South Asia and Europe of the Commonwealth Writers Prize, 2007- 2009. -
M.A English Syllabus Click Here to Download
Dr. Shyama Prasad Mukherjee University, Ranchi University Department of English Curriculum M.A. English under Choice Based Credit System (CBCS) (2018) Duration of the course: Two academic years Number of Semesters: 4 Number of papers: 16 Examination: At the end of each semester Total number of credits: 78 M. A. Part I Semester I 1 FC Literary Movements and History of English Literature ( 4 credit) 1 Core (C01) Literature in English (1550-1660)- Poetry, Drama, and Prose (5 credit) 2 Core (C02) Literature in English (1660-1798)-Poetry and Drama ( 5 credit) 3 Core (C03) Literature in English (1660-1798): Prose- Fiction and Non-fiction ( 5 credit) Semester II 01 EC (EC01) Literature in English (1798-1914): Poetry and Fiction ( 4 credit) 4 Core (C04) Literature in English (1914-2000): Poetry and Drama ( 5 credit) 5 Core (C 05 ) Literature in English (1914-2000)- Modern Fiction ( 5 credit) 6 Core (C06 ) American Literature ( 5 credit) M.A. Part II Semester III 7 Core (C 07 ) Classical Criticism and Theory ( 5 credit) 8 Core (C08) Indian Literature in English ( 5 credit) 9 Core (C09 ) Contemporary Literary Theory ( 5 credit) 02 EC DSE 1 European Literature in Translation ( 5 credit) or DSE 2 Indian Literature in Translation ( 5 credit) Semester IV 10 Core (C11) New Literature in English ( 5 credit) 11 Core (C12) Literature and Gender ( 5 credit) 03 EC DSE 1 Literary Criticism and Theory ( 5 credit) Or DSE 2 Linguistics and Teaching Language ( 5 credit) Compulsory Course: PROJECT/ Dissertation ( 5 credit) Dr. Shyama Prasad Mukherjee University, Ranchi, University Department of English Curriculum M.A. -
The Spiritual Tradition in the Novels of Raja Rao Sunil N
The Spiritual Tradition in the Novels of Raja Rao Sunil N. Wathore Asst. Prof. & HoD. English Arts & Science College, Pulgaon, Dist. Wardha, Affl. Rashtrasant Tukadoji Maharaj Nagpur University, Nagpur. Email: [email protected] Cell: 9371957169. Abstract: Raja Rao is one of the most widely acclaimed Indian English novelists whose fate rests on wide range of his intellectual, spiritual, national, political and social thought content. Rao as novelist of spiritual dimensions is redemptive in the extreme. He has delineated the microscopically Indian scenario as far as spiritual, political, social and cultural realities are concerned. Being an active participant in political movement, highly educated, and highly influenced by spiritual leaders, Rao has analyzed the socio-political situations of India, spiritual tradition and religions of the nation; and used to breathe the patriotic and spiritualistic zeal among the masses by bringing spirituality in practical life through his novels. Deeply affected by the loss of traditional, cultural and metaphysical values, he dedicates his novels to a very deep and penetrating quest through fictional exercise. In the beginning of his novels, he delineates the feelings of patriotism and religion but gradually his wider, deeper spiritual outlook embraces them all and transcends them too. He presents a spiritual problem of man and also its worthwhile solution through an imaginative and emotional exploration of a particular metaphysical system. The present Research Paper deals with works of Raja Rao as far as his delineation of Indian nationalism and spiritual tradition is concerned. Keywords: Nationalism, Spiritualism, Intellectual, Political and Social thought content, Novels. Introduction: Born in Mysore Raja Rao belongs to an old and learned Brahmin family. -
WOMEN's POETRY, LATE ROMANTIC to LATE VICTORIAN Also by Isabel Armstrong
WOMEN'S POETRY, LATE ROMANTIC TO LATE VICTORIAN Also by Isabel Armstrong ARTHUR HUGH CLOUGH ROBERT BROWNING: Writers and their Background (editor) THE MAJOR VICTORIAN POETS: Reconsiderations (editor) MANSFIELD PARK: Penguin Critical Studies NINETEENTH-CENTURY WOMEN POETS: An Oxford Anthology (co-edited by Joseph Bristow, with Cath Sharrock) SENSE AND SENSIBILITY: Penguin Critical Studies VICTORIAN SCRUTINIES: Reviews of Poetry, 1830-1870 VICTORIAN POETRY: Poetry, Poetics and Politics Also by Virginia Blain THE FEMINIST COMPANION TO LITERATURE IN ENGLISH Women's Writing from the Middle Ages to the Present CAROLINE BOWLES SOUTHEY: The Making of a Woman Writer Also edited by Isabel Armstrong and Virginia Blain WOMEN'S POETRY IN THE ENLIGHTENMENT The Making of a Canon, 1730-1820 Wotnen's Poetry, Late Rotnantic to Late Victorian Gender and Genre, 1830-1900 Edited by Isobel Armstrong Professor of English Birkbeck College University of London and Virginia Blain Associate Professor of English Macquarie University, Sydney Palgrave macmillan in association with Palgrave Macmillan Selection and editorial matter © Isobel Armstrong and Virginia Blain 1999 Text © Macmillan Press Ltd 1999 Soficover reprint of the hardcover 1st edition 1999 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with * the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WH 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. -
Desirable Or Dysfunctional? Family in Recent Indian English-Language Fiction Paul Sharrad University of Wollongong, [email protected]
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2013 Desirable or dysfunctional? Family in recent Indian english-language fiction Paul Sharrad University of Wollongong, [email protected] Publication Details Sharrad, P. (2013). Desirable or dysfunctional? Family in recent Indian english-language fiction. South Asia, 36 (1), 123-133. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Desirable or dysfunctional? Family in recent Indian english-language fiction Abstract Meenakshi Mukherjee, in the period when Commonwealth Literature was attempting to establish the difference of national cultures from a British canon, pointed to the perception of early Indian novelists that South Asian family structures mitigated against working in a form based around individual characters (7-9). Where arranged marriage, the greater importance of the extended family unit, and caste affiliations had more social force, stories and their resolutions would have to look different from those of Hardy, Eliot or Henry James. If we think of the world of Austen, this is evidently a difference of degree rather than an absolute distinction, but Sudhir Kakar has also elaborated on the strength of ties in India between child and parent that moderate teenage rebellion and the radical break of adult individuation that the West has come to see as normal. The trs ess of Commonwealth Literature and its variants, on cultural specificity and local aesthetics, matched at the local end of the critical scale by nationalistic insistence on authenticity and tradition, kept literary treatments of the Indian family more or less centre stage but also perhaps under-examined in that they took for granted the general social grounding of particular fictions. -
DEVELOPMENT of INDIAN NOVEL in ENGLISH a SHORT VIEW. Ravi
Reviews of Literature Impact Factor : 1.4716 (UIF) Volume 2 , Issue 5 / Dec 2014 ISSN:-2347-2723 _____________________________________________________________________________________________ DEVELOPMENT OF INDIAN NOVEL IN ENGLISH A SHORT VIEW. Ravi Pandurang Meti Research Scholar , Dept of English , Gulbarga University‟ Gulbarga. Abstract: The possible literary form for a writer to keep himself always in touch with the common readers is the fiction. It is in this area we find that the Indian writers in English have made the most significant contribution. So, of all genres, the novel is the most popular form today. According to H. M. Williams (1976: 109), “It is undoubtedly the most popular vehicle for the transmission of Indian ideas to the wider English speaking world.” We in India, on a greater extent are indebted to the European and English novel because as an art form, it has been imported to India from the West. In other words, it is a gift of Western literature. Keywords; Managerial Capitalism , Literature Review , literature pertaining. INTRODUCTION In the nineteenth century with the publication of Bunkim Chandra Chatterjee‟s Rajmohan’s Wife (1864) and LalBehari Day‟s GovindSamanta(1874), Indian novel in English has grown by leaps and bounds in respect of thematic variety and linguistic maturity. Both of them have used an acquired language to comment on the Indian social context. But compared to the recent output, most early novels in English were almost imitative and faulty. It is assumed that Indian novel in English has its roots in the nineteenth century realistic tradition of English novel. The impact of English education, national awakening and the influence of European models are the chief factors responsible for the rise and development of Indian novel in English.But with the passage of time the Indian novel in English has become thoroughly Indian in terms of the themes, techniques and the human values. -
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Coolabah, Nr 28, 2020, ISSN 1988-5946, Observatori: Centre d’Estudis Australians i Transnacionals / Observatory: Australian and Transnational Studies Centre, Universitat de Barcelona Commonwealth Literature: An Uncommon Literary Inheritance Satendra Nandan [email protected] Copyright© 2020 Satendra Nandan. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged, in accordance with our Creative Commons Licence. Abstract: In this piece Professor Nandan writes about his journey through Commonwealth Literature for the past fifty years and his remarkable voyages of literary discoveries. Keywords: Commonwealth literature, Fiji, Indian diaspora Geoff Davis had asked me of my memories of ACLALS for a book project he was contemplating writing. I sent him a version of this piece. He had replied: I’ve just read your fascinating and moving ACLALS piece. Many thanks…I wonder how many of the rest of us have seen their lives changed so radically by Commonwealth Literature. Then I met him in Ljubljana, Slovakia, last July 2018 for the CISLE (The Centre for the International Study of Literatures in English) conference. I gave my keynote paper on the theme of the conference: Transcending Borders: Refugees. We’d a drink or two with Russell McDougall and his companions. And shared breakfasts, lunches and dinners. As ever he was full of conviviality and warm friendship. My last trip with him was on a bus journey to and from Lake Bed. He was talking to a friend on the back seat and planning another trip to India. -
[Word Count: 746] DAVID DABYDEEN
[Word Count: 746] DAVID DABYDEEN David Dabydeen (1955- ) is an Indo-Guyanese novelist, poet, critic, and scholar. Born on December 9, 1955 in present-day Berbice, Guyana—formerly British Guiana— to a family of Indian heritage, Dabydeen moved to England in 1969. He read English at Cambridge University and received a doctorate from University College London, writing a dissertation on British painter and engraver William Hogarth (1697-1764). After completing graduate study, Dabydeen was a post-doctoral fellow at Oxford University. Since 1984, he has taught in various capacities at the University of Warwick, including serving as director of the Centre for Caribbean Studies. He is currently Guyana’s ambassador to the People’s Republic of China, a position he has held since 2010. Dabydeen is the author of three collections of poetry, including: Slave Song (1984), winner of the Commonwealth Poetry Prize and Quiller-Couch Prize; Coolie Odyssey (1988); and Turner (1995). More recently, he has turned his attention to prose fiction, a body of work comprising seven novels: The Intended (1991), awarded the Guyana Prize for Literature and shortlisted for the John Llewelyn Rhys Prize; Disappearance (1993); The Counting House (1996), shortlisted for the International IMPAC Dublin Literary Award; A Harlot’s Progress (1999), awarded the Guyana Prize for Literature and shortlisted for the James Tait Black Memorial Prize for Fiction; Our Lady of Demerara (2004), awarded the Guyana Prize for Literature; Molly and the Muslim Stick (2008); and Johnson’s Dictionary (2013). For his career-spanning work, Dabydeen has also received the Raja Rao Award for outstanding contributions to the literature of the South Asian diaspora (2004), the Hind Rattan Award for outstanding contributions to the literary and intellectual life of the Indian diaspora (2007), and the Anthony N. -
Read Ebook {PDF EPUB} the Intended by David Dabydeen
Read Ebook {PDF EPUB} The Intended by David Dabydeen Professor David Dabydeen (Emeritus) David Dabydeen has co-edited The Oxford Companion to Black British History (2007) and published in 2008 his sixth novel, Molly and the Muslim Stick (Macmillan). He is working on a neglected 19th Century Caribbean poet, Egbert Martin. His novel, Our Lady of Demarara was published in 2004. He was Consultant to Channel 4's three-part series on interracial sex, Forbidden Fruit , which was broadcast in 2003. His one- hour documentary Painting the People was broadcast by BBC television in 2004. He was awarded the 2004 Raja Rao Award for literature. He is Guyana's Ambassador and Permanent Delegate to UNESCO. He taught on the following MA courses in the Centre: Literary Translation and Creative (Re)Writing in a Global Context. Fictions and History. Literature of Migration. India in the Caribbean in Literature. Recent Publications. Our Lady of Demerara (Chichester: Dido Press, 2004) Lutchmee & Dilloo: A Study of West Indian Life by Edward Jenkins, ed. David Dabydeen (Oxford: Macmillan Caribbean, 2003) A Harlot's Progress (London: Jonathan Cape, 1999) Slavery, Abolition and Emancipation: Black Writers (Pickering and Chatto, 1999) The Counting House (London: Jonathan Cape, 1996) Turner (London: Jonathan Cape, 1995) Disappearance (London: Secker & Warburg, 1993) Black Writers in Britain, 1780-1890 (Edinburgh University Press, 1991) The Intended (London: Secker & Warburg, 1991) Recent News. He was awarded the Anthony Sabga Prize for Literature in 2008. His new novel, MOLLY AND THE MUSLIM STICK was published by Macmillan in 2008. David Dabydeen: The loose-tongued ambassador. Professor David Dabydeen writes fiction and poetry between midnight and four in the morning, sustained by cigarettes and occasional slurps of red wine. -
“Things of Stylized Beauty”: the Novels of Sudhin N. Ghose and the Fragments of an Indian Tradition Sayan Chattopadhyay
ariel: a review of international english literature ISSN 0004-1327 Vol. 43 No. 3 Pages 7–33 Copyright © 2013 “Things of Stylized Beauty”: The Novels of Sudhin N. Ghose and the Fragments of an Indian Tradition Sayan Chattopadhyay Abstract: Sudhin N. Ghose’s tetralogy of novels, published be- tween the late 1940s and 1950s, was once hailed by reviewers as among the best representations of Indian English literature. Now, however, Ghose and his novels have been almost completely for- gotten. The disappearance of a body of work praised so highly just five decades ago is a curious phenomenon. Even more cu- rious is the strange and persistent mis-categorisation of Ghose’s novels. From the moment of their publication, the novels have been (mis)read as autobiographies, and thus have never been explored as part of the otherwise thoroughly mapped terrain of twentieth-century Indian English fiction. This article brings -re newed focus to Ghose’s novels and probes the causes of their initial success and subsequent failure to achieve widespread circulation, attract a substantial amount of critical attention, or even find a place in the category of Indian English fiction. It is an attempt to read the novels as part of the canon of twentieth century Indian English fiction and the larger context of the metropolitan “alter- ity industry” through which the image of “traditional” India has been produced and consumed for the last two centuries. It is also an attempt to explain why Ghose’s novels stand out as unique specimens that do not easily conform to any available category of Anglophone Indian literature. -
Writers and Historical Perspectives: Indian Imagination and the “National Question”
Writers and Historical Perspectives: Indian Imagination and the “National Question”. In her book, The Twice-Born Fiction, Meenakshi Mukherjee writes that “just as the essential predicament of the nineteenth century American novelist was a sense of isolation, the essential condition of the twentieth century Indian novelist, until recent years, was his involvement and concern – involvement with the changing national scene, concern for the destiny of the country”. In the chapter “The making of a nation”, the critic focuses her literary investigations on the Independence movement, which was, in her words, “not merely a political struggle, but an all-pervasive emotional experience for all Indians in the nineteen-twenties and thirties”. (Mukherjee 1971: 34) Involvement, concern and emotion are the components of some of the most remarkable novels written during that historical period, in the aftermath of Independence, a crucial moment that demanded of all Indians a radically new approach to life. However, Indian society was already undergoing a process of considerable change even before this period and, from a cultural point of view, since the second half of the nineteenth century, intellectuals, poets and writers had been influenced by the British cultural environment which had pervaded their languages and traditions, introducing “new” literary forms such as the novel. The first novel written in English dates back to 1864, to Bankim Chatterjee’s Rajmohan’s Wife, but not until the third or fourth decade of the twentieth century was there a serious and systematic attempt to place such writing in its proper historical context and to consider it as literature. The so-called “twice-born fiction” is the expression of a contamination that has melded languages and literary styles, taking cultural advantages from both worlds, British and Indian. -
Curriculum Vitae Peter F
Curriculum Vitae Peter F. J. Nazareth Business Address: Department of English University of Iowa, Iowa City, Iowa 52242 Phone: 319-335-0448 E-mail: [email protected] EDUCATIONAL AND PROFESSIONAL HISTORY 1. Higher Education University of Leeds,Yorkshire, England: 1963-65, English Literature, Postgraduate Diploma in English Studies, July, 1965. Makerere University College, Kampala, Uganda, 1959-1962, English Literature, B.A.(Hons) English, awarded by the University of London, May, 1962. Makerere University College, Kampala, Uganda, 1957-1959, English, Mathematics, Economics, Diploma in Preliminary Arts. 2. Professional and Academic Positions Professor of English, University of Iowa, 2006, job description including the role of Advisor, International Writing Program. Professor of English and African American World Studies and Advisor, International Writing Program, University of Iowa, 1985-2006. Chair, African Studies Program, 1992-1994. Chair, African American World Studies, 1991-1992. Associate Professor of English and African American World Studies & Advisor to the International Writing Program, University of Iowa, 1980-1985. Assistant Professor of English and Afro-American Studies and Advisor, International Writing Program, University of Iowa, 1977-1980. Visiting Lecturer, Afro-American Studies Program, University of Iowa, 1973-1977. Research Assistant, International Writing Program, University of Iowa, 1974-1976. Senior Finance Officer, Ministry of Finance, Entebbe, Uganda, 1968-1973 Administrative Officer, Ministry of Finance,