Aug. 18-24, 2016
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Media Advisory
FOR IMMEDIATE RELEASE Contact: Jill Edenstrom August 18, 2017 Telephone: 405-424-6873 x103 Mobile: 405-371-7910 E-mail: jedenstrom@rmhc -okc.org Media Advisory STARS FROM NBC’S THE VOICE TO VISIT LOCAL CHILDREN’S HOSPITAL Oklahoma natives and The Voice alum, The Swon Brothers to visit Ronald McDonald House at The Children’s Hospital Who: The Swon Brothers, Zach Swon and Colton Swon A country music duo from Muskogee, OK who finished in third place on the fourth season of NBC’s The Voice. What: The Swon Brothers will be stopping by the Ronald McDonald House to meet families and play a few of their songs. Where: Ronald McDonald House at The Children’s Hospital 3rd Floor of Garrison Tower 940 NE 13th Street Oklahoma City, OK 73104 When: 2:30 p.m. on Saturday, August 19 Why: The Swon Brothers want to give families of seriously ill or injured children and their families an exclusive mini-concert that will hopefully brighten their day during their stay at the hospital. ABOUT RONALD McDONALD HOUSE CHARITIES® OKLAHOMA CITY Ronald McDonald House Charities® (RMHC®), is a non-profit, 501 (c) (3) corporation that keeps families with sick children close to each other and the medical care their child needs when they need it most. With two Ronald McDonald Houses and a Ronald McDonald Family Room in Oklahoma City, RMHC programs not only provide access to quality health care, they enable family-centered care ensuring families are fully supported and actively involved in their children’s care. For more information, visit rmhc-okc.org. -
Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2008 Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, and the Music Commons Recommended Citation Kosanovich, Kevin Waide, "Re-Taking it to the Streets: Investigating Hip-Hop's Emergence in the Spaces of Late Capitalism" (2008). Dissertations, Theses, and Masters Projects. Paper 1539626547. https://dx.doi.org/doi:10.21220/s2-zyvx-b686 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Re-Taking it to the Streets: Investigating Hip-Hop’s Emergence in the Spaces of Late Capitalism Kevin Waide Kosanovich Saginaw, Michigan Bachelor of Arts, University of Michigan, 2003 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August, 2008 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts aide KosanovichKej Approved,by the Committee, May, 2008 imittee Chair Associate Pro rn, The College of William & Mary Associate Professor A lege of William & Mary Assistant P ressor John Gamber, The College of William & Mary ABSTRACT PAGE Much of the scholarship focusing on rap and hip-hop argues that these cultural forms represent instances of African American cultural resistance. -
Issue 510 Bud & Broadway on the Move Taking a Morning Show on a Remarkable Journey from Market No
August 1 2016, Issue 510 Bud & Broadway On The Move Taking a morning show on a remarkable journey from market No. 188 to No. 22 was all part of the five- (and-a-half) year plan for WIL/St. Louis’ Bud & Broadway. Of course, their decades of programming and on-air experience helped. Country Aircheck reached out for a travelogue. In 2010, WTVY/Dothan, AL PD Jerry Broadway brought in Bud Ford for afternoons. “After he and I met and started hanging out, we figured out pretty quick that we should be doing a morning show together,” says Broadway. “I was already on the morning show, and an opportunity came up to add a partner, and I decided Bud was going to be that guy.” Don’t Be Your Own Boss: The two tapped prodigious programming experience – Ford’s includes WKDF/Nashville – and aimed to create a show either would hire. Easier said than done, Flatts Forward: Big Machine’s Rascal Flatts in Dallas Saturday it turns out. “It challenges us,” says Ford. “There are two sides. (7/30). Pictured are (back, l-r) KPLX’s Mark Phillips, RF’s Jay The thing that makes you DeMarcus, KPLX & KSCS’ Mac Daniels, RF’s Gary LeVox, KPLX’s great at being a PD kills Victor Scott, RF’s Joe Don Rooney, KSCS’ Connected K and KPLX’s your ability to be on air, Skip Mahaffey; (front, l-r) KPLX & KSCS’ Rebecca Kaplan, KSCS’ because the on-air portion Trapper John Morris and Big Machine’s Alex Valentine. has got to be what we call unpredictable predictability. -
After Tasting Romanian Death Juice
PICTURES FROM NATIONAL NIGHT AND INTERNATIONAL BOAT TRIP SATURDAY SUNDAY SATURDAY SUNDAY SATURDAY (AFTER TASTING ROMANIAN DEATH JUICE) Dr Love the English slang section) of madness, the like of which has course Scotland...sniff :-( Boat Trip never seen before - ever - trust me. I would put togeth- easa_lovedoctor@hotmail. er a list of all the nations making “new connections” and “Dr Love vs. alcohol”: It Yesterday morning, an hour or two late, the good ship alliances, but it would take forever, and would probably has increasingly become we had finished the carefully organised procedure of making com (don’t email me Zsofia pulled away from the ageing Kassa, revealing a sure everyone was on the boat, we sat down to a very decent though - read below) involve every possible combination of nations...except of obvious that I have a com- large amount of vomit on the side of our fine vessel, petitor in match-making in meal of Deer, that mysterious Hungarian Pasta, vegetables, and so while we waved and smiled, our previous activities some clear sea-weed. But this you already know, what may This area of Umbrella is no The International Love&Drink Night the chemical we know as were visible to the silly people who stayed in Budapest. alchohol, which has served not be so well known was the scandalous amount of queue- longer called the Lover We say “silly people” because they missed out on a re- skipping, reported on elsewhere in this edition of Umbrella. corner, since after recent In the night of the nights on Saturday, also known as the to create no fewer than ally quite beautiful trip up the Danube, revealing some every single relationship on events, the corner has ex- National evening, we had it all - sweet and sour, good and of the rather breathtaking landscape along this river. -
Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural
Information Services & Systems Digital Course Packs Rose, T. Prophets of Rage: Rap Music & the Politics of Black Cultural Expression. In: T.Rose, Black noise : rap music and black culture in contemporary America. Hanover, University Press of New England, 1994, pp. 99-145. 7AAYCC23 - Youth Subcultures Copyright notice This Digital Copy and any digital or printed copy supplied to or made by you under the terms of this Staff and students of King's College London are Licence are for use in connection with this Course of reminded that copyright subsists in this extract and the Study. You may retain such copies after the end of the work from which it was taken. This Digital Copy has course, but strictly for your own personal use. All copies been made under the terms of a CLA licence which (including electronic copies) shall include this Copyright allows you to: Notice and shall be destroyed and/or deleted if and when required by King's College London. access and download a copy print out a copy Except as provided for by copyright law, no further copying, storage or distribution (including by e-mail) is Please note that this material is for use permitted without the consent of the copyright holder. ONLY by students registered on the course of study as stated in the section above. All The author (which term includes artists and other visual other staff and students are only entitled to creators) has moral rights in the work and neither staff browse the material and should not nor students may cause, or permit, the distortion, mutilation or other modification of the work, or any download and/or print out a copy. -