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Analysis of Creativity and Creative Context in Oral Poetry
Journal of Language and Culture Vol. 4(1), pp. 1-9, March, 2013 Available online http://www.academicjournals.org/JLC DOI: 10.5897/JLC11.039 ISSN 2141-6540 ©2013 Academic Journals Full Length Research Paper Analysis of creativity and creative context in oral poetry Dereje Fufa Bidu Department of Oromoo Folklore and Literature, Jimma University, Ethiopia. E-mail: [email protected]. Accepted 25 February, 2013 This study aims to analyse creativity in oral poetry. The focal points are mainly three: the way oral created and /or poetry is produced, the purpose it serves and the research methods employed to diagnose these. It begins with brief introductory analysis of the study of oral poetry in general and proceeds to a descriptive analysis of a sub-genre of Oromoo Oral Poetry. The analysis is a descriptive presentation to show the characteristics of the genre in Oromoo culture. The personality, the scene, the manner and the poems are selected to give better hint about the drawbacks of previous approaches. In fact Ruth Finnegan has initiated it in: I hope ... this preliminary book … will serve to introduce others to this rich field and perhaps encourage specialist scholars to take the subject for further through detailed study of particular oral poetries in their own languages (Finnegan, 1977: xii). Key words: Oral poetry, creativity, creative scene, creative context, contextual analysis, genre, Oromoo, geerarsa, yeelala. INTRODUCTION Oral poetry results from mental processes to serve imme- audiences and their interactions and emotional intensity diate personal, social or cultural purposes, which enforce reveal purpose. Texts possess language patterns and its creativities. -
The Dynamic Gravity Dataset: Technical Documentation
The Dynamic Gravity Dataset: Technical Documentation Lead Authors:∗ Tamara Gurevich and Peter Herman Contributing Authors: Nabil Abbyad, Meryem Demirkaya, Austin Drenski, Jeffrey Horowitz, and Grace Kenneally Version 1.00 Abstract This document provides technical documentation for the Dynamic Gravity dataset. The Dynamic Gravity dataset provides extensive country and country pair information for a total of 285 countries and territories, annually, between the years 1948 to 2016. This documentation extensively describes the methodology used for the creation of each variable and the information sources they are based on. Additionally, it provides a large collection of summary statistics to aid in the understanding of the resulting Dynamic Gravity dataset. This documentation is the result of ongoing professional research of USITC Staff and is solely meant to represent the opinions and professional research of individual authors. It is not meant to represent in any way the views of the U.S. International Trade Commission or any of its individual Commissioners. It is circulated to promote the active exchange of ideas between USITC Staff and recognized experts outside the USITC, professional devel- opment of Office Staff and increase data transparency by encouraging outside professional critique of staff research. Please address all correspondence to [email protected] or [email protected]. ∗We thank Renato Barreda, Fernando Gracia, Nuhami Mandefro, and Richard Nugent for research assistance in completion of this project. 1 Contents 1 Introduction 3 1.1 Nomenclature . .3 1.2 Variables Included in the Dataset . .3 1.3 Contents of the Documentation . .6 2 Country or Territory and Year Identifiers 6 2.1 Record Identifiers . -
Sustained Prehistoric Exploitation of a Marshall Islands Fishery
Sustained prehistoric exploitation of a Marshall Islands fishery: ichthyoarchaeological approaches, marine resource use, and human- environment interactions on Ebon Atoll Ariana Blaney Joan Lambrides BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2017 School of Social Science Abstract Atolls are often characterised in terms of the environmental constraints and challenges these landscapes impose on sustained habitation, including: nutrient-poor soils and salt laden winds that impede plant growth, lack of perennial surface fresh water, limited terrestrial biodiversity, and vulnerability to extreme weather events and inundation since most atolls are only 2-3 m above sea level. Yet, on Ebon Atoll, Republic of the Marshall Islands in eastern Micronesia, the oceanside and lagoonside intertidal marine environments are expansive, with the reef area four times larger than the land area, supporting a diverse range of taxa. Given the importance of finfish resources in the Pacific, and specifically Ebon, this provided an ideal context for evaluating methods and methodological approaches for conducting Pacific ichthyoarchaeological analyses, and based on this assessment, implement high resolution and globally recognised approaches to investigate the spatial and temporal variation in the Ebon marine fishery. Variability in landscape use, alterations in the range of taxa captured, archaeological proxies of past climate stability, and the comparability of archaeological and ecological datasets were considered. Utilising a historical ecology approach, this thesis provides an analysis of the exploitation of the Ebon marine fishery from initial settlement to the historic period—two millennia of continuous occupation. The thesis demonstrated the importance of implementing high resolution methods and methodologies when considering long-term human interactions with marine fisheries. -
University of Auckland Research Repository, Researchspace
Libraries and Learning Services University of Auckland Research Repository, ResearchSpace Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: • Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. • Authors control the copyright of their thesis. You will recognize the author's right to be identified as the author of this thesis, and due acknowledgement will be made to the author where appropriate. • You will obtain the author's permission before publishing any material from their thesis. General copyright and disclaimer In addition to the above conditions, authors give their consent for the digital copy of their work to be used subject to the conditions specified on the Library Thesis Consent Form and Deposit Licence. Sauerkraut and Salt Water: The German-Tongan Diaspora Since 1932 Kasia Renae Cook A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in German, the University of Auckland, 2017. Abstract This is a study of individuals of German-Tongan descent living around the world. Taking as its starting point the period where Germans in Tonga (2014) left off, it examines the family histories, self-conceptions of identity, and connectedness to Germany of twenty-seven individuals living in New Zealand, the United States, Europe, and Tonga, who all have German- Tongan ancestry. -
Tuvalu Diagnostic Trade Integration Study 2010 Report
Tuvalu Diagnostic Trade Integration Study 2010 Report Text Copyright © Integrated Framework Partnership 2010. All rights reserved. Design Copyright © Blue Planet Media + Communications Vanuatu 2011. All rights reserved. USP Library Cataloguing-in-Publication Data Tuvalu diagnostic trade integration study, 2010 report / [Daniel Gay, editor].—Suva, Fiji : UNDP Multi Country Office, 2011. 146 p. : ill. ; 24 cm. ISBN 978–982–304–036–3 1. Tuvalu—Commerce 2. Tuvalu—Economic conditions 3. Economic development—Tuvalu 4. Tuvalu—Economic policy I. Gay, Daniel II. UNDP Multi Country Office (Fiji). HF4032.35.Z5 T88 2011 380.099682 Edited, designed and produced by Blue Planet Media + Communications Vanuatu. Email: [email protected] Table of contents Table of contents..........................................................................................................................................1 Preface...............................................................................................................................................................4 Foreword..........................................................................................................................................................5 Acronyms........................................................................................................................................................7 Executive summary....................................................................................................................................9 Recommendations.................................................................................................................................. -
Orality in Writing: Its Cultural and Political Function in Anglophone African, African-Caribbean, and African-Canadian Poetry
ORALITY IN WRITING: ITS CULTURAL AND POLITICAL FUNCTION IN ANGLOPHONE AFRICAN, AFRICAN-CARIBBEAN, AND AFRICAN-CANADIAN POETRY A Thesis submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English University of Saskatchewan Saskatoon By Yaw Adu-Gyamfi Spring 1999 © Copyright Yaw Adu-Gyamfi, 1999. All rights reserved. National Ubrary Bib!iotheque nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 Ottawa ON K1 A ON4 Canada Canada Your file Vol", ,eferet1C8 Our file Not,e ,life,encs The author has granted a non L' auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format electronique. The author retains ownership of the L' auteur conserve la propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement reproduits sans son permISSlOn. autorisation. 0-612-37868-3 Canada UNIVERSITY OF SASKATCHEWAN College of Graduate Studies and Research SUMMARY OF DISSERTATION Submitted in Partial Fulfillment of the Requirements for the DEGREE OF DOCTOR OF PHILOSOPHY by Yaw Adu-Gyamfi Department of English Spring 1999 -EXAMINING COMMITTEE: Dr. -
Marshall Islands
Country Guide to Gamefishing in the Western and Central Pacific by Wade Whitelaw Oceanic Fisheries Programme Secretariat of the Pacific Community 2001 © Copyright Secretariat of the Pacific Community 2001 All rights for commercial / for profit reproduction or translation, in any form, reserved. The SPC authorises the partial reproduction or translation of this mate- rial for scientific, educational or research purposes, provided the SPC and the source document are properly acknowledged. Permission to reproduce the docu- ment and/or translate in whole, in any form, whether for commercial / for profit or non-profit purposes, must be requested in writing. Original SPC artwork may not be altered or separately published without permission. Original text: English Secretariat of the Pacific Community Cataloguing-in-publication data Whitelaw, Wade Country guide to gamefishing in the Western and Central Pacific: by Wade Whitelaw 1. Fishing - Oceania. 1. Title 2. Secretariat of the Pacific Community 799.1665 AACR2 ISBN 982–203–817–8 Secretariat of the Pacific Community BP D5 98848 Noumea Cedex New Caledonia Telephone: + 687 26 20 00 Facsimile: + 687 26 38 18 E-mail: [email protected] http://www.spc.int/ Funded by AusAID Layout: Muriel Borderie Prepared for publication and printed at Secretariat of the Pacific Community headquarters Noumea, New Caledonia, 2001 CONTENTS INTRODUCTION . .1 BACKGROUND . .2 SOURCES OF INFORMATION . .4 RESULTS . .4 WORLD RECORDS . .5 SEASONALITY OF GAMEFISH SPECIES . .5 SEASONALITY OF TOURISM . .5 SUMMARY OF INFORMATION BY COUNTRY . .6 American Samoa . .7 Cook Islands . .11 Federated States of Micronesia . .15 Fiji Islands . .19 French Polynesia . .23 Guam . .27 Kiribati . .31 Marshall Islands . -
Three Women to Contest for the General Election Stories This Week: by Semi Malaki
Publication of Tuvalu MediaMarch Department 9, 2015 Government of Tuvalu Email: [email protected] March 9, 2015 Fenui e-newsletter is publicized with the approval of the Tuvalu Media General Manager Melali Taape Three women to contest for the General Election Stories this week: By Semi Malaki THREE women in Tuvalu have Tuvalu High Commis- the desire to contest for Tuvalu sion to NZ presented General Election on March 19. credentials Following the closing of nominations for candidates late Page 2 last month, three women from two different electoral districts were nominated to contest this Six candidates con- year’s election. testing from Nui Elec- They include Hilia Vavae toral District from the Nanumea Electoral Dis- trict and Dr Puakena Boreham Page 3 with sitting MP Pelenike Teki- nene Isaia from Nui Electoral District. Ms Vavae is a retired civil Taiwan Artist to raise Dr Puakena Boreham one of the three women con- servant who has been heading the awareness on Tuvalu testing in Tuvalu General Election Tuvalu Meteorological Service. Photo: Kuata Taumaheke and climate change She was also contested at the Na- numea bi-election in 2014 fol- Page 5 lowing the resignation of then sitting MP Willy Telavi from Nanumea con- stituency. Dr Boreham was the Medical Superintendent at Princess Margaret Sports Hospital and she resigned to contest against the other five candidates from TASNOC is under new Nui. leadership Mrs Isaia was sitting Member of Parliament from Nui. She joined Parliament after her husband the late Isaia Taeia passed away in 2011. She Page 11 was elected in a bi-election and became Member of Parliament from Nui Is- land. -
Who Heard the Rhymes, and How: Shakespeare’S Dramaturgical Signals
Oral Tradition, 11/2 (1996): 190-221 Who Heard the Rhymes, and How: Shakespeare’s Dramaturgical Signals Burton Raffel The Audience “The many-headed multitude” was how, in 1601, a contemporary referred to the Shakespearian audience (Salgado 1975:22). “Amazed I stood,” wondered an anonymous versifier in 1609, “to see a crowd/ Of civil throats stretched out so lowd;/ (As at a new play) all the rooms/ Did swarm with gentles mix’d with grooms.”1 This wide-ranging appeal considerably antedated Shakespeare’s plays: though he very significantly shaped its later course, he profited from rather than created the solidly popular status of the Elizabethan and, above all, the London stage, for “London was where the players could perform in their own custom-built playhouses, week after week and year after year. In London there were regular venues, regular audiences, regular incomes.”2 The first playhouses had been built in 1576; at least two professional “playhouses were flourishing in 1577.”3 (Shakespeare was then a country lad of thirteen.) The urgency of clerical denunciations, then as now, provides particularly revealing evidence of the theater’s already well- established place in many Londoners’ hearts.4 1 Idem:29. Festivity was of course a far more important aspect of Elizabethan life. “The popular culture of Elizabethan England . is characterized first and foremost by its general commitment to a world of merriment” (Laroque 1991:33). 2 Gurr 1992:6. And, just as today, those who wielded political power took most seriously the ancillary economic benefits produced by London’s professional theaters. See Harrison 1956:112-14, for the authorities’ immensely positive reaction, when appealed to by the watermen who ferried playgoers back and forth across the Thames, and whose profitable employment was being interfered with. -
Towards Fatele Theology: a Contextual Theological Response in Addressing Threats of Global Warming in Tuvalu
Towards Fatele Theology: A Contextual Theological Response in Addressing Threats of Global Warming in Tuvalu A Thesis Submitted to the Faculty of Theology In Partial Fulfillment of the Requirements For The Degree of Master of Theology By Maina Talia Advisor: Prof, Dr. M.P. Joseph Tainan Theological College and Seminary Tainan, Taiwan May 2009 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 2009 Maina Talia ALL RIGHTS RESERVED ! ! ! ! ! ! This thesis is dedicated to the followings: My parents Talia Maina Salasopa and the late Lise Moeafu Talia, OBE. Mum, your fatele’s will remains as living text for the Tuvaluan generations in their search for the presence of the Divine. And my grandma Silaati Telito, in celebrating her 90th Birthday. ! ! i ACKNOWLEDGEMENT “So you also, when you have done everything you were told to do, should say, ‘We are unworthy servants; we have only done our duty.” (Luke 17:10) The completion of this thesis is not an individual achievement. Without the help of many, it would never have come to a final form. Because I was not endorsed by the Ekalesia Kelisiano Tuvalu, it remains dear to me. Rev. Samuelu Tialavea Sr the General Secretary of the Congregational Christian Church in American Samoa (CCCAS) offered his church’s sponsorship. I owe a big fa’afetai tele to the CCCAS and the Council for World Mission for granting me a scholarship. Fakafetai lasi kii to my thesis advisor Prof, Dr. M.P. Joseph great theologian, who helped me through the process of writing, especially giving his time for discussion. His constructive advice and words of encouragement contributed in many ways to the formation of fatele theology. -
Whale Rider: the Re-Enactment of Myth and the Empowerment of Women Kevin V
Journal of Religion & Film Volume 16 Article 9 Issue 2 October 2012 10-1-2012 Whale Rider: The Re-enactment of Myth and the Empowerment of Women Kevin V. Dodd Watkins College of Art, Design, and Film, [email protected] Recommended Citation Dodd, Kevin V. (2012) "Whale Rider: The Re-enactment of Myth and the Empowerment of Women," Journal of Religion & Film: Vol. 16 : Iss. 2 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol16/iss2/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Whale Rider: The Re-enactment of Myth and the Empowerment of Women Abstract Whale Rider represents a particular type of mythic film that includes within it references to an ancient sacred story and is itself a contemporary recapitulation of it. The movie also belongs to a further subcategory of mythic cinema, using the double citation of the myth—in its original form and its re-enactment—to critique the subordinate position of women to men in the narrated world. To do this, the myth is extended beyond its traditional scope and context. After looking at how the movie embeds the story and recapitulates it, this paper examines the film’s reception. To consider the variety of positions taken by critics, it then analyses the traditional myth as well as how the book first worked with it. The onclusionc is, in distinction to the book, that the film drives a wedge between the myth’s original sacred function to provide meaning in the world for the Maori people and its extended intention to empower women, favoring the latter at the former’s expense. -
POETRY in SPEECH a Volume in the Series
POETRY IN SPEECH A volume in the series MYTH AND POETICS edited by GREGORY NAGY A fu lllist of tides in the series appears at the end of the book. POETRY IN SPEECH Orality and Homeric Discourse EGBERT J. BAKKER CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1997 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu. First published 1997 by Cornell University Press Library of Congress Cataloging-in-Publication Data Bakker, Egbert J. Poetry in speech : orality and Homeric discourse / Egbert J. Bakker. p. cm. — (Myth and poetics) Includes bibliographical references and indexes. ISBN-13: 978-0-8014-3295-8 (cloth) — ISBN-13: 978-1-5017-2276-9 (pbk.) 1. Homer—Criticism and interpretation. 2. Epic poetry, Greek—History and criticism. 3. Discourse analysis, Literary. 4. Oral formulaic analysis. 5. Oral tradition—Greece. 6. Speech in literature. 7. Poetics. I. Title. PA4037.B33 1996 883'.01—dc20 96-31979 The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Contents Foreword, by Gregory Nagy