Portraiture of Our Stuart Monarchs on Their Coins and Medals
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The Gold Metallurgy of Isaac Newton
The Gold Metallurgy of Isaac Newton E. G. V. Newman The Royal Mint, London The science of metals had always appealed to Isaac Newton and when, after the conclusion of his remarkable contributions to mathe- matics and physics, he was invited to take charge of the Royal Mint in London he was able not only to display his great gifts as an administrator but also to exercise his interest in metals and alloys and particularly in the metallurgy of gold. For over thirty years Isaac Newton lived the been accorded him for his scientific work despite the secluded life of a scholar. As undergraduate and later endeavours of his friends Samuel Pepys, John Locke Fellow and Professor at Cambridge he was shy and and Christopher Wren to secure for him a public post reserved, careless of his appearance and even more worthy of his stature. He returned to Cambridge and careless of his eating habits. This period came to a there busied himself with experimental work in triumphant conclusion, of course, with the publication chemistry and metallurgy. of the Principia in 1687. It was not until 1696 that an easement came about For a further period of thirty years, apparently by in the form of an appointment that was to effect a an astonishing transformation, Newton served his complete change in his way of life and his financial country as a highly able public official and also as the welfare. This came through the good offices of an leader of the scientific community. The achievements old friend from his undergraduate days at Trinity and the glory of the former period have not un- College whom he had re-encountered as a fellow naturally overshadowed the latter half of his working Member of Parliament, Charles Montagu. -
Arise Sir Isaac! Newton's London Career
26 February 2020 Arise Sir Isaac! Newton’s London Career Dr Patricia Fara This lecture is based on Patricia Fara’s forthcoming book, to be published by Oxford University Press in 2021. The Indian Emperor. Or the Conquest of Mexico. As performed in the year 1731 in Mr Conduitt’s, Master of the Mint, before the Duke of Cumberland &c. Act 4, Scene 4 by William Hogarth (1731-2) Isaac Newton is celebrated throughout the world as a great scientific genius who conceived the theory of gravity and revolutionized optical science. But in his early fifties, he abandoned his life as a reclusive scholar at Cambridge to spend three decades in London, a long period of metropolitan activity that is often overlooked. Enmeshed in Enlightenment politics and social affairs, Newton engaged in the linked spheres of early science and imperialist capitalism. Instead of the quiet cloisters and dark libraries of Cambridge’s all-male world, he now moved in fashionable London society, which was characterised by patronage relationships, sexual intrigues and ruthless ambition. An eminent Enlightenment figure who had twice served as an MP, Newton liaised with international visitors and mingled among elite circles of the Hanoverian aristocracy. Knighted by Queen Anne, and a close ally of the influential Earl of Halifax, Newton occupied a powerful position as President of London’s Royal Society. He also became Master of the Mint, responsible for the nation’s money at a time of financial crisis and himself making and losing small fortunes on the stock market. A major investor in the East India Company, Newton benefited from the global trading networks that relied on selling African captives to wealthy plantation owners in the Americas and was responsible for monitoring the import of African gold to be melted down for English guineas. -
Old Master Paintings Wednesday 5 December 2012, at 2Pm New Bond Street, London
Old Master Paintings Wednesday 5 December 2012, at 2pm New Bond Street, London Old Master Paintings Wednesday 5 December 2012, at 2pm New Bond Street, London Bonhams Bids Enquiries Customer Services 101 New Bond Street +44 (0) 20 7447 7448 +44 (0) 20 7468 8307 Monday to Friday 8.30am to 6pm London W1S 1SR +44 (0) 20 7447 7401 fax [email protected] +44 (0) 20 7447 7447 www.bonhams.com To bid via the internet please visit www.bonhams.com Specialists Please see back of catalogue Viewing Andrew McKenzie for important notice to bidders Sunday 2 Dec 2012 Please note that bids should be +44 (0) 20 7468 8261 11am to 3pm submitted no later than 24 hours [email protected] Illustrations Monday 3 Dec 2012 before the sale. New bidders Front cover: 103 9am to 4.30pm must also provide proof of identity Caroline Oliphant Back cover: 55 Tuesday 4 Dec 2012 when submitting bids. Failure to do +44 (0) 20 7468 8271 Inside front cover: 40 (one of a pair) 9am to 4.30pm this may result in your bids not [email protected] Inside back cover: 40 (one of a pair) Wednesday 5 Dec 2012 being processed. 9am to 12pm Carlotta Mascherpa +44 (0) 20 7468 8307 [email protected] Sale number: 20030 Live online bidding is available for this sale Poppy Harvey-Jones Catalogue: £25 Please email [email protected] with “Live bidding” in the subject +44 (0) 20 7468 8308 line 48 hours before the auction [email protected] to register for this service. -
A History of English Goldsmiths and Plateworkers
; 6HH G r~L D A AUBIF ABBOBUM. frjtoj of <fegl:b| (Solbsimtjjs anb |1httcborko, AND THEIR MARKS STAMPED ON PLATE P COPIED IN AC-SIMILE FROM CELEBRATED EXAMPLES J AND THE EARLIEST RECORDS PRESERVED AT GOLDSMITHS' HALL, LONDON, WITH THEIR NAMES, ADDRESSES, AND DATES OF ENTRY. 2,500 ILLUSTRATIONS. ALSO HISTORICAL ACCOUNTS OF THE GOLDSMITHS' COMPANY AND THEIR HALL MARKS; THE REGALIA; THE MINT; CLOSING OF THE EXCHEQUER GOLDSMITH-BANKERS; SHOP SIGNS; A COPIOUS INDEX, ETC. PRECEDED BY AN INTRODUCTORY ESSAY ON THE GOLDSMITHS' AET. BY WILLIAM CHAFFERS, AUTHOR OF " HALL MARKS ON GOLD AND SILVER PLATE," " L'ORFEVRERIE FRANCAISE," " MARKS AND MONOGRAMS ON POTTERY AND PORCELAIN " " THE KERAMIC GALLERY " (ILLUSTRATED), " THE COLLECTOR'S HANDBOOK OF MARKS AND MONOGRAMS ON POTTERY AND PORCELAIN," " PRICED CATALOGUE OF COINS," ETC. The Companion to "HALL MARKS ON GOLD AND SILVER PLATE," by the same Author. LONDON: W. H. ALLEN & CO., 13 WATERLOO PLACE. PUBLISHERS TO THE INDIA OFFICE. clo.Io.ccc.Lxxxin. All rights reserved.) : LONDON PRINTED BY W. H. ALL EX AND CO., 13 WATERLOO PLACE. 8.W. PKEFACE. The former work of the writer, entitled " Hall Marks on Gold and Silver Plate," has been so extensively patronised by the public as to call for six editions since the date of its first appearance in I860, supplying a most important aid to Ama- teurs and Collectors of Old Plate, enabling them to ascertain the precise date of manufacture by the sign manual of the Goldsmiths' Company, stamped upon it when sent to be assayed. That it has been generally appreciated is evident from the fact that it is to be found in the hands of every leading Goldsmith in the United Kingdom, as well as Amateurs and Possessors of family plate. -
Isaac Newton and Currency Crime in Modern England
The Counterfeit Presentment of Two Britons: Isaac Newton and Currency Crime in Modern England SAM HIEBENDAAL* Though I may seem to incurr the Censure of Vanity and Ostentation, by pretending to advance any thing New, on a Theme that hath already employ'd so many able Pens: Yet on an Impartial Perusal of all that is extant on this Subject, I doubt not but there will be found such ample Scope for so many Considerable Alterations and Additions as will render this Further Attempt not only Excusable but Necessary .... I I INTRODUCTION Isaac Newton published the Philosophi3Naturalis PrincipiaMathematica in 1687. He gave the world the three laws of motion, the theory of universal gravitation, and a remarkable advancement in the development of modern calculus. The PrincipiaMathematica alone ensured that Newton would be noted as "one of the tiny handful of supreme geniuses who have shaped the categories of the human intellect, a man not finally reducible to the criteria by which we comprehend our fellow beings".' One would have forgiven him for retiring after that. Yet Newton's exploits did not end in 1687, and they were not limited to the scientific and philosophic worlds. As Warden of the Royal Mint, he made considerable contributions to the legal sphere by prosecuting 'coiners' and 'clippers' during a perilous period for the stability of the Kingdom, and when the King's currency was vulnerable to threats both internal and external. Over this article's eight Parts, Newton's adventures into the law are discussed. In Part II, the social context that made coining and clipping rampant is explored. -
Sir Isaac Newton and the Scottish Recoinage, 1707-10 Atho Murrayll *
Proc Soc Antiq Scot, 127 (1997), 921-944 Sir Isaac Newton and the Scottish recoinage, 1707-10 Atho MurraylL * ABSTRACT Although post-Unionthe recoinage best-documentedthe is episodehistory Scottishthe the in of mint, carriedwhich in been was there not full it a way out. has studythe Thisof paper discussesthe administration recoinage ofthe with particular reference involvementthe to Isaac ofSir Newton. PREPARATIONS The post-Union recoinage in Scotland has been seen as a postscript to the history of the Scottish coinage s littla r eo 1 more tha footnota n e histore Englisth th n f i eyo h mint, under whose supervisio carries wa t ndocumentatioi e d th out. t Ye 2 n availabl botn ei h Scottis Englisd han h sources far exceeds that for any of the earlier Scottish coinages. One main source is the papers of Sir Isaac Newton as Master of the Mint in the Tower of London. These reveal not only the keen interest that he took in the practical and technical problems arising from the recoinage but also the friendly relations that developed between him and the officers of the Edinburgh mint. The recoinage was undertaken in fulfilment of Article 16 of the Treaty of Union: 'That from and after the Union, the coin shall be the same standard and value throughout the United Kingdom, as now in England.' This English proposal for a common currency had been accepted Scottisbe yth h commissioners subjecconditions.o tw o t firste 3Th , continuatio Edinburge th f no h mint, was incorporated into Article 16. The second, that consideration be given to any losses suffered by private persons through reducing the coin to the same standard as England, was covered by Article 15 which made such losses a charge upon the Equivalent, the sum payable to Scotland for assuming shared liability for the English national debt. -
Clippers and Counterfeiters
Clippers and Counterfeiters Notes for Teachers In this pack • How to use this resource • Background information on clipping and counterfeiting • Background notes and character sheets for pupils • Six cases from the Old Bailey records adapted for pupil use Curriculum links This resource addresses areas of the programmes of study in English, Citizenship and History. In English, the focus is on speaking and listening with an emphasis on Drama, creating roles and reading and processing information. For Citizenship, children are taking part and developing skills of communication. They are also developing an understanding of the judicial system. The historical content and use of authentic accounts helps to develop pupils' understanding of people's lives in a different time. How to use this resource Use the case studies and information provided about clipping and counterfeiting to create your own role plays. Divide your class into five or six small groups where pupils can take on the roles of the accused, the judge, the jury, experts, witnesses and the defence based on real coin crime cases from the Old Bailey in the 17th and 18th centuries. Alternatively, turn your classroom into a courtroom and create a play based on one or two coin crime cases instead. Supporting images can be found in the accompanying PowerPoint. 1 Background Information How coins were made in the 17th and 18th Century Before the introduction of machinery to The Royal Mint in the mid-17th century, coins were made by hand. Designs were struck onto very thin pieces of silver using a hammer and a pile and trussell. -
Ancient Coins Greek Coins
Ancient coins Greek coins 1 Calabria, Tarentum (272-235 BC), silver didrachm, naked horseman, rev. TARAS, Taras riding a dolphin, holding kantharos and trident, AEI and amphora behind, wt. 6.45gms. (Vlasto 904), extremely fine, mint state £200-300 2 Lucania, Herakleia (433-380 BC), silver diobol, hd. of Athena wearing a crested Athenian helmet ornamented with Skylla, rev. Herakles strangling a lion, wt. 1.28gms. (HN. Italy 1379), choice, extremely fine £100-150 3 Lucania, Poseidonia (475-450 BC), silver stater, ΠΟΣΕ, nude Poseidon advancing r. wielding trident with chlamys draped over both arms, rev. ΠOMES, bull stg. r., wt. 8.10gms. (SNG.ANS 654), toned, very fine £200-300 4 Sicily, Gela (465-450 BC), silver litra, bridled horse advancing r., rev. CΕΛΑ, forepart of a male-headed bull r., wt. 0.76gms. (Jenkins 244ff; SNG. ANS 59), toned, extremely fine £100-200 ANCIENT COINS - GREEK COINS 5 6 5 Sicily, Gela (430-425 BC), tetradrachm, quadriga driven by a bearded charioteer, laurel crown in front of the charioteer, rev. CΕΛΑΣ, forepart of a male-headed bull to r., laurel branch to l., wt. 17.30gms. (Jenkins 397; SNG. Ashmolean 1736, same dies); SNG. Copenhagen 266, same dies), struck from worn dies, compact flan, very fine £500-600 6 Sicily, Syracuse (485-478 BC), tetradrachm, struck under Gelon, quadriga driven by a charioteer with Nike flying above crowning the horses, rev. ΣVRAKOΣION, diad. bust of Artemis-Arethusa, with four dolphins around, wt. 17.22gms. (Boehringer 234), about very fine £500-600 7 Sicily, Syracuse (474-450 BC), hd. -
Britain's Political, Cultural & Industrial Revolutions: As Seen by Eighteenth
Britain’s Political, Cultural & Industrial Revolutions: As Seen by Eighteenth-Century Observers and Later Historians By: Penelope J. Corfield, Prof. Emeritus ISECS Vice President Affiliation: Royal Holloway University of London and Newcastle University UK October 2013 © Penelope J. Corfield (2013) For publication in web-journal Current Research: Literature, Culture and Media (Syddansk University, Odense, Denmark, 2014): ISSN 1903 5705 and on PJC personal website www.penelopejcorfield.co.uk as Pdf31 This essay is expanded text of a seminar presentation with Powerpoint, given at the International Society for Eighteenth-Century Studies Special Conference, hosted by Erasmus University, Rotterdam, on Wednesday 28 August 2013.1 1 With thanks for stimulating discussions from panel chair Annelien de Dijn, fellow panellist Hanca Jürgens, and all ISECS seminar participants; to Anne-Marie Mai for the invitation to publish; and to Tony Belton for his as-ever critical reading of the text. 1 Summary Using previously unknown evidence from contemporary onlookers (both famous and little-known), this essay identifies and classifies the major references to ‘Revolution’ in eighteenth-century Britain. At the start, the most common category of comments referred to abrupt political-regime change. The ‘Happy Revolution’ or what became later known as ‘the Glorious Revolution’ of 1688/9 was the prototype. This political terminology was revived in the 1770s, to denote, whether in praise or blame, the American colonists’ revolt and, after 1789, the massive upheavals in France. Alongside that, a much less well known strand of commentary referred to social and cultural change in terms of ‘revolution’ or ‘the world turned upside down’. -
James II And
02/08/2021 James VII and II New York named after James as Duke of York Queen Henrietta Maria by unknown Charles I 1631 by Daniel Mytens, artist, National Portrait Gallery National Portrait Gallery 1 2 James with his older siblings, Charles and Mary c. 1624 by Sir Anthony van Dyck , Turin James with his older siblings, Charles and Mary by Sir Anthony van Dyck , Royal Collection 3 4 Charles II as Prince of Wales by Sir Anthony van Dyck 1632-5 and 1637-8 Five children of Charles I 1637 by Sir Anthony van Dyck (Charles, Mary, James, Elizabeth & Anne) 5 6 1 02/08/2021 St James’s Palace where James was born in 1633 and designated as duke of York. He returned in 1646 when captured at the fall of Oxford Charles and James 1639 by Cornelius Johnson, Queen’s House Greenwich 7 8 William Laud archbishop of Canterbury who baptised James Princess Mary 1639 by Cornelius as an Anglican Johnson, Queen’s House Greenwich 9 10 Princess Mary c. 1636 by Sir Princess Mary’s betrothal with her Anthony van Dyck, Boston future husband William II of Orange 1641 by Sir Anthony van Dyck, Rijksmuseum 11 12 2 02/08/2021 Princess Mary and William II of Orange 1647 by Gerard von Honthorst, Rijksmuseum James with his younger siblings Elizabeth and Henry 1647 by Sir Peter Lely, Petworth 13 14 Princess Elizabeth, National Portrait Gallery Princesses Elizabeth and Anne 1637 by Sir Anthony van Dyck, Scottish National Portrait Gallery 15 16 Prince Henry Duke of Gloucester c. -
The History of Scotland from the Accession of Alexander III. to The
i^ Hi^^i'''^''-"iii 1 i I'-n iiP PP piilliiHHiiiw "ill !ii;iilsi;ii;si iii ipiJliiiiHjiiiijli .luiimlu'iiiiiip Columbia ©nitiersfitp ^ in tf}e Citp of i^eto |9orfe LIBRARY HISTORY OF SCOTLAND. / l6 THE HISTORY OF SCOTLAND, ACCESSION OF ALEXANDER III. TO THE UNION. BY PATRICK FRASER TYTLER, F.R.S.E. AND F.A.S. NEW EDITION. IN TEN VOLUMES. VOL. IV. EDINBURGH: WILLIAM P. NIMMO. 1866 MUKKAY ASD GIBB, PRDJTERS, EDINBURGH. CONTENTS OF THE FOURTH VOLUME. CHAP. I. JAMES THE SECOND. 1436-1460. Relative situation of the nobility and the crown, after the assas sination of James the First, lietreat of the queen-mother to Edinburgh castle, Coronation of James the Second, A truce concluded with England, The young king secretly conveyed from Edinburgh castle to Stirling, Siege of Edinburgh castle by the Earl of Livingston, Marriage of the queen-mother with Sir James Stewart, The king carried off, by Crichton, to Edinburgh castle. Distress of the people occasioned by the feuds of the nobles, Turbulent conduct of William, sixth Earl of Douglas, His execution in Edinburgh castle along with his brother David, bl Friendly relations between Scotland and England, . 33 Exorbitant power of Williajn, eighth Earl of Douglas, . 36 Feud between the Craw&rds and Ogilvies, . .49 Sagacious and determined policy of the young king towards the nobles, . .' 52 Border feuds, 55 Marriage of the king and Mary of Gueldres, . .59 Vigorous proceedings of the king against the turbulent nobility, GO Important parliamentary enactments, 64 Determination of the Earl of Douglas to maintain his power, . -
'This Made Me a Painter!'
‘THIS MADE ME A PAINTER!’ J.M.W. Turner and the perception of Holland and Dutch art in Romantic Britain Quirine van der Meer Mohr RMA Thesis Art History of the Low Countries in its European Context Utrecht University Prof. Dr. Peter Hecht 1 THIS MADE ME A PAINTER’. J.M.W. Turner and the perception of Holland and Dutch art in Romantic Britain Table of Contents Introduction 3 Chapter 1 Beautiful, Sublime and Picturesque 11 The reception of Dutch Art in Romantic Britain Chapter 2 Waterways and neat cities 25 Holland through the eyes of the British traveller Chapter 3 ‘Quite a Cuyp’ 36 Turner in Holland Chapter 4 The ‘Dutchness’ of Turner’s art 56 A reflection of the artistic results of Turner’s Dutch journeys Chapter 5 Made in Holland 82 English artists painting Holland Conclusion 100 Bibliography 104 List of Resources 109 List of Images 110 2 Introduction In 1842, the British painter Joseph Mallord William Turner (1775-1851) exhibited a painting at London’s Royal Academy that went beyond everyone’s imagination. Exploring the effects of an elemental vortex, Snow Storm - Steam Boat off a Harbour’s Mouth (Tate), shows a swift suggestion of a steam-ferry in the heart of the composition. The vessel is heavily suffering under the rough weather conditions of a snowstorm at sea, which, by an eruption of swirls of paint onto the canvas, denies the viewer the possibility to fully survey the entire episode. Instead, the viewer is swept away into the vortex, leaving him nothing else but the terrifying sensation of mankind’s futility opposed to the tempestuous forces of nature.