DOCSLIB.ORG

Anunnaki Gods of Earth and Nibiru Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anunnaki Gods of Earth and Nibiru Pdf Anunnaki gods of earth and nibiru pdf Continue A library recording and links to related information available from the library of Congress catalog, the author's text provided by the publisher and used with permission. May be incomplete or contain other coding. Introduced about 445,000 years ago, astronauts from another planet came to Earth in search of gold. Splashing down into one of the Earth's seas, they wade ashore and created Eridu, a house in the distant. Over time, the original settlement expanded to a full-fledged Earth Mission - with the Mission Control Center, cosmodrome, mining operations and even a track station on Mars. Lacking the manpower, the astronauts used genetic engineering to fashion The Primitive Workers--Homo sapiens. The flood, which had catastrophically swept over the Earth, required a fresh start; astronauts became gods, giving humanity civilization, teaching it to worship. Then, about four thousand years ago, all that had been achieved was unraveled by the nuclear disaster caused by the earth's visitors in their own rivalry and wars. What happened on Earth, and especially events from the beginning of human history, was selected by Sitchin, in his series Chronicles of the Earth, from the Bible, clay tablets, ancient myths and archaeological discoveries. But what preceded the events on Earth - what happened on the own planet of the astronauts Nibiru, what caused space travel, the need for gold, the creation of man? Wouldn't it be favourable to be one of the key players, an eyewitness and one who could distinguish between destiny and destiny to write for posterity How and where and why all these are the first things and perhaps the last things? But that's exactly what some of them have done; and above all among them was the same leader who commanded the first group of cosmonauts! Scholars and theologians now recognize that the biblical tales of Creation, Adam and Eve, the Garden of Eden, the Flood, the Tower of Babel were based on texts written thousands of years earlier in Mesopotamia, especially the Sumerians. And they, in turn, clearly stated that they had gained their knowledge of past events - many of the time before civilization began, even before humanity became - from the writings of Anunnaki (Those who came from heaven to earth) - the gods of antiquity. As a result of a century and a half of archaeological discoveries in the ruins of ancient civilizations, especially in the Middle East, a large number of such early texts were found; The findings also revealed the extent of the missing texts - so-called lost books, which are either mentioned in the discovered texts, or are taken from such texts, or, as is known, existed because they were catalogued in royal or temple libraries. An example of how lost the books are is the famous Library of Alexandria in Egypt. General Ptolemy after Alexander's death in 323 BC, he is said to have contained more than half a million volumes - books written on various materials (clay, stone, papyrus, parchment). This great library, where scholars gathered to study the accumulated knowledge, was burned and destroyed in the wars that spread from 48 BC to the Arab conquest in 642 AD. Only in this way do we know that the second king ptolemy commissioned, around 270 BC, an Egyptian priest whom the Greeks called Maneto to compile the history and backstory of Egypt. At first, Maneto wrote, only the gods reigned there, then the demigods, and finally, around 3100 BC, the Pharana dynasties began. Divine reign, he wrote, began ten thousand years before the Flood and lasted for thousands of years after that, the last period, witnessing battles and wars between the gods. Anyone who witnessed all these events, really a key participant in them, was a leader who splashed down with the first group of astronauts. The fact that he recorded his autobiography is undoubtedly for the long text (stretching at least twelve tablets) found in the library Nippur quotes Enki's remarks. Numerous other texts, which relate to various aspects of Enki's role in subsequent events, serve to complete Enki's tale; they include cosmogony, the Epic of Creation, which was based on Enki's own text, which scientists call Eridu Genesis. For the first time, this scattered and fragmented material was collected and used by Sitchin to create eyewitness accounts of Enki, an autobiographical memoir and astute prophecies of an extraterrestrial god. When dealing with the past, Enki himself perceived the future. The notion that Anunnaks, exercising free will, were the masters of their own judges (as well as the fate of mankind) gave way, after all, to the realization that it was Destiny, when all was said and done, that determined the course of events; and so, as the Jewish prophets acknowledged, the first should be the last. Thus, the recording of the events dictated by Enki becomes the basis of the prophecy, and the past becomes the future. Summary of the flight of the second tablet Alalu in the nuclear spaceship He sets his course on Ki, the seventh planet (Earth) Why he expects to find gold on earth cosmogony solar system; Thiamat water and gold The appearance of Nibiru from space Heavenly battle and the disintegration of Tiamat Earth, half of Thiamat, inherits its water and gold Kingu, the main satellite of Tiamat, becomes the Earth's Moon Nibiru destined forever the orbit of the arrival and landing of the Sun Alalu on Earth Alalu, gold, holds the fate of Nibiru in the hands of the Library of Congress subject headlines for this publication: Civilization, Ancient - Extraterrestrial Influences. Lost Books - History. Humanity has been trying to answer difficult questions for thousands of years. Is there a God? Where did we come from? Is there life somewhere else? Are we alone? Who created us? Is there an afterlife? Is it hell? In the early 1800s, more than thirty thousand tablets were found in the ancient biblical city of Nineveh, which included Assyrian palace reliefs, the ashurbanipal and Enuma-Elish library (also known as the Seven Tablets of Creation) that tell the story of the formation of the world and humanity and Anonnaki, the gods who came from heaven to create the human race. In a comprehensive study, Sonny Ramirez reveals translations of the finds as well as new discoveries in a passionate search for truth about the origin of humanity as he tries to piece together an Anunnaki connection and eventually find out whether the gods of the Earth, humans and Nibiru are still with us today. The gods Anunnaks of Earth and Nibiru share and analyze ancient texts that will encourage others to open their minds, imagine the unimaginable and dream of the possibilities that an infinite universe can have. a group of ancient Mesopotamian deities Four copper-alloy foundation figures depicting ancient Mesopotamian gods wearing characteristic horned crowns (c. 2130 BC) Anunnaki (also transcribed as Anunaki, Annunaki, Anunna, Ananaki, and other variations) are a group of deities that appear in the mythological traditions of ancient Sumerians, Akkadians and Babylonians. Descriptions of how many Anunzaks were and what role they performed are contradictory and often contradictory. In the earliest Sumerian writings about them, which come from the post- Akkadian period, Anunnaki are the most powerful deities in the pantheon, descendants of Ahn and Ki, the god of heaven and the goddess of the earth, and their main function is to issue a decree on the fate of the Sumerians. In Inna's Descent into the Underworld, Anunnaki is portrayed as the seven judges who sit in front of the throne of Ereshkigal in the underworld. Later, Akkadian texts, such as the Gilgamesh Epic, follow this image. During the Old Babylon period, Sunnaki was considered the thtonic deities of the Underworld, while the gods of heaven were known as Igigi. The ancient Hittites defined the Sunnaks as the oldest generation of gods who were overthrown and banished to the Underworld by the younger gods. Anunnaki are prominent in contemporary pseudo-archeological works, such as the books of Erich von Dariken and zacharia Sitchin. The etymology of the Akkadian cylinder print impression depicting the vegetation of the goddess, possibly Ninhursag, sitting on the throne surrounded (c. 2350-2150 BC) The name Anunnaki comes from An, the Sumerian god of heaven. The name is written in different ways da-nuna, da-nun-ke4-no or da-nun-na, which means princely descendant or A.N. Anunnaki was believed to be descendants of Ahn and his wife, the goddess of the Earth Ki. Samuel Noa Kramer identifies Ki with the Sumerian goddess mother Ninhurzah, claiming that they were originally the same figure. The oldest of Anunnake was Enlil, the god of air and the main god of the Sumerian pantheon. The Sumerians believed that before The Birth of Enlil, heaven and earth were inseparable. Enlil then split the sky and earth over two 7 and took the earth away, while his father Ahn carried the sky. The worship and iconography of Anunnaki are mainly mentioned in literary texts, and very little evidence to support the existence of any cult of them has yet to be found. This is probably due to the fact that each member of Anunnaki had his own individual cult, separate from the others. Similarly, no representations of Anunnaki as a group have yet to be found, although several images of its individual members have been identified. The deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were considered to have extraordinary abilities and were often presented as having enormous physical dimensions.
Load more

Recommended publications
  • 18.Susan Pollock.Pdf
    Archaeologies of the Middle East BLACKWELL STUDIES IN GLOBAL ARCHAEOLOGY Series Editors: Lynn Meskell and Rosemary A. Joyce Blackwell Studies in Global Archaeology is a series of contemporary texts, each care- fully designed to meet the needs of archaeology instructors and students seeking volumes that treat key regional and thematic areas of archaeological study. Each volume in the series, compiled by its own editor, includes 12–15 newly commis- sioned articles by top scholars within the volume’s thematic, regional, or temporal area of focus. What sets the Blackwell Studies in Global Archaeology apart from other available texts is that their approach is accessible, yet does not sacrifice theoretical sophistication. The series editors are committed to the idea that usable teaching texts need not lack ambition. To the contrary, the Blackwell Studies in Global Archaeology aim to immerse readers in fundamental archaeological ideas and concepts, but also to illuminate more advanced concepts, thereby exposing readers to some of the most exciting contemporary developments in the field. Inasmuch, these volumes are designed not only as classic texts, but as guides to the vital and exciting nature of archaeology as a discipline. 1 Mesoamerican Archaeology: Theory and Practice Edited by Julia A. Hendon and Rosemary A. Joyce 2 Andean Archaeology Edited by Helaine Silverman 3 African Archaeology: A Critical Introduction Edited by Ann Brower Stahl 4Archaeologies of the Middle East: Critical Perspectives Edited by Susan Pollock and Reinhard Bernbeck 5 North American Archaeology Edited by Timothy R. Pauketat and Diana DiPaolo Loren 6 The Archaeology of Mediterranean Prehistory Edited by Emma Blake and A.
    [Show full text]
  • See an Abridged List of Rulers in Mesopotamia. See Also Anatolia and the Caucasus, Arabian Peninsula, Central and North Asia, Eastern Mediterranean, and Iran
    Mesopotamia, 8000–2000 B.C. Encompasses present-day Iraq and northeastern Syria Enlarge image for more detail See an abridged list of rulers in Mesopotamia. See also Anatolia and the Caucasus, Arabian Peninsula, Central and North Asia, Eastern Mediterranean, and Iran. A universally accepted chronology for the entire ancient Near East remains to be established. On the basis of the Royal Canon of Ptolemy, a second century A.D. astronomer, regnal dates can be determined with certainty in Babylonia only as far back as 747 B.C. (the accession of King Nabonassar). Through the use of excavated royal annals and chronicles, together with lists of annually appointed limmu-officials, the chronology of Assyria can be confidently extended back to 911 B.C. (the accession of King Adad-nirari II). The earliest certain link with Egypt is 664 B.C., the date of the Assyrian sack of the Egyptian capital at Thebes. Although it is often possible to locate earlier events quite precisely relative to each other, neither surviving contemporary documents nor scientific dating methods such as carbon 14, dendrochronology, thermoluminescence, and archaeoastronomy are able to provide the required accuracy to fix these events absolutely in time. The West Asian portion of the Timeline therefore employs the common practice of using, without prejudice, the so-called Middle Chronology, where events are dated relative to the reign of King Hammurabi of Babylon, which is defined as being ca. 1792–1750 B.C. By 8000 B.C., agricultural communities are already established in northern Mesopotamia, the eastern end of the Fertile Crescent. Early in the sixth millennium B.C., farming communities, relying on irrigation rather than rainfall, settle ever further south along the Tigris and Euphrates rivers.
    [Show full text]
  • Royal Ideology in Mesopotamian Iconography of the Third and Second Millennia BCE with Special Reference to Gestures
    Royal Ideology in Mesopotamian Iconography of the Third and Second Millennia BCE with Special Reference to Gestures by Jonathan Michael Westhead Thesis presented in fulfilment of the requirements for the degree of Master of Arts in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Izak Cornelius March 2015 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2015 Copyright © 2015 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za ABSTRACT This thesis aims to examine to what extent the visual representations of ancient Mesopotamia portrayed the royal ideology that was present during the time of their intended display. The iconographic method is used in this study and this allows for a better understanding of the meaning behind the work of art. This method allows the study to better attempt to comprehend the underlying ideology of the work of art. The eight images studied date between three thousand BCE and one thousand BCE and this provides a broad base for the study. By having such a broad base it enables the study to provide a brief understanding of how the ideology adapted over two thousand years. The broad base also enables the study to examine a variety of different gestures that are portrayed on the representations.
    [Show full text]
  • Pollock-Bernbeck
    Archaeologies of the Middle East BLACKWELL STUDIES IN GLOBAL ARCHAEOLOGY Series Editors: Lynn Meskell and Rosemary A. Joyce Blackwell Studies in Global Archaeology is a series of contemporary texts, each care- fully designed to meet the needs of archaeology instructors and students seeking volumes that treat key regional and thematic areas of archaeological study. Each volume in the series, compiled by its own editor, includes 12–15 newly commis- sioned articles by top scholars within the volume’s thematic, regional, or temporal area of focus. What sets the Blackwell Studies in Global Archaeology apart from other available texts is that their approach is accessible, yet does not sacrifice theoretical sophistication. The series editors are committed to the idea that usable teaching texts need not lack ambition. To the contrary, the Blackwell Studies in Global Archaeology aim to immerse readers in fundamental archaeological ideas and concepts, but also to illuminate more advanced concepts, thereby exposing readers to some of the most exciting contemporary developments in the field. Inasmuch, these volumes are designed not only as classic texts, but as guides to the vital and exciting nature of archaeology as a discipline. 1 Mesoamerican Archaeology: Theory and Practice Edited by Julia A. Hendon and Rosemary A. Joyce 2 Andean Archaeology Edited by Helaine Silverman 3 African Archaeology: A Critical Introduction Edited by Ann Brower Stahl 4Archaeologies of the Middle East: Critical Perspectives Edited by Susan Pollock and Reinhard Bernbeck 5 North American Archaeology Edited by Timothy R. Pauketat and Diana DiPaolo Loren 6 The Archaeology of Mediterranean Prehistory Edited by Emma Blake and A.
    [Show full text]
  • What Is a Temple? a Preliminary Typology 85
    5 WhatIs a Temple? A Preliminary Typology John M. Lundquist As we attempt to determine what constitutes a temple and its ritual in the ancient Near East, it becomes evident that we find in the temple 1 of Solomon many kinds of archaeological problems, ones that involve architecture, interior and exterior furnishings, ritual installations, arrangements of courtyards, and relationships to other buildings-and yet, there are no archaeological remains of Solomon's Temple. The accounts of Solomon's Temple also present us with philological or text problems. We find in the Bible descriptions of building procedures and descriptions of the cult carried out within the temple. And yet the bibli­ cal material is beset with problems: it is diffuse, separated chronologically, and in some cases contradictory within itself, as is the case with the descriptions given in 1 Kings and 2 Chronicles of various architectural details. 2 Rare indeed is an instance anywhere in ancient western Asia where we have the union of standing or excavated temple remains and texts that can be unequivocally related to the ritual practices of that temple. 3 When we face these This chapter originally appearedin H. B. Huffman, F. A. Spina, and A. R. W. Green, eds., The Quest for the Kingdom of God: Studies in Honor of George E. Mendenhall (Winona Lake, Indiana: Eisenbrauns, 1983). 83 84 JOHN M. LUNDQUIST I deficiencies with regard to the temple of Solomon, we are led inevitably to the comparative method, and we attempt to relate architectural remains and ritual texts from sur­ rounding cultures to those descriptions given in the Old Testament.
    [Show full text]
  • The Morgan Mounts Exhibition of Extremely Rare Copper Figures from Ancient Mesopotamia
    Press Contacts Michelle Perlin 212.590.0311, [email protected] f Patrick Milliman 212.590.0310, [email protected] THE MORGAN MOUNTS EXHIBITION OF EXTREMELY RARE COPPER FIGURES FROM ANCIENT MESOPOTAMIA Founding Figures: Copper Sculpture from Ancient Mesopotamia, ca. 3300–2000 B.C. May 13 through August 21, 2016 New York, NY, April 7, 2016 — Standing about a foot tall, the small yet monumental “foundation figures” in ancient Mesopotamia were not created to be seen by mortal eyes. Cast in copper and placed beneath the foundation of a building, often a temple, they were intentionally buried from prying humans. Perhaps only intended for the gods, they combine both abstract and natural forms and were created at the behest of royal rulers concerned with leaving a record of their humanity, deeds, and civilization. Surviving examples are exceedingly rare and a new exhibition at the Morgan Library & Museum, Founding Figures: Copper Sculpture from A Neo Sumerian Copper Foundation Figure of King Ur-Namma (detail). Mesopotamian, Third Dynasty of Ur, ca. 2112–2004 B.C. Ancient Mesopotamia, ca. 3300–2000 B.C., reign of King Ur-Namma, ca. 2112–2094 B.C. The Morgan Library & Museum, Purchased by J. P. Morgan, Paris, 1907. brings together ten outstanding works, including ancient cylinder seals, from several public and private collections such as the Metropolitan Museum of Art and the Babylonian Collection of Yale University. With the Morgan’s own Foundation Figure of King Ur-Namma serving as centerpiece, the show demonstrates how the medium of copper allowed sculptors to explore a variety of forms with a fluidity not available in traditional stone, resulting in figures of exceptional grace and delicacy.
    [Show full text]
  • Foundation Figure of Ur-Namma Mesopotamia, Land of Sumer, Late 3Rd Millennium BC
    © Fondation Gandur pour l’Art. Photographer: André Longchamp Foundation figure of Ur-Namma Mesopotamia, land of Sumer, late 3rd millennium BC. Copper alloy, solid-cast 27.6 x 8.8 x 5.2 cm FGA-ARCH-PO-0024 Provenance Former collection Walter Vahldieck (1902-1992), Berlin, acquired in 1940 Sold in 2001 at Jeschke, Greve & Hauff, Berlin, 05-08.11.2001, lot n° 4108 Then private collection Acquired at Christie’s, New York, 07.12.2006, lot n° 47 Previous publications Jean-Luc CHAPPAZ, Corps et esprits. Regards croisés sur la Méditerranée antique, exhibition catalogue [Geneva, Musée d’art et d’histoire, 30.01-27.04.2014], Milan, 5 Continents Éditions, 2014, p. 119, n° 78. Frédéric MOUGENOT, Myriame MOREL-DELEDALLE et al., Migrations divines, exhibition catalogue [Marseille, MuCEM, 24.06-16.11.2015], Arles, Actes Sud, 2015, p. 17, n° 2. 1 The first legislator in history A foundation figure of king Ur-Namma A long time ago, when a king built a palace or a temple, he would seize the opportunity to leave his name and image in the foundations of the structure, as a reminder for all eternity of his outstanding qualities and the strength of the bonds he had tied with gods. The object presented here comes from the remote land of Sumer, and it is one of the most ancient pieces of the collection, as it dates back to the late 3rd millennium BC. This oriental king proudly carrying a basket above his head raises two questions: what entices kings to build monuments? Which qualities did Mesopotamians expect from a good king? Ur-Namma, king of Sumer and Akkad Is it a man or a peg? Both! This piece is both the figure of a standing man, depicted bare-chested and with his legs sheathed in a loincloth, and an anchorage tool with its pointed end (fig.
    [Show full text]
  • Zecharia Sitchin on the Anunnaki
    Zecharia Sitchin on the Anunnaki As detailed in my books, beginning with The 12th Planet (1976) and even more so in Genesis Revisited and The Cosmic Code, the Anunnaki came to Earth some 450,000 years ago from the planet Nibiru – a member of our own solar system whose great orbit brings it to our part of the heavens once every 3,600 years. They came here in need of gold, with which to protect their dwindling atmosphere. Exhausted and in need of help in mining the gold, their chief scientist Enki suggested that they use their genetic knowledge to create the needed Primitive Workers. When the other leaders of the Anunnaki asked: How can you create a new being? He answered: "The being that we need already exists; all that we have to do is put our mark on it.” The time was some 300,000 years ago. What he had in mind was to upgrade genetically the existing hominids, who were already on Earth through Evolution, by adding some of the genes of the more advanced Anunnaki. That the Anunnaki, who could already travel in space 450,000 years ago, possessed the genomic science (whose threshold we have now reached) is clear not only from the actual texts but also from numerous depictions in which the double-helix of the DNA is rendered as Entwined Serpents (a symbol still used for medicine and healing) -- see illustration ‘A’ below. When the leaders of the Anunnaki approved the project (as echoed in the biblical ”Let us fashion the Adam”), Enki with the help of Ninharsag, the Chief Medical Officer of the Anunnaki, embarked on a process of genetic engineering, by adding and combining genes of the Anunnaki with those of the already-existing hominids.
    [Show full text]