The Beginner's Guide to the Internet Underground 2Nd
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Sistemas Distribuidos
+ Sistemas P2P Debate Rodrigo Santamaría + 2 Introducción Los sistemas P2P tienen una historia cruzada en la que se mezcla Informática Derecho Economía Política … Filosofía? + 3 P2P y Derecho Aspectos relevantes Primera generación P2P -> Juicio a Napster (1999) Culpable de ‘colaboración ilegal en la distribución de material con derechos de copia’ ‘La copia de productos comprados legalmente es ilegal si se realiza en masa/con ánimo de lucro’ Segunda generación P2P -> Juicio a Pirate Bay (2008) Culpable de ‘colaboración legal en la distribución de material con derechos de copia’ Casos tangenciales -> Megaupload (2012) Procesos legislativos -> Ley Sinde, ACTA, SOPA, PIPA + 4 P2P y Derecho Actualidad legal Directiva europea sobre derechos de copia1 – Art 15, “impuesto por enlace”: se impone un impuesto a los enlaces a contenidos con derecho de copia2 ● Antecedentes: tasa Google en España – Art 17, “filtro de subida” o “prohibición de memes”: se obliga a los servidores de implementar filtros para detectar infracciones del derecho de copia3, 4 Licencias con libertad de copia (copyleft): – Creative Commons, GPL 3.05 1 https://en.wikipedia.org/wiki/Directive_on_Copyright_in_the_Digital_Single_Market 3 Carta abierta a Axel Voss sobre el art. 15 (inicialmente 11): http://vis.usal.es/rodrigo/documentos/sisdis/seminarios/openLetterArt11.pdf 2 Opinión de Jaime Altozano (Youtuber) https://www.youtube.com/watch?v=ilEsBgbm7Fo 3 Carta abierta de Berners Lee et al. sobre el art. 17 (inicialmente 13): http://vis.usal.es/rodrigo/documentos/sisdis/seminarios/openLetterArt13.pdf 5 Declaración de Richard Stallman sobre GPL3.0 https://www.gnu.org/licenses/rms-why-gplv3.html + 5 P2P y Derecho Preguntas ¿Debe primar el derecho de copia/propiedad intelectual o el derecho de información/expresión? ¿Qué efectos tiene sobre ambos derechos la directiva sobre copyright de la UE (esp. -
IIT Bombay X - Fdp101x Foundation Program in ICT for Education Course Journal
IIT Bombay X - FDP101x Foundation Program in ICT for Education Course Journal Prepared by S. Suneel Kumar Associate Professor, VJIT College of Engineer, Hyderabad, Telangana. Page 0 INDEX o INTRODUCTION TO FDP o WEEK-1: MOVING FROM PHYSICAL TO ONLINE CLASSROOMS o WEEK-2: WEB PRESENCE FOR TEACHERS o WEEK-3: LEARNING MANAGEMENT SYTEMS & FLIPPED CLASSROOM ACTIVITY, VISUAL PRESENTATION SKILLS o WEEK-4: CREATING YOUR OWN VIDEO RESOURCES o WEEK-5: PUTTING IT ALL TOGETHER o CONCUSION S. Suneel kumar Page 1 INTRODUCTION Teaching is a continual process to share the information to students or mentors through various processes like traditional teaching method using blackboard & chalk. As technology developed this type of traditional teaching may not reaching to brains of students. Now technical aspects of teaching required for students. For this teacher and students both should be technically skilled to teach and learn. This FDP on “Foundation program in ICT for Education” helpful for teacher to implement the Hybrid Technology in teaching. This course contents helpful in learning aspects related to basic computer applications utilization in preparation of contents, visual presentation skills, data storage and implementation through wordpress, course contents by using moodle and drupal, screen cast recording of video and creative contents preparation. This course helps in preparation of video to implementation of course for hybrid teaching process. S. Suneel kumar Page 2 1) INTRODUCTION TO FDP 1. Introduction by Prof. Deepak Phatak, the Principal Investigator of T10KT project at IIT bombay. 2. Introduction focused on reasons for technology education from conventional or tradition education as information provider to become learning facilitators. -
1 1 UNIVERSIDAD DE LOS ANDES FACULTAD DE CIENCIAS SOCIALES DEPARTAMENTO DE ANTROPOLOGÍA INTERFAZ HACK Lo Hacker Como Interfaz Y
1 UNIVERSIDAD DE LOS ANDES FACULTAD DE CIENCIAS SOCIALES DEPARTAMENTO DE ANTROPOLOGÍA INTERFAZ HACK Lo hacker como Interfaz y la Propiedad Intelectual como Fricción Trabajo de grado para optar por el título de Doctor en Antropología Por Rodulfo Armando Castiblanco Carrasco Código: 201123275 Director Doctor Pablo Jaramillo Salazar. Bogotá 26 de agosto de 2016 1 2 Para Amelia, la niña de las pestañas exorbitantes. 2 3 TABLA DE CONTENIDO INDICE DE ILUSTRACIONES ................................................................................................. 5 LISTADO DE ORGANIZACIONES .......................................................................................... 7 AGRADECIMIENTOS ................................................................................................................ 8 INTRODUCCIÓN. INTERFAZHACK .................................................................................... 10 CAPÍTULO 1. HACKING ......................................................................................................... 22 1.1 EXPERTICIAS ................................................................................................................... 23 1.1.1 La Esencia del Hacking: Buscar Caminos de Acceso ................................................. 26 1.1.2 Entre el disfrute y lo colectivo ..................................................................................... 38 1.2 AGENCIA POLÍTICA ........................................................................................................ 43 1.2.1 -
Selected Filmography of Digital Culture and New Media Art
Dejan Grba SELECTED FILMOGRAPHY OF DIGITAL CULTURE AND NEW MEDIA ART This filmography comprises feature films, documentaries, TV shows, series and reports about digital culture and new media art. The selected feature films reflect the informatization of society, economy and politics in various ways, primarily on the conceptual and narrative plan. Feature films that directly thematize the digital paradigm can be found in the Film Lists section. Each entry is referenced with basic filmographic data: director’s name, title and production year, and production details are available online at IMDB, FilmWeb, FindAnyFilm, Metacritic etc. The coloured titles are links. Feature films Fritz Lang, Metropolis, 1926. Fritz Lang, M, 1931. William Cameron Menzies, Things to Come, 1936. Fritz Lang, The Thousand Eyes of Dr. Mabuse, 1960. Sidney Lumet, Fail-Safe, 1964. James B. Harris, The Bedford Incident, 1965. Jean-Luc Godard, Alphaville, 1965. Joseph Sargent, Colossus: The Forbin Project, 1970. Henri Verneuil, Le serpent, 1973. Alan J. Pakula, The Parallax View, 1974. Francis Ford Coppola, The Conversation, 1974. Sidney Pollack, The Three Days of Condor, 1975. George P. Cosmatos, The Cassandra Crossing, 1976. Sidney Lumet, Network, 1976. Robert Aldrich, Twilight's Last Gleaming, 1977. Michael Crichton, Coma, 1978. Brian De Palma, Blow Out, 1981. Steven Lisberger, Tron, 1982. Godfrey Reggio, Koyaanisqatsi, 1983. John Badham, WarGames, 1983. Roger Donaldson, No Way Out, 1987. F. Gary Gray, The Negotiator, 1988. John McTiernan, Die Hard, 1988. Phil Alden Robinson, Sneakers, 1992. Andrew Davis, The Fugitive, 1993. David Fincher, The Game, 1997. David Cronenberg, eXistenZ, 1999. Frank Oz, The Score, 2001. Tony Scott, Spy Game, 2001. -
GLOBAL CENSORSHIP Shifting Modes, Persisting Paradigms
ACCESS TO KNOWLEDGE RESEARCH GLOBAL CENSORSHIP Shifting Modes, Persisting Paradigms edited by Pranesh Prakash Nagla Rizk Carlos Affonso Souza GLOBAL CENSORSHIP Shifting Modes, Persisting Paradigms edited by Pranesh Pra ash Nag!a Ri" Car!os Affonso So$"a ACCESS %O KNO'LE(GE RESEARCH SERIES COPYRIGHT PAGE © 2015 Information Society Project, Yale Law School; Access to Knowle !e for "e#elo$ment %entre, American Uni#ersity, %airo; an Instituto de Technolo!ia & Socie a e do Rio+ (his wor, is $'-lishe s'-ject to a %reati#e %ommons Attri-'tion./on%ommercial 0%%.1Y./%2 3+0 In. ternational P'-lic Licence+ %o$yri!ht in each cha$ter of this -oo, -elon!s to its res$ecti#e a'thor0s2+ Yo' are enco'ra!e to re$ro 'ce, share, an a a$t this wor,, in whole or in part, incl' in! in the form of creat . in! translations, as lon! as yo' attri-'te the wor, an the a$$ro$riate a'thor0s2, or, if for the whole -oo,, the e itors+ Te4t of the licence is a#aila-le at <https677creati#ecommons+or!7licenses7-y.nc73+07le!alco e8+ 9or $ermission to $'-lish commercial #ersions of s'ch cha$ter on a stan .alone -asis, $lease contact the a'thor, or the Information Society Project at Yale Law School for assistance in contactin! the a'thor+ 9ront co#er ima!e6 :"oc'ments sei;e from the U+S+ <m-assy in (ehran=, a $'-lic omain wor, create by em$loyees of the Central Intelli!ence A!ency / em-assy of the &nite States of America in Tehran, de$ict. -
An Exploration of Social Practices and Ad Hoc Labeling Standards in Online Movie Piracy
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Tietzmann, Roberto; Gross Furini, Liana Article Sharing without laws: an exploration of social practices and ad hoc labeling standards in online movie piracy Internet Policy Review Provided in Cooperation with: Alexander von Humboldt Institute for Internet and Society (HIIG), Berlin Suggested Citation: Tietzmann, Roberto; Gross Furini, Liana (2016) : Sharing without laws: an exploration of social practices and ad hoc labeling standards in online movie piracy, Internet Policy Review, ISSN 2197-6775, Alexander von Humboldt Institute for Internet and Society, Berlin, Vol. 5, Iss. 2, pp. 1-15, http://dx.doi.org/10.14763/2016.2.416 This Version is available at: http://hdl.handle.net/10419/214015 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
¿Derecho De Autor O Propiedad Intelectual? Nuevas Posibilidades En Internet
III Jornadas de Investigación en Edición, Cultura y Comunicación 2015 | FILO:UBA ¿Derecho de autor o propiedad intelectual? Nuevas posibilidades en internet Félix Wuhl / Universidad de Buenos Aires › Introducción Los cambios en la tecnología de las telecomunicaciones y el acceso a la información han transformado las lógicas de consumo y producción de las distintas formas de contenido. Especialmente, han afectado la forma en la que la información circula: la gran mayoría ya no necesita de un soporte material que deba ser entregado de mano en mano, sino que basta con el acceso a un dispositivo con internet. Este marco trae aparejadas nuevas formas de concebir la creación en tanto acto, objeto, responsables, público, etcétera. Los viejos modelos (de negocios y legales, entre otros) han quedado obsoletos o intentan aplicar los conceptos de la era analógica a las particularidades digitales sin demasiado éxito. Las novedades surgen de a poco, generalmente a través de la fórmula de ensayo y error, ya que la administración de derechos analógicos en entorno digital en un mundo cada vez más pequeño y globalizado prueba ser particularmente difícil. Consideramos que en este momento sería provechoso plantear una discusión que podría servir de trasfondo conceptual para el desarrollo de nuevas políticas de derechos de autor, políticas que deben ser, necesariamente, gestadas en el marco de internet. Esta discusión consiste en cómo se perciben (o cómo se deberían percibir) las creaciones, las obras: si deben ser vistas iguales a una propiedad material (propiedad intelectual) o como un derecho sobre un objeto inmaterial (derecho de autor). No es el objetivo de este trabajo saldar el problema; ambas posturas tienen su mérito. -
How to Download Torrent Anonymously How to Download Torrent Anonymously
how to download torrent anonymously How to download torrent anonymously. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66b6c3aaaba884c8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download Torrents Anonymously: 6 Safe And Easy Ways. Who doesn’t want to know how to download torrents anonymously? The thing is, in order to download torrents anonymously you don’t need to have a lot of technical know-how. All you need to download torrents anonymously is some grit and a computer with an internet connection. The technology world never remains the same. In fact, new development and discoveries come to the surface of this industry every day. They also come into the attention of online users every year. Moreover, this allows us to do much more than we could do in the past, in faster and easier ways. A highly relevant aspect to mention at this stage is that: Now we can also download torrents anonymously from best torrent sites. -
No Torrent Download Using Vpn Torrenting Without a VPN: a Terrible Idea in 2021 & Any Other Year
no torrent download using vpn Torrenting Without a VPN: A Terrible Idea in 2021 & Any Other Year. We’ve all wanted to watch a movie or TV show or play a game that wasn’t immediately available to us. Maybe you want to watch The Shield but all you have is a Netflix subscription, or you want to play a game that isn’t on Steam. The easiest thing you can do is to torrent whatever you want, but before you do so, you need to know that torrenting without a VPN is a terrible idea. This is because in most countries (check out our censorship map for which ones, specifically) torrenting has been made illegal, and it will mean fines and maybe even prison when you get caught. Note that we said “when,” not “if.” Detection methods have only improved since the first time some poor soul got hit with a digital cease-and-desist notice about 15 years ago. The only good way to stay safe while torrenting is by using a virtual private network, an app that will encrypt your internet connection and hide your IP address. There are lots of good reasons to use a VPN, and we recommend everybody use one, but they are absolutely vital when downloading copyrighted material. We have selected several services for our ranking of the best VPNs for torrenting, but if you’re in a hurry you should just go ahead and check out NordVPN. It’s a great VPN and has several features that make it a must for torrenters. -
VPN Report 2020
VPN Report 2020 www.av-comparatives.org Independent Tests of Anti-Virus Software VPN - Virtual Private Network 35 VPN services put to test LANGUAGE : ENGLISH LAST REVISION : 20 TH MAY 2020 WWW.AV-COMPARATIVES.ORG 1 VPN Report 2020 www.av-comparatives.org Contents Introduction 4 What is a VPN? 4 Why use a VPN? 4 Vague Privacy 5 Potential Risks 5 The Relevance of No-Logs Policies 6 Using VPNs to Spoof Geolocation 6 Test Procedure 7 Lab Setup 7 Test Methodology 7 Leak Test 7 Kill-Switch Test 8 Performance Test 8 Tested Products 9 Additional Product Information 10 Consolidations & Collaborations 10 Supported Protocols 11 Logging 12 Payment Information 14 Test Results 17 Leak & Kill-Switch Tests 17 Performance Test 19 Download speed 20 Upload speed 21 Latency 22 Performance Overview 24 Discussion 25 General Security Observations 25 Test Results 25 Logging & Privacy Policies 26 Further Recommendations 27 2 VPN Report 2020 www.av-comparatives.org Individual VPN Product Reviews 28 Avast SecureLine VPN 29 AVG Secure VPN 31 Avira Phantom VPN 33 Bitdefender VPN 35 BullGuard VPN 37 CyberGhost VPN 39 ExpressVPN 41 F-Secure Freedome 43 hide.me VPN 45 HMA VPN 47 Hotspot Shield 49 IPVanish 51 Ivacy 53 Kaspersky Secure Connection 55 McAfee Safe Connect 57 mySteganos Online Shield VPN 59 Norton Secure VPN 63 Panda Dome VPN 65 Private Internet Access 67 Private Tunnel 69 PrivateVPN 71 ProtonVPN 73 PureVPN 75 SaferVPN 77 StrongVPN 79 Surfshark 81 TorGuard 83 Trust.Zone VPN 85 TunnelBear 87 VPNSecure 89 VPN Unlimited 91 VyprVPN 93 Windscribe 95 ZenMate VPN 97 Copyright and Disclaimer 99 3 VPN Report 2020 www.av-comparatives.org Introduction The aim of this test is to compare VPN services for consumers in a real-world environment by assessing their security and privacy features, along with download speed, upload speed, and latency. -
Intellectual Property
Carleton University Department of Law and Legal Studies Course Outline COURSE: LAWS 3202A – Intellectual Property TERM: WINTER 2019 PREREQUISITES: 1.0 Credit from LAWS 2201, 2202, 2501, 2502 CLASS: Day & Time: Mondays, 8:35 – 11:25 am Room: Please check Carleton Central for current room location INSTRUCTOR: Dr. Sheryl N. Hamilton CONTACT: Office: Loeb Building C463 and 2306 Richcraft Hall Office Hrs: Tuesdays 9:30 – 11:30 am, or by appointment (Loeb office) Telephone: X. 1178 and X. 1975 Email: [email protected] CALENDAR COURSE DESCRIPTION Critical assessment of copyright, patents, trademarks, trade secrets and other forms of intellectual property; regulation and governance of information technology including self-regulation, standard setting, licensing, competition policy and international dimensions. COURSE DESCRIPTION From sporting franchises being challenged for their racialized/racist trademarked logos, to pharmaceutical company CEO’s hiking the prices of popular patented drugs, to high profile music artists being sued (still) for copying the songs of other artists, to various communities either rejecting or eschewing intellectual property rights, intellectual property issues are in our newsfeeds virtually every day, in Canada and around the world. These disputes impact our mediascape, our healthcare system, our built environment, our ideas of who is a criminal and who is an activist, the global information economy, and more. Intellectual property laws and policies are framed, enacted and violated by different commercial, public and private actors in ways that directly affect our access to creative works, new and useful products, and quality brands of goods and services that we rely upon to make our lives possible and meaningful. -
Peer-To-Peer File Sharing As User Rights Activism Michael A
Western Journal of Legal Studies Volume 5 Article 3 Issue 3 State Encroachment on Personal Lives February 2015 Peer-to-Peer File Sharing as User Rights Activism Michael A. Gunn University of Western Ontario, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/uwojls Part of the Civil Law Commons, Civil Rights and Discrimination Commons, Common Law Commons, Communications Law Commons, Communication Technology and New Media Commons, Comparative and Foreign Law Commons, Computer Law Commons, Consumer Protection Law Commons, E-Commerce Commons, Economic History Commons, European Law Commons, Human Rights Law Commons, Intellectual Property Law Commons, International Law Commons, Internet Law Commons, Law and Economics Commons, Law and Philosophy Commons, Law and Society Commons, Legal History Commons, Science and Technology Law Commons, and the Science and Technology Policy Commons Recommended Citation Michael A. Gunn , "Peer-to-Peer File Sharing as User Rights Activism", (2015) 5:3 online: UWO J Leg Stud 3 <https://ir.lib.uwo.ca/ uwojls/vol5/iss3/3>. This Article is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Western Journal of Legal Studies by an authorized editor of Scholarship@Western. For more information, please contact [email protected], [email protected]. Peer-to-Peer File Sharing as User Rights Activism Abstract The pre-digital marketplace is no longer sustainable. With the imposition of digital rights management restrictions on the distribution of media, the Internet cannot promote intellectual freedom. Peer-to-peer file sharing technology helps expose the work of artists and authors to a much wider audience than previously possible.