DOCSLIB.ORG

Monday Playlist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Monday Playlist September 9, 2019: (Full-page version) Close Window “To send light into the darkness of men's hearts—such is the duty of the artist.” — Robert Schumann Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, 00:01 Buy Now! Beethoven Overture ~ Egmont, Op. 84 Academy of Ancient Music/Hogwood L'Oiseau Lyre 443 267 028944326727 Awake! 00:10 Buy Now! Chopin Bolero In C, Op. 19 Cyprien Katsaris Sony 53355 074645335520 00:18 Buy Now! Busoni Turandot Suite, Op. 41 Hong Kong Philharmonic/Wong Naxos 8.555373 747313537327 01:00 Buy Now! Mendelssohn Overture ~ A Midsummer Night’s Dream, Op. 21 Boston Symphony/Davis Philips 442 302 028944230222 01:12 Buy Now! Haydn Symphony No. 048 in C, "Maria Theresia" Austro-Hungarian Haydn Orchestra/Fischer Nimbus 5531 710357553028 01:40 Buy Now! Brahms Seven Fantasias, Op. 116 Imogen Cooper BBC MM29D n/a Concerto in B minor for 4 Violins and Cello, Op. 02:01 Buy Now! Vivaldi English Concert/Pinnock Archiv 447 284 028944728422 3 No. 10 02:12 Buy Now! Cui Miniature Suite, Op. 20 Hong Kong Philharmonic/Schermerhorn Hong Kong 8.220308 N/A 02:27 Buy Now! Goldmark Violin Concerto in A minor, Op. 28 Milstein/Philharmonia/Blech EMI 47421 07777474212 Serenade No. 12 in C minor (for winds), K. 388 03:00 Buy Now! Mozart Los Angeles Philharmonic/Zukerman Sony Classical 62412 074646241226 "Nacht Musique" 03:25 Buy Now! Rabaud Divertimento on Russian Songs, Op. 2 Loire Philharmonic/Derveaux EMI Classics 63951 077776395128 03:38 Buy Now! Chabrier Pastoral Suite French National Orchestra/Jordan Erato 88018 3269658801828 Rimsky- 04:00 Buy Now! Sadko, Op. 5 (Symphonic Poem) USSR Symphony/Svetlanov Melodiya 34165 743213416526 Korsakov Koch International 04:12 Buy Now! D'Indy Souvenirs, Op. 62 Monte Carlo Philharmonic Orchestra 7348 099923734826 Classics 04:32 Buy Now! Gliere Harp Concerto in E flat, Op. 74 Erdeli/Moscow Radio TV Symphony/Khaikin One Media n/a 885686099810 05:01 Buy Now! Strauss, R. Don Juan, Op. 20 (Symphonic Poem) Dresden State Orchestra/Sinopoli DG 435 790 028943579025 05:21 Buy Now! Rossini Overture ~ The Barber of Seville Orpheus Chamber Orchestra DG 415 363 028941536327 Rise and Shine! 05:30 Buy Now! Paganini Sonata for Violin and Guitar, Op. 64 No. 1 Perlman/Williams CBS 34508 07464345082 05:38 Buy Now! Vivaldi Flute Concerto in D, RV 428 "Il cardellino" Galway/New Irish Chamber Orchestra RCA 61351 090266135127 05:48 Buy Now! Fill Music: anncr selects 06:01 Buy Now! Strauss Jr. Be Embraced, Ye Millions (Waltz) Czecho-Slovak State Philharmonic/Walter Marco Polo 8.223219 4891030232198 06:10 Buy Now! Bach Courante ~ Partita No. 4 in D, BWV 828 Angela Hewitt Hyperion 67191/2 034571171913 06:15 Buy Now! Haydn Divertimento in B flat Vienna Quintet Nimbus 5479 710357547928 06:26 Buy Now! Glazunov Three Dances ~ Ballet Scenes, Op. 52 USSR Radio Symphony/Rozhdestvensky Melodiya 104 5015524001049 06:38 Buy Now! Buxtehude Trio Sonata No. 7 in E minor, BuxWV 258 Boston Museum Trio Centaur 2391 044747239125 3rd mvt (Menuetto) ~ Symphony No. 4 in B flat, 06:45 Buy Now! Beethoven Berlin Philharmonic/Abbado DG 289 471 488 028947148821 Op. 60 06:52 Buy Now! Walton Crown Imperial (Coronation March) Royal Philharmonic Orchestra/Previn Telarc 80125 08940801252 07:00 Buy Now! Mozart Overture ~ The Magic Flute, K. 620 Royal Promenade Orchestra/Simpson Quintessence 2030 015095203021 07:08 Buy Now! Gershwin Lullaby for Strings Indianapolis Symphony/Leppard Decca 458 157 028945845725 07:18 Buy Now! Boyce Symphony No. 1 in B flat Aradia Ensemble/Mallon Naxos 8.557278 747313227822 07:26 Buy Now! Tchaikovsky Melody ~ Memory of a Dear Place, Op. 42 Chan/Koenig Ambassador 1017 7266181701723 07:31 Buy Now! Albinoni Violin Concerto in A, Op. 9 No. 4 Ayo/I Musici Philips 426 080 028942608023 07:43 Buy Now! Lehar Gold and Silver Waltz Salon Orchestra of Cologne RCA 69297 094786929723 07:52 Buy Now! Dvorak Slavonic Dance in E minor, Op. 72 No. 2 Minnesota Orchestra/Oue Reference Recordings 92 030911109226 07:59 Buy Now! Sibelius Finlandia, Op. 26 Boston Symphony/Davis Philips 446 160 028944616026 08:08 Buy Now! Fauré Kitty-valse ~ the Dolly Suite, Op. 56 Katia & Marielle Labeque Decca 483 2499 028948324996 08:12 Buy Now! Mendelssohn Overture ~ The Marriage of Camacho, Op. 10 Bamberg Symphony/Flor RCA 7905 0786357905 08:20 Buy Now! Minkus Grand Pas de Deux ~ Don Quixote: Act III Cincinnati Pops/Kunzel Telarc 80625 089408062520 08:28 Buy Now! Ravel Bolero French National Orchestra/Inbal Denon 1797 081759002804 08:43 Buy Now! Godefroid Concert Etude in E flat minor, Op. 193 Susan Drake Hyperion 66038 034571160382 08:48 Buy Now! Fill Music: anncr selects Musical Heritage 09:01 Buy Now! Bizet Carmen Suite No. 2 Mexico City Philharmonic/Batiz 512232M N/A Society Musical Heritage 09:24 Buy Now! Delius The Walk to the Paradise Garden London Symphony/Wordsworth 513964 717794396423 Society 09:36 Buy Now! Wagner Overture & Venusberg Bacchanale ~ Tannhäuser Berlin Philharmonic/Maazel RCA 63143 090266314324 Classical Café 10:00 Buy Now! Haydn Symphony No. 104 in D, "London" Austro-Hungarian Haydn Orch/Fischer Nimbus 5230 083603523022 10:31 Buy Now! Rossini The Fantastic Toyshop Boston Pops/Fiedler RCA Victor 61847 090266184729 11:00 Buy Now! Beethoven Symphony No. 1 in C, Op. 21 Minnesota Orchestra/Vanska Bis 1825/26 7318591825265 Sonata No. 1 in E flat for Lute and Harpsichord, 11:27 Buy Now! Bach Bream/Malcolm RCA 5841 07863558412 BWV 525 11:39 Buy Now! Gretry String Quartet No. 6 in C minor Haydn Quartet Koch/Schwann 310 158 9002723101584 11:49 Buy Now! Offenbach Overture ~ La Belle Helene City of Birmingham Symphony/Fremaux EMI 63024 0077776302423 Adagio of Spartacus and Phrygia (Love Theme) 12:00 Buy Now! Khachaturian Cincinnati Pops/Kunzel Telarc 80657 089408065729 ~ Spartacus 12:11 Buy Now! Schubert Piano Piece in E flat, D. 946 No. 2 Maria Joao Pires DG 457 550 028945755021 12:24 Buy Now! Handel Concerto Grosso in B flat, Op. 6 No. 7 Boston Baroque/Pearlman Telarc 80688 089408068829 12:39 Buy Now! Fill Music: anncr selects 12:48 Buy Now! Tchaikovsky Pas de deux ~ Act I, Swan Lake, Op. 20 Saint Louis Symphony/Slatkin RCA Red Seal 7804 07863578042 As You Like It 13:01 Buy Now! Balakirev Overture ~ King Lear Singapore Symphony/Hoey Hong Kong 8.220324 N/A 13:14 Buy Now! Grieg 3 Orchestral Pieces ~ Sigurd Jorsalfar, Op. 56 Malmö Symphony/Engeset Naxos 8.508015 747313801534 13:32 Buy Now! Viotti Violin Concerto No. 22 in A minor Perlman/Juilliard Orchestra/Foster EMI 56750 724355675026 Anderson/Hungarian State 14:01 Buy Now! Brahms Piano Concerto No. 1 in D minor, Op. 15 Nimbus 5349 083603534929 Symphony/Fischer 14:53 Buy Now! Saint-Saëns Romance, Op. 37 Stoltzman/Allen RCA 60198 090266019823 15:01 Buy Now! Bach Brandenburg Concerto No. 4 in G, BWV 1049 Academy of Ancient Music/Hogwood L'Oiseau Lyre 414 187 028941418722 15:18 Buy Now! Offenbach Gaité Parisienne Berlin Philharmonic/Karajan DG 423 215 028942321526 15:49 Buy Now! Schubert Impromptu in B flat, D. 935 No. 3 Marc-Andre Hamelin Hyperion 68213 034571282138 Allegro! 16:01 Buy Now! Weber Overture ~ Oberon Leningrad Philharmonic/Mravinsky Melodia 1141 T4988002100590 4th mvt (Allegro) ~ Symphony No. 19 in E flat, Academy of St. Martin-in-the- 16:10 Buy Now! Mozart Philips 422 602 028942250123 K. 132 Fields/Marriner Debost/Chamber Orchestra of 16:16 Buy Now! Vivaldi Flute Concerto in F, Op. 10 No. 5 EMI 69143 5099976914324 Toulouse/Auriacombe 16:25 Buy Now! Wagner Entry of the Guests at Wartburg ~ Tannhauser Philadelphia Orchestra/Ormandy Sony 62403 074646240328 Finale (Rondo) ~ Piano Concerto No. 2 in B flat, 16:34 Buy Now! Beethoven Andsnes/Mahler Chamber Orchestra Sony 88883705482 888837054829 Op. 19 Royal Scottish National Orchestra/Lloyd- 16:41 Buy Now! Holst A Somerset Rhapsody, Op. 21 No. 2 Naxos 8.553696 730099469623 Jones 16:51 Buy Now! Boyce Symphony No. 5 in D Academy of Ancient Music/Hogwood L'Oiseau Lyre 443 267 028944326727 17:00 Buy Now! Auber Overture ~ Fra Diavolo Dresden State Orchestra/Vonk Ars Vivendi 036 4101380000492 Academy of St. Martin-in-the- 17:09 Buy Now! Wassenaer Concerto in B flat Argo 410 205 028941020529 Fields/Marriner 17:19 Buy Now! Saint-Saëns Havanaise, Op. 83 Chang/Philadelphia Orchestra/Sawallisch EMI 55026 724355502629 17:30 Buy Now! Strauss Jr. Vienna Blood Waltz Chicago Symphony/Reiner RCA Victor 60844 090266084425 Wedding Day at Troldhaugen ~ Lyric Pieces, Op. 17:39 Buy Now! Grieg Sviatoslav Richter Live Classics 442 4015512004428 65 17:47 Buy Now! German Country Dance ~ Nell Gwyn Czecho-Slovak Radio Symphony/Leaper Marco Polo 8.223419 4891030234192 Trumpet Concerto for the Festival on the 17:51 Buy Now! Lalande Touvron/Paillard Chamber Orchestra Erato 45220 022924522024 Versailles Canal Orchestra of the German Opera, 18:01 Buy Now! Strauss, R. Dance of the Seven Veils ~ Salome DG 289 479 4648028947946489 Berlin/Sinopoli Finale (Allegro vivace) ~ Piano Concerto in A 18:11 Buy Now! Paderewski Tirino/Polish Nat'l RSO/Bartos Newport Classics 85525 n/a minor Musical Heritage 18:21 Buy Now! Handel Concerto Grosso in B flat, Op. 3 No. 1 Concentus Musicus of Vienna/Harnoncourt 522468K n/a Society 18:31 Buy Now! Fill Music: anncr selects Divertimento in E flat for Two Horns & String 18:42 Buy Now! Haydn Koster/L'Archibudelli Sony 68253 074646825327 Quartet WCPE Concert 19:00 Buy Now! Renaissance Fare George Douglas Hall 20:02 Buy Now! Borodin Symphony No. 2 in B minor Suisse Romande Orchestra/Ansermet London 430 219 028943021920 20:30 Buy Now! Saint-Saëns Piano Concerto No.
Load more

Recommended publications
  • PROGRAM NOTES Franz Liszt Piano Concerto No. 2 in a Major
    PROGRAM NOTES by Phillip Huscher Franz Liszt Born October 22, 1811, Raiding, Hungary. Died July 31, 1886, Bayreuth, Germany. Piano Concerto No. 2 in A Major Liszt composed this concerto in 1839 and revised it often, beginning in 1849. It was first performed on January 7, 1857, in Weimar, by Hans von Bronsart, with the composer conducting. The first American performance was given in Boston on October 5, 1870, by Anna Mehlig, with Theodore Thomas, who later founded the Chicago Symphony, conducting his own orchestra. The orchestra consists of three flutes and piccolo, two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones and tuba, timpani, cymbals, and strings. Performance time is approximately twenty-two minutes. The Chicago Symphony Orchestra’s first subscription concert performances of Liszt’s Second Piano Concerto were given at the Auditorium Theatre on March 1 and 2, 1901, with Leopold Godowsky as soloist and Theodore Thomas conducting. Our most recent subscription concert performances were given at Orchestra Hall on March 19, 20, and 21, 2009, with Jean-Yves Thibaudet as soloist and Jaap van Zweden conducting. The Orchestra first performed this concerto at the Ravinia Festival on August 4, 1945, with Leon Fleisher as soloist and Leonard Bernstein conducting, and most recently on July 3, 1996, with Misha Dichter as soloist and Hermann Michael conducting. Liszt is music’s misunderstood genius. The greatest pianist of his time, he often has been caricatured as a mad, intemperate virtuoso and as a shameless and
    [Show full text]
  • Ferruccio Busoni 1866–1924
    Ferruccio Busoni 1866–1924 150. Geburtstag 2016 150th Birthday 2016 150. Geburtstag Busoni-Jahr 2016 Zwischen Klassizität und Experiment – die Orchesterwerke Ferruccio Busonis „Unsicherheit ist charakteristisch für diese Zeit“ be- Neben seiner pianistischen Laufbahn betätigte fand Nietzsche 1886 und kommentierte damit die sich Busoni als Pädagoge (Lehrtätigkeiten in Hel- sich in Europa verstärkenden außerstaatlichen und sinki, Moskau und Boston), Dirigent, Herausgeber, innergesellschaftlichen Spannungen. Industri a - Bearbeiter von Musik, Verfasser von Libretti sowie lisierung, Verstädterung und Säkula risie rungs - zahlreicher Abhandlungen zur Musikästhetik und prozesse vereinigten sich zu einem verbreiteten anderen Themen. Mittelpunkt seines Wirkens bildete Kulturpessimismus, dem ein unerschütterlicher Fort- für Busoni jedoch das Komponieren. Hierbei wollte schrittsglaube gegen über stand. er „noch einen Zipfel der neuen Tonkunst erwischen Die Kunstschaffenden reagierten auf diesen und womöglich selbst einen Saum daran nähen“. Zwiespalt mit der Suche nach neuen, adäquaten Mehr als die Hälfte der etwa 300 Kompositionen Ausdrucksmitteln, in deren Folge sich auch die Busonis entstanden bis 1900 und gelten heute als Sprache der Musik ändern sollte: schon kurz nach Frühwerke. Trotz kompositorischer Eigenart orien- der Jahrhundertwende begannen Schönberg und tierte sich Busoni noch an klassischen Vorbildern wie Webern mit Tönen in freier Atonalität zu experi- Bach, Beethoven und Brahms. Danach wollte Busoni mentieren. Abbild für diese Zeit des Umbruchs sich hiervon lösen und wandte sich dem Experimen- und des Suchens sind Werk und Persönlichkeit von tellen zu. Äußerlich tritt dies an den von ihm ab und empfinde, dass jeder Gedanke, jedes Motiv, Ferruccio Busoni (1866–1924) – eine epochale, 1902 geleiteten Berliner Orchesterabenden hervor, jedes Individuum eine eigene im Verhältnis zum europäische Künstlerfigur, dessen 150.
    [Show full text]
  • View List (.Pdf)
    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
    [Show full text]
  • PROGRAM NOTES by Phillip Huscher
    PROGRAM NOTES by Phillip Huscher Wolfgang Mozart – Piano Concerto No. 20 in D Minor, K. 464 Born January 27, 1756, Salzburg, Austria. Died December 5, 1791, Vienna, Austria. Piano Concerto No. 20 in D Minor, K. 464 Mozart entered this concerto in his catalog on February 10, 1785, and performed the solo in the premiere the next day in Vienna. The orchestra consists of one flute, two oboes, two bassoons, two horns, two trumpets, timpani, and strings. At these concerts, Shai Wosner plays Beethoven’s cadenza in the first movement and his own cadenza in the finale. Performance time is approximately thirty-four minutes. The Chicago Symphony Orchestra’s first subscription concert performances of Mozart’s Piano Concerto no. 20 were given at Orchestra Hall on January 14 and 15, 1916, with Ossip Gabrilowitsch as soloist and Frederick Stock conducting. Our most recent subscription concert performances were given on March 15, 16, and 17, 2007, with Mitsuko Uchida conducting from the keyboard. The Orchestra first performed this concerto at the Ravinia Festival on July 6, 1961, with John Browning as soloist and Josef Krips conducting, and most recently on July 8, 2007, with Jonathan Biss as soloist and James Conlon conducting. This is the Mozart piano concerto that Beethoven admired above all others. It’s the only one he played in public (and the only one for which he wrote cadenzas). Throughout the nineteenth century, it was the sole concerto by Mozart that was regularly performed—its demonic power and dark beauty spoke to musicians who had been raised on Beethoven, Chopin, and Liszt.
    [Show full text]
  • A Study of Tyzen Hsiao's Piano Concerto, Op. 53
    A Study of Tyzen Hsiao’s Piano Concerto, Op. 53: A Comparison with Rachmaninoff’s Piano Concerto No. 2 D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Lin-Min Chang, M.M. Graduate Program in Music The Ohio State University 2018 D.M.A. Document Committee: Professor Steven Glaser, Advisor Dr. Anna Gowboy Dr. Kia-Hui Tan Copyright by Lin-Min Chang 2018 2 ABSTRACT One of the most prominent Taiwanese composers, Tyzen Hsiao, is known as the “Sergei Rachmaninoff of Taiwan.” The primary purpose of this document is to compare and discuss his Piano Concerto Op. 53, from a performer’s perspective, with the Second Piano Concerto of Sergei Rachmaninoff. Hsiao’s preferences of musical materials such as harmony, texture, and rhythmic patterns are influenced by Romantic, Impressionist, and 20th century musicians incorporating these elements together with Taiwanese folk song into a unique musical style. This document consists of four chapters. The first chapter introduces Hsiao’s biography and his musical style; the second chapter focuses on analyzing Hsiao’s Piano Concerto Op. 53 in C minor from a performer’s perspective; the third chapter is a comparison of Hsiao and Rachmaninoff’s Piano Concertos regarding the similarities of orchestration and structure, rhythm and technique, phrasing and articulation, harmony and texture. The chapter also covers the differences in the function of the cadenza, and the interaction between solo piano and orchestra; and the final chapter provides some performance suggestions to the practical issues in regard to phrasing, voicing, technique, color, pedaling, and articulation of Hsiao’s Piano Concerto from the perspective of a pianist.
    [Show full text]
  • Ferruccio Busoni – the Six Sonatinas: an Artist’S Journey 1909-1920 – His Language and His World
    Ferruccio Busoni – The Six Sonatinas: An Artist’s Journey 1909-1920 – his language and his world Jeni Slotchiver This is the concluding second Part of the author’s in-depth appreciation of these greatly significant piano works. Part I was published in our issue No 1504 July- September 2015. t summer’s end, 1914, Busoni asks for artists in exile from Europe. Audiences are A a year’s leave of absence from his in thin supply. He writes to Edith Andreae, position as director of the Liceo Musicale June 1915, “I didn’t dare set to work on in Bologna. He signs a contract for his the opera… for fear that a false start American tour and remains in Berlin over would destroy my last moral foothold.” Christmas, playing a Bach concert to Busoni begins an orchestral comp- benefit charities. This is the first all-Bach osition as a warm-up for Arlecchino, the piano recital for the Berlin public, and Rondò Arlecchinesco. He sets down ideas, Dent writes that it is received with hoping they might be a useful study, if all “discourteous ingratitude.” Busoni outlines else fails, and writes, “If the humour in the his plan for Dr. Faust, recording in his Rondò manifests itself at all, it will have a diary, “Everything came together like a heartrending effect.” With bold harmonic vision.” By Christmastime, the text is language, Busoni clearly defines this complete. With the outbreak of war in composition as his last experimental work. 1914 and an uncertain future, Busoni sails The years give way to compassionate to New York with his family on 5 January, reflection.
    [Show full text]
  • A Survey of Selected Piano Concerti for Elementary, Intermediate, and Early-Advanced Levels
    Graduate Theses, Dissertations, and Problem Reports 2017 A Survey of Selected Piano Concerti for Elementary, Intermediate, and Early-Advanced Levels Achareeya Fukiat Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Fukiat, Achareeya, "A Survey of Selected Piano Concerti for Elementary, Intermediate, and Early-Advanced Levels" (2017). Graduate Theses, Dissertations, and Problem Reports. 5630. https://researchrepository.wvu.edu/etd/5630 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. A SURVEY OF SELECTED PIANO CONCERTI FOR ELEMENTARY, INTERMEDIATE, AND EARLY-ADVANCED LEVELS Achareeya Fukiat A Doctoral Research Project submitted to College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Piano Performance James Miltenberger,
    [Show full text]
  • Ferruccio Busoni Biography
    Ferruccio Busoni His Life And Times Beginnings Youth in Italy The Prodigy is Heard Busoni as Composer Free at Last First Experiences Marriage Busoni as Editor Hitting his Stride Busoni as Conductor Masterpiece Unveiled America again Turandot /Die Brautwahl The Author Debuts Back on the Road Paris, D’Annunzio Opera’s Seduction Liceo Rossini War in Europe The Artist at 50 The Last Years Final Enthusiasms Last Days FERRUCCIO BUSONI - HIS LIFE AND TIMES The Busoni heritage begins in Spicchio, a little village on the north bank of the Arno, inhabited mainly by barge-men, one of whom bore the name. The family is thought originally to have come from Corsica. Though reasonably well-off in their day, the Busonis fell on hard times, and upon the father’s death, moved to Empoli. Additional misfortune followed when the second son of three, Giovanni Battista also died later of a long illness in 1860, his wife following shortly thereafter. From this group of three sons, it would be the eldest, Ferdinando who would produce the artist the world learned to know and cherish. In Empoli his siblings became prosperous makers of felt hats, but Ferdinando would have none of that. He hid himself in corners to read the classics and practice the clarinet. Nothing would alter his intention to be a musician of prominence; he was capricious, self-willed, hot-tempered and impatient. These qualities would, lifelong, result in a reputation as difficult, highly-strung, opinionated, quarrelsome and to some a jeffatore...the possessor of the “evil eye.” He was largely self-taught, attained a high degree of proficiency on his instrument, adopted a career as a travelling virtuoso.
    [Show full text]
  • R Obert Schum Ann's Piano Concerto in AM Inor, Op. 54
    Order Number 0S0T795 Robert Schumann’s Piano Concerto in A Minor, op. 54: A stemmatic analysis of the sources Kang, Mahn-Hee, Ph.D. The Ohio State University, 1992 U MI 300 N. Zeeb Rd. Ann Arbor, MI 48106 ROBERT SCHUMANN S PIANO CONCERTO IN A MINOR, OP. 54: A STEMMATIC ANALYSIS OF THE SOURCES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Mahn-Hee Kang, B.M., M.M., M.M. The Ohio State University 1992 Dissertation Committee: Approved by Lois Rosow Charles Atkinson - Adviser Burdette Green School of Music Copyright by Mahn-Hee Kang 1992 In Memory of Malcolm Frager (1935-1991) 11 ACKNOWLEDGMENTS I would like to express my gratitude to the late Malcolm Frager, who not only enthusiastically encouraged me In my research but also gave me access to source materials that were otherwise unavailable or hard to find. He gave me an original exemplar of Carl Relnecke's edition of the concerto, and provided me with photocopies of Schumann's autograph manuscript, the wind parts from the first printed edition, and Clara Schumann's "Instructive edition." Mr. Frager. who was the first to publish information on the textual content of the autograph manuscript, made It possible for me to use his discoveries as a foundation for further research. I am deeply grateful to him for giving me this opportunity. I express sincere appreciation to my adviser Dr. Lois Rosow for her patience, understanding, guidance, and insight throughout the research.
    [Show full text]
  • Kansas State University Orchestra Programs 1990—2018 Updated January 13, 2018 David Littrell, Conductor
    Kansas State University Orchestra Programs 1990—2018 updated January 13, 2018 David Littrell, conductor 1990-1991 October 16, 1990 Tragic Overture, Op. 81 Brahms Oboe Concerto R. Strauss Dr. Sara Funkhouser, oboe Symphony No. 4 in C Minor (“Tragic”) Schubert December 11, 1990 Orchestral Suite No. 1 in C Major, BWV 1066 JS Bach “Vedrai, carino” from Don Giovanni Mozart Dayna Snook, mezzo-soprano Scaramouche Suite, 2nd & 3rd mvts. Milhaud Christopher Goins, alto saxophone “Son vergin vezzosa” from I Puritani Bellini Ai-ze Wang, soprano Symphony No. 1 in F Minor, Op. 10 Shostakovich April 4-5-6, 1991 The Magic Flute (Opera) Mozart April 23, 1991 Overture to Ruy Blas Mendelssohn Symphony No. 101 in D Major (“Clock”) Haydn Symphony No. 5 in Eb Major, Op. 82 Sibelius 1991-1992 October 1, 1991 Overture to Il Signor Bruschino Rossini Concerto Grosso for Four String Orchestras Vaughan Williams assisting musicians: Manhattan public school string students Symphony No. 2 in B Minor Borodin repeat performance October 2, 1991 at Concordia KS October 24-25-26, 1991 West Side Story Bernstein December 9, 1991 In Memoriam, Wolfgang Amadeus Mozart Sinfonia concertante in Eb Major, K. 364 Mozart Cora Cooper, violin Melinda Scherer Bootz, viola Requiem, K. 626 Mozart John Alldis, guest conductor soloists: Lori Zoll, Juli Borst, Rob Fann, Andy Stuckey KSU Concert Choir March 3, 1992 Overture to Der Freischütz von Weber “Faites-lui mes aveux” from Faust Gounod Juli Borst, mezzo-soprano “Ah, per sempre” from I Puritani Bellini Andy Stuckey, baritone Concerto in D Haydn Lisa Leuthold, horn Symphony No.
    [Show full text]
  • Bassoon Pedagogy: a Panel Discussion at the 2003 IDRS Conference
    Bassoon Pedagogy: A Panel Discussion at the 2003 IDRS Conference By: Michael Burns Burns, Michael. “Bassoon Pedagogy: Report on the Pedagogy Round Table.” The Double Reed, vol. 27-2, 2004. Made available courtesy of International Double Reed Society: http://www.idrs.org/publications/ ***Note: This version of the document is not the copy of record. ***Note: Figures may be missing from this format of the document The IDRS 2003 Conference in Greensboro North Carolina had a theme of "pedagogy revisited" and one of the events consisted of a Bassoon Pedagogy Round Table in which several distinguished international panellists were asked to discuss aspects of bassoon pedagogy in front of an audience. Prior to the conference. each panellist was sent a list of questions to answer by the moderator and co-host of IDRS 2003. Michael Burns, The following are the answers to those questions sent in advance and dispersed at the round-table as a handout. Burns then asked each of the panelists to illuminate their answers more in person which led to some wonderful additional inter- :haw amongst these bassoonists as well as question and answer sessions with the audience. I would like to once again thank my colleagues for their expertise and willingness to share their ideas. The panel consisted of: Meyrick Alexander, principal Philharmonia Orchestra, bassoon professor. Guildhall School of Music and Drama. London Judith Farmer, principal Santa Barbara Chamber Orchestra. bassoon professor. University of Southern California. Kiyoshi Koyama. principal Japan Philharmonic Symphony Orchestra Kim Walker, bassoon professor. Indiana University. International soloist Liu Zhaolu, principal Shanghai Symphony, bassoon professor, Shanghai Conservatory of Music MYRICK ALEXANDER'S ANSWERS How do you leach technique on the bassoon? I provide students with a quick and simple daity routine of scales and exercises which produces a retiable.
    [Show full text]
  • Polyphonic Harmony in Three of Ferruccio Busoni's Orchestral Elegies
    POLYPHONIC HARMONY IN THREE OF FERRUCCIO BUSONI’S ORCHESTRAL ELEGIES Colin Davis, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2015 APPROVED: Timothy L. Jackson, Major Professor Hendrik Schulze, Committee Member Stephen Slottow, Committee Member Frank Heidlberger, Committee Member and Chair of the Department of Music History, Theory, and Ethnomusicology Benjamin Brand, Directory of Graduate Studies for the College of Music James Scott, Dean of the College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Davis, Colin. Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies. Doctor of Philosophy (Musicology - Music Theory), May 2015, 225 pp., 82 musical examples, bibliography, 91 titles. This dissertation focuses on three of Busoni’s late orchestral works known as “orchestral elegies”: Berceuse élégiaque (Elegie no. 1, 1909), Gesang vom Reigen der Geister (Elegie no. 4, 1915), and Sarabande (Elegie no. 5, 1918-19). The study seeks to provide a better understanding of Busoni’s late style as a crucial bridge from late nineteenth-century chromaticism in the works of Liszt, Wagner, and others to the post-tonal languages of the twentieth century. At the heart of this study lies a particular concept that forms the basis of many characteristic features of Busoni’s late style, namely the concept of polyphonic harmony, or harmony as a cumulative result of independent melodic lines. This concept is also related to a technique of orchestration in which the collective harmony is sounded in such a way that the individual voices are distinct. In the highly personal tonal language of Busoni’s late works, passages often consist of a web of motives weaved throughout the voices at the surface level of the music.
    [Show full text]