Schopenhauer's Initial Encounter with Indian Thought
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Jeremy Bentham (1748-1832) - Utilitarianism
Jeremy Bentham (1748-1832) - Utilitarianism British economist Jeremy Bentham is most often associated with his theory of utilitarianism. Bentham's views ran counter to Adam Smith's vision of "natural rights." He believed in utilitarianism, or the idea that all social actions should be evaluated by the axiom "It is the greatest happiness of the greatest number that is the measure of right and wrong." Unlike Smith, Bentham believed that there were no natural rights to be interfered with. Trained in law, Bentham never practiced, choosing instead to focus on judicial and legal reform. His reform plans went beyond rewriting legislative acts to include detailed administrative plans to implement his proposals. In his plan for prisons, workhouses, and other institutions, Bentham devised compensation schemes, building designs, worker timetables, and even new accounting systems. A guiding principle of Bentham's schemes was that incentives should be designed "to make it each man's interest to observe on every occasion that conduct which it is his duty to observe." Interestingly, Bentham's thinking led him to the conclusion, one he shared with Smith, that professors should not be salaried. In his early years Bentham professed a free-market approach. He argued, for example, that interest rates should be free from government control. (See Defence of Usury.) But by the end of his life, he had shifted to a more interventionist stance. He predated Keynes in his advocacy of expansionist monetary policies to achieve full employment and advocated a range of interventions, including the minimum wage and guaranteed employment. His publications were few, but Bentham influenced many during his lifetime and lived to see some of his political reforms enacted shortly before his death in London at the age of eighty-four. -
Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009). -
MDMA and Sexual Behavior
Note: This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Substance Use & Misuse following peer review. The definitive publisher-authenticated version [McElrath K (2005) MDMA and sexual behavior: ecstasy users’ perceptions about sexuality and sexual risk, Substance Use & Misuse, 40:9, 1461-1477] is available online at http://www.informaworld.com/smpp/title~db=all~content=g714012467 MDMA and Sexual Behavior: Ecstasy Users’ Perceptions About Sexuality and Sexual Risk KAREN MCELRATH School of Sociology and Social Policy, Belfast, Ireland Published in Substance Use & Misuse,(2005) 40:9,1461—1477 This study examines the relationship between MDMA (Ecstasy), sexual behavior, and sexual risk taking. The sample consisted of 98 current and former users of MDMA. Several strategies were utilized to recruit respondents and data were collected through in-depth interviews during 1997 and 1998. The majority of respondents had used MDMA during the 6-month period prior to the interview and a large percentage had consumed the drug on 100 occasions or more. Most respondents reported feelings of emotional closeness while consuming MDMA but without the desire for penetrative sex. Others, however, reported that MDMA increased sexual arousal and some respondents (in particular gay and bisexual females) had used MDMA specifically for sexual enhancement. Sexual risk taking (e.g., having multiple partners, engaging in sex without a condom) was prevalent among respondents who did engage in sexual activity during MDMA episodes. Explanations for the findings are offered and implications for prevention/intervention are discussed. Keywords MDMA; ecstasy; sexual behavior Introduction Although a patent for 3,4-methylenedioxymethamphetamine (MDMA) was issued in 1914 (Shulgin, 1986), “recreational”a use of the drug did not surface until the 1970s and 1980s, and for the most part was restricted to selected regions in the U.S. -
The Aesthetics of Frustration: Diversity and the ASA
The Aesthetics of Frustration: Diversity and the ASA Sherri Irvin University of Oklahoma As I began to write a more standard aesthetics paper on an entirely different topic, my thoughts turned to several episodes in which scholars of color presented their work at ASA meetings with recep- tions ranging from chilly to hostile. Some have stated that they will not likely return to the ASA due to these experiences. Because I be- lieve the resources of aesthetics can shed considerable light on social and political dynamics, I will examine some aesthetic elements of this situation and use them to inform a schematic proposal about how we might move forward. I don’t have the answers—finding them is not a task for one person, and scholars belonging to the communities that have been margin- alized and excluded in our professional spaces must be centrally involved. But serious discussion of these matters, which have been personally and professionally painful for me and far more so for THE AMERICAN SOCIETY FOR AESTHETICS: others, is badly needed, and I hope this contribution will renew a AN ASSOCIATION FOR AESTHETICS, discussion that was engaged by A.W. Eaton, Charles Peterson, and CRITICISM, AND THEORY OF THE ARTS Paul C. Taylor in the Aesthetics for Birds blog in late 2017. 1. VOLUME 41 NUMBER 2 SUMMER 2021 In 2010, the distinguished legal scholar and Yavapai Supreme Court justice Rebecca Tsosie was plenary speaker at the ASA annual meet- ing. I was struck not only by the critical Indigenous perspective she 1 The Aesthetics of Frustration: Diversity and brought to her discussion of the collection of Native American cul- the ASA tural objects in non-Native museums, but also by her gender pre- by Sherri Irvin sentation. -
Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Arthur Schopenhauer
03/05/2017 Arthur Schopenhauer (Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Arthur Schopenhauer First published Mon May 12, 2003; substantive revision Sat Nov 19, 2011 Among 19th century philosophers, Arthur Schopenhauer was among the first to contend that at its core, the universe is not a rational place. Inspired by Plato and Kant, both of whom regarded the world as being more amenable to reason, Schopenhauer developed their philosophies into an instinctrecognizing and ultimately ascetic outlook, emphasizing that in the face of a world filled with endless strife, we ought to minimize our natural desires for the sake of achieving a more tranquil frame of mind and a disposition towards universal beneficence. Often considered to be a thoroughgoing pessimist, Schopenhauer in fact advocated ways — via artistic, moral and ascetic forms of awareness — to overcome a frustrationfilled and fundamentally painful human condition. Since his death in 1860, his philosophy has had a special attraction for those who wonder about life's meaning, along with those engaged in music, literature, and the visual arts. 1. Life: 1788–1860 2. The Fourfold Root of the Principle of Sufficient Reason 3. Schopenhauer's Critique of Kant 4. The World as Will 5. Transcending the Human Conditions of Conflict 5.1 Aesthetic Perception as a Mode of Transcendence 5.2 Moral Awareness as a Mode of Transcendence 5.3 Asceticism and the Denial of the WilltoLive 6. Schopenhauer's Later Works 7. Critical Reflections 8. Schopenhauer's Influence Bibliography Academic Tools Other Internet Resources Related Entries 1. Life: 1788–1860 Exactly a month younger than the English Romantic poet, Lord Byron (1788–1824), who was born on January 22, 1788, Arthur Schopenhauer came into the world on February 22, 1788 in Danzig [Gdansk, Poland] — a city that had a long history in international trade as a member of the Hanseatic League. -
Essays of Schopenhauer
Essays of Schopenhauer Arthur Schopenhauer The Project Gutenberg EBook of Essays of Schopenhauer, by Arthur Schopenhauer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Essays of Schopenhauer Author: Arthur Schopenhauer Release Date: April 7, 2004 [EBook #11945] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS OF SCHOPENHAUER *** Produced by Juliet Sutherland and PG Distributed Proofreaders ESSAYS OF SCHOPENHAUER: TRANSLATED BY MRS. RUDOLF DIRCKS. WITH AN INTRODUCTION. CONTENTS ON AUTHORSHIP AND STYLE ON NOISE ON EDUCATION ON READING AND BOOKS THE EMPTINESS OF EXISTENCE ON WOMEN THINKING FOR ONESELF SHORT DIALOGUE ON THE INDESTRUCTIBILITY OF OUR TRUE BEING BY DEATH RELIGION--A DIALOGUE PSYCHOLOGICAL OBSERVATIONS METAPHYSICS OF LOVE PHYSIOGNOMY ON SUICIDE Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. PRELIMINARY. When Schopenhauer was asked where he wished to be buried, he answered, "Anywhere; they will find me;" and the stone that marks his grave at Frankfort bears merely the inscription "Arthur Schopenhauer," without even the date of his birth or death. Schopenhauer, the pessimist, had a sufficiently optimistic conviction that his message to the world would ultimately be listened to--a conviction that never failed him during a lifetime of disappointments, of neglect in quarters where perhaps he would have most cherished appreciation; a conviction that only showed some signs of being justified a few years before his death. -
JAHR 4-2011.Indd
JAHR Vol. 2 No. 4 2011 UDK 575.4:17.03 Conference paper Eve-Marie Engels* Th e importance of Charles Darwin‘s theory for Fritz Jahr‘s conception of bioethics "Man in his arrogance thinks himself a great work. worthy the interposition of a deity, more humble & I believe true to consider him created from animals."** Charles Darwin, 1838 ABSTRACT Fritz Jahr is a pioneer of bioethics. In this article I will present and outline Jahr’s bioethical programme with a special emphasis on Charles Darwin’s role in Jahr’s ethics. According to Jahr, useful and effi cient animal protection can only be practised well if we have enough knowledge of nature. Jahr refers to Darwin who revolutionised our view of life and of the relationship between the human being and the rest of living nature. In the fi rst introductory section I will shortly present Jahr’s overall perspective and his bioethical imperative. I will also give a very short sketch of today’s bioethics. In the second and third section I will outline Dar- win’s revolutionary theory and its application to the human being. I will also present some of the reactions of his contemporaries which refl ect Darwin’s achievement for our understanding of living nature. In the fourth section I will go back to Fritz Jahr and will present and discuss diff erent aspects of his approach in more detail. A fi nal quotation from Hans Jonas about the dialectical character of Darwinism will trenchantly highlight Darwin’s importance for Fritz Jahr’s ethics. -
A Feminist Caring Ethic for the Treatment of Animals
81 ATTENTION TO SUFFERING: A FEMINIST CARING ETHIC FOR THE TREATMENT OF ANIMALS Josephine Donovan Many feminists, including myself, have criticized contemporary animal welfare theory for its reliance upon natural rights doctrine, on the one hand, and utilitarianism on the other. The main exponent of the former approach has been Tom Regan, and of the latter, Peter Singer. However incompatible the two theories may be, they nevertheless unite in their rationalist rejection of emotion or sympathy as a legitimate base for ethical theory about animal treatment. Many feminists have urged just the opposite, claiming that sympathy, compassion, and caring are the ground upon which theory about human treatment of animals should be constructed. Here I would like to further deepen this assertion. To do so I will argue that the terms of what constitutes the ethical must be shifted. Like many other feminists, I contend that the dominant strain in contemporary ethics reflects a male bias toward rationality, defined as the construction of abstract universals that elide not just the personal, the contextual, and the emotional, but also the political compo- nents of an ethical issue. Like other feminists, particularly those in the "caring" tradition, I believe that an alternative epistemology and ontol- ogy may be derived from women's historical social, economic, and political practice. I will develop this point further below. In addition to recent feminist theorizing, however, there is a long and important strain in Western (male)philosophy that does not express the rationalist bias of contemporary ethical theory, that in fact seeks to root ethics in emotion-in the feelings of sympathy and compassion. -
Do Adolescent Ecstasy Users Have Different Attitudes Towards Drugs When Compared to Marijuana Users?ଝ Silvia S
Author's personal copy Available online at www.sciencedirect.com Drug and Alcohol Dependence 94 (2008) 63–72 Do adolescent ecstasy users have different attitudes towards drugs when compared to marijuana users?ଝ Silvia S. Martins a,∗, Carla L. Storr a, Pierre K. Alexandre a, Howard D. Chilcoat a,b a Department of Mental Health, Johns Hopkins Bloomberg School of Public Health, Baltimore, MD 21205, USA b GlaxoSmithKline Worldwide Epidemiology, Research Triangle Park, NC 27709, USA Received 27 July 2007; received in revised form 8 October 2007; accepted 9 October 2007 Available online 18 December 2007 Abstract Background: Perceived risk and attitudes about the consequences of drug use, perceptions of others expectations and self-efficacy influence the intent to try drugs and continue drug use once use has started. We examine associations between adolescents’ attitudes and beliefs towards ecstasy use; because most ecstasy users have a history of marijuana use, we estimate the association for three groups of adolescents: non-marijuana/ecstasy users, marijuana users (used marijuana at least once but never used ecstasy) and ecstasy users (used ecstasy at least once). Methods: Data from 5049 adolescents aged 12–18 years old who had complete weighted data information in Round 2 of the Restricted Use Files (RUF) of the National Survey of Parents and Youth (NSPY). Data were analyzed using jackknife weighted multinomial logistic regression models. Results: Adolescent marijuana and ecstasy users were more likely to approve of marijuana and ecstasy use as compared to non-drug using youth. Adolescent marijuana and ecstasy users were more likely to have close friends who approved of ecstasy as compared to non-drug using youth. -
An Ecocritical Examination of Whale Texts
Econstruction: The Nature/Culture Opposition in Texts about Whales and Whaling. Gregory R. Pritchard B.A. (Deakin) B.A. Honours (Deakin) THESIS SUBMITTED IN TOTAL FULFILMENT OF THE REQUIREMENT OF THE DEGREE OF DOCTOR OF PHILOSOPHY. FACULTY OF ARTS DEAKIN UNIVERSITY March 2004 1 Acknowledgements I would like to thank the following people for their assistance in the research and production of this thesis: Associate Professor Brian Edwards, Dr Wenche Ommundsen, Dr Elizabeth Parsons, Glenda Bancell, Richard Smith, Martin Bride, Jane Wilkinson, Professor Mark Colyvan, Dr Rob Leach, Ian Anger and the staff of the Deakin University Library. I would also like to acknowledge with gratitude the assistance of the Australian Postgraduate Award. 2 For Bessie Showell and Ron Pritchard, for a love of words and nature. 3 The world today is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot. In my world of beach and dune these elemental presences lived and had their being, and under their arch there moved an incomparable pageant of nature and the year. The flux and reflux of ocean, the incomings of waves, the gatherings of birds, the pilgrimages of the peoples of the sea, winter and storm, the splendour of autumn and the holiness of spring – all these were part of the great beach. The longer I stayed, the more eager was I to know this coast and to share its mysteries and elemental life … Edward Beston, The Outermost House Premises of the machine age. -
University Micnsilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This \may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been Aimed, you will And a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin Aiming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
West Side Story"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-6-2014 12:00 AM Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story" Andrew M. Falcao The University of Western Ontario Supervisor Paul Coates The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Andrew M. Falcao 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Falcao, Andrew M., "Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story"" (2014). Electronic Thesis and Dissertation Repository. 2091. https://ir.lib.uwo.ca/etd/2091 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. TRAGEDY, ECSTASY, DOOM: MODERNIST MOODS OF “WEST SIDE STORY” (Thesis format: Monograph) by Andrew Michael Falcao Graduate Program in Global Film Cultures A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew M. Falcao 2014 i Abstract This thesis looks to reposition West Side Story (Jerome Robbins/Robert Wise, 1961) as an example of (neo-)modernist art. Placing the film within its context of Hollywood musicals, I see West Side Story as a particularly rich locus in which to study the genre’s modernist impulses.