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North by Northwest North by Northwest North by Northwest

“““NORTH“NORTH BY NORTHWESTNORTHWEST”””” © www.carygrant.net Across Down 2. Edward Platt also played the part of Chief in this 1. The final chase scene was not shot on Mt. television show which ran from 1965-1970 (2 wrds) Rushmore; the director, ________________, couldn't 5. Roger O. Thornhill claims the "O" stands for this gain permission to shoot an attempted murder on 9. Mount ________ National Memorial, located in South a national monument. (two words) Dakota, is a monumental granite sculpture that 3. When Grant, waiting in Eve's hotel room in Chicago displays 60-foot high sculptures of the heads of for his dusty suit to be sponged and pressed, former U.S. Presidents George Washington, Thomas pretends to take a shower, he whistles the theme Jefferson, Theodore Roosevelt, & Abraham Lincoln. song from this 1952 movie (four words) 10. Roger says (while talking to his mother), "These 4. A Roger Thornhill quote: "I don't deduce. I ______." two men, they poured a whole bottle of bourbon 6. The movie studio that produced North By Northwest into me. No, they didn't give me a ______ . " 7. Roger Thornhill's occupation 11. An express passenger train operated by the New 8. ________________ was very interested in starring in York Central Railroad from 1902 to 1967, during this movie, begging Alfred Hitchcock to let him play which time it would become known as a "National Thornhill. (two words) Institution" and the "Most Famous Train in the 12. Jessie Royce Landis also plays the part of Jessie World." (three words) Stevens in this 1955 Cary Grant movie (four words) 13. The airline that Roger Thornhill traveled on was 14. Hitchcock arrives at a ________ during the opening called _________ Airlines. credits of North By Northwest but gets there a 15. Eve and Roger meet on a train heading for this city second too late and the door is closed in his face. 16. During their escape, Roger asks Eve, "Did you get (two words) the _______?" meaning Vandamm's statue 17. The song that is playing in the lobby of the hotel containing microfilm. before Thornhill enters the Oak Bar is "It's a Most 19. When Thornhill is dictating a letter to his _______ Day". secretary, he has her end it this way, "_____ 18. MGM wanted Alfred Hitchcock to cast ____________ ________, etc., etc." (two words) for the part of Eve Kendall, but Hitchcock insisted 20. "In the world of advertising, there's no such thing upon Eva Marie Saint. (two words) as a lie. There's only expedient ____________ ," said Roger Thornhill. ©www.carygrant.net .

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Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N
Aesthetics of the Motion Picture Soundtrack Columbia College, Chicago Spring 2014 – Section 01 – Pantelis N. Vassilakis Ph.D. http://lms.colum.edu Course # / Section 43-2410 / 01 Credits 3 hours Class time / place Thursday 12:30 – 3:20 p.m. 33 E. Congress Ave., Room LL18 (Lower Level – Control Room C) Course Site On MOODLE http://lms.colum.edu Instructor Pantelis N. Vassilakis, Ph.D. Phone Office: 312-369-8821 – Cell: 773-750-4874 e-mail / web [email protected] / http://www.acousticslab.org Office hours By appointment; Preferred mode of Communication: email Pre-requisites 52-1152 “Writing and Rhetoric II” (C or better) AND 43-2420 “Audio for Visual Media I” OR 24-2101 “Post Production Audio I” OR 43-2310 “Psychoacoustics” INTRODUCTION During the filming of Lifeboat, composer David Raksin was told that Hitchcock had decided against using any music. Since the action took place in a boat on the open sea, where would the music come from? Raksin reportedly responded by asking Hitchcock where the cameras came from. This course examines film sound practices, focusing on cross-modal perception and cognition: on ways in which sounds influence what we “see” and images influence what we “hear.” Classes are conducted in a lecture format and involve multimedia demonstrations. We will be tackling the following questions: • How and why does music and sound effects work in films? • How did they come to be paired with the motion picture? • How did film sound conventions develop and what are their theoretical, socio-cultural, and cognitive bases? • How does non-speech sound contribute to a film’s narrative and how can such contribution be creatively explored? Aesthetics of the Motion Picture Soundtrack – Spring 2014 – Section 01 Page 1 of 12 COURSE DESCRIPTION & OBJECTIVES Course examines Classical Hollywood as well as more recent film soundtrack practices, focusing on the interpretation of film sound relative to ‘expectancy’ theories of meaning and emotion.
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21L.011, the Film Experience Prof. David Thorburn Lecture Notes
21L.011, The Film Experience Prof. David Thorburn Lecture Notes Lecture 9 - Hitchcock I. Movie house culture • Entertainment • Genre and license • Invention vs. convention • "The genius of the system" II. Alfred Hitchcock (1899-1980) • An anecdote • Hitchcock's career • Hitchcock the technician • Themes III. The Double Man Disclaimer: The following notes were taken by a student during the Fall 2006 term; they are not Prof. Thorburn’s own notes. The Hollywood Era and Consensus Narrative o The problems of a society are acted out within consensus narrative. o In the middle ages, the consensus narrative environment was the church o Theater grew out of certain performative dimensions of religion. The earliest theater traveled from town to town on wagons, and it was religious in nature. o From the silent era until the advent of television, film in America was a consensus narrative. o You used to be able to walk down 42nd street in New York, and there would just be block upon block of nothing but movie theaters. Many of these theaters were unbelievably ornate, with gilt work, plush carpets, balconies… Virtually everybody in society had access to these places You could go and watch 4 or 5 movies in a row. You could stay for hours and hours without getting kicked out. • Homeless people could go there • They were a place of illicit sexual trysting • Jack Kerouac describes spending several weeks at a time in a movie theater in On the Road Hitchcock (1899-1980) o We’ll be watching earlier Hitchcock in this class o Genre Work might look formulaic, but in fact it is the fact that it seems so comfortable that allows the form to explore the forbidden In Hitchcock’s work, these forbidden elements often lie right under the surface o “High” art vs.
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Northbynorthwestfilmstudyguid
Name: ________________________ Period: ______ Date: _____________ Due: _____________ North by Northwest (1959) directed by Alfred Hitchcock Cast Cary Grant as Roger O. Thornhill Eva Marie Saint as Eve Kendall James Mason as Phillip Vandamm Jessie Royce Landis as Clara Thornhill Leo G. Carroll as The Professor Josephine Hutchinson as Mrs. Townsend Philip Ober as Lester Townsend Martin Landau as Leonard Crew Director: Alfred Hitchcock Producer: Herbert Coleman and Alfred Hitchcock Writer: Ernest Lehman Editor: George Tomasini Director of Photography: Robert Burks Music: Bernard Herrmann Distribution/Studio Company: Metro Goldwyn Mayer (MGM) MPAA Rating: R (Based on 1984 Re-Release) Running Time: 136 minutes Background and Introduction to North by Northwest Nobody likes to be mistaken for somebody else. Every year that I teach identical twins, I always get them confused and I can’t tell the difference between the two. Whenever I incorrectly identify one, one of the twins gets grossly offended. This misunderstanding is what happens to Roger Thornhill in one of Albert Hitchcock’s masterpieces, North by Northwest. It addresses on ongoing motif in many Hitchcock films: an ordinary, everyday protagonist is placed in extraordinary circumstances. In fact, the film captures the extraordinary in the ordinary. One wouldn’t normally think that a cornfield would be a suspenseful location, and one wouldn’t expect a thrilling chase on a national monument (Well, that is before National Treasure was released, of course). As the title implies, the film is a journey across the America landscape. It begins in the crowded streets of Manhattan and ends at the sculpted outcrops of Mount Rushmore.
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Film Analysis: Hitchcock's North by Northwest North by Northwest
Film Analysis: Hitchcock's North by Northwest North by Northwest, directed by Alfred Hitchcock, is considered one of the most prominent films in cinematography. This spy thriller combines darkness and light typical for Hitchcock movies: witty humor, love story, suspense, and mortal danger harmoniously merge in this thriller (Longacre 75). Starring Cary Grant and Eva Marie Saint, North by Northwest contains memorable acting performances, accentuating the director's dexterity in creating suspense. North by Northwest is representative of Hitchcock's entertaining talent, as it allows readers to escape into a world of international espionage thriving during the Cold War Era. Similar to more well-known Psycho or Vertigo, North by Northwest is considered Hitchcock's stroke of genius. Unlike Vertigo, both critics and audience received this classic highly when it was released in 1959 (Jiang 1). The thriller demonstrates the director's mastery in tension building, suspense, and plot twists. The film follows the story of Roger O. Thornhill, whom an espionage organization mistakes for a secret agent. Consequently, Thornhill, with his love interest Eve Kendall has to escape the mortal danger. Despite being slightly violent, North by Northwest is intended for a broad and varied audience, as the movie is suitable even for younger spectators. Yet, those who are fascinated with spy thrillers would enjoy this classic the most. First of all, the movie's purpose is to entertain: it serves a purely escapist function, letting its viewers be engrossed in Hitchcock's cinematic world of intrigue and international spy conspiracy. Hitchcock's thesis here is the disruption of an ordinary man's life (Thornhill's life) caused by accidental circumstances and a third party leading to life-altering events.
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64-71 Hitchcock.Qxp
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North by Northwest and Hitchcockian Romance Lesley Brill
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What Is This Thing Called Film?
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An Eye for Hitchcock
00-R2923-FM 1/9/04 11:37 AM Page i An Eye for Hitchcock G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page ii An Eye for G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page iii Murray Pomerance Hitchcock Rutgers University Press New Brunswick, New Jersey, and London G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page iv Library of Congress Cataloging-in-Publication Data Pomerance, Murray, 1946– An eye for Hitchcock / Murray Pomerance. p. cm. Includes bibliographical references and index. ISBN 0-8135-3394-5 (alk. paper)—ISBN 0-8135-3395-3 (pbk. : alk. paper) 1. Hitchcock, Alfred, 1899— Criticism and interpretation. I. Title. PN1998.3.H58P66 2004 791.43Ј0233Ј092—dc21 2003014221 British Cataloging-in-Publication information for this book is available from the British Library. Copyright © 2004 by Murray Pomerance All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. Please contact Rutgers University Press, 100 Joyce Kilmer Avenue, Piscataway, NJ 08854 –8099. The only exception to this prohibition is “fair use” as deﬁned by U.S. copyright law. Design by Karolina Harris Photograph of Alfred Hitchcock on p. 260 courtesy Photofest Film Archive. Manufactured in the United States of America G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page v To Nellie, night and day G&S Typesetters PDF proof 00-R2923-FM 1/9/04 11:37 AM Page vi G&S Typesetters PDF
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Alfred Hitchcock: an Auteur Director Anisa Selenica College of Dupage
ESSAI Volume 15 Article 33 Spring 2017 Alfred Hitchcock: An Auteur Director Anisa Selenica College of DuPage Follow this and additional works at: https://dc.cod.edu/essai Recommended Citation Selenica, Anisa (2017) "Alfred Hitchcock: An Auteur Director," ESSAI: Vol. 15 , Article 33. Available at: https://dc.cod.edu/essai/vol15/iss1/33 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Selenica: Alfred Hitchcock: An Auteur Director Alfred Hitchcock: An Auteur Director by Anisa Selenica (Motion Picture Television 1113) ights, camera, and action! The audience never realizes how much thinking can go into a film and wonder how it is considered a classic. More specifically, film directors give an incredible Lamount of effort and thought through theme and style that can be seen in almost every one of their films. In particular, the master of suspense, Alfred Hitchcock, would come to be one of the most noble auteur directors that film history has to offer. He has displayed themes such as voyeurism, birds, and identity mistake and distinctive technical styles through the camera, actors, and lighting. Hitchcock’s masterpieces have been a symbol of art form and his unique style has inspired and transitioned into other films today. Alfred Joseph Hitchcock was born in London on August 13, 1899. He went to Jesuits Saint Ignatius college, which had sparked his interests in engineering and navigation. At the age of 19, he manufactured electric cables at the Henley Telegraph company.
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Alfred Hitchcock's "Expedient Exaggerations" and the Filming of North by Northwest at Mount Rushmore
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