Master Song List. 1. I'm Coming- Bobby Byrd 2. Boogie
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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Gap Band IV Mp3, Flac, Wma
The Gap Band Gap Band IV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gap Band IV Country: US Released: 1982 Style: Soul, Funk, Disco MP3 version RAR size: 1288 mb FLAC version RAR size: 1134 mb WMA version RAR size: 1570 mb Rating: 4.3 Votes: 772 Other Formats: APE AU XM MMF WMA DMF VOX Tracklist Hide Credits Early In The Morning A1 6:28 Written-By – C. Wilson*, L. Simmons*, R. Taylor* Season's No Reason To Change A2 4:47 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Lonely Like Me A3 5:08 Written-By – L. Simmons*, R. Wilson*, R. Taylor* Outstanding A4 3:10 Written-By – R. Cathound* Stay With Me B1 4:15 Written-By – R. Wilson* You Dropped A Bomb On Me B2 5:10 Written-By – C. Wilson*, L. Simmons*, R. Taylor* I Can't Get Over You B3 6:02 Written-By – C. Wilson*, L. Simmons*, R. Wilson* Talkin' Back B4 6:27 Written-By – C. Wilson*, L. Simmons*, Robert Wilson, R. Wilson*, R. Taylor* Companies, etc. Recorded At – Total Experience Studios Mixed At – Total Experience Studios Mastered At – Allen Zentz Mastering Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Published By – Total Experience Music Pressed By – PRC Recording Company, Richmond, IN Credits Arranged By [Horns] – Robert Wilson, Ronnie Wilson Backing Vocals – Alisa Peoples, Cavin Yarbrough, Charlie Wilson, David Drew , Lonnie Simmons, Marva King, Maxayne Lewis*, Robert Wilson, Ronnie Wilson, Rudy Taylor, Sheila Young , The Gap Band, Val Young -
Special Edition Band Songlist
(revised for January 2021) POP/DANCE 24-Karat Magic Bruno Mars Ain't It Fun Paramore Ain't Nobody Chaka Khan All About The Bass Meghan Trainor Attention Charlie Puth Bad Romance Lady Gaga Bang Bang Ariana Grande/Nicki Minaj Bidi Bidi Bom Bom Selena Gomez Big Time Peter Gabriel Billie Jean Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey California Gurls Katy Perry Can't Stop the Feelin' Justin Timberlake Celebration Kool & The Gang Cheap Thrills Sia Cheerleader Felix Jaehn Chunky Bruno Mars Conga Gloria Estefan and The Miami Sound Machine Crazy In Love Beyoncé Dancing Queen Abba Donna Summer Medley Donna Summer Don't Cha Pussycat Dolls Don't Stop The Music Rhianna Drag Me Down One Direction Ex's and Oh's Elle King Faith George Michael Family Affair Mary J Blige Fancy Iggy Azalea feat. Charli XCX Feel It Still Portugal, The Man Finesse Bruno Mars/Cardi B Footloose Kenny Loggins Funkytown Lipps, Inc. Girls Just Wanna Have Fun Cyndi Lauper Give Me Everything Pitbull Good Kisser Usher Groove is in The Heart Deee-Lite Happy Pharrell Williams Havana Camilla Cabello Hella Good No Doubt I Feel For You Chaka Khan I Gotta Feelin' Black Eyed Peas I Wanna Dance With Somebody Whitney Houston I Will Survive Gloria Gaynor Intentions Justin Bieber I'm Like A Bird Nelly Furtado Jealous Nick Jonas Just Dance Lady Gaga Kiss Prince Lady Marmalade LaBelle/Shakira Last Dance Donna Summer Leave Your Hat On Joe Cocker Let's Go Crazy Prince Let's Groove Tonight Earth, Wind and Fire Locked Out Of Heaven Bruno Mars Love on Top Beyoncé -
COMMON CORE STATE STANDARDS for English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects
COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Grades 2-3 Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Grades 2‐3 Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: • Complexity. Appendix A describes in detail a three‐part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band. -
KOOL & the GANG, Jersey City, N.J. in 1964, Ronald Bell and Robert
KOOL & THE GANG, Jersey City, N.J. In 1964, Ronald Bell and Robert “Kool” Bell joined Jersey City neighborhood friends Robert “Spike” Mickens, Dennis “Dee Tee” Thomas, Ricky Westfield, George Brown, and Charles Smith to create the Kool & the Gang sound - a unique blend of jazz, soul and funk. Throughout the seventies this blend produced a string of hits including “Jungle Boogie”, “Hollywood Swinging”, “Funky Stuff’ and “Summer Madness”. In 1979 the group penetrated the pop market by incorporating the smooth sounds of vocalist James “JT” Taylor with their infectious formula for making hits. Casey Kasem named Kool & the Gang the band of the eighties noting the bands steady stream of hits during the decade. “Ladies Night”, “Get Down on It” “Joanna” and the theme song to parties worldwide, “Celebration”, solidified Kool & the Gang’s musical legacy. Today, the group enjoys global fame and recognition and a following that spans generations due in part to the groups widely sampled catalogue. Kool & the Gang’s drum beats, bass, guitar and signature horn lines lace the tracks of numerous artists including the Beastie Boys, Jay-Z, Madonna, Janet Jackson, Cypress Hill, and P. Diddy. Kool & the Gang is the most sampled band in hip-hop by far. Their music is also featured on the soundtracks for Rocky, Saturday Night Fever, Pulp Fiction, Wreck-lt Ralph and countless others. For fifty years, Kool & the Gang has continued to tour the world appearing with artists such as Kid Rock, Dave Matthews Band, Elton John, The Roots and a 50-city tour with Van Halen. -
The JB's These Are the JB's Mp3, Flac
The J.B.'s These Are The J.B.'s mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: These Are The J.B.'s Country: US Released: 2015 Style: Funk MP3 version RAR size: 1439 mb FLAC version RAR size: 1361 mb WMA version RAR size: 1960 mb Rating: 4.7 Votes: 880 Other Formats: APE VOX AC3 AA ASF MIDI VQF Tracklist Hide Credits These Are the JB's, Pts. 1 & 2 1 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 4:45 Frank Clifford Waddy*, John W. Griggs*, Robert McCollough*, William Earl Collins 2 I’ll Ze 10:38 The Grunt, Pts. 1 & 2 Written-By – Phelps Collins*, Clayton Isiah Gunnels*, Clyde Stubblefield, Darrell Jamison*, 3 3:29 Frank Clifford Waddy*, James Brown, John W. Griggs*, Robert McCollough*, William Earl Collins Medley: When You Feel It Grunt If You Can 4 Written-By – Art Neville, Gene Redd*, George Porter Jr.*, James Brown, Jimi Hendrix, 12:57 Joseph Modeliste, Kool & The Gang, Leo Nocentelli Companies, etc. Recorded At – King Studios Recorded At – Starday Studios Phonographic Copyright (p) – Universal Records Copyright (c) – Universal Records Manufactured By – Universal Music Enterprises Credits Bass – William "Bootsy" Collins* Congas – Johnny Griggs Drums – Clyde Stubblefield (tracks: 1, 4 (the latter probably)), Frank "Kash" Waddy* (tracks: 2, 3, 4) Engineer [Original Sessions] – Ron Lenhoff Engineer [Restoration], Remastered By – Dave Cooley Flute, Baritone Saxophone – St. Clair Pinckney* (tracks: 1) Guitar – Phelps "Catfish" Collins* Organ – James Brown (tracks: 2) Piano – Bobby Byrd (tracks: 3) Producer [Original Sessions] – James Brown Reissue Producer – Eothen Alapatt Tenor Saxophone – Robert McCullough* Trumpet – Clayton "Chicken" Gunnels*, Darryl "Hasaan" Jamison* Notes Originally scheduled for release in July 1971 as King SLP 1126. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
Feb-Mar. 1969, Vol. 13 No. 05-06
Published bi-monthly by the Daughters of Biiitis, Inc., a non-profit corporation, 1005 Market Street, Room 208, San Francisco, California 94103. THE purpose off the VOLUME XIII, NUMBER V & VI LADDER FEBRUARY— MARCH 1969 “Dtui^^tenA 0^ B i L IT IS NATIONAL OFFl lERS, DAUGHTERS OF BILITIS, INC. President, Rita Laporte A WOMtS’S ORC.\SIZMI0\ FOR THE FlIRPOSE OF PROMOTING Vice President, East, Joan Kent THE INTEGRATION OF THE HOMOSEXUAL INTO SOCIETY BY: Vice President, West, Rinalda Reagan Secretary, Lynd James Treasurer, Lois Williams Chapter Presidents are also included on The Board THE LADDER STAFF Editor, Gene Damon Production Assistant, Lyn Collins Education of the Lesbian, enabling her to understand herself Production Manager, Helen Sanders and to make her adjustment to society in all its social, civic, Secretary to the Editor, Maura McCullough and economic implications - by establishing and maintaining Circulation Manager, Priscilla Cochran a library of both fiction and non-fiction literature on the sex Staff Assistants, Karen Wilson, Sten Russell, Ben Cat deviant theme; by sponsoring public meetings on pertinent THE LADDER is regarded as a sounding board for various points o f view subjects to be conducted by leading members of the legal, on the homophile and related subjects, and does not necessarily reflect the psychiatric, religious and other professions; by providing the Lesbian a forum for the interchange of ideas within her own opinion o f the organization except such opinions as are specifically ac group. knowledged by the -
Hollywood Stars Nicole Kidman, Uma Thurman and Andy Garcia As
Received by NSD/FARA Registration Unit 09/20/2019 2:38:30 PM PRINCE ALBERT II OF MONACO /W\ FOUNDATION Hollywood Stars Nicole Kidman, Uma Thurman and Andy Garcia as Masters of Ceremony; Robert Redford as Honoree; Gwen Stefani, Andrea Bocelli, Robin Thicke and Kool and the Gang as Performers; and Many More International Stars are Joining Forces with HSH Prince Albert II of Monaco to Save the Ocean and Fight Climate Change Impressive List of International Stars to Attend and Perform at the Third Annual Monte-Carlo Gala for the Global Ocean in Support of Prince Albert II of Monaco Foundation Initiatives to Protect the Global Ocean September 20, 2019 (Monte-Carlo) - The Prince Albert II of Monaco Foundation, the world leading Foundation for the protection of the Global Ocean and the Planet’s Environment, today revealed the impressive list of international artists and superstars who will join HSH Prince Albert II of Monaco on September 26, 2019, at the third Monte-Carlo Gala for the Global Ocean, which is the world’s biggest charity fundraiser of today. “Above all, the Ocean is a vital component for our global balance. It represents 97% of its biosphere. It is host to the majority of living species, produces most of the oxygen we breathe, regulates our climate and generates 60% of the ecosystem services which enable us to live. Sadly, however, the Ocean is also symbol of our irresponsibility. It suffers all the damage we inflict on our planet.” said HSH Prince Albert II of Monaco. “That’s why this year’s Gala for the Global Ocean in Monte-Carlo is so important. -
Funku .... 14 2.1 Počátek 20
-4 OBSAH ÚVOD ...............................................................................................................................6 I ČÁST 1 HUDEBNÍKULTURANAÚZEMÍSPOJENÝCHSTÁTŮ ...............................8 1.1 AFRICKÉ KOŘENY ................................................................................................8 1.2 EVROPSKÁ VERSUS AFRICKÁ HUDBA .................................................................10 1.3 VZÁJEMNÉ PROPOJOVÁNÍ ..................................................................................12 2 HUDEBNÍSTYLYSPŘÍMÝMVLIVEMNAVZNIKA VÝVOJFUNKU ....14 2.1 POČÁTEK 20. STOLETÍ AŽ DVACÁTÁ LÉTA : GOSPEL , BLUES , RAGTIME , NEW ORLEANS – KOLÉBKA JAZZU , JAZZ ....................................................................16 2.2 TŘICÁTÁ A ČTYŘICÁTÁ LÉTA : SWING , BE BOP , RHYTHM &BLUES .......................23 2.3 PADESÁTÁ A ŠEDESÁTÁ LÉTA : ROCK &ROLL , SOUL ............................................28 2.4 SEDMDESÁTÁ LÉTA : JAZZ ROCK , DISKO , HIP -HOP ..............................................31 II ČÁST 3 HISTORICKÝKONTEXT VZNIKUFUNKU ...................................................36 3.1 OBČANSKÉ NEPOKOJE .......................................................................................37 3.2 RASOVÁ PROBLEMATIKA ...................................................................................38 3.3 HUDEBNÍ SOUVISLOST .......................................................................................40 4 FUNK .......................................................................................................................41 -
Jazzletter'~ I .%S;.€Fo‘ ' ‘ Life November 1988 V01
Gene L(’<’S PD. Box 240 Jazzletter'~ i .%s;.€fO‘ ' ‘ life November 1988 V01. 7 N0. 1 1 The dates given for Dave on the fatnilyitoinbstone in Letters . lligzist Home Cemetery, 863 Des Plaines, are 1907- Amongthe list of Chiéago musicians and their birth years in the September Jazzletter is Dave Tough (1908). Both Harold S. Kaye, Atlanta, Georgia. Feather’s monumental Encyclopedia of Jazz and Chilton’s Who's Who ofJazz nee tly use the April 26 1903 unm- an and December 6, rig-is, death date. one was born April 26, 1907 and died December 9, 1948. A Lost Innocence I Neither Cook County nor the Illinois Bureau of Vital Statistics has-any record of_Davei'I‘ough’s birth. Fortunately, The development ofphotography in the early nineteenth-cen- I found the church that the Tough family attended in Gak tury angasthen the motion picture, sound recording, and vide- Park, Illinois. They were able to furnish me with a baptis- otape, permitted us to preserve aspects of reali‘ . This mal certificate which “David Jaffray Tough, son of has our perceptions and even ourtideas of Mr. and Mrs. James Tough, was born April 26, 1907, and what art is. We know Nijins1ry’s dancing only-from descrip- baptized June 9, 1907, at‘Harvard Congregational Church, tions of it, and comparatively few people knew» it when he 1045 S; Kenilworth Avenue, Oak Park, Illinois. The Rev. C. was alive. That ofFred Astaire, Cyd Charisse, Leslie Caron, Arthur Jevne was thepastor.” RudolfNureyev, will be admiredbY.P°9Ple yet unborn. Gene When Dave sailed for Europe in 1927, his passport Kelly will be dancing with Jerry the mouse after we are all read “b. -
THREE NEW POETS • INTO the ABYSS • KARAKAI JOZU No TAKAGI-SAN • HONEY • THOMAS WAS ALONE TOYS Editor in Chief | Stu Horvath
ISSUE THIRTEEN EXPLOITS APRIL 2019 an UN WINNABLE publication CULTURE vs. CANON by Elijah Beahm & Gavin Craig THREE NEW POETS • INTO the ABYSS • KARAKAI JOZU no TAKAGI-SAN • HONEY • THOMAS WAS ALONE TOYS Editor in Chief | Stu Horvath EXPLOITS A Magazine Dedicated to the Reasons We Love Things Managing Editor | Melissa King Music Editor | Ed Coleman Books Editor | Gavin Craig Movies Editor | Amanda Hudgins Television Editor | Sara Clemens Games Editor | Alyse Stanley Copyright © 2019 by Unwinnable LLC Unwinnable 820 Chestnut Street All rights reserved. This book or any portion thereof may Kearny, NJ 07032 not be reproduced or used in any manner whatsoever without the express written permission of the publisher www.unwinnable.com except for the use of brief quotations in a book review. For more information, email: Unwinnable LLC does not claim copyright of the [email protected] screenshots and promotional imagery herein. Copyright of all screenshots within this publication are owned by Subscribe | Store | Submissions their respective companies This machine kills fascists. CULTURE VS. CANON by Elijah Beahm and Gavin Craig Editor’s note: This series of letters continues a discussion that began in Exploits #5. Elijah Beahm first brought up the topic of culture and canon in “Would the Real Dark Troopers Please Stand Up?” Gavin Craig then responded to some of Elijah’s points in his piece for Unwinnable Monthly #106, “Culture is Not Canon.” They wanted to hash out their ideas more in this issue of Exploits, and I was happy to give them the space to do so! – Melissa King, Managing Editor Hello Gavin, To start, yes, culture alone cannot define canon.