Bloomsbury Adult Catalog Winter 2021
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Winter 2021 January – April BLOOMSBURY PUBLISHING JANUARY 2021
BLOOMSBURY Winter 2021 January – April BLOOMSBURY PUBLISHING JANUARY 2021 A Court of Silver Flames Sarah J. Maas The fourth book in the Court of Thorns and Roses series from #1 global bestseller Sarah J. Maas. The fourth book in the Court of Thorns and Roses series from #1 global bestseller Sarah J. Maas. PRAISE for ACOTAR "Simply dazzles." —Booklist, starred review "Passionate, violent, sexy and daring . A true page-turner." —USA Today "Suspense, romance, intrigue and action. This is not a book to be missed!" FICTION / FANTASY / ROMANTIC —HuffPost Bloomsbury Publishing | 1/26/2021 "Vicious and intoxicating . A dazzling world, complex characters, and sizzling 9781681196282 | $28.00 / $38.00 Can. romance." —RT Book Reviews, Top Pick Hardcover with dust jacket | 648 pages 9.3 in H | 6.1 in W "A sexy, action-packed fairy tale." —Bustle for ACOMAF "Fiercely romantic, irresistibly sexy and hypnotically magical. A veritable feast for the senses." —USA Today MARKETING Major prepublication buzz-building "Hits the spot for fans of dark, lush, sexy fantasy." —Kirkus Reviews campaign starting 8 months prepub "An immersive, satisfying read." —PW Social media campaign to include title and "Darkly sexy and thrilling." —Bustle cover reveals, sneak peaks, character quotes, animated trailer and more for ACOWAR Exclusive swag item available at NY "Fast... ComicCon 2020 Global preorder offer launching several months before publication SARAH J. MAAS is the #1 New York Times and internationally bestselling author of the Court of YouTube live author appearances teasing Thorns and Roses and the Crescent City series, as well as the Throne of Glass series. -
D3b1bdf3996e66f42682fee8
winterfall 2012 2012 HOPKINS medicine Comfort Zones Living better in the shadow of serious illness Sometimes, the most intriguing career path is off the beaten one. You may have read in this magazine that Johns Hopkins Medicine is becoming ever more global. Over the last decade, we’ve been engaged in dynamic collaborations with government, health care and educational institutions overseas designed to de- velop innovative platforms for improving health care delivery around the world. To achieve this ambitious mission, we rely on physicians and other health care profes- To apply or to sionals who work onsite in leadership roles at these locations. This is an opportunity learn more, visit to push the boundaries of medicine in a broad-reaching, sustainable way—while hopkinsmedicine.org/ expanding your clinical exposure to complex cases and developing new research and careers and refer to the education projects in close collaboration with Johns Hopkins faculty and interna- requisition number tional colleagues. Questions? Current opportunities on the Johns Hopkins Medicine International [email protected] expatriate team: n Chief Executive Officer (Panama): 38143 n Chief Medical Officer (United Arab Emirates): 38147 n Medicine Practice Leader/CMO (Kuwait): 38541 n Paramedical Practice Leader (Kuwait): 38802 n Physician (Kuwait): 38652 n Project Manager/COO (Kuwait): 38501 n Public Health Professional—MD or MD/PhD (Kuwait): 38591 n Radiology Practice Leader (Kuwait): 38775 n Senior Project Manager/CEO (Kuwait): 38500 EOE/AA, M/F/D/V – The Johns Hopkins Hospital and Health System is an equal opportunity/affirmative action employer committed to recruiting, supporting, and fostering a diverse community of outstanding faculty, staff, and students. -
Torrey Peters Has Written the Trans Novel Your Book Club Needs to Read Now P.14
Featuring 329 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 1 | 1 JANUARY 2021 REVIEWS Torrey Peters has written the trans novel your book club needs to read now p.14 Also in the issue: Lindsay & Lexie Kite, Jeff Mack, Ilyasah Shabazz & Tiffany D. Jackson from the editor’s desk: New Year’s Reading Resolutions Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas As a new year begins, many people commit to strict diets or exercise regimes # Chief Executive Officer or vow to save more money. Book nerd that I am, I like to formulate a series MEG LABORDE KUEHN of “reading resolutions”—goals to help me refocus and improve my reading [email protected] Editor-in-Chief experience in the months to come. TOM BEER Sometimes I don’t accomplish all that I hoped—I really ought to have [email protected] Vice President of Marketing read more literature in translation last year, though I’m glad to have encoun- SARAH KALINA [email protected] tered Elena Ferrante’s The Lying Life of Adults (translated by Ann Goldstein) Managing/Nonfiction Editor and Juan Pablo Villalobos’ I Don’t Expect Anyone To Believe Me (translated by ERIC LIEBETRAU Daniel Hahn)—but that isn’t exactly the point. [email protected] Fiction Editor Sometimes, too, new resolutions form over the course of the year. Like LAURIE MUCHNICK many Americans, I sought out more work by Black writers in 2020; as a result, [email protected] Tom Beer Young Readers’ Editor books by Claudia Rankine, Les and Tamara Payne, Raven Leilani, Deesha VICKY SMITH [email protected] Philyaw, and Randall Kenan were among my favorites of the year. -
F15-Picador.Pdf
PICADOR SEPTEMBER 2015 PAPERBACK ORIGINAL A Clue to the Exit A Novel Edward St. Aubyn A beautifully modulated novel that shows Edward St. Aubyn at his sparkling best Charlie Fairburn, successful screenwriter, exhusband and absent father, has been given six months to live. He resolves to stake half his fortune on a couple of turns of the roulette wheel and, to his agent's disgust, to write a novel—about death. In the casino he meets his muse. Charlie grows as addicted to writing fiction as she is to gambling. FICTION / LITERARY Picador | 9/1/2015 9781250046031 | $16.00 / $18.50 Can. His novel is set on a train and involves a group of characters (familiar to readers Trade Paperback | 208 pages | Carton Qty: of St. Aubyn's earlier work) who are locked in a debate about the nature of 5.5 in W | 8.3 in H consciousness. As this train gets stuck at Didcot, and Charlie gets more Other Available Formats: passionately entangled with the dangerous Angelique, A Clue to the Exit comes Ebook ISBN: 9781250046048 to its startling climax. Exquisitely crafted, witty, and thoughtful, Edward St. Aubyn's dazzling novel probes the very heart of being. MARKETING National Review Coverage Digital Marketing PRAISE Online Advertising and Social Media Campaign Praise for Edward St. Aubyn Targeted Outreach to Literary and Reading Group Sites Backlist Promotion "Perhaps the most brilliant English novelist of his generation."—Alan Hollinghurst "One of the great comic writers of our time."—The New York Review of Books ALSO AVAILABLE Lost for Words: A Novel "Gorgeous, golden prose…St. -
Literary Translation from Turkish Into English in the United Kingdom and Ireland, 1990-2010
LITERARY TRANSLATION FROM TURKISH INTO ENGLISH IN THE UNITED KINGDOM AND IRELAND, 1990-2010 a report prepared by Duygu Tekgül October 2011 Making Literature Travel series of reports on literary exchange, translation and publishing Series editor: Alexandra Büchler The report was prepared as part of the Euro-Mediterranean Translation Programme, a co-operation between the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures, Literature Across Frontiers and Transeuropéenes, and with support from the Culture Programme of the European Union. Literature Across Frontiers, Mercator Institute for Media, Languages and Culture, Aberystwyth University, Wales, UK This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales License. 1 Contents 1 EXECUTIVE SUMMARY ............................................................................................ 4 1.1 Framework .......................................................................................................... 4 1.2 Method and scope ................................................................................................. 4 1.3 Conclusions ......................................................................................................... 5 1.3.1 Literary translation in the British Isles ................................................................... 5 1.3.2 Literature translated from Turkish – volume and trends .............................................. 6 1.3.3 Need for reliable data on published translations -
The End of the Tour
THE END OF THE TOUR Screenplay by Donald Margulies Directed by James Ponsoldt Based on "Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace" by David Lipsky © 2014 EOT Film Productions, LLC. ALL RIGHTS RESERVED. No Portion of this script may be performed, published, reproduced, sold or distributed by any means, or quoted or published in any medium, including on any website without prior written consent of EOT Film Productions, LLC. This material is the property of EOT Film Productions LLC and is intended and restricted for use solely for EOT Film Productions, LLC personnel. Distribution of disclosure of this material to unauthorized persons is prohibited. Disposal of this script copy does alter any restrictions previously set forth. FADE IN: 1 INT. LIPSKY’S WEST END AVE APT/LIVING ROOM/OFFICE - NYC - 1 2008 - NIGHT A bright, unpretentious two-bedroom in a pre-war building, cluttered with books and papers, reflecting its owner’s lively mind. The decor is that of a perennial grad student’s digs, the bachelor pad of a New York intellectual. A dog curled up on the sofa beside him, DAVID LIPSKY, a boyishly handsome forty-three, quick-witted, tightly-wound, smokes and types speedily from scraps of handwritten notes, surrounded by books on his current journalistic subject, climate change. A stack of copies of his recent publishing success - Absolutely American - looms nearby. His iPhone vibrates. He gets up and answers the call. LIPSKY Hey, Bob, what’s up? BOB’S VOICE (over phone) Listen: According to this unconfirmed report.. -
Fiction | Nonfiction | Poetry | Hybrid | Dramatic Writing
FICTION | NONFICTION | POETRY | HYBRID | DRAMATIC WRITING Join us for two weeks of seminars, parties, workshops, salons, agent consultations, readings, and more! There are 14 lines in a sonnet and nearly infinite ways of using those lines to impact your reader. There are 14 days in Lit Fest 2019 and more than infinite ways of experiencing it. Even though we may not be the best at math, we do have some impressive numbers for you: 20+ 100+ 13 visiting authors craft seminars public readings 12 9 informative business panels with nighttime salons (featuring live storytelling, authors, agents, and editors a movie night, and spirited conversations) Oh, plus parties, food trucks, and unofficial gatherings on the porch. Lit Fest 2019 contains multitudes. Whether you’re a veteran or a first-timer, we hope you’ll join us for two weeks of literary fun. TABLE OF CONTENTS SEE THE FULL CALENDAR OF EVENTS ON PAGE 32 Advanced Workshops ........................... 2 Salons and Parties ............................. 25 Weeklong and weekend advanced workshops in novel, poetry, Celebrate the kickoff and close of Lit Fest 2019 with parties that short story, memoir, narrative nonfiction, and dramatic writing are include a catered dinner, live music, games, and more. Salons are limited to 10 students each (12 in poetry) and participation is by informal, dynamic evening discussions or performances featuring application only. Weeklong advanced workshops meet five times three or more speakers with varying perspectives on a theme; (typically Monday through Friday) for sessions of about three hours audience participation is encouraged. The ticket price for salons and include an opportunity to meet one-on-one with the instructor. -
Lights, Camera, Action! Gerald R. Ford International Airport Serves As Location for Filming of “The End of the Tour.”
Gerald R. Ford International Airport AIRPORT BOARD KENT COUNTY DEPARTMENT OF AERONAUTICS ROGER MORGAN, Chairman BRIAN D. RYKS, A.A.E. Executive Director RICHARD A. VANDER MOLEN, Vice Chairman PHILLIP E. JOHNSON, A.A.E. Deputy Executive Director STEVEN R. HEACOCK ROBERT W. BENSTEIN, A.A.E. Public Safety & Ops Director BIRGIT KLOHS BRIAN PICARDAT, A.A.E. Finance & Admin. Director DAVID A. SLIKKERS THOMAS R. ECKLUND, P.E. Facilities Director THEODORE J. VONK TARA M. HERNANDEZ Mktg. & Communications Mgr. FLOYD WILSON, JR. FOR IMMEDIATE RELEASE March 21, 2014 Contact: Tara M. Hernandez, Marketing & Communications Mgr. 616-233-6053 or [email protected] Lights, Camera, Action! Gerald R. Ford International Airport Serves as Location for Filming of “The End of the Tour.” Grand Rapids, MI. – The Gerald R. Ford International Airport had hundreds of extra visitors last week as the James Ponsoldt movie, “The End of the Tour,” was filmed on location. Due to security and contract regulations, the announcement was reserved until after filming commenced. A crew of over 100 people worked for over fourteen hours at GFIA, and filmed in various locations throughout the airport. Locations included the economy parking lot, the parking ramp, the airfield, the Concourse B hallway as well as two vacant ticket counter areas. Grand Rapids was standing in as both the Minneapolis-St. Paul and Chicago O’Hare airports with two different scenes created among the location. The Gerald R. Ford International Airport staff and security worked with the cast and crew for several weeks leading up to the filming to scout out locations, times for filming and acclimate “The End of the Tour” crew with strict security rules and regulations. -
FIST STICK KNIFE GUN a Personal History of Violence Author Website: by Geoffrey Canada
Academic Marketing Dept. • 1745 Broadway • New York, NY 10019 Random House, Inc. Tel: 212-782-8482 • Fax: 212-782-8915 • ) [email protected] CONTENTS FEaturEd titlEs subjEct catEgoriEs THE OXFORD PROJECT By Stephen G. Bloom and Peter Feldstein ............................2–3 CULTURAL / ETHNIC STUDIES THE SOCIAL ANIMAL By David Brooks ......................................................................4–5 Anthropology ................................................................................................................34 FIST, STICK, KNIFE, GUN By Geoffrey Canada ..........................................................6–7 American Studies ....................................................................................................34–35 HOLLOWING OUT THE MIDDLE By Patrick J. Carr and Maria J. Kefalas ....................8–9 Ethnomusicology ..........................................................................................................35 I DON’T WISH NOBODY TO HAVE A LIFE LIKE MINE By David Chura ................10–11 African / African American Studies ..........................................................................35–36 THE AGE OF EMPATHY By Frans de Waal ..............................................................12–13 Asian Studies..................................................................................................................36 OCCULT AMERICA By Mitch Horowitz....................................................................14–15 Latino / Latina Studies....................................................................................................36 -
4Th Annual Honors Lecture of the Year Tuesday, February 7, 2012 7:00Pm ASU Student Union Auditorium
Honors Lecture 4th Annual Honors Lecture of the Year Tuesday, February 7, 2012 7:00pm ASU Student Union Auditorium Event Co-Sponsors Platinum ASU Lecture-Concert Series Gold “Half my life ago, I killed a girl.” In this powerful, The Honors College unforgettable memoir, acclaimed novelist Darin Strauss The Graduate School recounts a tragedy and its aftermath. In his last month of College of Business high school, just after turning eighteen, Strauss is behind College of Communications the wheel of his father's Oldsmobile, driving with friends—having “thoughts of mini-golf, another thought College of Education of maybe just going to the beach.” Then out of the blue: College of Fine Arts a collision that results in the death of a bicycling College of Humanities & Social Sciences classmate that shadows the rest of his life. In spare and College of Nursing & Health Professions piercing prose, Darin Strauss explores loss and guilt, College of Sciences & Mathematics maturity and accountability, hope and acceptance—and the result is a staggering, uplifting tour de force. Continuing Education & Community Outreach Dean B. Ellis Library A recipient of the Guggenheim Fellowship and a winner Student Government Association (SGA) Action Fund of the American Library Association's Alix Award and The Silver National Book Critics Circle Award, the internationally- The Honors College Association (HCA) bestselling writer Darin Strauss is the author of the novels “Chang & Eng,” “The Real McCoy,” and “More College of Agriculture & Technology Than It Hurts You,” and the NBCC-winning memoir “Half College of Engineering a Life.” These have been New York Times Notable Books, Newsweek, Los Angeles Times, San Francisco Chronicle, Amazon, Chicago Tribune, and NPR Best Books of the Year, among others. -
The End of the Tour
Two men bare their souls as they struggle with life, creative expression, addiction, culture and depression. The End of the Tour The End of the Tour received accolades from Vanity Fair, Sundance Film Festival, the movie critic Roger Ebert, the New York Times and many more. Tour the film locations and explore the places where actors Jason Segel and Jesse Eisenberg spent their downtime. Get the scoop and discover entertaining, behind-the-scene stories and more. The End of the Tour follows true events and the relationship between acclaimed author David Foster Wallace and Rolling Stone reporter David Lipsky. Jason Segel plays David Foster Wallace who committed suicide in 2008, while Jesse Eisenberg plays the Rolling Stone reporter who followed Wallace around the country for five days as he promoted his book, Infinite Jest. right before the bookstore opened up again. All the books on the shelves had to come down and were replaced by books that were best sellers and poplar at the time the story line took place. Schuler Books has a fireplace against one wall which was covered up with shelving and books and used as the backdrop for the scene. Schuler Books & Music is one of the nation’s largest independent bookstores. The bookstore boasts a large selection of music, DVDs, gift items, and a gourmet café. PHOTO: EMILY STAVROU-SCHAEFER, SCHULER BOOKS STAVROU-SCHAEFER, PHOTO: EMILY PHOTO: JANET KASIC DAVID FOSTER WALLACE’S HOUSE 5910 72nd Avenue, Hudsonville Head over to the house that served as the “home” of David Foster Wallace. This home (15 miles from Grand Rapids) is where all house scenes were filmed. -
The YA Novel in the Digital Age by Amy Bright a Thesis
The YA Novel in the Digital Age by Amy Bright A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Amy Bright, 2016 Abstract Recent research by Neilsen reports that adult readers purchase 80% of all young adult novels sold, even though young adult literature is a category ostensibly targeted towards teenage readers (Gilmore). More than ever before, young adult (YA) literature is at the center of some of the most interesting literary conversations, as writers, readers, and publishers discuss its wide appeal in the twenty-first century. My dissertation joins this vibrant discussion by examining the ways in which YA literature has transformed to respond to changing social and technological contexts. Today, writing, reading, and marketing YA means engaging with technological advances, multiliteracies and multimodalities, and cultural and social perspectives. A critical examination of five YA texts – Markus Zusak’s The Book Thief, Libba Bray’s Beauty Queens, Daniel Handler’s Why We Broke Up, John Green’s The Fault in Our Stars, and Jaclyn Moriarty’s The Ghosts of Ashbury High – helps to shape understanding about the changes and the challenges facing this category of literature as it responds in a variety of ways to new contexts. In the first chapter, I explore the history of YA literature in order to trace the ways that this literary category has changed in response to new conditions to appeal to and serve a new generation of readers, readers with different experiences, concerns, and contexts over time.