Welcome

UPCOMING Dear Friends, Welcome to the west coast premiere of The American Plan by Tony Award-winning DANCING playwright Richard Greenberg. His cele- brated works Take Me Out and The Violet IN THE DARK Hour have recently graced our stages and (Based on the classic we are pleased to continue our relation- MGM musical “The Band Wagon”) ship with one of America’s preeminent March 4 - April 13, 2008 playwrights. Mr. Greenberg, who visited the Globe during the run of The Violet Old Globe Theatre Hour, was thrilled with our production of his play. His opinion of our theatre means the OOO world to us. Yours does as well.

THE In that spirit I want to encourage each and every one of you to share your opinions with GLASS MENAGERIE us through our new audience review e-mail, program which began last summer. If we April 12 - May 18, 2008 have your e-mail address, you will receive a survey after each production asking your Cassius Carter Centre Stage opinion of the show. I encourage you to add your e-mail address through our box office, our new website, TheOldGlobe.org, or by completing the card enclosed in this program OOO today.

HERSHEY FELDER’S You may have read that the Globe recently opened a new Technical Center in BEETHOVEN, AS Southeastern San Diego’s Diamond District (at Market and Euclid Streets). This new I KNEW HIM 43,000 square foot facility (of which we will use 33,000 square feet) has been needed May 3 - June 8, 2008 desperately. As the sixth largest theatre in the country, I think you’ll agree we need a Old Globe Theatre proper place to build our sets, work with designers and house our vast costume and prop inventory. However, the Technical Center will not only serve our design staff and talent- HERSHEY FELDER’S ed craftspeople, it will also serve as the centerpiece for new programs that will engage MONSIEUR CHOPIN more of our community – and more young people. With your support we will begin to June 11 - June 22, 2008 Old Globe Theatre train and inspire the next generation of theatre artists and theatre lovers through pro- grams that teach the scenic arts, including carpentry, electrics, and painting. HERSHEY FELDER’S GEORGE GERSHWIN ALONE June 25 - June 29, 2008 The fundraising campaign for the new Conrad Prebys Theatre Center and our education Old Globe Theatre programs here in the Education Center and throughout the community is tremendously exciting (see the article in this program), but it is still a long way from reaching its goal. OOO I encourage you to review our outreach efforts and education programs as you consider making a gift to the campaign or to our annual fund. Finally, if you have interest in 2008 Summer becoming directly involved with our outreach efforts or supporting the Globe in any way, SHAKESPEARE please contact us at the Globe. FESTIVAL June 14 - September 28, 2008 I look forward to hearing from you, and I encourage you to continue to support the Lowell Davies Festival Theatre theatre that you have nurtured to become one of the most important and respected in the ROMEO AND JULIET country. THE MERRY WIVES OF WINDSOR ALL’S WELL THAT ENDS WELL Executive Producer

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The Legler Benbough Foundation Las Patronas

Karen and Donald Cohn The Lipinsky Family

Peter Cooper and Norman Blachford Conrad Prebys

Valerie and Harry Cooper Donald and Darlene Shiley

Audrey S. Geisel Supervisor Pam Slater-Price and the County of San Diego Globe Guilders Sheryl and Harvey White Joan and Irwin Jacobs Anonymous

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS THE AMERICAN PLAN

BY Richard Greenberg

SCENICDESIGN COSTUMEDESIGN LIGHTINGDESIGN SOUNDDESIGN Wilson Chin Emily Pepper Chris Rynne Paul Peterson

VOICEANDDIALECTCOACH STAGEMANAGER Jan Gist Leila Knox

DIRECTEDBY Kim Rubinstein

Casting by Samantha Barrie

PERFORMANCES MAGAZINE P3 Cast of Characters In Order of Appearance: Nick Lockridge...... Patrick Zeller * Lili Adler ...... Kate Arrington * Olivia Shaw ...... Sharon Hope * Eva Adler...... Sandra Shipley * Gil Harbison ...... Michael Kirby N

Stage Manager...... Leila Knox *

Setting: Catskil ls, 1960. Epilogue: New York City, ten years later There will be one 15-minute intermission

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. NStudent from The Old Globe/University of San Diego Master of Fine Arts Program Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

THE AMERICAN PLAN is supported, in part, by the following generous sponsors:

COHN RESTAURANT GROUP The Prado at Balboa Park is one of the most frequently visited restaurants by Globe patrons for lunch or dinner before Globe performances. Cohn Restaurant Group operates twelve San Diego restaurants including The Prado, Corvette Diner, Dakota Grill, Gaslamp Strip Club, Indigo Grill, Island Prime, Kemo Sabe and Thee Bungalow. Lesley and David Cohn, owners of the Cohn Restaurant Group have attended Globe productions for more than a decade. The Old Globe greatly appreciates Cohn Restaurant Group’s financial and in-kind annual fund contribution to support the Theatre.

NATIONAL CORPORATE THEATRE FUND The National Corporate Theatre Fund is an association of ten of America’s finest not-for-profit theatres dedicated to increasing the participation of corporations and their employees in the support of theatre across the country and in New York. The Old Globe thanks the National Corporate Theatre Fund for all they do and is pleased to recognize the organization as a sponsor of The American Plan.

P4 PERFORMANCES MAGAZINE Board of Directors

Dear Friends,

As the incoming Chair of the Board of Directors, it is my pleasure to welcome you to this evening’s performance and to begin my term at this important moment in the life of The Old Globe. For more than 70 years, the Globe has been recognized as one of the leading regional theatres in the United States for its world-class theatrical productions and educational outreach programs for the youth of San Diego.

We are now in the midst of a Capital and Endowment Campaign that will create the Conrad Prebys Theatre Center, including a replacement for the venerable Cassius Carter Centre Stage and a new education center, ensuring the future of our beloved Theatre for generations to come. For the past three years, I have had the pleasure of working with Lou Spisto and a team of dedicated board members in the development program to meet our financial goals. Accordingly, I would like to invite you to assist us in this challenging endeavor in any way possible.

This season, we are proud to introduce a new leadership team with Lou Spisto, Jerry Patch and Darko Tresnjak. These talented individuals will add new luster to the proud history of The Old Globe.

Donald Cohn, Chair, Board of Directors BOARD OF DIRECTORS / OFFICERS Donald Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Chair Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Past Chair & Treasurer Nominating Development DIRECTORS Martin Goodman Daniel L. Sullivan, Ph.D. HONORARY DIRECTORS Mary Beth Adderley-Wright Viviana Ibañez Julie H. Sullivan, Ph.D. Mrs. Richard C. Adams Joseph Benoit Deni Jacobs Evelyn Mack Truitt (1912–2005) Deni S. Carpenter Daphne Jameson Debra Turner Clair Burgener (1921-2006) Robert Cartwright Timothy A. MacDonald Crystal Watkins Mrs. John H. Fox (1908–2003) Peter J. Cooper Fern Murphy Ruth Wikberg-Leonardi Audrey Geisel Valerie S. Cooper Marianne Nelson June Yoder Paul Harter Stephen M. Cusato Arthur Neumann Carolyn Yorston Gordon Luce (1925-2006) Elaine Bennett Darwin Robin Nordhoff Deborah Young Dolly Poet (1921-2007) David W. Down Rafael Pastor* Tim K. Zinn Deborah Szekely Joel Ewan Conrad Prebys* Hon. Pete Wilson Pamela A. Farr John Rebelo EMERITUS DIRECTORS Jake Figi Sara Rosenthal, M.D. Garet B. Clark Sally Furay, R.S.C.J. Jeri Rovsek J. Dallas Clark (1913–2005) Harold W. Fuson, Jr.* Jean Shekhter Bernard Lipinsky (1914-2001) Victor P. Gálvez Nancy A. Spector Delza Martin (1915–2005) Robert Gleason Louis G. Spisto* Patsy Shumway

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Supervisor Pam Slater-Price and The County of San Diego.

PERFORMANCES MAGAZINE P5 Capital & Endowment Campaign KRESGE FOUNDATION CHALLENGES YOU WITH A $1 MILLION GRANT

The Old Globe is pleased to announce the ABOUT THE CONRAD PREBYS THEATRE CENTER receipt of a $1 million challenge grant from the In June of 2008, The Old Globe will break ground on Kresge Foundation to help support the Globe’s the new Conrad Prebys Theatre Center. In addition Capital and Endowment Campaign. In order for to technical and artistic support spaces for all three the Globe to receive this grant, however, the theatres, the facilities project will provide better access, Theatre must raise the remaining capital new and improved amenities and an improved required to complete the Campaign, and your experience for all Globe patrons and visitors. participation is vital. The Globe’s rejuvenated and enhanced facilities will The Securing a San Diego Landmark campaign support artistic and education goals and provide for the was launched in March 2006 with the singular comfort and enjoyment of audiences and artists. The goal of securing the Globe’s long-term stability project includes: through: 1) new and updated facilities, 2) a special Artistic and Education Fund, 3) an • The Sheryl and Harvey White Theatre, a new arena stage enhanced annual fund and 4) an appropriately replacing the Cassius Carter Centre Stage, will retain all of sized endowment. The Kresge Challenge Grant the benefits afforded both audiences and artists by having an intimate performance space. Nearly identical in size and helps fund the first two pieces of this campaign, configuration to the current facility, this theatre’s critically and in 2008 the Globe asks friends, subscribers needed improvements will include: an expanded lobby and and donors to help meet the Kresge Challenge. improved ADA-compliant accessibility for patrons with special needs, better stage access for actors and crew, a One way for you to participate is by purchasing lighting grid and trap room, additional dressing rooms and a a personalized granite paver, which will be new green room to support all three theatres. creatively designed into two prominent central locations on the new Copley Plaza. Payment plans are available, and pavers can be purchased at $10,000, $25,000 and $50,000 each.

New displays can be found in the theatre lobbies with information about a variety of naming opportunities, including the personalized granite pavers.

Help ensure that this great institution continues to thrive and grow for many years by contributing today. For further information, please call the Development Department at ARCHITECTURAL RENDERING OF THE INTERIOR OF (619) 231-1941 ext. 2317. THE SHERYL AND HARVEY WHITE THEATRE

P6 PERFORMANCES MAGAZINE • The Karen and Donald Cohn Education Center will provide • Upgraded Backstage, Technical and Support Spaces will help on-site classroom and performance space for the Globe’s ensure the Globe’s continued ability to meet the needs and education programs serving children, as well as adults. This expectations of our creative teams. The high caliber of the new Education Center will help alleviate the ongoing Globe’s productions depends, in part, upon the theatre’s ability challenge to simultaneously secure space for visiting artists, to offer outstanding technical support. graduate students, children from local schools, teachers and others — whose needs are all vitally important to the Globe and the San Diego community.

• A Redesigned Copley Plaza, accessible year-round to the more than 12 million visitors in Balboa Park, will make more efficient use of the Globe’s public space in Balboa Park. The new Plaza will continue to serve as the Globe’s “outdoor lobby” for more than 620 performances and 300,000 admissions each year, as well as venue for the annual Globe Gala, free public events, education activities and the annual open house, which opens the summer Shakespeare Festival. With improved wheelchair accessibility, the new Plaza will provide additional seating areas and benches, as well as a new pavilion for outdoor dining. ARCHITECTURAL RENDERING OF THE NEW FACILITY

OLD GLOBE WINS 14 SAN DIEGO THEATRE CRITICS CIRCLE “CRAIG NOEL” AWARDS

The Old Globe recently took home 14 awards at the San Diego Theatre Critics Circle “Craig Noel” Awards Ceremony on Monday, January 21 – the most awards for any San Diego theatre given this year. The Globe’s world-premiere production of A Catered Affair won seven awards, including Outstanding New Musical, as well as awards for direction: John Doyle; score: John Bucchino; Lead Actor: Tom Wopat; Lead Actress: Faith Prince; Lighting Design: Brian MacDevitt; and Orchestrations: Don Sebesky. Other Globe winners included Paul Peterson (sound design, Bell, Book and Candle), Karen Perry (costume design, Two Trains Running), James Sutorius (lead actor, Who’s Afraid of Virginia Woolf?), Chuck Cooper (lead actor, Two Trains Running), Globe Associate Artist Jonathan McMurtry (featured actor, 2007 Shakespeare Festival); Measure for Measure (Ensemble) and Itamar Moses (Outstanding New Play, The Four of Us.) JACK O’BRIEN ACCEPTING LIFETIME ACHIEVEMENT AWARD. The evening was also highlighted by a special tribute to the Globe’s Artistic Director Emeritus Jack O’Brien, who received the Critic’s Circle’s Lifetime Achievement Award. O’Brien’s tribute included a short film featuring appearances by celebrated play- wright Tom Stoppard, composer David Yazbek, Globe CEO/Executive Producer Lou Spisto, and many other friends and col- leagues who have played an important role in Jack's life and career. A week later Jack was inducted in the Theater Hall of Fame. This starry event took place at the Gershwin Theater, where Jack and the other 2007 inductees (Actors John Cullum, Harvey Fierstein, Dana Ivey and Lois Smith, playwright Peter Shaffer, librettist Joseph Stein, and critic Mel Gussow) were feted by their peers in the industry.

PERFORMANCES MAGAZINE P7 Program Notes The “Borscht Belt”

of the Catskills AERIAL VIEW OF GROSSINGER RESORT The American Plan During the mid-century summers of 1940-1965, The American Plan, sometimes abbreviated Jewish families living in New York City swarmed to the as AP in hotel listings, means that the quoted resorts and bungalow colonies of the Catskill Mountains in rate includes three meals a day, i.e. break- upstate New York, an area that became known as “Borscht fast, lunch, and dinner. On the American Plan, Belt.” Resorts such as Grossinger’s, Kutsher’s, and The the meals are provided by the hotel’s dining Concord were known for their kosher menus, their roster of room. daily activities, and their nightly entertainment, which often featured up-and-coming Jewish comics such as Carl Reiner Some hotels offer guests the option of being and Lenny Bruce. on the American Plan or paying a la carte for food consumed in their facility. Travelers The bungalow colonies catered to the working class choosing a hotel in a remote location where and many offered the same recreational activities and com- there are not many restaurants — or none at munal R&R offered by the larger resorts. These places served all — frequently opt to stay at a hotel that as a seasonal refuge for the Jews, especially at a time when offers an American Plan. Jewish communities were often “restricted” from the larger society. Some fami- In Europe and some other countries the lies were recent American Plan is referred to as Full Pension immigrants to the or Full Board. US, and found acceptance among others in the Nighttime entertainment Catskills who offered vacationers the chance to shared not only watch first-class comedy. Catskills their faith but comedians, whose self-deprecating their daily stand-up routines satirized Jewish habits and values. But FAMILY BUNGALOW, KOZAN’S— ELLENVILLE, 1956 life, became “Borscht Belt comics.” some families, like the Adlers in Richard Myron Cohen was among such come- Greenberg’s The American Plan, did not fit in as easily. dians, touting jokes that poked fun at German Jews who had fled Europe and the Nazis were out Jewish types: of place in these resorts for working and business class Son walks in on Old World, tradi- American Jews. Often the Germans were the “cultured” tional father, who's watching a basket- Jews, who had enjoyed more privileged lives than the ball game. Son is stunned: “Dad, I COMEDIAN MYRON COHEN “shtetl” Jews of Eastern Europe. But for vast majority of didn't know you liked basketball; what's the score?" Dad replies, “78 Jewish families, the Catskills offered them the opportunity to 62." “Who's winning?" Dad says, “78." to relax while their children enjoyed the outdoors – an experience the Borscht Belt delivered for decades. FOR MORE INFORMATION ABOUT THIS PRODUCTION, PLEASE VISIT OUR WEBSITE AT P8 PERFORMANCES MAGAZINE WWW.THEOLDGLOBE.ORG Also popular was song parodist Allan Sherman, who was best known for the 1963 hit “Hello Muddah, Hello Fadduh,” which chronicled summer camp misery. In his essay, “Shine on, Harvey Bloom: Why Allan Sherman Made Us Laugh,” Ken Kalfus remembers how Sherman “made Jewish humor about Jewish people mainstream humor”: “[Sherman’s song parodies] expressed Jews' apartness from mainstream American culture, at a time when the culture itself was about to go counter....The fact that many lis- teners besides myself barely recognized the songs on which Sherman's parodies were based - including, for heaven's sake, ‘The Battle Hymn of the Republic’ - suggests how distant we found ourselves from the supposed center of the culture.”

While visitors to the Borscht Belt may have felt sep- arated from the rest of the country, comics like Cohen and Sherman threw a more humorous light on the Jewish identity, bonding the Catskills guests further as a community. Ironically, vacationers came to the Borscht Belt less frequently as Jews became more assimilated into mainstream society in later decades, and eventually most resorts closed for good. But, for a brief period, the summers in the Borscht Belt represented more than just a vacation for the scores of Jews who came with their families. It was DANCING AT THE NEMERSONa place and time when they belonged. – Kim Montelibano Heil

AN EXCERPT FROM “THE PROFESSOR OF DESIRE,” BY PHILIP ROTH “Hey little Kepesh, come here,” say the guests. “Who do you want to be like when you grow up?” Temptation comes to me first in the conspicuous personage of Herbie Bratasky, social director, bandleader, crooner, comic and m.c. of my family’s mountainside resort hotel. When he is not trussed up in the elasticized muscleman’s swim trunks which he dons to conduct rumba lessons by the side of the pool, he is dressed to kill, generally in his two-tone crimson and cream-colored “loafer” jacket and wide canary-yellow trousers that taper down to enchain him just above his white, perforated, sharpie’s shoes. A fresh slice of Black Jack gum is at the ready in his pocket while another is being savored, with slow-motion sassiness, in what my mother derisively describes as Herbie’s “yap.” Below the stylishly narrow alliga- tor belt and the gold droop of key chain, one knee works away inside his trousers, Herbie keeping time to hides he alone hears being beaten in that Congo called his brain. Our brochure (from fourth grade on com- posed by me, in collaboration with the owner) headlines Herbie as “our Jewish Cugat, our Jewish Krupa – all rolled into one!”; further on he is described as “a second Danny Kaye,” and, in conclusion, just so that every- one understands that this 140-pound twenty-year-old is not nobody and Kepesh’s Hungarian Royale is not exactly nowhere, as “another Tony Martin.”...... In summer, I am under the demon drummer’s spell. Then Yom Kippur comes and Bratasky goes, and what good does it do me to have learned what someone like that has to teach a growing boy? Our -witzes, -bergs, and -steins are dispersed overnight to regions as remote to me as Babylon – Hanging Gardens called Pelham and Queens and Hackensack.

Philip Roth is the Pulitzer Prize-winning author of 26 novels, and is much admired by playwright Richard Greenberg.

PERFORMANCES MAGAZINE P9 Program Notes continued

Playwright Richard Greenberg recently spoke with Old Globe Co- i Artistic Director Jerry Patch about writing The American Plan. Patch has served as dramaturg on many of Two Lyrics From Kilroy's Carnival: Greenberg’s plays. A Masque

Jerry Patch: Going back 20 years, I Aria where did this play come from? Richard Greenberg: I don’t know. "--Kiss me there where pride is glittering I got into Yale [Drama School] with the Kiss me where I am ripened and round fruit first play I’d ever written, and then had Kiss me wherever, however, I am supple, bare and flare two plays in New York before I graduat- (Let the bell be rung as long as I am young: ed. The second one got a lot of atten- let ring and fly like a great bronze wing!) tion, so I was launched into this very public career. Back then, people were eager to find new playwrights. And, you "--I'll kiss you wherever you think you are poor, know...you can learn something from drama school but it’s sort of a time-release Wherever you shudder, feeling striped or barred, thing. You don’t really understand it until you’re ready to, and I wasn’t ready to be Because you think you are bloodless, skinny or marred: paid attention to, to be scrutinized so closely. So I got into a little trouble after the first couple of plays. Then I realized after Until, until my Yale education that I had to turn into an autodidact. I decided I needed to write your gaze has been stilled-- plays with very evident plots, so that I could get the feel when something was Until you are shamed again no more! working, when the play added up to something, was finished? The easiest way was I'll kiss you until your body and soul when it was clearly testable, which happens with plot-heavy plays, or plays where the the mind in the body being fulfilled-- plot is on the surface. You can test it against reality, you can test it against tradition Suspend their dread and civil war!" – you could just test these plays. And so I wrote The Author’s Voice, which was a kind of gothic farce, and then I wrote The American Plan which has a lot of plot....for me. I knew I was putting together a lot of genres, but at the time it didn’t seem to me a problem, or problem- II Song atic. I just said, “Well, of course! It’s just a gothic-melodrama-high-comedy- problem play. Why not?” I was telling a story, and you can tell when that kind of Under the yellow sea story is finished. So it was really a part of my self-education that followed my con- Who comes and looks with me servatory education. For the daughters of music, the fountains of poetry? Both have soared forth from the unending waters JP: What about the subject matter, or the setting? Where all things still are seeds and far from flowers RG: I don’t really remember where that came from. I think I started writing it And since they remain chained to the sea's powers when I was living in Woodstock.... May wilt to nonentity or loll and arise to comedy I saw a woman who was in her 50s and her mother. The woman I knew of a bit, and she was delightful and somewhat scatty, and, I think, in pain. Her mother was Or thrown into mere accident through irrelevant incident sort of a looming, late Ibsen-esque figure. Dissipate all identity ceaselessly fragmented by the ocean's I saw them in one particularly heightened emotional situation. As the mother, immense and intense, irresistible and insistent action, who was in her 70s – even 80s – was talking, I could see the daughter’s mouth Be scattered like the sand is, purposely and relentlessly, working, and it looked as if she was trying to swallow her mother’s words as they Living in the summer resorts of the dead endlessly. came out. And that stayed with me. It was a long time ago, so I can’t really account for all of it. —Delmore Schwartz JP: What about the nature of that Catskills world you put your characters in? RG: One of the reasons I put them there was because they as a family don’t belong there. It’s a perverse choice to put them in one of those old resorts like The Concord with all the middle class Jews from Brooklyn and the Bronx. They’re i German Jews; they’re fancy, rich, and completely out of place.

P10 PERFORMANCES MAGAZINE P rofiles

Kate Arrington Mississippi Delta, Arkansas Rep Theatre and Classic Stage Co; Kindertransport, Manhat- (Lili Adler) Asolo Center for Performing Arts; Joe tan Theatre Club. REGIONAL: Three-year THE OLD GLOBE: Turner’s Come and Gone, Alabama Shake- member, American Repertory Theatre; Kate Arrington is speare Festival; Yerma, Indiana Rep The- Three-year company member, Boston very happy to be atre; Wedding Band, Milwaukee Rep Theater. Shakespeare Company; Act A Lady, returning to the FILM/TV: Little Senegal, Law & Order, Law & Humana Festival, Actors Theatre of Old Globe where Order: CI. Louisville; Sheridan, La Jolla Playhouse; she performed as Major Barbara, Oedipus, Guthrie Theater; Jessica in Hold Michael Kirby Anything Goes, Romeo and Juliet, On the Razzle, Please last season. (Gil Harbison) Lady Windermere’s Fan, The Rivals, Most recently, she THE OLD GLOBE: Williamstown Theatre Festival; Rosencrantz performed in the new play, When the Othello, 2007 and Guildenstern Are Dead, Long Wharf The- Messenger is Hot, both at Steppenwolf Shakespeare atre; You Never Can Tell, Way of the World, The Theatre in Chicago and off-Broadway at Festival. THE OLD Adventures of Amy Bock, Yale Rep; Undiscov- 59 East 59 in New York. Also at GLOBE/ USD ered Country, The Merry Wives of Windsor, Steppenwolf, Kate has performed in The PROFESSIONAL Huntington Theatre; Medea, Shirley Valen- Violet Hour and The Well-Appointed Room ACTOR TRAIN- tine, Filumena, The Illusion, Merrimack Reper- (also by Richard Greenberg) and The Pain ING PROGRAM: tory; A Moon for the Misbegotten, Long Days and the Itch. OTHER NY THEATRE: Marat/Sade, The Journey Into Night, Benefactors, Hard Times, Lincoln Center Theatre, Soho Rep, HERE Laramie Project, Much Ado About Nothing, Talking Heads, Gloucester Stage Company. Arts Center, The Mint Theatre, Classic Pericles. ELSEWHERE: A Tale of Charles INTERNATIONAL: Major Barbara, London Stage Company. REGIONAL: The Dickens, LA Theatre Works; A Midsummer Assurance, Twelfth Night, When Thou Art King, Goodman Theatre, South Coast Rep, Night’s Dream, Romeo and Juliet, Kingsmen Royal Shakespeare Company; Private Lives, Williamstown Theatre Festival, Maine Shakespeare Festival; Don Juan, Spite for UK Tour; Look Back in Anger, Royal Court State Shakespeare, North Carolina Spite, Siglo de Oro Festival with Andak and West End; Mary Stuart, Edinburgh Fes- Theatre. FILM: The Missing Person, The King Stage Company (founding member); tival; Six Characters In Search of an Author, of Irontown. Kate is a graduate of Chekhov x 4, Loves Fire, Nora, Antaeus King Stag, Teatro Español (Madrid). Northwestern University and a member of Theatre Company. OTHER: Hamlet, The FILM/TV: Monument Avenue, Mermaids, Sov- Steppenwolf Ensemble since 2007. Merry Wives of Windsor, The Mineola Twins, ereignty,The John Lennon Story, Paul and Nancy, San Fran Scapin. FILM: The Diamond Nose, Lipstick Jungle, Law & Order, L aw & Order: Sharon Hope Passing Normal, Kiss Chase. TELEVISION: SVU, Third Watch, All My Children. AWARDS: (Olivia Shaw) Appearances on Boston Public, Unsolved Elliot Norton Medal: Sustained Theatre THE OLD Mysteries and MTV. Michael has a BA in Excellence; New England Theatre Confer- GLOBE: Debut. Theatre from Cal State Fullerton. ence Award for Theatre Excellence; LA Rob- NEW YORK: Miss- bie Award Best Actress in a Drama. ing Celia Rose, Sum- Sandra Shipley mer Play Festival, (Eva Adler) Patrick Zeller Samuel Beckett THE OLD GLOBE: (Nick Lockridge) Theatre; American Debut. BROAD- THE OLD GLOBE: Menu, New Federal WAY: Pygmalion, Debut. NEW Theatre. NATION- Retreat from Moscow, YORK: The Comedy of AL TOUR: Having Our Say — The Delany Sis- Vincent in Brixton, Errors, New York ters’ First 100 Years. REGIONAL: Permanent Indiscretions, The Classical Theatre; Collection, Floria Studio Theatre; Humana Deep Blue Sea. OFF- Corpus Christi, KEF Festival, Actors Theatre of Louisville; Lesson BROADWAY: Arms Productions; Redevel- Before Dying, American Negro Playwrights and the Man, Sud- opment, Nomad The- Theatre and Stamford Theatre Works; Flyin’ denly Last Summer, Roundabout Theatre; atricals (Havel West, Studio Arena and Geva Theatre; Little Stuff Happens, Venus, The Public Theatre; Festival). REGIONAL: The Mysteries, Shake- Foxes, Denver Center Performing Arts; Hannah and Martin, Epic Theatre; Once speare & Company; Rosencrantz and Guilden- Hibernatus Interruptus Festival, Geva Theatre; Around the City, Second Stage; The Clearing, stern Are Dead, Maine Shakespeare Festival; Blue Light Theatre Co; Phaedra in Delirium, Christmas Carol, McCarter Theatre; From the (continued on page 12)

PERFORMANCES MAGAZINE P11 Profiles continued

The Violet Hour, As Bees in Honey Drown, Midsummer Night’s Dream, Private Lives, The Bleecker Street, Central City Opera; Dido and Stoneham Theatre Company; Last Train to Santaland Diaries, and The Cocktail Hour. Aeneas, New York Chamber Opera; L’Italiana Nibroc, Old Lyric Repertory Company; The This past summer she directed Much Ado in Algeri, Berkeley Opera. BROADWAY Last Schwartz, Florida Studio Theatre; Proof, About Nothing for Shakespeare Santa Cruz. (associate designer): Three Days of Rain, The Redhouse Theatre. FILM: No Reserva- OTHER REGIONAL CREDITS: The Shining City, The Times They Are A-Changin’ ) tions; End of the Spear. TV: Kidnapped; Six Intelligent Design of Jenny Chow, Portland Glengarry Glen Ross. MFA: Yale School of Degrees; Law & Order; As the World Turns; All Center Stage and San Jose Rep; Romeo and Drama. www.wilsonchin.com My Children; One Life to Live; Guiding Light. Juliet, Macbeth and Julius Caesar, Chicago Education: Patrick received a BFA in Acting Shakespeare; Love’s Labour’s Lost, Next Emily Pepper from Emerson College and continued on to Theatre; The Tempest, Southwest Rep; The (Costume Design) train with Shakespeare & Company in American Plan and Eloise and Ray, Road- THE OLD GLOBE: Bell, Book and Candle. Lenox, MA. works; Pan and Boone, Running with NEW YORK: Frankenstein, 37 Arts; Golden Scissors; Baby with the Bathwater, Round- Boy, Atlantic Acting Co.; Fizz, Ohio Richard Greenberg house Theatre, Berkshire Theatre Festival; Theatre; Evensong, TBG Arts Center; Shoes, (Playwright) Beckett Shorts, Berkshire Theatre Festival, Slant Theatre Project. REGIONAL: The Richard Greenberg is the author of Take Me Splinter Group's Buckets O'Beckett Diary of Anne Frank, Driving Miss Daisy, Out (Drama Desk Award; NY Drama Critics Festival. She was Associate Director with Delaware Theatre; Villa America, Circle Award; Outer Critics Circle Award; Michael Mayer and Tour Director of the Williamstown Theatre Festival; Our Town, Lucille Lortel Award; Tony Award for Best national tour of Angels in America. Kim is Two River Theater; Blood Wedding, 10 Play), which received an acclaimed produc- now on the Acting Faculty at UCSD; other Thousand Things; Frankenstein, NJPAC; tion on Broadway after successful runs at teaching credits include ten years on the workshop production of Zhivago dir. Des The Donmar on London’s West End and acting/directing faculty at Northwestern McAnuff, Paris Commune, La Jolla The Public Theater in New York City. Other University, University of Chicago, Playhouse; La Dispute, A Streetcar Named works include The Injured Party, My Mother’s Brown/Trinity Consortium, Wesleyan Desire, Richard III, The Seagull, Desperadoes In Brief Affair, The House in Town, The Well- University, NTI at The O'Neill Center and Dreamland, Two Hands Very Tired and 500 Appointed Room, Bal Masque, A Naked Girl on the School at Steppenwolf. She has been Words, University of California, San Diego. the Appian Way, The Violet Hour, The Dazzle very active in the development of new Assisted on Meditations on Virginity (Ninth (Outer Critics Circle Award: John Gassner, plays and has directed many readings and International Theatre “Confrontations” Lucille Lortel nominations), Everett Beekin, workshops at places like New Dramatists Festival Lublin, Poland). Emily holds an Three Days of Rain (L.A. Drama Critics and Long Wharf. Ms. Rubinstein was a MFA in design from University of Award; Pulitzer finalist; Olivier, Drama recipient of the TCG/NEA directing fel- California San Diego. Desk, Hull-Warriner nominations; Broad- lowship and was nominated for the Alan way revival starring Julia Roberts), Hurrah Schneider Directing Award, among other Chris Rynne At Last, Night and Her Stars, The American awards for her directing and teaching. Kim (Lighting Design) Plan, Life Under Water, and The Author's Voice, will direct Romeo and Juliet at Shakespreare THE OLD GLOBE: Who’s Afraid of Virginia among many other plays. His adaptation of Santa Cruz this summer. Woolf?, Two Trains Running, Lincolnesque (San Strindberg's Dance of Death was seen on Diego Critics Circle Award), Pig Farm, Broadway starring Ian McKellen, Helen Wilson Chin Trying, Vincent in Brixton (San Diego Critics Mirren, and David Straithairn. Mr. Green- (Scenic Design) Circle Award), The Lady with All the Answers, berg received the Oppenheimer Award for a NEW YORK: Masked, Daryl Roth Theatre; The Food Chain, Two Sisters and a Piano, new playwright as well as the first Widows, 59E59 Theatre; Dark Matters, Rat- Blue/Orange, Time Flies, Knowing Cairo, PEN/Laura Pels Award for a playwright in tlestick Theatre; The Dear Boy, Second Stage Beyond Therapy, The SantaLand Diaries ('01); mid-career. He is an associate artist at Theatre; Christine Jorgensen Reveals, New Assistant designer for over 30 productions South Coast Repertory and a member of World Stages; Holy Cross Sucks!, Ars Nova; on the Globe and Festival stages. With Ensemble Studio Theater. As You Like It, HERE Arts Center. The Old Globe/USD Professional Actor REGIONAL: Some Things Are Private, Trinity Training Program: Much Ado About Nothing, Kim Rubinstein Rep; Bad Dates, Indiana Rep; Iron Kisses, Twelfth Night, All in the Timing, The Winter's (Director) Geva Theatre; The Importance of Being Earnest Tale, Two Gentlemen of Verona, Macbeth, Kim Rubinstein was most recently Long and Candida, ACT; Three Days of Rain, Studio Getting Married. ELSEWHERE: San Diego Wharf Theatre's Associate Artistic Director Arena; Breath, Boom, Yale Rep. OPERA: Don Opera, South Coast Rep, Madison Opera, where she directed Guys and Dolls, Giovanni, San Francisco Opera; The Saint of

P12 PERFORMANCES MAGAZINE Pasadena Playhouse, San Diego Rep, DC; Hobson’s Choice, Season’s Greetings, Berkeley Rep; Alice’s Adventures Underground, Cygnet Theatre, North Coast Rep, Milwaukee Rep; A Perfect Ganesh, Arena Cabin Pressure, SITI; Demonology, Playwrights Houston Grand Opera, Diversionary Stage; The Taming of the Shrew, PlayMakers Horizons; The Woman Warrior, Huntington Theatre, Starlight Theatre. Rep; Pride and Prejudice, Indiana Rep; and Theatre and Berkeley Rep; 11 seasons with five full seasons at Utah Shakespearean the Williamstown Theatre Festival. EDUCA- Paul Peterson Festival. Gist has been a guest on KPBS TION: Northwestern University. (Sound Design) Radio’s A Way with Words and is the narra- THE OLD GLOBE: Over 60 productions, tor for the San Diego Museum of Art’s including: Sea of Tranquility, Dr. Seuss’ How documentaries on Degas and the Retratos The Grinch Stole Christmas!, Hay Fever, Bell, exhibit. She coached dialects on the film ADDITIONAL STAFF FOR Book and Candle, Edward Albee’s Who’s Afraid The Rosa Parks Story and has recorded THIS PRODUCTION of Virginia Woolf?, Two Trains Running, Hold dozens of Books to Listen To. Gist is a Please, Restoration Comedy, The Four of Us, Pig founding and published member of The Assistant Directors ...... Johanna Gruenhut, Farm, The Sisters Rosensweig, Trying, Moonlight Voice and Speech Trainers Association Alyson Roux and Magnolias, Vincent in Brixton, I Just Stopped and has presented at many conference Production Assistant ...... Marie Natoli By to See the Man, Lucky Duck, The Intelligent workshops internationally, such as Design of Jenny Chow, Blue/Orange, Time Flies, “Shakespeare’s Shapely Language,” Pentecost, Compleat Female Stage Beauty, Dr. “Rotating Repertory,” and The Voice UNDERSTUDIES Seuss’ How the Grinch Stole Christmas!, The Foundation Symposium on “Filling the Boswell Sisters, Crumbs from the Table of Joy. House with Ease.” She teaches in The Lili ...... Kimberly Parker Green ELSEWHERE: Centerstage, Milwaukee Old Globe/USD Professional Actor Nick ...... John Keabler Rep, La Jolla Playhouse, Sledgehammer Training Program. Recently she was Olivia ...... Carolyn Ratteray Theatre (Associate Artist), Mo’olelo invited to teach in the International Eva ...... Joy Farmer-Clary Performing Arts Company, The Wilma Voice Teachers Exchange at The Moscow Gil ...... Sam Henderson Theatre, L.A. TheatreWorks, San Diego Art Theatre and London’s Central School Repertory Theatre, Florida Studio Theatre, of Speech & Drama,brought her in to Lorraine Hansberry Theatre, North Coast teach Shakespeare and Pinter workshops. Michael Kirby appears in this production Rep, Diversionary Theatre, Cape Fear Gist has been published in VASTA courtesy of Actors’ Equity Association. Regional Theatre, Hope Summer Repertory Journals, in the Complete Vocal Warm-Up, Theatre, Malashock Dance & Company, The More Stage Dialects. University of San Diego, San Diego State SPECIAL THANKS University, and the Freud Theatre at UCLA. Leila Knox EDUCATION: BFA in Drama with an (Stage Manager) Roadworks Productions emphasis in Technical Design from San THE OLD GLOBE: Edward Albee’s Who’s Lee Rubinstein Diego State University. Afraid of Virginia Woolf?, Ace, The Violet Hour, Isaac Simpson Himself and Nora, Take Me Out, Dr. Seuss’ How Eva Barnes Jan Gist the Grinch Stole Christmas! (‘04 -‘07), 2004 Original Sound Design by Cecil Averett (Voice and Dialect Coach) Summer Shakespeare Festival, Resurrection Jan Gist has been resident Voice, Speech, Blues, Bus Stop, Much Ado About Nothing, Dirty and Dialect Coach for The Old Globe Blonde. BROADWAY: Dirty Blonde, Amour, This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity since 2002. Previously she was Head of One Mo’ Time. REGIONAL: Production Association, the union of professional actors and stage Voice and Speech for the Alabama Supervisor of the National Tour and West managers in the United States.

Shakespeare Festival for nine years and Yorkshire Playhouse productions of Dirty The Directors are members of the Society of Stage Directors and Choreographers, an independent national 140 productions. She has coached many Blonde; Observe the Sons of Ulster, Lincoln labor union. productions at theatres around the Center; Mislansky/Zilinsky or Schmucks, Red, The Scenic, Costume, Lighting and Sound Designers in country including: The Royal Family, The Memory of Water, Manhattan Theatre LORT Theatres are represented by United Scenic Artists Ahmanson Theatre; The Country, La Jolla Company; All My Sons, The Mineola Twins, Local USA-826, IATSE. Playhouse; Continental Divide, Major Roundabout Theatre; A Madhouse in Goa, This Theatre operates under an Agreement with the Barbara, Oregon Shakespeare Festival; Second Stage; Twilight, Los Angeles, 1992, International Alliance of Theatrical Stage Employees Romeo and Juliet, The Shakespeare Theatre, Local No. 122.

PERFORMANCES MAGAZINE P13 New Technical Center Opens

Leadership Gifts to The Old Globe THE OLD GLOBE’S NEW 43,000 Sq. Ft. TECHNICAL CENTER IN The Old Globe would like to recognize and SOUTHEASTERN SAN DIEGO IS A HIT! thank the following generous individuals who have made extraordinary gifts of $1 million or more to this organization. These major contributions have been designated for artistic projects, the endowment and facilities, and help The Old Globe remain one of our country’s great theatre institutions.

$20,000,000 or greater Donald and Darlene Shiley

$10,000,000 or greater Conrad Prebys

$5,000,000 or greater TECHNICAL CENTER RIBBON-CUTTING CEREMONY: (L-R) CITY COUNCIL Sheryl and Harvey White MEMBER TONY YOUNG, LOU SPISTO AND MAYOR JERRY SANDERS. PHOTO BY J. KAT WORONOWICZ Kathryn Hattox Karen and Donald Cohn On January 30, 2008, The Old Globe officially opened its new Technical Center facility in southeastern San Diego, which will house Globe’s renowned scene shop $1,000,000 or greater and warehouse. The 43,000 square-foot property is located at 5335 Market Street. California Cultural and On hand to help celebrate the opening were Mayor Jerry Sanders and City Historical Endowment Councilman Tony Young, who joined Globe CEO/Executive Producer Lou Spisto Estate of Dorothy S. Prough for an exciting press conference and ribbon-cutting ceremony. The festivities also included tours of the facility, led by Technical Director Ben Thoron, Costume The Rivkin Family Director Stacy Sutton and Props Director Neil Holmes. Estate of Beatrice Lynds Audrey S. Geisel / “We’re thrilled to showcase our new Technical Center to the media and the San Diego Foundation community,” said Spisto. “The acquisition of this important facility is a major step Dr. Seuss Fund forward for the Globe, providing much-needed space to build and house our scenic elements for all our productions – from the unit set of the Shakespeare Mr. and Mrs. Victor H. Ottenstein Festival to large-scale plays and musicals.” Mrs. Helen Edison The previous scene shop space, located at the back of the theatre and utilizing The Stephen and Mary Birch the rear loading dock, had become inadequate to handle the work load of the Foundation Globe’s depth and scope. The new Technical Center includes space for the The Kresge Foundation construction of all Globe sets, as well as the appropriate layout of stage floors, full-stage drops, and the complete assembly of scenic elements. Additionally, the facility will provide sufficient prop and costume storage for the Theatre’s wide variety of productions.

P14 PERFORMANCES MAGAZINE Education Experiences OLD GLOBE VOLUNTEERS: SUPPORTING OUR WORK

For over 70 years, the San Diego community has benefited from Several of our docents the wealth of exceptional productions that have been presented on also share their love of The Old Globe’s stages. The Theatre has long been an integral part the theatre through our of this community. What many people don’t know is that the San Speakers Bureau Diego community has also long been an integral part of The Old program. The Theatre is Globe. This theatre is supported by a loyal contingent of steadfast often asked by a com- volunteers whose work is critical to the every day operation of this munity group for a organization. Volunteers participate in activities in virtually every speaker to visit them department at one time or another and these departments have and speak about The come to rely on them as a part of what makes us successful. Old Globe. These engaging lecturers regale their audiences with stories of the history The Education Department has nearly 60 volunteers who and lore of this venerable organization. regularly serve in the various programs that help us serve some 14,000 children each year. These dedicated individuals are the Well over 2,000 children are benefiting from the efforts of the backbone of the Education Department and they represent the volunteers in the Globe Readers Program. Some 40 volunteers Globe to schools, community organizations, and the public. share their love of reading with school children all over San Diego County. Their efforts help teachers in over 100 classrooms by The Behind-the-Scenes and Follow-the-Bard Tours are led by enhancing their reading and writing lessons. These volunteers entertaining and engaging individuals with deep knowledge of the participate in a half-day training session and are matched to a history of The Old Globe. Many of our tour guides have been a school near their homes. They visit “their” children five or six part of the history of this organization for many years. Their times in the spring semester to read stories, encourage the children stories about the Theatre often come not from a script but from to write their own stories and then joyfully sit back on the last visit their experiences and memories of their own love affair with The to let the children read their own written work to them. Old Globe. They give of their time and energy with a generosity of spirit and welcome visi- In the Education Department office our staff is augmented by two tors with genuine regular volunteers who report for work once each week to do what- enthusiasm. Their ever is asked of them. Truly, we could not do what we do without tours are fascinating them; there just aren’t enough hours in a day. And this doesn’t and introduce visitors count the hundreds of volunteers in the other departments around to a part of the theatre the theatre such as ushers who greet our audiences daily. It would world that most have be hard to imagine this place without them. never seen. Tours explore each of our There are not enough words of thanks to let these dedicated three theatres and volunteers know how much they mean to us. When you see venture into the someone wearing an Old Globe Volunteer badge, please say thank working areas of the complex to glimpse our technical staff in you to them for helping to make this theatre what it is. action. Docents are trained to understand the work of costumers, lighting and sound technicians, scenic artists, stage managers; the — Roberta Wells Famula, Director of Education many unseen faces that are the core of a theatrical production. Often a group will take a tour and then go immediately to the Box Office to purchase tickets for a show. Our docents have shared their love of the Globe so well that visitors are eager to enjoy the fruits of the labors they saw backstage.

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) City of San Diego, Commission for Irving Hughes Donald & Darlene Shiley Arts & Culture The James Irvine Foundation The Shubert Foundation Audrey S. Geisel/The San Diego Microsoft Supervisor Pam Slater-Price Foundation Dr. Seuss Fund The San Diego Union-Tribune and the County of San Diego Globe Guilders Season Sponsors ($50,000 to $99,999) Peter Cooper & Norman Blachford Joan & Irwin Jacobs Advised Fund at the San Diego Las Patronas American Express Human Dignity Foundation Bank of America The Lipinsky Family The Legler Benbough Foundation J. Dallas & Mary H. Clark Fund at Conrad Prebys The San Diego Foundation John A. Berol QUALCOMM, INC. Karen & Donald Cohn California Bank & Trust Wells Fargo Valerie & Harry Cooper Sheryl & Harvey White Foundation Production Sponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Cohn Restaurant Group/Prado Restaurant Sempra Energy Richard Wright & Elizabeth Adderley Continental Airlines Sheraton San Diego Hotel & Marina American Airlines Danah H. Fayman Patsy & Forrest Shumway AT&T Jake & Todd Figi Starbucks Coffee Company Alan Benaroya Kathryn & John Hattox Union Bank of California Mary Ann Blair Fund HM Electronics, Inc. U.S. Bank at The San Diego Foundation Deni & Jeff Jacobs Mandell Weiss Charitable Trust Bombardier Flexjet Nokia

Director Circle ($10,000 to $24,999) Hal & Pam Fuson Jean & Gary Shekhter Lawrence G. Allredge & Dawn Moore Lee & Frank Goldberg Chris Skillern Anonymous Martin Goodman Nancy & Alan Spector and Family Mrs. Inge Lehman Barta in memory of Leonard & Elaine Hirsch Ms. Jeanette Stevens Chester K. Barta, MD Dr. & Mrs. Harry F. Hixson, Jr. Anne Taubman & David Boyle Jane Smisor Bastien Daphne Jameson Gillian & Tony Thornley Charles & Molly Brazell Mr. & Mrs. Neil Kjos Evelyn Mack Truitt Dale Burgett & F. George Gilman Dr. Ronald & Mrs. Ruth Leonardi Erna & Andrew Viterbi The Louis Yager Cantwell Private Jacquelyn Littlefield Weingart-Price Fund at Foundation Sue & John Major The San Diego Foundation Deni & Ken Carpenter Dr. Patricia Montalbano Stewart & Brenda Weissman Elaine & Dave Darwin Hank & Robin Nordhoff Brent V. Woods & Laurie C. Mitchell The Kenneth T. & Eileen L. Norris June E. Yoder Mr. & Mrs. Brian Devine Foundation Carolyn W. Yorston Dr. & Mrs. Robert Epsten Allison & Robert Price Robert & Deborah Young Pamela A. Farr Sandra & Allen Redman

P16 PERFORMANCES MAGAZINE FOUNDER CIRCLE Rosalie Kostanzer & Mike Keefe Norm Hapke & Valerie Jacobs Hapke ($5,000 to $9,999) Bob & Laura Kyle Drs. Patrick Harrison & Eleanor Lynch Dr. & Mrs. Wayne Akeson Susan L. Leone Salah M. Hassanein Anonymous (2) James & Pamela Lester Dr. & Mrs. Peter K. Hellwig Ken & Ginger Baldwin Merriel F. Mandell, Ph.D. Rhonda Heth & Thomas Mabie The Colwell Family Fund at The San Diego Foundation Dr. Marianne McDonald Michael & Jill Holmes R. Patrick & Sharon Connell Judy & George Miller Dr. David K. Hostetler Ann & John Davies Mr. & Mrs. David Mulliken Gary & Carrie Huckell Nina & Robert Doede Tom & Lisa Pierce Roberta Hussey Bernard J. Eggertsen & Florence Nemkov Mr. & Mrs. Matthew Pollack Drs. Sonia & Andy Israel Carol Spielman-Ewan & Joel Ewan Brenda Marsh-Rebelo & John G. Rebelo Mr. & Mrs. David J. Johnson Alan & Pauline Fatayerji Dr. H. Warren Ross Marge & Jerry Katleman Martha & George Gafford Roberta J. Simpson William & Edythe Kenton Mary Ann & Arnold Ginnow Marisa SorBello & Peter Czipott Jo Ann Kilty Robert Gleason & Marc Matys Julie & Bob Sullivan Ken & Sheryl King Leo S. Guthman Fund Jay & Diane Sweeney Webster & Helen Kinnaird Fred & Alicia Hallett Marilyn Elizabeth Thompson Dr. & Mrs. Ara S. Klijian Leonard & Elaine Hirsch Carol Vassiliadis Sherry & Larry Kline Melissa & James Hoffmann Doris & Lou Vettese Dr. & Mrs. R.W. Klofkorn Dr. & Mrs. Richard L. Kahler Jordine Von Wantoch Curt & Nancy Koch Carol & George Lattimer Patricia & Christopher Weil Family Foundation Brooke & Dan Koehler Peter & Inge Manes Helene & Allan Ziman Al Isenberg & Regina Kurtz Bob Martinet Dr. Eric Lasley Paul I. & Margaret W. Meyer CRAIG NOEL CIRCLE Ledford Enterprises Inc. Money/Arenz Foundation, Inc. ($1,500 to $2,499) Terry & Mary Lehr Harle Garth Montgomery The Family of Richard & Mary Adams Ms. Sherrill Leist Arthur & Marilyn Neumann Richard Addesso Sandy & Arthur Levinson Charles & Barbara Noell Anonymous (3) Jerry & Elsa Lewis Dolly* & Jim Poet Edwin Bacher Robin J. Lipman & Miro Stano John & Marcia Price Family Foundation Diana Barliant & Nowell Wisch Mathew & Barbara Loonin Mike & Elizabeth Rabbitt Mrs. Lazare F. Bernhard Maday/O’Donnell Design Collective — Ellen C. Revelle Sally & John Berry Dimitri J. Callian III & Lauren Zarobinski Jeannie & Arthur Rivkin Charles & Charlotte Bird Charlie & Jackie Mann Deborah Szekely Cynthia Bolker & Greg Rizzi F. Dale & Lois Marriott Dixie & Ken Unruh Ronda & Stanley Breitbard R.J. Maus, Architects Jean & Tim Weiss Terry & Bill Burd Tony & Nancy McCune Clint & Susie Burdett Bill & Jeri McGaw PLAYWRIGHT CIRCLE Anita Busquets & William Ladd Elizabeth & Edward McIntyre ($2,500 to $4,999) Trish Butler & Cary Lowe Harold O. McNeil Gail, John & Jennifer Andrade Dr. & Mrs. Robert M. Callicott Elizabeth Meyer Dr. Bob & Jill Andres Ellen Casey Joel & Deirdre Mick Mr. & Mrs. Richard Baldwin Pam & Jerry Cesak Estelle & Jim Milch Melissa Garfield Bartell & Michael Bartell Dolores Clark Rena Minisi & Rich Paul Joan & Jeremy Berg Hon. Arthur J. Collingsworth & Brian R. Simmons Judith & Neil Morgan Perry S. Binder, MD Mike Conley & Sue Steele Jan & David Mullin Paul Black Roger Cornell, M.D. Ruth & Jim Mulvaney Dr. & Mrs. Edgar D. Canada Richard & Stephanie Coutts Josiah & Rita Neeper Cecilia Carrick & Stan Nadel Sally & Pat Crahan Bob Nelson & Murray Olson Carol & Rudy Cesena Dr. & Mrs. Francis C. Cushing, Jr. Eileen & Lawrence Newmark Carol & Jeff Chang Fran & Matt Dalton Nordstrom Garet & Wendy Clark Mrs. Gail Powell Davis Mr. & Mrs. Victor H. Ottenstein Jack & Carol Clark Pat & Dan Derbes Parker & Crosland, LLP Ms. Heidi Conlan/The Sahan Daywi Foundation Dean & Mrs. Michael H. Dessent Sigrid Pate & Glenn Butler Susan B. Cowell Marion Eggertsen Marcia & Jim Piper Gigi & Ed Cramer Peter & Doris Ellsworth Martha Meade Pitzer Darlene G. Davies in memory of Lowell Davies Carol Fink Mo & Bill Popp Mrs. Philip H. Dickinson Dieter & Susan Fischer/Dieter’s Mercedes Service Dr. & Mrs. Daniel Porte Noddy & Ira Epstein Mary & David Fitz Joanne Powers Samuel I. & John Henry Fox Foundation at Susanna & Michael Flaster Jim & Claudia Prescott Union Bank of California Mr. & Mrs. Richard Ford Peggy Wynn Price Millicent & Charles Froehlich Sid & Jean Fox Marie & Don Prisby Barbara & Albert Garlinghouse Karen & Orrin Gabsch Joseph & Jane Rascoff Dr. & Mrs. William Gott Deede Gales Mrs. Charlotte Rees Ms. Cheryl Haimsohn Elaine & Murray Galinson Lynne Rich Susan & Dr. Ronald Heller Bill & Judy Garrett Edward H. Richard & Warren P. Kendrick Alexa Kirkwood Hirsch Leslie & Robert Garson Mr. & Mrs. Roger Roberts Tish & Jere Horsley Drs. Thomas H. & Jane D. Gawronski Nancy J. Robertson Richard & Janet Hunter Daniel & Arline Genis Rachel A. Rosenthal & Michael Liersch Hutcheson Family Fund at The San Diego Foundation Teresa C. George Mr. & Mrs. Charles P. Royce Al & Pat JaCoby Martin & Enid Gleich Warren & Beverly Sanborn Mary & Russell Johnson Tom & Sheila Gorey Sanderson Family Donor Advised Fund at the William Karatz Drs. Barbara & Leonard Gosink Bob & Gladys King Jay & Mary Hanson *Deceased

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

Rancho Santa Fe Foundation Dr. & Mrs. David D. Lynn Sherry & C.A. Sheppard GOLD Edward & Nancy Lyon Drs. Joseph & Gloria Shurman ($500 to $999) Carl Maguire & Margaret Sheehan Dee E. Silver, M.D. Tony & Margaret Acampora Dr. Robert & Marcia Malkus Alan & Esther Siman Janet Anderson & John Glascock Jeanne Maltese Dotti & Joel Sollender Anonymous (4) Ron & Mercy Mandelbaum Herbert & Elene Solomon Jeff & Donna Applestein Martin & Passante AAL N.L. Stanworth in loving memory of Scott Rhoda & Mike Auer Christopher Maxin & Stephanie Buttell-Maxin Nancy Steinhart & Rebecca Goodpasture Mr. & Mrs. David A. Baer Dr. & Mrs. M. Joseph McGreevy Eugene L. & Hannah Step Shawn & Jennifer Baker Keith & Lesley McKenzie The Tarlov Family Ina S. Bartell Mr. & Mrs. William McKenzie Mr. & Mrs. Donald Tartre Richard & Linda Basinger Carole S. Miller Mr. & Mrs. Charles Taubman Ben-Yehuda Family Fund of the Joel, Annette & Arianna Millman Pat & Jack Thomas Jewish Community Foundation Tom & Doris Neuman Cherie Halladay Tirschwell Nancy Blayney Katherine Newton Ed Torres & Mark VonderHaar Bob & Joyce Blumberg Mark Niblack Gene & Celeste Trepte Suzanne I. Bond Jack & Virginia Oliver Pamela J. Wagner Mrs. Wyloma Bradshaw Mr. & Mrs. David J. Pettitt Merle & Phil Wahl Mr. & Mrs. Blaine A. Briggs Deborah B. Pettry Jan Harden Webster & Raul Ortega Dr. & Mrs. Simon C. Brumbaugh, Jr. Dr. Ken Pischel & Dr. Katherine Ozanich James & Ellen Weil Ruth Mary Campbell Drs. Paul & Katherine Ponganis Shirli Fabbri Weiss Beth & Tim Cann Dr. Julie Prazich & Dr. Sara Rosenthal The Grey White Family Fund Greg & Loretta Cass Mr. & Mrs. Kedar Pyatt Michael & Penny Wilkes Ray & Shelley Chalupsky Elaine Rendon Mr. & Mrs. Harold B. Williams Lynne Champagne & Wilfred Kearse Joseph W. Robinson Keith J. Wong Doug & Elisabeth Clark Stuart & Linda Robinson Anne C. Coleman Joseph J. Rusche PLATINUM Ronald D. Culbertson Dr. Joseph & Carol Sabatini ($1,000 to $1,499) Dr. & Mrs. William Davidson The Sapp Family Anonymous Wes & Elaine Dillon Barbara A. Sawrey Michael Bark & Laura Benedict Dr. Donald & Eilene Dose John & Patricia Seiber Judy & Larry Belinsky Patricia Eichelberger Drs. Lawrence & Miriam Sherman Nicholas B. Binkley William Eiffert & Leslie Hodge Mr. & Mrs. Randall Silvia H.L. & Irene Boschken Dr. Susan Dersnah Fee Rodney & Dolores Smith Fund at Sandra & Harry Carter Richard & Donna Ferrier The San Diego Foundation Jane Cowgill Richard & Beverly Fink Family Foundation Gloria Penner Snyder & Bill Snyder Dan & Sue Donovan Sally Fuller Sharon S. Storey & Theodore A. Milby Ron & Devora Eisenberg–Great News! Dr. & Mrs. Steven Garfin Helga & Sam Strong Dan & Phyllis Epstein Theresa & Craig Georgi Ron & Susan Styn Earl N. Feldman Arthur & Judy Getis Edward D.S. Sullivan Peter & Christine Gault Norman & Patricia Gillespie John & Linda Sunkel Robert & Edry Goot The Golemb Family Clifford & Kay Sweet Sandra Gulden & Leon J. Goldberger Louise & Doug Goodman Dr. Terry & Naomi Tanaka Gulden Private Foundation Drs. Thomas L. & Cynthia L. Goodman Linda Terramagra Mr. & Mrs. Thomas M. Henry Chris Graham & Michael Albo Mrs. Terry Tidmore Suzanne & Lawrence Hess Carol & Don Green Mr. & Mrs. Jeffrey C. Truesdell Jackie Johnston-Schoell Mr. & Mrs. Norman Greene Ms. C. Anne Turhollow & Mr. Michael J. Perkins Warren & Karen Kessler Fund of the Suzanne & Charles Grimshaw Natalie C. Venezia & Paul A. Sager Jewish Community Foundation Mr. George Guerra Jo & Howard Weiner Dr. & Mrs. James E. Lasry Richard & Candace Haden Janice L. Weinrick Mr. & Mrs. James Lim Linda E. Hanson Mr. & Mrs. David Weinrieb Don & Mary Jane Lincoln Alex & Mary Hart Katherine White Joy & Ronald Mankoff Mr. Stephen Hopkins & Dr. Carey Pratt Ross & Barbara White Jasna Markovac & Gary Miller Steven & Nancy Howard Dennis & Carol Wilson Akiko Charlene Morimoto & Viviana Ibanez Dr. Dolores Wozniak Hubert Frank Hamilton,Jr. Isabella Fund at The San Diego Foundation M.J. Zahnle Rod & Barbara Orth Dr. & Mrs. Clyde W. Jones Elizabeth Zeigler & Bernard Kuchta Susan Parker Kathy & Rob Jones Dan Rehm Kenneth & Marilyn Jones SILVER William & Susane Roberts Andrew & Denise Kaplan ($250 to $499) Don & Darlene Russell Patricia & Alexander Kelley Ben Abate Debbie & Shayna Seid Family Fund of the Mr. & Mrs. Kevin Kiernan Mr. Gale Acker & Dr. Nancy Acker Jewish Community Foundation Gayle & Jerry Klusky Sybil & B.J. Adelson Alice & Lewis Silverberg Jo Ann & Lee Knutson Mr. & Mrs. Donald Allison John & Margery Swanson Bill & Linda Kolb George Amerault Stan & Anita Ulrich Marvin M. Kripps, M.D. Mr. & Mrs. Thomas Anderson Pat & Allen Weckerly LABS, Inc./Silvia Dreyfuss Anonymous (4) Brendan M. & Kaye I. Wynne John Q. Lalas, Jr. Drs. Michael & Gabriela Antos Dr. Joseph Yedid Janet & Dan La Marche Earl Asbury Christy & Howard Zatkin Thomas Leighty John & Elizabeth Bagby Mr. Richard Levi Allen & Nancy Bailey Sherry & Rick Levin Beverly Bartlett & Barbara Sailors Kris & Briana Lichter Ruth & Jim Batman

P18 PERFORMANCES MAGAZINE Sharon & Bill Beamer Edward & Linda Janon Jewish Community Foundation Bruce & Patricia Becker Dr. Jim Jaranson Dr. Norman & Barbara Rozansky Edgar & Julie Berner In Memory of Donald Jenkins Fran & Tom Ryan Armand Bernheim, Jr. Jan Jessop George & Karen Sachs Joan Bernstein Judge & Mrs. Anthony C. Joseph Samiljan Family Fund of the Jewish Thomas Bilotta & Family Jim & Sharon Justeson Community Foundation Mr. & Mrs. Stanley Birstein Michel Karp Patrick Sammon & Mark Munsey Daniel & Barbara Black Dr. Michael & Mrs. Lucy Keehan Josiah & Abigail Sand Bruce & Linda Blakley Louis & Mary Beth Kelly James M. Santora & Dr. Daniel D. Sewell Robert Blanton & Ann Clark Gail Kendall Simon & Ruth Sayre Joann Boone & Nancy Danniger Lloyd & Joanna Kendall Ann & Herb Schnall Robert & Yvonne Boyer Kathleen Kim & Zachary Rattner Martin & Connie Schroeder Ed Brookins Louis J. Knobbe RAdm. & Mrs. H. James T. Sears Julia Brown Remik Kolodziej & Steven Daris Linda J. Seifert Beth Bruton Mr. & Mrs. Jay Kranzler Natalie H. Service Marie F. Buckey Mr. & Mrs. Albert W. Krasnoff Lori Severson & Eric Longstreet David Burns & Diane Lischio Lou Krueger Glenda Allen Shekell Helen M. Caldwell Janay Kruger Dr. & Mrs. Hano Siegel Jane Carrigan Betty & Richard Kuhn Jerry & Beth Silverman William & Shirley Carrington Elizabeth Lasley Eunice M. Simmons, M.D. Jerry L. Carter Elliott & Phyllis Lasser Anne & Ronald Simon Luc & Ann Marie Cayet-Pleska Dixon & Pat Lee Christopher & Carmen Skipworth Chateau du Meow Tom & Terry Lewis Terrence & Kathryn Slavin Elaine & Peter Chortek Donald Lipkis, MD & Arlene Pollard Patti Sloan in honor of Jack Sloan Richard Clampitt & Rachel Hurst Roy & Carol Long Lance & Arlene Smith Barbara Mistler Crew Sally & Bill Luster Malcolm E. Smith Glenn Currie Photography Judge & Mrs. Frederick Mandabach Norman & Judith Solomon John Davis & Bill Hughes Kathleen Markham Bill & Barbara Sperling Dutch & Dawn Dershem Harold & Beverly Martyn Mr. & Mrs. Fred C. Stalder Wally & Linda Dieckmann Bruce & Brenda Mason Alan M. Stall Patricia & Glen Doughty Cdr. & Mrs. John C. Mathews III Paul & Janet Stannard Sean & Kellie Doyle Gene & Donna McAllister Mr. & Mrs. George Stassinopoulos Stephen & Sandra Drew Ronald McCaskill & Robyn Rogers Mark & Dale Steele Lizbeth Ecke & David Meyer Oliver McElroy & Karen Delaurier James K. Stenderup Esther & Robert Feier Teresa McEuen Wootsie Stockton Drs. Lawrence & Irene Fine Cristie C. McGuire Jan & Dave Stormoen Larry & Jan Ford John Paul McHugh Abbe Wolfsheimer Stutz Pauline Forman in memory of Sid Forman Steve McIntee Mrs. J.B. Swedelius Clare & Paul Friedman Charles & Billie McKnight Donald & Margaret Sweimler Randee & Richard Friedman Drs. John Meyers & Betty Joan Maly Dr. Blake S. & Mrs. Peggy Jean Talbot Charles & Jeanne Gahagan Mr. & Mrs. David Michan Mr. Harold S. Taxel Estephan A.G. Gargost Dr. & Mrs. Paul E. Michelson Dr. Marshall & Leila Taylor Ferdinand Gasang James & Dorothy Mildice Douglas & Lynn Todd Thomas Gass, DDS & Chester McLemore Dr. James & Mrs. Nancy Miller Mr. & Mrs. John Torell David & Marcia Gill Charles W. Mills, Jr. Robert C. & Melesse W. Traylor Dr. & Mrs. Michael Goldbaum Stan & Phyllis Minick Barbara C. Ward Howard & Carole Goldfeder Dr. Isaac & Mrs. Nancy Mizrahi Kathy & Jim Waring Euvoughn L. Greenan Dr. & Mrs. Robert Morrison Mr. & Mrs. James Welterlen Mr. & Mrs. Arthur A. Greenberg Susan & Charles Muha Sandy Wichelecki Martin & Deanna Greenberg Mary Jo Murphy Olivia & Marty Winkler Theodore Gryga Michael & Danna Murphy Cass Witkowski Family Jerome & Anita Gutkin Joyce & Martin Nash Mr. & Mrs. John W. Witt Margaret Hall Harvey & Marsha Netzer Dr. Perri L. Wittgrove Helen M. Hammond Jack & Judy Nichols Janet Wolf Robert M. & Helen M. Hansen Floyd T. Olson Mr. & Mrs. H.D. Wolpert C. Harbordt Larry & Marcia Osterink David Workman Mark & Corrine Harvey Dr. David & Elizabeth Ostrander Paul & Claudia Zimmer Joan Henkelmann Barbara Painter Vicky Zollweg & J. Michael Dunteman Donald J. Hickey Ed & Carolyn Parrish Christine Hickman & Dennis Ragen Julius J. Pearl Fund at The San Diego Foundation This list is current as of February 1, 2008 Mr. & Mrs. Thomas O. Hippie Clifford T. Pentrack & Mary E. Giovaniello To learn more about supporting The Old Globe’s John & Peggy Holl Lawrence Roy Perrin performances and education and outreach Paul & Barbara Holz Mr. & Mrs. Leslie D. Reed programs, please visit our website at Nancy & Bill Homeyer Robert & Doris Reed www.TheOldGlobe.org or call Mr. & Mrs. Lee Horowitt Daniel & Lynn Reisfeld Courtney Quinn at (619) 231-1941 x2311. Kendyl & Merri Houdyshell Brent & Bev Robinson In Memory of Ray Howard Clarice & Irl Robinson Stephanie & Carl Hurst Mr. & Mrs. Christopher Rohrer Robert Hyman Diane Roland Joseph & Donna Hynes Milton & Dorothy Roll Susan D. Inot Gerald & Ruth Rosenbaum Bill & Cheri James Dr. & Mrs. Richard Rowen Nancy B. & David A. James Rowling Family Charitable Fund of the

PERFORMANCES MAGAZINE P19 Globe Ambassadors

Lawrence G. Alldredge and Dawn Moore Mary Ann and Arnold Ginnow Donald and Darlene Shiley Perry S. Binder, M.D. Alexa Kirkwood Hirsch Roberta J. Simpson Paul Black Leonard and Elaine Hirsch Ms. Jeanette Stevens Dr. and Mrs. Edgar D. Canada Al and Pat Jacoby Jay and Diane Sweeney Carol and Rudy Cesena Mary and Russell Johnson Dixie and Ken Unruh Jack and Carol Clark Bob and Gladys King Doris and Lou Vettese Mary H. Clark Rosalie Kostanzer and Mike Keefe Jordine Von Wantoch Steven J. Cologne Bob and Laura Kyle R. Patrick and Sharon Connell James & Pamela Lester Susan B. Cowell Merriel F. Mandell, Ph.D. Globe Ambassadors are generous supporters of The Old Gigi and Ed Cramer Peter and Inge Manes Globe who attend special presentations about activities at Darlene G. Davies Bob Martinet the Globe and serve as the Theatre’s Ambassadors in the Mrs. Philip H. Dickinson Dr. Marianne McDonald community. Nina and Robert Doede Paul I. and Margaret W. Meyer Marion Eggertsen David and Noreen Mulliken For more information please Bernard J. Eggertsen and Florence Nemkov Charles Noell and Barbara Voss contact Courtney Quinn at Danah H. Fayman Jeannie and Arthur Rivkin (619) 231-1941 x2311. Susanna and Michael Flaster Dr. H. Warren Ross

Craig Noel League Members Planned Giving Society of The Old Globe

Anonymous (14) Joseph E. Jessop* Velda Pirtle* Merle and Phil Wahl Robert S. Albritton* J. Robert and Gladys H. King Florence Borgeson Plunkert* Holly J.B. Ward Diana Barliant Marilyn Kneeland Dolly* and Jim Poet Sheryl and Harvey P. White Nancine Belfiore Jean and David Laing Dorothy Shorb Prough* Mrs. Jack Galen Whitney Alan Benaryoa Jerry Lester Foundation Brenda Marsh-Rebelo and John Rebelo Stanley E. Willis II* Dr. and Mrs. Edgar D. Canada Dr. Bernard Lipinsky* Donald and Darlene Shiley Julie Meier Wright Garet and Wendy Clark Heather Manion Patsy and Forrest Shumway Carolyn Yorston J. Dallas* and Mary H. Clark Calvin Manning* B. Sy and Ruth Ann Silver *Deceased R. Patrick and Sharon Connell Chris and Jill Metcalf Stephen M. Silverman Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Paul I. and Margaret W. Meyer Roberta Simpson Craig Noel League members are leaving Carlos and Patricia Cuellar Judy and George Miller Dolores and Rod Smith lasting gifts to the theatre through planned Patricia and Donn DeMarce* Steve Miller John and Cindy Sorensen gifts, cash contributions, bequests and other Mrs. Philip H. Dickinson Dr. Robert W. Miner Marje Spear estate planning options. Dr. and Mrs. Robert Epsten Shirley Mulcahy Nancy A. Spector and Alan R. Spector Frank A. Frye, III Laurie Dale Munday Jeanette Stevens For more information, please contact Nancy Reed Gibson Stanley Nadel and Cecilia Carrick Eric Leighton Swenson Director of Development, Todd R. Schultz Robert Gleason and Marc Matys Alice B. Nesnow Anne C. Taubman (619) 231-1941, x2310 or Marcy Goldstone Arthur and Marilyn Neumann Cherie Halladay Tirschwell TSchultz@The OldGlobe.org. Kathryn Crippen Hattox Craig Noel Marian Trevor (Mrs. Walter M.)* David and Debbie Hawkins Greg and Polly Noel Evelyn Mack Truitt Craig and Mary Hunter PACEM (Pacific Academy of Ginny Unanue Barbara Iredale* Ecclesiastical Music) Carol and Lawrence Veit Bob Jacobs Mrs. Margaret F. Peninger* Harvey* and Jordine Von Wantoch

P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Higgs, Fletcher & Mack, LLP ResMed Foundation City National Bank KPMG, LLP Torrey Pines Bank Cyberknife Centers of San Diego, Inc./ Mercer Vistage Radiation Medical Group Neiman Marcus

FOUNDER CIRCLE PLAYWRIGHT CIRCLE ($5,000-$9,999) ($2,500-$4,999) Citigroup Foundation/Smith Barney Cush Family Foundation M2000 Corporation Nicholas-Applegate San Diego Business Journal WD-40 Company Sycuan Resort & Casino The Westgate Hotel

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, CEO/Executive Producer Jerry Patch, Co-Artistic Director Darko Tresnjak, Co-Artistic Director William Anton Tim Donoghue Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers Jacqueline Brooks Richard Easton Mark Harelik John McLain Steven Rubin Conrad Susa Lewis Brown Tovah Feldshuh Bob James Jonathan McMurtry Ken Ruta Deborah Taylor * Victor Buono Monique Fowler * Peggy Kellner Stephen Metcalfe Douglas W. Schmidt * Irene Tedrow * Wayland Capwell Ralph Funicello Tom Lacy Robert Morgan Seret Scott Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox * Ellis Rabb David F. Segal Paxton Whitehead * Eric Christmas Harry Groener Dakin Matthews Steve Rankin Richard Seger James Winker George Deloy A.R. Gurney Deborah May Robin Pearson Rose Diane Sinor Robert Wojewodski Don Lee Sparks * G Wood Patron Information * in memoriam

TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday - Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to performances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, Master Card, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscribers are subject to a $3 per headsets may be obtained from the house manager prior to perfor- ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at [email protected]. three stages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors UNABLE TO ATTEND? and students. Phone (619) 231-1941 x2142 for information/reserva- If you find you are unable to use your tickets, please give them to a tions. friend, or turn them in to the Ticket Serivces Office and receive a tax receipt for your donation. Tickets must be received by show time. LOST AND FOUND If you have misplaced a personal item while at the theatre, please RESTROOMS AND TELEPHONES contact the Ticket Services Office or Security as soon as possible. If Restrooms are located in the lower lobby of the Old Globe Theatre we are unable to locate your item, we’ll happily take down your and adjacent to the Festival Theatre; pay phones may be found in the contact information as well as a description of the item and contact lower Globe Theatre lobby and next to the Gift Shop. you if it is found. The Old Globe does not assume liability for items left behind on premises.

Natural Herb Cough Drops - Courtesy of Ricola USA, Inc. available upon request. Please ask an usher. P22 PERFORMANCES MAGAZINE Director Profiles

LOUIS G. SPISTO JERRY PATCH DARKO TRESNJAK CEO/Executive Producer Co-Artistic Director Co-Artistic Director Louis G. Spisto has led The Old Globe since Jerry Patch was appointed Resident Artistic Director Artistic Director of the Globe’s 2004-2007 October, 2002. During his tenure, Spisto spear- of The Old Globe in February 2005, during which Shakespeare Festivals, Darko Tresnjak's directorial headed the return of the Shakespeare Repertory time he brought to the Theatre works by such credits at the Globe include: Pericles, The Winter's Tale, Season and brought to the Globe several new musi- renowned playwrights as Amy Freed, Richard Hamlet, A Midsummer Night’s Dream, Titus Andronicus, cals, including the critically-acclaimed A Catered Greenberg and Donald Margulies. In the past three The Comedy of Errors, The Two Noble Kinsmen, Antony Affair, the launch of the national tour of the Tony seasons, eleven world premieres and two second and Cleopatra and Bell, Book and Candle. Earlier this Award-winning Avenue Q and the Broadway transfers productions of new works have been presented, year he directed The Merchant of Venice at Theatre for a of Chita Rivera: The Dancer’s Life, and the Twyla including A Body of Water, winner of the 2006 Best New Audience, a production that traveled to the Tharp/Bob Dylan musical, THE TIMES THEY ARE A- New American Play Award. He previously served as Royal Shakespeare Company’s Complete Works CHANGIN’. He has produced over 75 plays and the Dramaturge and a member of the longstanding Festival. Other credits include All's Well That Ends musicals, including Dirty Rotten Scoundrels, the west artistic team at the Tony Award-winning South Well at Theatre for a New Audience; The Two Noble coast premiere of the Tony-winning play Take Me Out Coast Repertory (SCR), where he coordinated the Kinsmen at The Public Theatre; Princess Turandot and and the annual holiday favorite, Dr. Seuss’ How the development of 150 new plays, including two Hotel Universe at Blue Light Theater Company; More Grinch Stole Christmas!. Spisto has managed the Pulitzer Prize winners and numerous other Pulitzer Lies About Jerzy at the Vineyard Theater Company; The Globe’s Capital Campaign to raise $75 million by the finalists. While at SCR, Patch worked as Dramaturg Skin of Our Teeth, Rosencrantz and Guildenstern Are Theatre’s 75th anniversary in 2010. Launched in on numerous new works, including Donald Dead, The Winter's Tale, Under Milk Wood, Moving March 2006, the campaign has reached 75% of its Margulies’ Sight Unseen and Brooklyn Boy, which Picture, The Blue Demon, Princess Turandot and The Love goal to date. During the past four seasons, the Globe recently opened to critical acclaim on Broadway, of Three Oranges at Williamstown Theatre Festival; has grown its subscription audience an unprece- Margaret Edson’s Pulitzer Prize-winning Wit, Heartbreak House, What the Butler Saw, Amphitryon and dented amount, resulting in the highest level of Howard Korder’s Search and Destroy, Amy Freed’s The The Blue Demon at the Huntington Theatre; Hay Fever attendance in over a decade. The Globe was also rec- Beard of Avon, as well as Intimate Apparel, Freedomland and Princess Turandot at Westport Country Playhouse; ognized by Charity Navigator, America’s premiere and world-premieres of several plays by Richard Rosencrantz and Guildenstern Are Dead at Long Wharf charity evaluator, which recently gave the Globe its Greenberg, including Three Days of Rain, Hurrah at Theater Company; A Little Night Music, Amour at third consecutive 4-Star rating. A strong advocate of Last!, The Violet Hour and Everett Beekin. In addition, Goodspeed Opera House; and La Dispute, UCSD. arts education, Spisto initiated several new pro- he co-conceived The Education of Randy Newman with Other directing credits include productions at grams including an innovative cross-border project Michael Roth and Mr. Newman. Patch also served as Florida Grand Opera, Opera Theatre of St. Louis, involving students from both San Diego and Tijuana the founding project director of SCR’s Pacific Virginia Opera, Florentine Opera Company, and the in a unique bilingual production of Romeo and Juliet. Playwrights Festival, which annually introduces American premiere of Rimsky-Korsakov’s May Night He also launched a free matinee series which brings seven new plays to Orange County audiences and at Sarasota Opera. Upcoming projects include The thousands of students to the Globe’s productions. national theatre leaders. Typically, more than 75% of Dwarf and The Broken Jug for Los Angeles Opera’s Spisto established a reputation as a superb arts the festival plays presented receive multiple produc- “Recovered Voices” series and Antony and Cleopatra at executive here in California, where he spent over ten tions in theatres across the country. During his Theatre for a New Audience. He is the recipient of years as the Executive Director of the Pacific tenure at SCR, Patch also held the position of the Alan Schneider Award for Directing Excellence, Symphony Orchestra in Orange County. During his Artistic Director (1990-1997) of The Sundance TCG National Theater Artist Residency Award, Boris tenure there, he tripled the orchestra’s annual Theatre Program, which included the Sundance Sagal Directing Fellowship, NEA New Forms Grant, budget, while eliminating a prior deficit and success- Playwrights Laboratory, one of the nation’s leading two Pennsylvania Council on the Arts Individual fully completing the orchestra’s first endowment new play development programs. Additionally, he Artist Fellowships, San Diego Critics Circle Awards campaign. In addition, he established a series of ran the Sundance Summer Theatre, a repertory of 2-3 for his direction of Pericles and The Winter's Tale, and innovative recording projects with Sony Classical productions staged outdoors for Utah audiences and Patté Awards for his direction of The Winter’s Tale and and oversaw a number of nationally recognized The Sundance Children’s Theatre, which was dedi- Titus Andronicus. He has performed with numerous commissioning projects. He also served as the chief cated to the development and presentation of new Philadelphia dance and theatre companies and executive at both American Ballet Theatre and The works for family audiences by leading American toured across the United States and Japan with the Detroit Symphony. He holds a Masters degree from playwrights. He has also served as a consulting dra- UNIMA Award-winning Mum Puppettheatre. He the University of Wisconsin in Arts Administration maturge for New York’s Roundabout Theatre was educated at Swarthmore College and Columbia and a Bachelors of Business Administration from Company, one of two of the largest theatre compa- University. the University of Notre Dame, and spent many years nies in the country. directing, producing and as an actor in plays and musicals throughout his college and graduate school years, as well as in professional summer theatre.

PERFORMANCES MAGAZINE P23 Louis G. Spisto Jerry Patch Darko Tresnjak Staff CEO/Executive Producer Co-Artistic Director Co-Artistic Director

Michael G. Murphy ...... General Manager David Buess ...... Property Master, Carter Courtney Quinn ...... Development Coordinator, Individual Annual Giving Dave Henson ...... Director of Marketing M.H. Schrenkeisen ...... Shop Foreman and Communications Rory Murphy ...... Lead Craftsman Diane Addis ...... Membership Administrator Todd Schultz ...... Director of Development Ryan Buckalew, Patricia Rutter ...... Craftspersons Josh Martinez-Nelson ...... Development Administrator Mark Somers ...... Director of Finance Kristi Rosen ...... Properties Assistant Diana Steffen ...... Development Assistant Richard Seer ...... Director of Professional Training Kristen Mulvihill ...... Development Assistant Robert Drake ...... Director of Production Lighting Donor Services Roberta Wells-Famula ...... Director of Education Chris Rynne ...... Lighting Director Babs Behling, Joyanne Buscemi, Monica Jorgensen, Barbara Megan Fonseca ...... Lighting Assistant Lekes, Richard Navarro, Stephanie Reed, ARTISTIC Tonnie Ficken ...... Master Electrician, Globe Judy Zimmerman ...... Suite Concierges Samantha Barrie ...... Artistic Coordinator Jim Dodd ...... Master Electrician, Carter Kim Montelibano Heil ...... Literary Associate Kevin Liddell ...... Master Electrician, Festival MARKETING Jan Gist ...... Voice and Speech Coach Todd Adams, Elizabeth Burress, Jason Bieber, Bonnie Becky Biegelsen ...... Public Relations Director Bernadette Hobson ...... Artistic Assistant Breckenridge, Michelle Echeverria, Kristen Flores, Maureen Ed Hofmeister ...... Audience Development Manager Stage Management Hanratty, Justin Hobson, Jennifer Horowitz, Shawna Kyees, Dani Meister ...... Group Sales Manager Leila Knox ...... Production Stage Manager Molly Mande, Michael Paolini, Katie Reynolds, Chris Walsh, Jackie Anderson ...... Publications Coordinator Tracy Skoczelas ...... Assistant Stage Manager Amanda Zieve ...... Electricians Claire Kennelly ...... Marketing Assistant Sound Samantha Haskins ...... Public Relations Assistant PRODUCTION Paul Peterson ...... Sound Director Joyanne Buscemi, Monica Jorgensen, Debra Pratt Ballard ...... Associate Director of Production Erik Carstensen ...... Master Sound Technician, Globe Judy Zimmerman ...... Marketing/Events Assistants Ellen Dieter ...... Company Manager Rachel Eaves ...... Master Sound Technician, Carter Erica Dei ...... Graphic Designer Carol Donahue ...... Production Coordinator Craig Schwartz ...... Production Photographer Technical ADMINISTRATION Subscription Sales Benjamin Thoron ...... Technical Director Darla Lopez ...... Executive Assistant Scott Cooke ...... Subscription Sales Manager Wendy Berzansky ...... Assistant Technical Director Brian Ulery ...... Assistant to the General Manager Anna Bowen-Davies, Arthur Faro, Andy Fink, Randi Hawkins, Kacie Lyn Hultgren ...... Resident Design Assistant Information Technology Pamela Malone, Jessica Morrow, Ken Seper, Cassandra Shepard, Eliza Korshin ...... Technical Assistant/Buyer Dean Yager ...... Information Technology Manager Grant Walpole, Andrea Leigh Walsh ...... Subscription Sales Christian Thorsen ...... Stage Carpenter/Flyman, Globe ThadSteffen ...... Information Technology Asst. Mgr. Representatives Carole Payette ...... Charge Scenic Artist J. Adam Latham ...... Information Technology Assistant Ticket Services Adam Bernard, Patricia Rutter ...... Scenic Artists Human Resources Shari Ressel ...... Ticket Services Manager Mike Harris ...... Master Carpenter Sandra Parde ...... Human Resources Director Marsi Roche ...... Ticket Operations Manager Robert Dougherty ...... Master Carpenter, Festival Maintenance Lyle Wilson ...... Ticket Services Supervisor/ Training Coordinator William Barron, Sheldon Goff, Larry Hall, Gillian Kelleher, Jason Randy McWilliams ...... Facilities Manager McIntyre, Laura McEntyre, Mongo Moglia, Mason Petersen Violanda Corona, Ismael Delgado, Miguel Gaspar, Roberto Shouna Shoemake . . . . .Lead Ticket Services Representative Carpenters Gonzalez, Reyna Huerta, Margarita Meza, Jose Morales, Albert Brian Abraham, Brian Adams, Elizabeth Brown, Tony Dixon, Costumes Rios, Maria Rios, Nicolas Torres ...... Building Staff Alicia Lerner, Jenna Long, Cassie Lopez, Caryn Morgan, Stacy Sutton ...... Costume Director Christine Perez, Michael Pousson, Carlos Quezada, Jessica Charlotte Devaux ...... Resident Design Assistant PROFESSIONAL TRAINING Seaman, Natalie Weinstein, Liam Wade, Haley White, Maureen Mac Niallais ...... Assistant to the Director Llance Bower ...... Program Coordinator Molly Wilmot...... Ticket Services Representatives Shelly Williams ...... Design Assistant/Shopper Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert Ashley Bruce ...... Design Assistant Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Fred PATRON SERVICES Gay Crusius, Louise M. Herman, Robinson, Liz Shipman ...... MFA Faculty Mike Callaway ...... Theatre Manager Star Rabinowitz, Randal Sumabat ...... Drapers Corey Johnston, Robin Sanford Roberts, Adam Lindstaedt ...... Front of House Assistant Babs Behling, Gloria Bradford, Anne Glidden Grace, Ben Seibert, George Yé ...... MFA Production Staff Merlin D. “Tommy” Thompson ...... Patron Services Rep. Somsi Norfolk ...... Assistant Cutters Rob Novak, Ashley Roberts ...... House Managers Jyothi Doughman, Leslie Malitz, EDUCATION Dana Juhl ...... Food and Beverage Manager Joan Mathison, Mary Miller ...... Costume Assistants Raúl Moncada ...... Education Associate Haydee Aldas ...... Food and Beverage Assistant Manager Mark Baiza, Sarah Hendel, Holly Hess, Nancy Liu, Holly Ward ...... Tour Coordinator Michelle Elliott, Brandi Mahan, Perla Rios, Anne-Marie Shafer, Sandra Mangusing, Julia Ortiz-Rios ...... Stitchers Carol Green ...... Speakers Bureau Coordinator Tess Thompson ...... Pub Staff Teri Tavares ...... Dyer/Painter Amy Biedel, Matt Biedel, Marisela De la Parra, Kimberly Parker Babs Behling, Rose Espiritu, Stephanie Rakowski, Judith Craigo ...... Lead Crafts Artisan Green, Janet Hayatshahi, Sarah Price, David Sievit, Stephanie Reed ...... Gift Shop Supervisors Kelley Convery ...... Craft Artisan David Tierney ...... Teaching Artists Security/Parking Services Molly O’Connor ...... Wig and Makeup Supervisor Rachel “Beahr” Garcia ...... Security/Parking Kim Parker ...... Asst. to Wig and Makeup Supervisor FINANCE Services Supervisor Erin Schindler ...... Wardrobe Supervisor Paula Nickodemus ...... Senior Accountant Irene Herrig ...... Associate Supervisor of Security Jasmin Mellado ...... Crew Chief, Carter Dana M. Bryant . . . .Accounts Payable/Accounting Assistant Sherisa Eselin, Janet Larson, Michael Moran, Jeffrey Neitzel, Sarah Hendel ...... Crew Chief, Globe Angela Yoshida . .Payroll Coordinator/Accounting Assistant Sonia Paul ...... Security Officers Kristin Bongiovanni, Marcella Hammond, Nola Walkup, Tim Cole ...... Receptionist Alex Chacona, Deborah Elliott, Nicole Hagemeyer, Beth Merriman, Nikki Gilman ...... Globe Running Crew Lou Hicks, ...... Parking Lot Attendants Marie Jezbera ...... Rental Agent DEVELOPMENT Mark Brickman, David Nguyen ...... V.I.P. Valet Attendants Properties Annamarie Maricle ...... Associate Director, Neil A. Holmes ...... Properties Director Institutional Grants Jack O’Brien Kristin Steva Campbell ...... Assistant to the Director Marilyn McAvoy ...... Associate Director, Artistic Director Emeritus Amy Reams ...... Properties Buyer Major Gifts Pat Cain ...... Property Master, Globe Craig Noel Eileen A. Prisby ...... Events Manager Founding Director

P24 PERFORMANCES MAGAZINE