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Verschwinden Der Ferne Telekommunikation Und Kunst

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Vom Verschwinden der Ferne Telekommunikation und Kunst Herausgegeben von Edith Deckerund Peter Weibel DuMont Buchverlag Köln Umschlagabbildung: Computeranimation; Yves Klein, o. T. (timbre mo­ nochrome), 1959. Yves-Klein-Blau auf Karton mit Inhalt Poststempel, 2,4 x 2 cm, auf Briefumschlag an Iris Clert, Paris. Sammlung Pascale und Isabelle Ledeur, Paris Dank an Leihgeber und Sponsoren . 7 Abbildung vordere Umschlaginnenklappe: Yves Klein, 1961. Foto Harry Shunk-Kender, New York Künstler- und Ausstellungsverzeichnis 8 Frontispiz: Laszlo Moholy-Nagy, Telephonbild EM 2, 1922. Emaille auf Stahl, 24 x 15 cm. The Museum of Mod­ Thomas Werner ern Art, New York. Geschenk von Philip Johnson in Erinnerung an Sibyl Moholy-Nagy Vorwort 17 Peter Weibel Vom Verschwinden der Ferne c Telekommunikation und Kunst 19 Edith Decker Boten und Botschaften einer telematischen Kultur 79 Bill Fontana CIP-Titelaufnahme der Deutschen Bibliothek River Soundings 113 Vom Verschwinden der Ferne: Telekommunikation und Kunst; [eine Ausstellung des Deutschen Postmuseums in Frankfurt am Max Neuhaus Main, 2. Oktober 1990 bis 13. Januar 1991] I hrsg. von Edith Audium Deckerund Peter Weibel. Projekt für eine Welt als Hör-Raum 118 -Köln : DuMont, 1990 (DuMont-Taschenbücher; 257) ISBN 3-7701-2725-0 Albert Abramson NE: Decker, Edith [Hrsg.J; Deutsches Postmuseum (Frankfurt, Main); 110 Jahre Fernsehen GT Visionen vom Fern-Sehen 146 Redaktion: Edith Decker, Peter Weibel Redaktionsassistenz: Margret Baumann Friedemann Malsch Lektorat: Petra Kruse Eine letzte (erste) Antizipation Produktion: Peter Dreesen Die Entdeckung des Fernsehens durch die italienischen Futuristen . 209 © 1990 DuMont Buchverlag, Köln Alle Rechte vorbehalten Satz und Druck: Rasch, Bramsehe Siegfried Zielinski Buchbinderische Verarbeitung: Bramscher Buchbinder Betriebe Von Nachrichtenkörpern und Körpernachrichten Ein eiliger Beutezug durch zwei Jahrtausende Printed in Germany ISBN 3-7701-2725-0 Mediengeschichte . 229 Pranz Pichler Dank an Leihgeber und Sponsoren Telegrafie- und Telefonsysteme des 19. Jahrhunderts . 253 Timm Starl Dorothee und Erik Andersch, N euss Der Schleier der Nähe Privatsammlung, Brüssel Zur fotografischen Ausrichtung des Horizonts . 287 Stedelijk van Abbemuseum, Eindhoven Konrad Fischer, Düsseldorf H ubertus von Amelunxen Buckminster Fuller Institute, Los Angeles Galerie Karsten Greve, Köln und Paris Einbruch in die Transzendenz . 307 Privatbesitz, Harnburg Pascale und Isabelle Ledeur, Paris Gerhard ]ohann Lischka Galerie Metropol, Wien Sightseeing . 317 Natan Fedorowskij, Avantgarde Galerie, Berlin Privatsammlung, Remscheid Florian Rötzer Carl Solway Gallery, Cincinnati Sendungen und Empfängnisse Dr. Speck, Köln Einige abseitige und zerstreute Bemerkungen Galerie Christian Stein, Mailand ZurTelekommunikation . 322 Archiv Sohm, Staatsgalerie Stuttgart Gallery Takagi, N agoya Dorothy und Herbert Vogel, New York Paul Virilio Das dritte Intervall Bose GmbH Ein kritischer Übergang 335 Brüel & Kjaer GmbH, Quickborn Sennheiser Electronic KG, Wedemark Kurzbiographien der Autoren 347 Studer Revox GmbH Personenregister . 349 Copyright- und Bildnachweis . 357 7 Giovanni Anselmo Künstler- und Ausstellungsverzeichnis geb. 1934 in Borgofranco d'Ivrea, Italien lebt in Turin Giovanni Anselmo Direzione, 1967/68 Robert Barry Granit mit Kompaß, 17 x 11 x 37 cm Detail aus: Un disegno e un particolare a est, trecente milioni d' anni Joseph Beuys a ovest, 1967-1978 George Brecht Stedelijk van Abbemuseum, Eindhoven Klaus vom Bruch Infinita, 1970 Farbfoto Bill Fontana Galerie Christian Stein, Mailand Richard Buckminster Fuller Gilbert & George Robert Barry Philippe De Gobert geb. 1936 in New York lebt in Teaneck, New Jersey Ray Johnson OnKawara o. T., 1987 Acryl auf Leinwand, 153 X 153 cm Yves Klein Privatbesitz, Harnburg ; El Lissitzky o. T., 1989 Kasimir Malewitsch Acryl auf Leinwand, 101,6 x 101,6 cm Tatsuo Miyajima Galerie·Metropol, Wien MaxNeuhaus Joseph Beuys Ruth Schnell geb. 1921 in Krefeld Jeffrey Shaw gest. 1986 in Düsseldorf Mieko Shiomi Mensch, 1972 WolfVostell Kreide auf Tafel, Bräter mit Steinen und Telefon, 200 x 150 x 80 cm Slg. Dr. Speck, Köln Telephon S- '3, 1974 2 Blechdosen, Ölfarbe (Braunkreuz), Bindfaden, Papier, je 12 cm hoch, Durchmesser 10 cm, Multiple, 8/24 Deutsches Postmuseum, Frankfurt/M. 9 George Brecht 0. T., 1934 geb. 1925 in Halfway, Oregon Blaupause der ersten Weltkarte mit Bleistiftnotizen, 80 x 49,5 cm lebt in Köln Buckminster Fuller Institute, Los Angeles Three Telephone Events, 1961 World M ap Chart, 1944 Offsetkärtchen, signiert, 8,9 x 11,3 cm Original-Nachdruck, 53,3 X 61,2 cm; zuerst veröffentlicht m: Archiv Sohm, Staatsgalerie Stuttgart American N eptune, April1944 Buckminster Fuller Institute, Los Angeles Land Mass Translocation Project: Isle ofWight ~ Azores, 1969 Offset, 27,7 x 30,4 cm, mit Informationsblatt No. 1, 1969, Offset Gilbert & George Archiv Sohm, Staatsgalerie Stuttgart Gilbert, geb. 1943 in St. Martin, Thurn George, geb. 1942 in Totness, Devon leben in London Klaus vom Bruch geb. 1952 in Köln Postal Sculpture (New Decadent Art), 1969/70 lebt in Köln versiegeltes Briefkuvert u. signierter Offset; Kuvert: 11,5 x 17,5 cm, Offset: 20,1 X 17 cm Archiv Sohm, Staatsgalerie Stuttgart Schwarzweiß, 1990 Videoinstallation: 5 Monitore, 2 Holz-, 3 Stahlkisten, weiß und A Message from the Sculptors Gilbert & George, 1970 schwarz gefaßt Einladung für die Ausstellung Art for All mit 5 s/w-Fotos und Col­ Besitz des Künstlers lage (Make-up, Tabak, Asche, Haare, Stoff und Frühstücksreste), No. 62/300, 20,5 x 13 cm Archiv Sohm, Staatsgalerie Stuttgart Bill Fontana The Limericks, 1971 geb. 1947 in Cleveland, Ohio 8teilige Serie; jeder Teilnehmer erhielt 8 Wochen lang jede Woche lebt in Berkeley, Kalifornien einen »Limerick« Karten signiert; Kuvert: 13,2 x 20,8 cm, Klappkarte: 12,5 x 20 cm River Soundings, 1990 Archiv Sohm, Staatsgalerie Stuttgart Klangskulptur Pink Elephants, 1973 8teilige Serie, jeder Teilnehmer erhielt 8 Wochen lang jede Woche Richard Buckminster Fuller einen »Pink Elephant« geb. 1895 in Milton, Massachusetts Karten signiert; Kuvert: 13,2 x 20,8 cm, Klappkarte: 20 x 12,7 cm gest. 1983 Archiv Sohm, Staatsgalerie Stuttgart The 4-D World, 1927 Philippe De Gobert Mimeo-Druck, 1/7,25,4 x 17,8 cm geb. 1946 in Brüssel Carl Solway Gallery, Cincinnati, Ohio lebt in Brüssel 10 11 Hommage aMagritte, 1982/1983 o. T. (Plate 3 ), 1960/61 Holz, Miniaturzug, verschiedene Materialien, 60 x 50 x 30 cm Collage mit Holzstäbchen und Baumwollgarn, 18,9 x 12,65 cm Privatbesitz, Brüssel Privatsammlung, Remscheid o. T. (A Monument), um 1961 Ray Johnson Manuskript: überarbeitetes Konkretes Gedicht von Dick Higgins geh. 1927 in Detroit, Michigan für Larry Poons, 28 X 18,4 cm lebt in Locust Valley, New York Privatsammlung, Remscheid MailArt an George Maciunas, 1963 o. T. (Drums), vor 1965 Briefumschlag mit zahlreichen kleinen Collagen, Brief und Zeichnung für Dick Higgins, 12,6 x 20 cm Notizen, Zeitungsausschnitten etc.; Kuvert: 9 x 21 cm Privatsammlung, Remscheid Archiv Sohm, Staatsgalerie Stuttgart o. T. (London Oils), 1964 Briefumschlag an George Brecht, 9,9 x 22,4 cm o. T. (Postkarte an Dick Higgins), 1959 Privatsammlung, Remscheid 8,9x14cm Privatsammlung, Remscheid o. T. (Neckties), 1964 Postkarte an Patricia Van Ingen, 13,7 x 14 cm o. T. (What are Legends ), 1960 Privatsammlung, Remscheid Collagierter erster Katalog von Dick Higgins mit einem Brief, 22,2 x 14,65 cm o. T. (Is everybody in the same boat?), 1965 Privatsammlung, Remscheid Postkarte (von Robert Filliou) an Dick Higgins, 12,75 x 17,8 cm Privatsammlung, Remscheid o. T. (Samuel Beckett), um 1960 Collage, 18 x 13,6 cm OnKawara Privatsammlung, Remscheid 30. September 1990: 21.098 Tage o. T. (Black Powder), um 1960 34 Postkarten I woke up at . .. an Konrad Fischer, 19. März bis 21. April1976, ohne Maßangaben Collage über Tuschzeichnung von Dick Higgins (um 1959), 28 x 20,4 cm Galerie Konrad Fischer, Düsseldorf Privatsammlung, Remscheid Yves Klein o. T. (Max Ernst), um 1960 geh. 1928 in Nizza Collage und Gouache, 21,1 x 13,6 cm gest. 1962 Privatsammlung, Remscheid o. T. (timbre monochrome), 1959 o. T. (Where is everybody ), um 1960 Yves-Klein-Blau auf Karton mit Poststempel, 2,4 x 2 cm, auf Brief­ Collage mit Foto von Dick Higgins, 23,6 x 19,1 cm umschlag an Iris Clert, Paris Privatsammlung, Remscheid Sammlung Pascale und Isabelle Ledeur, Paris 12 13 o. T. (timbre monochrome), 1959 Audium, 1980 Yves-Klein-Blau auf Karton mit Poststempel, 2,4 x 2 cm, auf Brief­ Farbstift auf Papier, 95,5 x 120 cm umschlag an Monsieur und Madame Richebet, Paris Courtesy Galerie Karsten Greve, Köln und Paris Sammlung Pascale und Isabelle Ledeur, Paris Radio N et, 1977 Acryl auf Cibachrome-Satellitenfoto, 68 x 101 cm El Lissitzky Courtesy Galerie Karsten Greve, Köln und Paris geb. 1890 in Potschinok bei Smolensk gest. 1941 Ruth Schnell Suprematistische Geschichte von zwei Quadraten geb. 1954 in Linz, Österreich in 6 Konstruktionen lebt in Wien Skythen Verlag Berlin 1922, Nachdruck Berlin 1988 Tür für Huxley 11, 1989/90 Interaktive Videoinstallation Kasimir Malewitsch Unter Mitarbeit von Kike Garcia Roldan geb. 1879 bei Kiew gest. 1935 Jeffrey Shaw Der gleichzeitige Tod eines Mannes in einem Aeroplan und in der geb. 1944 in Melbourne Eisenbahn, 1913 lebt in Amsterdam Lithographie, 9,1 x 14 cm in: Alexei Krutschonych: Wsorwal, St. Petcrsburg 1913, 1. Ausgabe Jeffrey Shaw/Dirk Groeneveld Natan Fedorowskij, Avantgarde-Galerie Berlin The Legihle City, 1989 Interaktive Videoinstallation mit Fahrrad Suprematismus 34 Zeichnungen, 34 Lithographien mit 4 S. Text Vitebsk 1920, Nachdruck Lausanne 1974 Mieko Shiomi geb. 1938 in Oka Yama,Japan lebt in Osaka Tatsuo Miyajima geb. 1957 in Tokio Spatial Poem No. 1. Ward Event, 1965 lebt in Tokio und z. Zt. in Berlin Edition Fluxus, New York 133651 (Intersect), 1990 Weltkarte aufWeichpappe mit bedruckten Papierfähnchen, Rauminstallation mit LCD-Zählwerken, 350 x 566 cm 5 x 45,5 x 30 cm, Plexiglashaube 11 x 47 x 31 cm Gallery Takagi, N agoya Archiv Sohm, Staatsgalerie Stuttgart Spatial Poem No. 2. Direction Event, 1966 MaxNeuhaus Edition Fluxus, New York geb. 1939 in Beaumont, Texas Offsetdruck gefaltet, 82 x 36,5 cm lebt in Paris Archiv Sohm, Staatsgalerie Stuttgart 14 15 Spatial Poem No.
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    Program Schedule 14TH SUMMER SCHOOL ON EUROPEAN BUSINESS LAW JULY 16-27, 2017 HEINRICH HEINE UNIVERSITY DUESSELDORF CENTER FOR BUSINESS AND CORPORATE LAW Program Schedule DEAR PARTICIPANTS We are pleased to welcome you to the 14th Summer School on European Business Law at the Center for Business and Corporate Law at the Heinrich Heine University in Düsseldorf. With significant scientific support from our joint partners, the Interdisciplinary Center Herzliya (Israel) and the University of Tilburg (The Netherlands), you will be part of an intensive program on European and International Business Law, conducted by experienced speakers from academia and the legal practice. The comprehensive curriculum on European and International Business Law enables you to expand your knowledge of Business Law in an interdisciplinary and European context. It is also a unique opportunity to improve your professional and scientific skills in the areas of Corporate, Restructuring and Competition. Apart from the academic experience, you have the unique opportunity to network with law firm representatives, academics and a group of highly qualified participants from all over the world. These cultural and social opportunities will also enrich your stay at the Summer School, Heinrich Heine University and Düsseldorf. Enjoy your experience! Best wishes, Prof. Dr. Ulrich Noack Prof. Dr. Christian Kersting, LL.M. (Yale) –CBC Director – – CBC Director – Program Schedule Corporate Restructuring 1st Monday Tuesday Wednesday Thursday Friday Week July 16, 2018 July 17, 2018
  • Aragon: a Translation

    Aragon: a Translation

    ARAGON: A TRANSLATION Verna Griswold Looney, M. A. Morehead State University, 1979 Director of Thesis=---~---'_ 1.,.9~-·-f,_1&,-;~...,.#?...------ Louis Aragon, a modern French poet, many of whose poems were published clandestinely by the French underground during World War II, became a national hero to the people of France, He was a founder of the Surrealist movement and was deeply involved with Cubism and Dadaism. During the early 1930's, however, Aragon broke with these movements when he joined the Communist party. Partly because of his ideology, Aragon has not established a literary reputation in the United States. More importantly, however, is the lack of English translations of his works of poetry. Most of his novels have been translated into English, but the I present author has found to date only one volume of I l poetry which was translated by e. e. cummings, The Red Front, whose original title is Front Rouge, published l in 1933 by Contempo Publishers. j This thesis , Aragon: A Translation, is an English translation of Aragon by Ge orges Sadoul , consisting of t hree sections. The first one is a crit ical and biographical treatise on Aragon written by Ge orges Sadoul. It treats the early life of Louis Aragon and Elsa , his wife , beginning with Sadoul ' s initial meeting of Aragon i n the 1920' s and continuing through Aragon ' s love affai r with the U. S . S . R. in the 19JO ' s and his involvement with the underground forces duri ng World War II in his native France . The second part of the thesis is a choice of t exts written by Aragon and selected by Sadoul .