Student Profile 2018-2019
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The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
National Historic Landmark Nomination Ryman Auditorium
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
CATAWESE COACH LINES, INC. PO Box 546 862 Trevorton Road Shamokin, PA 17872 1-800-752-8687 Or 797-4037
CATAWESE COACH LINES, INC. PO Box 546 862 Trevorton Road Shamokin, PA 17872 1-800-752-8687 or 797-4037 www.catawese.com It has been our pleasure serving you this past year and we look forward to a fun-filled 2014. Be sure to take advantage of our family oriented tours offering discounted children’s rates. Our continued growth is because of customers like you, who faithfully support our business. We appreciate your trust, and we’ll do our best to continue to give you the kind of service you expect and deserve. Your continued patronage and suggestions are vital to our growth. We need and greatly appreciate the feedback we receive through the use of our tour comment sheets. We have taken your suggestions and provided several new tours for 2014 while bringing back some old favorites. Be sure to visit our website throughout the year for newly added tours at www.catawese.com. For our baseball fans information regarding games at Yankee Stadium and Oriole Park at Camden Yards will be available in January 2014. Join us and discover the ease and economic benefits of traveling by motor- coach. Sit back, relax, visit with friends and make some new ones, while your professional driver deals with the traffic. Come, Ride with the Tribe! 1 DATE TOUR PAGE March 2 Philadelphia Flower Show – “ARTiculture” 8 6 Philadelphia Flower Show – “ARTiculture” 8 April 2 Springtime in Washington DC 8 3 7 Brides for 7 Brothers, Dutch Apple 8 5 New York City – A Day on Your Own 9 11-12 National Cherry Blossom Parade Washington DC 9 May 9 Atlantic City 10 17 New York -
0Bthe Nashville Voter
0BTHE NASHVILLE VOTER The League of Women Voters of Nashville PO Box 158369, Nashville TN 37215 │ 629-777-5650 http://www.LWVnashville.org Volume 74, No. 3 August 2020 CALENDAR OF EVENTS August 1, 2020. “We Count: First Time Voters” Exhibit. Frist Art Museum Online Exhibition and in the Conte Community Arts Gallery. August 18, 2020. 9:30 – 10:30 a.m. Suffrage Re-enactment live-streamed from the State Capitol. The reenactment, titled “Our Century! Living Tennessee's History of the Ratification,” will take place on the floor of the House chamber at the State Capitol on Aug. 18 — the same day and place it did a century ago. It will be livestreamed via the TNWoman100 Facebook and YouTube pages, as well as the Facebook pages of the Tennessee State Library and Archives, Tennessee State Museum, Tennessee State Parks and Tennessee Historical Society. http://tnwoman100.com/ is the website of The Official Committee of the State of Tennessee Woman Suffrage Centennial. August 18, 2020. 10:30 a.m. to Noon. Dedication of the Suffrage Monument. Metro Nashville, Sponsored by Tennessee Woman Suffrage Monument Board, Women's Suffrage Centennial Commission. Centennial Park. In addition to the dedication ceremony, women from Highlight Pro Skydiving Team will parachute into Centennial Park carrying banners for the Suffrage Centennial. https://vodayo.com/womansuffragemonument/. August 18, 2020. 11:00 a.m. – 12:00 p.m. Her Flag: A Suffrage Celebration live-streamed from TPAC. This is a reservation event only. The Zoom link and password for the discussion will be emailed to registrants. Join TPAC for a live look-in via Zoom as artist and activist Marilyn Artus sews the final Tennessee stripe of her nationwide Her Flag art project to commemorate the 100th anniversary of the 19th Amendment and voting rights for women in the United States. -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
14Th Annual ACM Honors Celebrates Industry & Studio Recording Winners from 55Th & 56Th ACM Awards
August 27, 2021 The MusicRow Weekly Friday, August 27, 2021 14th Annual ACM Honors Celebrates SIGN UP HERE (FREE!) Industry & Studio Recording Winners From 55th & 56th ACM Awards If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES 14th Annual ACM Honors Beloved TV Journalist And Producer Lisa Lee Dies At 52 “The Storyteller“ Tom T. Hall Passes Luke Combs accepts the Gene Weed Milestone Award while Ashley McBryde Rock And Country Titan Don looks on. Photo: Getty Images / Courtesy of the Academy of Country Music Everly Passes Kelly Rich To Exit Amazon The Academy of Country Music presented the 14th Annual ACM Honors, Music recognizing the special award honorees, and Industry and Studio Recording Award winners from the 55th and 56th Academy of Country SMACKSongs Promotes Music Awards. Four The event featured a star-studded lineup of live performances and award presentations celebrating Special Awards recipients Joe Galante and Kacey Musgraves Announces Rascal Flatts (ACM Cliffie Stone Icon Award), Lady A and Ross Fourth Studio Album Copperman (ACM Gary Haber Lifting Lives Award), Luke Combs and Michael Strickland (ACM Gene Weed Milestone Award), Dan + Shay Reservoir Inks Deal With (ACM Jim Reeves International Award), RAC Clark (ACM Mae Boren Alabama Axton Service Award), Toby Keith (ACM Merle Haggard Spirit Award), Loretta Lynn, Gretchen Peters and Curly Putman (ACM Poet’s Award) Old Dominion, Lady A and Ken Burns’ Country Music (ACM Tex Ritter Film Award). Announce New Albums Also honored were winners of the 55th ACM Industry Awards, 55th & 56th Alex Kline Signs With Dann ACM Studio Recording Awards, along with 55th and 56th ACM Songwriter Huff, Sheltered Music of the Year winner, Hillary Lindsey. -
Kelsea Ballerini Becomes Newest Member of Grand Ole Opry
Kelsea Ballerini Becomes Newest Member of Grand Ole Opry **MEDIA DOWNLOAD** Footage of Kelsea Ballerini’s Opry member induction available here: hps://vimeopro.com/user62979372/kelsea‑ballerini‑inducon Kelsea Ballerini inducted as a member of the Grand Ole Opry Kelsea Ballerini and Carrie Underwood performed Opry by Opry member Carrie Underwood member Trisha Yearwood’s 1992 hit “Walkaway Joe" Kelsea Ballerini becomes newest member of the Grand Ole Opry l to r: Grand Ole Opry's Sally Williams, Black River Entertainment's Kim and Terry Pegula,Kelsea Ballerini, Black River Entertainment's Gordon Kerr, Sandbox Entertainment's Jason Owen and Black River Entertainment's Rick Froio NASHVILLE, Tenn. (April 16, 2019) – Kelsea Ballerini was inducted as the newest and youngest current member of the Grand Ole Opry tonight by Carrie Underwood, an Opry member since 2008. Surprising the soldout Opry House crowd after Ballerini had performed a threesong set, Underwood took the stage and said to Ballerini, “You have accomplished so much in your career, and you will undoubtedly accomplish infinite amounts more in your life. Awards, number ones, sales ... this is better than all of that. This is the heart and soul of country music.” Presenting Ballerini with her Opry member award, Underwood cheered, “I am honored to introduce and induct the newest member of the Grand Ole Opry, Kelsea Ballerini.” After recounting her first visit to the Opry as a fan, her 2015 Opry debut, and subsequent Opry appearances, Ballerini held her award close and said, “Grand -
HOUSE JOINT RESOLUTION 790 by Beck a RESOLUTION To
<BillNo> <Sponsor> HOUSE JOINT RESOLUTION 790 By Beck A RESOLUTION to recognize and honor the Grand Ole Opry on the celebration of its ninety-fifth anniversary. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, no mass media event is more associated with the State of Tennessee than the WSM radio program known as The Grand Ole Opry. Not only is The Grand Ole Opry the longest-running radio show in U.S. history, but it is renowned as the cornerstone for the dynamic commercial art form of country music; and WHEREAS, the Grand Ole Opry and its offspring comprise, or are affiliated with, the State's major tourist attractions, and the Opry's commercial power and attraction have been the primary reasons for Nashville's emergence as a music recording center; and WHEREAS, the saga of the Grand Ole Opry began on the night of November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year-old fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, now, ninety-five years later, the radio show Mr. Hay started is still going strong; the Opry is the foundation for a huge entertainment and resort complex and has been instrumental in Nashville claiming the title of Music City U.S.A.; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour; in 1928, Mr. -
Reps & Radio: Best Venues Q&A: WMN's Kristen
October 30, 2017, Issue 574 Q&A: WMN’s Kristen Williams A year ago last month, Warner Music Nashville Chairman/ CEO John Esposito promoted Kristen Williams to SVP of the label group’s renamed Radio & Streaming department. Country Aircheck sat down with her to discuss both transitions, the recent departure of Chris Palm- er and more. CA: Now that you’re a year in, does it feel less like drinking from a fire hose? KW: Much less, though there are days like that. Looking back I didn’t realize how quickly a year would go. I have an amazing team who Kristen are helping me learn as we go. [VP/Streaming] Williams Tim Foisset has welcomed this change with open arms, recognizing there were a lot of technical things I didn’t know. He has had a lot of patience as we’ve built this together. Shut It Down: Cumulus’ Greg Frey (c) helps Arista’s Faith Hill Was there any part of adjusting to this role that sur- and Tim McGraw close out the final show of the Soul2Soul prised you? Tour 2017 in Brooklyn Friday (10/27). By “helps” we I wasn’t prepared for the number of phone calls and emails mean “showed up backstage” not, you know, “showed up from artist managers and teams wanting to get together to talk onstage.” Thankfully. about the impact of the new structure, integration of areas and new opportunities it could create. In all cases, it was very wel- Reps & Radio: Best Venues come, but that process took some time.