ENTERTAINMENTpage 19 Technique • Friday, November 2, 2001 • 19

Two Bits’ belated Halloween One musician’s travels The famous Two Bits Man suggests Beth Wood’s career has taken her from ENTERTAINMENT some humorous and effective strategies her native Texas, through North you should have taken two days ago on Carolina, and now to a stop at Eddie’s Technique • Friday, November 2, 2001 Halloween. Page 20 Attic here in Atlanta. Page 5

DramaTech ‘Monsters, Inc.’ monstrous movie fun actors take The latest film from Disney and Pixar, with the voice talents of Billy Crystal and John Thoreau to jail Goodman, follows in the computer-rendered footsteps of Toy Story and A Bug’s Life. By Alan Back By Kimberly Rieck Senior Staff Writer Contributing Writer MPAA Rating: G Is it better to conform to soci- Starring: Voices of Billy Crystal, John ety’s standards in order to achieve Goodman greatness, or to stay true to one’s Director: Pete Docter Running time: 92 min self and remain unappreciated? If yyyy one decides to compromise, how Rating: much? Those are two of the many pertinent questions that posed by Little kids always worry about things The Night Thoreau Spent in Jail, a hiding under the bed and in the closet brilliantly written play by the team when they go to sleep. Who better to take of Lawrence & Lee, of Inherit the a look past those dark spaces than the Wind fame. crew at Pixar? Under the direction of Clint Monsters, Inc. sports a personnel change Thornton, the players from Dra- from the studio’s previous films, putting maTech manage to captivate from someone other than John Lasseter in the curtain to curtain. The play opens director’s chair. The tricks that worked with a couple gossiping about Henry before still pay off here and make for a David Thoreau, played by Will cheerful, chaotic trip behind the closet Armstrong, one of the great tran- door. scendentalist thinkers. The cou- The city of Monstropolis could pass ple is later revealed to be Ralph for any run-of-the-mill urban area except Waldo Emerson, played by Jordan for one small detail. Every single one of its Bethea, and his wife Lydian, played inhabitants is the sort of creepy-crawly- by Julie Dowling. Thoreau’s moth- hairy-ugly thing that kids have bad dreams innovative techniques for computer-gen- er, played by Hetal Kapadia, starts about. This is exactly what keeps the place erated imagery; both Toy Story movies badmouthing him and his Har- humming and Monsters, Inc. in busi- and A Bug’s Life bear witness to this fact. A vard education, much to the amuse- ness. problem that only appeared around the ment of his brother John, played James P. Sullivan (voice: John Good- fringes in those films now comes to center by Billy Hoffman. It is a hilarious man), a.k.a. Sulley, is an old hand at scar- stage: how to make a really convincing scene because of how it contradicts ing kids silly and capturing their screams animation of a human being in this medi- modern standards and belittles to help power Monstropolis. He’s one of um? Boo looks too much like an oversized Harvard as a second-rate breeding the company’s best employees, thanks to doll to square with the intricacies of the ground for renegades. the help of Mike Wazowski (voice: Billy monsters’ appearance, and having her as The play’s use of flashbacks is Crystal)—a one-eyed, egg-shaped fast talker the focus of the story only accentuates the particularly exciting. The plot goes who also rooms with him. clash in styles. from current scenes of Thoreau in Despite his work record, Sulley is a big What the movie lacks in human be- jail, explained later in the play, flash- softie when he’s off the clock. He also lievability, it makes up in other areas. backs from the past, and Emer- happens to be afraid of kids, which makes Goodman and Crystal shine as the ulti- son’s interpretations of Thoreau’s life a wee bit interesting when a little girl mate mismatched buddy team—one look actions. The scenery perfectly com- follows him back to the plant. Now he at them is enough to show you how mis- plements the pace of the play. De- and Mike have to figure out a way to get matched. Their coworkers provide plen- Photos © Disney/Pixar. All rights reserved. signed by Adam Johnson and built “Boo” home without bringing the whole ty of comic relief and background jokes: James P. “Sulley” Sullivan (top left) and Mike Wazowski, by master carpenter Billy Johnson, of Monsters, Inc. down around their ears. voiced respectively by John Goodman (bottom right) the stage is split into a nature envi- Pixar built its reputation on brilliantly See Monsters, page 25 and Billy Crystal, have their hands full in Monsters, Inc. ronment, Thoreau’s mother’s house, the jail cell, church tower, and the busy street theme. The interesting SR-71 warms up on-campus ‘RockToberfest’ lighting also conveys the various scene changes. By Alyson Laura crowd could get excited over the music During the flashbacks, the au- Contributing Writer and a mosh pit started during the first dience is introduced to a variety of song. An abundance of security officers characters that help shape Thoreau’s 9:30 p.m.: A stage is set up not far did not let it last very long and from then philosophies. Marilyn Cole plays from “the shaft” where cold air cuts the on, enjoyment of the music was displayed Ellen, the woman who Thoreau thin crowd waiting to hear SR-71 and only by bobbing heads, tapping feet and encourages to defy her parents and doesn’t invite too many newcomers. Con- swaying hips. follow her dreams. David Egar cerning opening bands of Saturday’s per- SR-71’s style is not too unique, con- plays the perfect villain as the old- formance, the audience wondered less about sidering a new rock band with a slight pop fashioned head of the Concord where to get their CD, and more about sound appears on TRL every week. Yet, School, who Thoreau passionately when they were getting off the stage. 10:30 they are not just another band to place in defies. p.m.: the crowd thick- a category. SR-71 has In many ways, Henry David ens bringing much de- permanence because Thoreau is similar to a modern- sired warmth, yet a they enjoy what they do, day college student. He doesn’t feeling of restlessness still SR-71 has playing live music for know exactly what he wants to do prevails for lack of a permanence fans and having fun with his life, finds himself broke headliner. The Har- while doing it. and destitute when he follows his monica Red Band, the because they A few short covers to dreams, and rejects his elders’ pro- second opener of the enjoy...playing live grab the attention of the tocol. night, ended abruptly audience opened into Due to the brilliant acting of to the surprise of the music for fans. “Last Man On The the cast, especially by Armstrong New Orleans foursome Moon” which was visi- and Cole, the audience manages to but to the delight of a bly enjoyed by both the sympathize with the plight of Tho- few hundred Tech stu- crowd and band mem- reau, facing the most difficult de- dents. bers. Fast tempos provided a beat to cision of his life. The play is After a quick breakdown and setup, groove to while lead singer Mitch Allen entertaining and easy for audienc- SR-71, a British influenced rock band dazzled the crowd with an energetic per- es to follow. Opening night is hailing from Baltimore took the stage. formance. His self-proclamation of be- November 2 and it runs until No- They immediately broke into playing “Po- ing drunk didn’t diminish his enthusiasm, vember 17. Tickets are $4 for stu- By Dan Olausen / STUDENT PUBLICATIONS litically Correct,” the first song on their he claimed it kept him warm. dents, and the show is worth the Mitch Allen, lead singer of SR-71, and fellow bandmates album Now You See Inside released on Later in the night, freshmen were giv- price of admission. played the Kessler Campanile in a free, post-TEAM RCA in July of 2000. With catchy rhythms Buzz concert dubbed ‘RockToberfest’ by its sponsors. and a tight sound, it’s no wonder the See Concert, page 25 20 • Friday, November 2, 2001 • Technique ENTERTAINMENT ...01010101010101010101010101010101010101010...... Two Bits

Well folks, I do realize that this begin with, there are those old chest- walking from house to house tell- will naturally tell you, “Oh yeah? degrees of quality. It’s like when article is going to be somewhat un- nuts, being a serial killer or sex of- ing people that you’re Canadian. You don’t look like a ghost.” That’s there are the kids who come to your timely, but if you’re not reading it fender. By now, everybody thinks Just like sex offenders and serial a simple one. Stop them cold by door wearing a Pikachu outfit that until Friday, that’s your fault; I am that these are great ideas, because killers, Canadians are living every- telling them, “Ahem, I am possess- their mothers had lovingly sewn out broadcasting it live via ESP while I both of those sorts of criminal tend where around the US. However, ing someone right now.” of yellow fake fur, and then there sit here typing on Tuesday. I feel as to look like average Joes. Nonethe- unlike the former two, most peo- Of course, there are times when the others who wear a cheesy yellow though tapping the paranormal is less, this approach is pretty cliche ple in this country will face a Cana- you aren’t out to impress or to scare. plastic mask that cost $3.99 at K- the only appropriate way to truly dian at some point in their life. Mart. convey the mysticism of Hallow- Admittedly, you do risk plac- The same goes for Ben Affleck een, or as Hallmark insiders refer to If you want to ing your victims (I mean candy- I suggest that you costumes. Ben Affleck, for exam- it, Holiday #0031a. givers.) into cardiac arrest by using ple, has a really good one, whereas I Conceptually, Halloween fasci- increase your candy this technique, but if you want to wear normal clothes do not happen to own a very good nates me. This is a holiday in which yield tenfold, I increase your candy yield tenfold, I to that Halloween Ben Affleck costume. Nonetheless, people are given free candy for dress- suggest saying, “Give me nougat, it goes the same for Ben Affleck ing up in elaborate costumes. Per- suggest saying, “Give or I will behave Canadianly in your party or trick-or- costumes as it does with Pikachu haps I led an unfulfilling childhood, me nougat, or I will house.” Say that about four times, treating and tell costumes. Even if you have a terri- not playing dress-up enough, but and you’ll have a lawn and leaf bag ble Ben Affleck costume, no one I’m just not a big fan of cloaking behave Canadianly in full of happy candy goodness. people, “Hello there. will make fun of you, on the off myself. I would much prefer walk- your house.” Not all about horrifying your I’m Ben Affleck.” chance that it will reflect poorly on ing around wearing normal garb as neighbors? The Two Bits Man your mother. I proposition complete strangers for understands that, and suggests tell- So there it is, my fellow trick-or- that saccharine bliss of the annual ing them that you are a corporeally treaters. You now have a few last nougat hailstorm. by now. Besides, in the more for- challenged dead salesperson from For times like this, you should keep minute ideas on what to wear for Nonetheless, most suburban fam- ward-thinking communities, sex the Macy’s at Lenox. You could it simple. I suggest that you wear Halloween if you don’t feel like dress- ilies won’t share their nougat stash- offenders are required to walk around refer to yourself as a ghost, but the normal clothes to that Halloween ing up. Of course, if you’re not es without a sufficiently grandiose and introduce themselves to their corporeally challenged really hate party or on your trick-or-treating tuned in to the paranormal like you costume to satisfy their entertain- neighbors and tell about their hob- a lack of sensitivity when they are excursion and tell people, “Hello should be, then you’ll just have to ment whims. bies. Halloween night is hardly the being discussed, and you do want there. I’m Ben Affleck.” While the save these ideas for next year. Until With that in mind, I want to evening to start creating vignettes to appear as though you have some brilliance of this costume defies the I figure out how to use the back- look at realistic looking costumes from your past. knowledge of the subject. Of course, need for explanation, my fingers space key, this is the Two Bits Man that won’t require you to change With that in mind, I suggest a your neighbors, thinking that they need the exercise, so hey, why not. reminding you not to the yucky, your normal attire one iota. To much more practical approach like can outwit your costuming genius Costumes seem to come in varying cheap candy. ENTERTAINMENT Technique • Friday, November 2, 2001 • 21 Bring along some bread crumbs to keep up with Beth Wood’s career By Alan Back the Brevard/Asheville area to At- don’t have that much going Senior Staff Writer lanta to Asheville to Texas. Is it any on…Living in the city, people get wonder that her music reflects dif- jaded on the music scene because Some musicians spend their en- ferent regional tastes? there’s just so much there.” Sharing tire lives in one place, digging as While Ghostwriter invites com- bills with the likes of Colvin, David deeply into that particular scene as parisons to the likes of Shawn Colvin Crosby, and Steve Winwood has they can without hitting bedrock. and Lisa Loeb, among others, Wood helped keep her from falling into Then there are people like Beth draws from a wider range of influ- that rut. Ditto for her performance Wood, who transplants herself back ences. “A lot of people make the of the national anthem at a Texas and forth and back again—and lay- assumption that because I’m a fe- Rangers game this past summer. ers her travels onto each new album male singer/songwriter, I only lis- Life for the up-and-comer isn’t she puts out. ten to people like that all the time. always a barrel of laughs, however. Ghostwriter, her fourth CD, plays But it’s really not true; I listen to Wood found this out the hard way like a musical travelogue of the cit- everything. One of my favorite gui- when Autonomous Records, run by ies she’s called home over the years. her friends in Athens’ Jupiter Coy- Blues, folk and rock turn up in varying ote, entered into an unlikely part- proportions over the album’s 12 nership to increase distribution. tracks, which range from quiet in- “I could put out 10 “They made a deal with Road- trospection (the title cut) to light runner Records, which was trying playfulness (“Elephant Song,” the albums in a year or to expand its roster. But many of first piece she ever wrote). two years, or I could the people already there were doing Hailing from Lubbock, Texas, metal and hard rock,” she recalled. put out none. I’m not Wood found her way to Brevard “[Roadrunner] said, ‘We want to By Alan Back / STUDENT PUBLICATIONS College in western North Carolina. obligated to do it.” open up a rock-and-roll division Beth Wood has been around the block a time or three, shuttling back and After studying classical voice for two and focus on Southeastern bands.’ forth between Texas and western North Carolina and hitting all points in Beth Wood, forth between Texas and western North Carolina and hitting all points in years, she headed back toward home, They were very particular about that between. She plays Eddie’s Attic tomorrow in support of her new CD. earning a degree in literature from on life as an independent artist and interested in Autonomous.” the University of Texas at Austin. However, she asserted, the deal “I could put out 10 albums in a sure that those people were willing Here, she started to work her way soon went south. “What happened year or two years, or I could put out to get behind it. At the beginning, into that music scene by answering was, Roadrunner decided they none. I’m not obligated to do it, after Autonomous fell apart, I a band’s ad for a singer/guitarist. tar players is Chris Whitley. I heard wouldn’t give any more money to and that’s good, but it also comes thought of it as a chance to say, ‘I’m That was some 10 years ago. Five him when I was in college—more the project. Because of that, Auton- with a price. You don’t have the doing this on my own, I don’t need years later, the band was no more of a bluesy, hard-edged, rock-and- omous folded and left everybody in help you’d get with a record label.” any help.’ But now that I’m a cou- and she was working in real estate. roll kind of guy. So I kind of have it a really bad place.” The label shut She pointed out, “With Auton- ple of years down the road, I recog- Then she got an unexpected bit of coming from different directions.” down after the release of her 1998 omous there was a lot more support nize that some help would be nice.” inspiration—from a Rickie Lee Jones Her shows take their own course sophomore album New Blood, leav- in promoting shows and doing pub- She started her full-time perform- concert in which she heard the line, as well, depending on whether she’s ing her with little choice but to buy licity. They would also work radio ing career just as the female singer/ “You’re in the wrong taxi, white booked at a college campus, a cof- it back and support it herself. stations to make sure the music was songwriter boom was taking off. The girl”—and went full tilt into music. feehouse, or a place like Smith’s The next album, Late Night Ra- being played. All that went away peak was the run of Lilith Fair, after She put out her debut album, Olde Bar. College shows have given dio (1999), was her break from those when I put out Late Night Radio, which most of these artists started Wood Work, in 1996 and started her exposure in areas she might not past experiences and a full-on entry and I had to do the work myself.” dropping off the airwaves like flies. traveling soon after. In the five years have been able to reach otherwise. into the do-it-yourself world of the What if another label came to Wood offered her opinion on where since, she’s been around a bit. Get “Sometimes in the smaller towns, traveling singer/songwriter. Being offer some help? “I wouldn’t just out a map and follow this: Austin to I get a good reaction because people in charge cuts both ways, though. take it at any cost. I’d want to make See Wood, page 25 22 • Friday, November 2, 2001 • Technique ENTERTAINMENT Onward and Crossword I, Spy By Kit FitzSimons 48. James’ pottery talent? (4 wds) 25. Mind powers (abbr) 1234 567 8910 Staff Writer 55. Where to ante 27. Bahrain men 56. Ticklish muppet 28. One of a bevy/covey 11 12 13 14 ACROSS 57. Inkling 32. Clamp 1. With on, pamper 58. Null set (abbr) 33. Alertness (abbr) 15 16 17 5. Fox Mulder’s org. 59. Dreidel, for one 35. Illegal insecticide 8. Poke (at) 60. ‘______Turn Around’ 36. Day-______18 19 11. White whale watcher 38. Omniscient shrine

20 21 22 23 24 25 12. ______one’s own horn DOWN 39. ‘Great’ kid lit detective 13. Common Norse king name 1. June celebrant 40. Be in debt by (2 wds) 26 27 28 15. James’ usual bet? (2 wds) 2. “I see!” 41. Blues star Taylor 18. Stop 3. Sigma follower 44. Amber, back then 29 30 31 32 33 19. Vote into effect 4. Flow back 45. Trudge 20. Ban alternative 5. What to eat 46. Prideful animal? 34 35 36 24. Espied 6. ______Jovi 47. 98.6 deg., e.g. 26. James’ backstage comment? (4 7. OJ’s judge 49. Tennis need 37 38 39 40 41 wds) 8. ______Reb 50. ____-Mo 29. Baba et al. 9. Part of et al. 51. Goat baby 42 43 30. DC House member 10. French First National 52. Veiled comment?

44 45 46 47 31. Charlottesville college (abbr) 12. 120/1200 53. Author Deighton 34. Where to work out 14. KO site (abbr) 54. King Cole of song? 48 49 50 51 52 53 54 35. Actor Akroyd 16. 907 5|<3315 36. Trot or gallop, for one 17. Emulate insects The answers to this week’s puzzle can 55 56 57 37. James’ unpopular lit? (3 wds) 20. Blend of funk and jazzz be found on page 12. The Tech- 42. “Blast!” 21. Snakelike-fish-like nique apologizes for the lack of cross- 58 59 60 43. Like lambs 22. ‘Do’ Everest word answers in last week’s issue, but 44. Water balloon sound 23. RR tracks & banisters does not apologize if you get all the 47. Shattner’s “______War” 24. Pad type answers in this week’s puzzle wrong.

Quiz Around Campus! Sauce!

1) In last week’s QAC, we in- correctly identified Ed Wilder as: a) Chris Kavanaugh. b) Ed Bradshaw. c) George Godsey. d) George O’Leary.

2) Therefore, the correct an- swer to last week’s question should have been: a) b. b) d. c) u. d) Chris Kavanaugh.

3) Here we see: a) the new outfit for SGA meetings. b) The GT Women’s Swimming and Div- ing team. c) the reinstatement of the drownproofing class. d) a remake of Night of the Living Dead.

4) An International Foreign Policy specialist tries to: a) buy the world a Coke. b) get countries to play nice. c) chase interns. d) get a parking space closer to the Capitol and a cool bullet-

proof BMW. answers: 1) a; 2) a; 3) b; 4) b 4) b; 3) a; 2) a; 1) answers: ENTERTAINMENT Technique • Friday, November 2, 2001 • 23

rock to move to but the crowd seemed Feature Photo DramaTech Concert from page 19 uninterested. “Alive,” a true story, broke the tension and brought back en a new class, Rock 101. The les- the interest of the crowd with hard- son consisted of metal horns (hold- er guitars and more energy. ing up your fist with index and pinkie “Right Now” is a song that the finger pointed up) and some more crowd was waiting for, and SR-71 rock and roll. Mitch’s frequent banter played it second to last. It was as if a between songs didn’t diminish their light went on in the fans’ collective performance and was quite amus- head, saying that it was time to get ing, including the fact that his top excited and start to rock. With so reason for being a lead singer in a much energy in the air, SR-71 had band was that he wasn’t good at to deliver more so they launched anything else. Number two was the into a cover of “I Want You to Want “chicks.” Me,” a fitting end to a great show, In the middle of the set, the band as the crowd ate up the popular slowed down and the calming, me- lyrics and SR-71 finally received the lodic beats of these tunes had enough approval that they deserved.

Monsters from page 19 (company crab/octopus?) who does whatever it takes to keep things roll- the fire-breather who accidentally ing, and Celia (voice: Jennifer Tilly), By Daniel Uhlig / STUDENT PUBLICATIONS burns up his morning paper, the the snake-haired receptionist, brings Marilyn Cole’s Ellen and Will Armstrong’s Henry David Thoreau share a tender moment in the newest jelly blob who goes down a sewer out Mike at his silver-tongued best. DramaTech production, “The Night Thoreau Spent In Jail,” opening tonight at the DramaTech Theatre. grate by accident, the janitor slug You half-expect him to use Crys- who slimes up the floor as soon as tal’s old catchphrase on her: “You he cleans it, and so on. look mah-velous!” Supporting characters are a kick If nothing else, the final action and a half. Sulley’s top competition sequence is almost worth the price at work is a chameleon named Ran- of admission by itself. Think of a dall Boggs (voice: Steve Buscemi), cross between a high-altitude roller who never lets ethics get in his way. coaster and the assault on the Death James Coburn voices CEO Henry Star at the end of Return of the Jedi, J. Waternoose, a true company man and you get the idea.

Wood from page 21 ion: “Hopefully we’ll get to a point where it’s not a gender thing.” people in her position stand today. There was a time when bands “I think that we have a long way actually had to have talent in order to go, especially because in a way, to be able to sell concert tickets and Lilith Fair hurt what I was trying to albums. Put more acts like Wood do at the time. We’d call up radio on the road—whether or not they stations and try to get New Blood relocate as much as she has—and put on the playlist, but they’d say, that time might come again. ‘Well, we’ve already added three female artists this week.’” Beth Wood will be performing at Ed- This sort of quota system worked die’s Attic tomorrow night. Call (404) against up-and-coming acts that 377-4976 for more . Visit her online deserved to be heard, in her opin- at www.bethwoodmusic.com. The Live List: 11/2 to 11/9

COTTON CLUB (152 Luckie St.) ROXY (3110 Roswell Rd.) (404) 688-1193 (404) 233-7699 www.atlantaconcerts.com/cottonclub.asp www.atlantaconcerts.com/roxy.asp 11/2—Soup, Dezeray’s Hammer, Alien Breed 11/3—Galactic, DJ Spooky 11/3—420 Monks 11/9—Taj Mahal & the Phantom Blues Band 11/4—The New Deal, DJ Harry, pH Balance 11/5—Eagle Eye Cherry, Leona Naess SMITH’S OLDE BAR (1580 Piedmont Ave.) 11/8—Dry Water, Hognutt (404) 875-1522 smithsoldebar.citysearch.com DARK HORSE TAVERN (816 N. Highland Ave.) 11/2—Supermatic, Hanging Francis, The Yard (404) 873-3607 11/3—Hollyfaith, Billionaire, The Converted 11/2—Gruvinhi, Jad, Big Jack Pneumatic 11/4—Heather Littrell 11/3—El Caminos, Johnny Prophet 11/5—Filmstar, Jason Blackwell, High Eight 11/7—King’s Indian, Smooth Finger, 11/7—Grant-Lee Phillips, David Ryan Harris Tragically Undecided 11/8—Pat Green, Jason White Band 11/8—Second Skin, Tunamint 11/9—Five-Eight, Black Goldstein, 1945 11/9—Diggity, Operation Toes, Big Radio Loves STAR BAR (437 Moreland Ave.) (404) 681-9018 ECHO LOUNGE (551 Flat Shoals Rd.) www.starbar.net (404) 681-3600 11/2—Catfight! www.echostatic.com/echolounge 11/3—Star Room Boys, Vidaliais, Catfish 11/2—STB, Matty & Mossy 11/7—JJ-180, DJ Swivel, DJ Quiz 11/3—The Butchies, Bitch & Animal, 1945 11/4—Death Cab for Cutie, The Prom, The Close TABERNACLE (152 Luckie St.) 11/7—Owen, Cait & Kyle, Azure Ray (404) 659-9022 11/8—Elk City, National, Je Suis France www.tabernaclemusic.com 11/9—Adom 11/3—Slayer 11/8—System of a Down EDDIE’S ATTIC (515-B N. McDonough St.) (404) 377-4976 UNDER THE COUCH (Couch Bldg.) www.eddiesattic.com (404) 206-0985 11/2—Pierce Pettis, Leigh Hilger utc.gatech.edu 11/3—Beth Wood, Jeff Black 11/3—Evergreen Terrace, Put Me to Shame, 11/4—Sloan Wainwright, Twelvedollarpen One Fifth, XHer Sins Piled High As HeavenX 11/6—The Fiascos, John Zedd 11/4—The Stereo, The Gadjits, Style Over 11/7—Kimberly McCarver, Eric Zweig, Mike Substance, Avila Willis 11/9—Tom Prasada Rao, Bernice Lewis VARIETY PLAYHOUSE (1099 Euclid Ave.) (404) 521-1786 MASQUERADE (695 North Ave.) www.variety-playhouse.com (404) 577-2007 11/2—Ancient Harmony, Moonshine Still www.masq.com 11/3—Lee “Scratch” Perry & the Mad Professor 11/3—2 Skinnee J’s, Rustic Overtones, Gruvinhi 11/4—Mac MacNally 11/4—Silence, Muuhda, Lollygag, Kaizer 11/5—Jazz Mandolin Project Soze 11/6—Jean-Luc Ponty, Dominic Gaudious 11/7—RATT, Bitch 11/8—Jerry Jeff Walker 11/8—Guru, Faultline, Ill Mic 11/9—Melissa Ferrick