ANDY WARHOL: a DOCUMENTARY FILM Panorama ANDY WARHOL Dokumente ANDY WARHOL Regie: Ric Burns

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ANDY WARHOL: a DOCUMENTARY FILM Panorama ANDY WARHOL Dokumente ANDY WARHOL Regie: Ric Burns Berlinale 2007 ANDY WARHOL: A DOCUMENTARY FILM Panorama ANDY WARHOL Dokumente ANDY WARHOL Regie: Ric Burns USA 2006 Dokumentarfilm Sprecherin Laurie Anderson Länge 234 Min. Warhols Stimme Jeff Koons Format Digi Beta Farbe und Schwarzweiß Stabliste Buch James Sanders Ric Burns Kamera Buddy Squires Peter Nelson Allen Moore Michael Chin Don Lenzer Schnitt Li-Shin Yu Juliana Parroni Schnittassistenz Jacob Steingroot Ton Mark Mandler John Zecca Curtis Choy John Haptas Juan Rodriguez William Tzouris Merce Williams Mischung Peter Waggoner Reilly Steele Andy Warhol Foto: A. Statler Musik Brian Keane Produzenten Donald Rosenfeld Daniel Wolf ANDY WARHOL Ric Burns Der Kunsthistoriker Neil Printz sieht in ihm schlicht einen Markstein der Kul - Co-Produzenten Marilyn Ness tur, dessen Bedeutung über die Kunstgeschichte weit hinausreicht: „Andy Mary Recine Warhol ist ein Markstein unserer Alltagskultur, der gesamten Kultur seit dem Robin Espinola Ende des Zweiten Weltkriegs. Für mich ist er der wahrscheinlich bedeu- Executive Producers Peter Brant Larry Gagosian tendste Künstler in der zweiten Hälfte des 20. Jahrhunderts, vielleicht sogar Diane von der wichtigste Künstler des gesamten Jahrhunderts. Wenn wir einen visuellen Furstenberg Ausdruck dafür finden sollten, was es heißt, in den vergangenen 50 Ja hren Co-ExecutiveProducer Roger Kass gelebt zu haben, dann würde das Bild irgendwo im Universum Andy Co-Produktion Steeplechase Films, Warhols aufzufinden sein. Man könnte sich darüber streiten, was für ein Bild New York Thirteen/WNET, es ist. Es könnte eines der Gemälde von Marilyn Monroe sein. Es könnte ein New York Gemälde aus der Serie mit den Autounfällen sein oder die Atombombe oder eine Campbell’s-Suppendose. Aber ich schätze, wenn wir uns auf ein Produktion Gemälde festlegen müssten, dann wäre es eines von Andy Warhol.“ High Line Productions Kein Künstler des vergangenen Jahrhunderts stand stärker im Rampenlicht 389 West 12th St. USA-New York als er, kein anderer inszenierte sich dort auf so unnachahmliche Weise – NY 10114 und von kaum einem anderen Künstler sind so viele visuelle Dokumente Tel.: 212- 535 53 79 über liefert. Aus ihnen rekonstruiert diese vierstündige Dokumentation [email protected] nicht nur den Lebenslauf Andy Warhols und seine brillante Karriere inner- halb des Undergrounds und des Kunstbetriebs. Das umfangreiche Archiv - Weltvertrieb Celluloid Dreams Sales SAS ma te rial illustriert darüber hinaus die amerikanische Kulturgeschichte von 2, rue Turgot den 50er bis zu den 70er Jahren, als Warhols „Factory“ zu einem Zentrum F-75009 Paris der amerikanischen Gegenwartskunst und Popkultur wurde. Nicht nur sei - Tel.: 1-49 70 03 70 ne „Superstars“ wie Edie Sedgwick, Viva und Candy Darling bildeten damals Fax: 1-49 70 03 71 sein „Material“, sondern auch Berühmtheiten wie Bob Dylan, Dennis Hopper oder Susan Sontag. Sie und viele andere Stil-Ikonen jener Jahre sind in Origi - nal dokumenten präsent, darunter viele bisher noch unveröffenlichte. 186 ANDY WARHOL: A DOCUMENTARY FILM Filmografie Art historian Neil Printz simply calls him “a touchstone of the culture”, whose 1990 THE CIVIL WAR significance far exceeds the boundaries of art history: “Andy Warhol is a Dokumentarfilm-Serie 1991 CONEY ISLAND touchstone of the culture we live in – a touchstone for the entire culture of Dokumentarfilm the post-war period. I think he is probably the most important artist of the 1992 THE DONNER PARTY second half of the 20th century, maybe the most important artist of the Dokumentarfilm 20th century. If we needed to find a visual form just to distill what it’s like to 1995 THE WAY WEST have been alive in the last fifty years, the image would come somewhere Dokumentarfilm-Serie, 4 Folgen 1999 NEW YORK: A DOCUMENTARY from the corpus of Andy Warhol. We might fight over what image it is. We FILM might think it’s a painting of Marilyn Monroe, we might think it’s a painting Dokumentarfilm-Serie, 8 Folgen of a car crash or the atom bomb or a Campbell’s soup can. But I think if we 2002 ANSEL ADAMS had to choose a painting, it would be a painting by Andy Warhol” Dokumentarfilm No artist of the last century was more in the spotlight than Warhol; nobody 2006 EUGENE O’NEILL Dokumentarfilm was able to stage-manage himself in such an inimitable fashion – and ANDY WARHOL: A DOCUMENTARY hardly any other artist left behind so many visual documents. This four-hour FILM documentary makes use of these documents to reconstruct Andy Warhol’s life and brilliant career as a proponent both of the world of art and culture Ric Burns and of an underground subculture. The extensive archive material also tells the story of American cultural history from the 1950s to the 1970s, when Biografie Warhol’s ‘factory’ became the centre of American contemporary art and Geboren am 31.1.1955 in Baltimore, pop culture. Warhol’s ‘materials’ comprised both his ‘superstars’ such as Edie Maryland. Sohn des Anthropologen Robert Sedgwick, Viva and Candy Darling, but also included other celebrities such Burns. Studierte Englische Literatur an der Columbia University in New York und in as Bob Dylan, Dennis Hopper and Susan Sontag. This film contains many Cambridge. 1989 gründete er mit seinem hitherto unpublished original images of these and other icons of style. Bruder Ken Burns in Manhattan die Produktionsfirma Steeple chase Films. ANDY WARHOL Seither sind in gemein samer Arbeit zahlrei- L’historien de l’art Neil Printz le qualifie tout simplement d’événement mar- che preis gekrönte, oftmals mehr teilige Dokumen tationen zur Geschichte und quant de la culture dont l’importance dépasse largement le cadre de l’his- Kulturgeschichte der USA entstanden. toire de l’art : « Andy Warhol est un événement marquant de notre culture quotidienne, de la culture dans son ensemble depuis la fin de la seconde Biography guerre mondiale. Pour moi, c’est probablement l’artiste le plus marquant de Born in Baltimore, Maryland on 31.1.1955. la seconde moitié du 20ème siècle, peut-être même le plus important de He is the son of anthropologist Robert Burns. He studied English literature at tout le siècle. S’il s’agissait pour nous de trouver une expression visuelle de Columbia University in New York and in ce que cela signifie d’avoir vécu pendant ces cinquante dernières années, Cambridge. In 1989 he and his brother Ken l’image se trouverait alors quelque part dans l’univers d’Andy Warhol. On Burns founded the production company pourrait discuter au sujet du choix de l’oeuvre. Cela pourrait être l’un des Steeplechase Films in Manhattan, since tableaux représentant Marilyn Monroe. Cela pourrait être un tableau de la which time they have collaborated on many award-winning, often multi-part documen- série avec les accidents de voiture ou la bombe atomique ou une boîte de taries about the history and cultural history soupe Campbell’s. Mais j’estime que si nous devions décider d’un tableau, il of the USA. s’agirait alors de quelque chose d’Andy Warhol. » Aucun artiste du siècle précédent n’a autant été sous les feux de la rampe Biographie que lui, aucun autre ne s’y est mis en scène de façon aussi inimitable et on Né le 31-1-1955 à Baltimore, dans le Maryland. Fils de l’anthropologue Robert ne dispose pour aucun autre artiste d’une telle quantité de documents Burns. Etudie la littérature anglaise à la visuels. Ce documentaire de quatre heures reconstitue à partir de là non Columbia Uni ver sity de New York et à seulement le curriculum vitae d’Andy Warhol et sa brillante carrière au sein Cambridge. Fonde à Manhattan, en 1989, la de l’underground et du commerce de l’art. Le formidable matériel d’archives maison de production Steeplechase Films, illustre en outre l’histoire de la culture américaine des années cinquante aux avec son frère Ken Burns, qui a entre-temps produit de nombreux documentaires dont années soixante-dix, lorsque la « Factory » de Warhol était devenue le centre certains sont primés, souvent en plusieurs de l’art contemporain et de la culture pop’ américaine. Son matériel à lui, ce parties, sur l’histoire et l’histoire de l’art aux n’était pas seulement ses « superstars » comme Edie Sedgwick, Viva et Etats-Unis. Candy Darling mais aussi des célébrités telles que Bob Dylan, Dennis Hopper ou Susan Sontag. On retrouve leur présence, ainsi que celle de beaucoup d’autres icônes de l’époque, dans ces documents d’origine exceptionnels, dont beaucoup sont encore inédits. 187.
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